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798 tulosta hakusanalla Stendhal
Richard Howard's exuberant and definitive rendition of Stendhal's stirring tale has brought about the rediscovery of this classic by modern readers. Stendhal narrates a young aristocrat's adventures in Napoleon's army and in the court of Parma, illuminating in the process the whole cloth of European history. As Balzac wrote, "Never before have the hearts of princes, ministers, courtiers, and women been depicted like this...one sees perfection in every detail."With beautiful illustrations by Robert Andrew Parker. "The Charterhouse of Parma has never sparkled in English with such radiance as it does in Richard Howard's new translation."--Edmund White"[A] superb new translation."--Bernard Knox, The New York Review of Books"An epic tale of war, love, sex, politics, and religion...an action-packed narrative."--The New Yorker
The Telegraph takes up from where The Green Huntsman left off with the career of Lucien Leuwen, the fashionable young cavalry officer with "republican" leanings but aristocratic tastes. When his father, an influential banker, places him in a government office, Lucien is quickly involved in a series of intrigues. He is required to assist in the suppression of a murder, fix a provincial election, and to advance the interest of his father's cabal, carry on a cold-blooded love affair with the most beautiful hostess in Paris. Through Lucien's eyes, Stendhal uncovers the moral decay of a society in which a failing government keeps itself in power by force and trickery.
The Pink & the Green: With ""Mina de Vanghel''
Stendhal
New Directions Publishing Corporation
2003
sidottu
Among the tantalizingly unfinished works of the great French writer Stendhal (1783-1842) are the opening chapters of The Pink & the Green (Le Rose et le Vert), which tell of the obsessions of Mina Wanghen, a young, intelligent Prussian heiress from Königsberg. Enamoured of everything French and determined not to be forced into marriage with any of her countless German suitors, she decamps to Paris, where her illusions meet with Gaelic realities. Stendhal abandoned the novel in 1837; however, its seeds are found in the finished story “Mina de Vanghel,” completed in 1830 and published posthumously in 1853. Both works appear here side-by-side in English.
Italian passion––”the passion that seeks its own satisfaction, and not to give one’s neighbor an enhanced idea of oneself”––is the life-blood of Stendhal’s Three Italian Chronicles. Gathered here are three long-out-of-print stories animated by life-and-death romances and sensational crimes. “The Cenci” and “The Abbess of Castro,” set in a brazen Renaissance, are the author’s versions of two antique chronicles he discovered in Italian libraries: “Vanina Vanini” is a Roman tale of the 1820s. All three give full rein to that special egoism of unswerving, passionate purpose Stendhal so adored in Napoleon and celebrated in all his heroes and heroines. Fused to that passion is his style, which imperturbably stage-manages urgent speech and violent intrigue. On this gemlike scale, his style as it charms and stings seems particularly vivid: for admirers of his novels, each of these stories gleams like an enameled miniature executed by a great master.
The Green Huntsman: Lucien Leuwen Book 1
Stendhal
NEW DIRECTIONS PUBLISHING CORPORATION
1950
nidottu
Attractive, clever, a cavalry officer and very rich, young Leuwen had everything necessary for happiness and success--everything except belief in himself and the social order of his time. It is the period of King Louis-Philippe, when an induced conservatism was atrophying France after the cataclysm of the Revolution and the glorious illusion that was Napoleon. Here is an historical novel which is the real thing--a portrait without equal of a time, a place, and the way conflicting groups of Frenchmen felt about each other and themselves. Lucien Leuwen comes down from Paris to serve with a regiment garrisoned in the provincial city of Nancy. There, though he is only a rich bourgeois, not of the nobility, he cleverly makes his way into society and dares to fall in love with the blue blood belle of the town. The magic cast by one of France's greatest novelists transports us completely into the hearts of Lieutenant Leuwen and the beautiful Bathilde de Chasteller as their love affair follows its torturous course.
A brilliant portrait of one of the most ruthlessly charming heroes in literature, The Red and the Black chronicles the rise and fall of Julian Sorel. Born into the peasantry, Sorel connives his way into the highest Parisian aristocratic circles. But his powers of seduction lead to his downfall when he commits a crime of passion.
The Life of Henry Brulard is the autobiography of one of France's greatest writers, Stendhal, author of The Red and the Black and The Charterhouse of Parma. Here, writing at white heat and with such ferocious honesty and indignation that his book was to remain unpublishable for more than a century after its composition, Stendhal revisits his unhappy childhood in a stuffy provincial town and bares his rebellious heart. His adored mother, who died when he was only seven; a father devoted only to his own social ambitions; the aunt whose daily cruelties passed for care: these are among the indelible portraits in a work that captures the sights, sounds, places, and characters of Stendhal's youth, its pleasures and sorrows, with preternatural clarity and immediacy. Full of dazzling images and burning emotions, The Life of Henry Brulard is a vivid memoir that is also an extraordinary work of the imagination.
Young Julien Sorel, the son of a country timber merchant, carries a portrait of his hero Napoleon Bonaparte and dreams of military glory. A brilliant career in the Church leads him into Parisian high society, where, "mounted upon the finest horse in Alsace," he gains high military office and wins the heart of the aristocratic Madamoiselle Mathilde de la Mole. Julien's cunning and ambition lead him into all sorts of scrapes, but it is the struggle between his passion for two beautiful women--the quixotic Mathilde and the loyal Madame de R nal--which ultimately decides his destiny.
Young Julien Sorel, the son of a country timber merchant, carries a portrait of his hero Napoleon Bonaparte and dreams of military glory. A brilliant career in the Church leads him into Parisian high society, where, "mounted upon the finest horse in Alsace," he gains high military office and wins the heart of the aristocratic Madamoiselle Mathilde de la Mole. Julien's cunning and ambition lead him into all sorts of scrapes, but it is the struggle between his passion for two beautiful women--the quixotic Mathilde and the loyal Madame de R nal--which ultimately decides his destiny.
Young Julien Sorel, the son of a country timber merchant, carries a portrait of his hero Napoleon Bonaparte and dreams of military glory. A brilliant career in the Church leads him into Parisian high society, where, "mounted upon the finest horse in Alsace," he gains high military office and wins the heart of the aristocratic Madamoiselle Mathilde de la Mole. Julien's cunning and ambition lead him into all sorts of scrapes, but it is the struggle between his passion for two beautiful women--the quixotic Mathilde and the loyal Madame de R nal--which ultimately decides his destiny.
The Life of Haydn, in a Series of Letters Written at Vienna
Stendhal
Cambridge University Press
2013
pokkari
Marie-Henri Beyle (1783–1842), better known by his pen name Stendhal, is remembered today for such novels as Le Rouge et le Noir. In his lifetime, he wrote in a variety of literary genres and under a multitude of names. Louis-Alexandre-César Bombet was his choice of pseudonym for these early works, originally published in French in 1814. His lives of Haydn and Mozart were substantially derived from works by Giuseppe Carpani and Théophile Winckler respectively. Despite this audacious plagiarism, Stendhal's passion for music is evident, especially for Mozart, whose Clemenza di Tito he had enjoyed in Königsberg during the winter of 1812 whilst serving in Napoleon's army. Of especial interest to the modern reader are Stendhal's frequent digressions expressing his forthright opinions on the issues and figures of his day. This reissue is of Robert Brewin's English translation of 1817, with additional notes by the composer William Gardiner.
Marie-Henri Beyle (1783–1842), better known by his pen name Stendhal, is remembered today for such novels as Le Rouge et le Noir. Over the course of his life, he wrote in a variety of literary genres and under a multitude of names, or anonymously. Reissued here is the 1824 English translation of his Vie de Rossini of the same year, which was accused of being partly plagiarised from Giuseppe Carpani's Le Rossiniane, following similar claims regarding his biographies of Haydn and Mozart (which are also reissued together in translation in this series). Best known for William Tell and The Barber of Seville, Gioachino Rossini (1792–1868) was by far the most popular opera composer of his day, adored by his public. Colourful, vigorous and forthright, Stendhal's brilliant though somewhat unreliable biography offers an opinionated contemporary critique of 'Signor Crescendo'.
First published in 1830, "The Red and the Black," is widely considered the masterpiece of 19th century French author Marie-Henri Beyle, known more commonly by his pen name, Stendahl. It follows the ambitions of Julien Sorel, a young man raised in the French countryside who wishes to rise above his provincial station by climbing the social ranks of Parisian society. Through a series of events, Julien's talent and hard work give way to deception and hypocrisy when he realizes the limitations for advancement of a sincere and honest man of humble origins. Although Julien achieves much which he aspires to, ultimately his pride gets the better of him when he commits a violent crime of passion, leading to his tragic downfall. Through the deep psychological introspection of Julien we see Stendhal's unique literary genius, the remarkable way in which he allows readers to live in the minds of his characters. Set against the backdrop of the July Revolution of 1830, "The Red and the Black" is a narrative which embodies the rich social conflict of that time. This edition is printed on premium acid-free paper and is translated with an introduction by Horace B. Samuel.
Written in just fifty-two days in 1839, "The Charterhouse of Parma" has since become known as one of Stendhal's finest works. Evidence of haste is infrequently apparent in this remarkable story, which follows the eventful life of the young Italian nobleman Fabrizio del Dongo. From his childhood in the family castle by Lake Como to the battlefields of Waterloo, Fabrizio proves himself charmingly headstrong and painfully na ve. Upon returning injured to Italy, the young man begins to recover and pursue ill-fated amorous exploits while his well-intentioned aunt Gina tries to plan a successful career for him with the help of her lover Count Mosca. When a period of confinement in prison leads Fabrizio to meet the beautiful and passionate Cl lia, Stendahl's amazing skill with psychological insight comes to the fore, testing the courage of his characters as never before. Considered by contemporary readers to be one of the greatest French novels of its time, "The Charterhouse of Parma" overflows with military feats, court intrigue, and romance that encapsulates both youthful excitement and the harsh realities that test happiness at every turn. This edition is printed on premium acid-free paper.