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1000 tulosta hakusanalla Claude Matoux

Claude Gueux

Claude Gueux

Victor Hugo

Createspace Independent Publishing Platform
2016
nidottu
Victor Hugo ach ve la derni re pr face du Dernier Jour d'un condamn en 1832. Quand il d couvre dans la Gazette des tribunaux du 19 mars 1832, le compte rendu du proc s d'un certain Claude Gueux condamn mort pour meurtre, il y d couvre comme un cho de son plaidoyer contre la peine de mort et d cide alors d'en faire un roman. Il retranscrit donc la vie de Claude Gueux d s son entr e dans la prison jusqu' son ex cution en passant par les motifs de son crime et son proc s.
Claude Gueux

Claude Gueux

Victor Hugo

Createspace Independent Publishing Platform
2016
nidottu
Claude Gueux, condamn de la prison pour le vol d'un pain, se retrouve pers cut par un gardien de prison. La seule issue que trouve Claude Gueux cette injustice est le meurtre de cet homme... Victor Hugo s'est d j engag dans le combat contre la peine de mort dans un roman pr c dent, Les Derniers Jours d'un condamn mort. C'est en lisant, dans la gazette des tribunaux, le proc s de Claude Gueux que Victor Hugo d cide d'en crire la vie depuis son entr e en prison jusqu' son ex cution, avant de conclure par un plaidoyer contre cette soci t implacable avec les victimes de la mis re humaine.
Claude Paysan: roman

Claude Paysan: roman

Ernest Choquette

Createspace Independent Publishing Platform
2016
nidottu
Et, vite le fils Claude et sa vieille m re Julienne avaient tendu l'oreille, jet aux fen tres un regard tonn et inquiet. Cet aboiement, ils le reconnaissaient. Puis toujours, hou... hou... hou... Ils taient alors sortis tout effar s et dans leur anxi t ils avaient bient t aper u, au rebord en pente d'un sillon, Gardien, leur chien, hurlant toujours, avec en face de lui quelque chose tass comme une masse quelconque dans les chaumes frais fauch s. Et devant ce quelque chose, un appel de d tresse du fils, un sanglot suffoquant de la m re, s' taient tout de suite unis aux aboiements du chien... Ce quelque chose c' tait le p re Claude Drioux lui-m me, inconscient, l'oeil sans vie, abattu comme par une massue au milieu des pis jaunes des bl s - sa faux encore son c t . Des alentours, les voisins, occ
Claude Gueux

Claude Gueux

Hugo Victor

Createspace Independent Publishing Platform
2017
nidottu
"Claude Gueux" was a short story written by Victor Hugo in 1834. It is considered an early example of "true crime" fiction, and contains Hugo's early thoughts on societal injustice which thirty years later he would flesh out in his novel Les Mis rables. Charles Carlier, merchant, and editor of the Revue de Paris considered the work to be of such great educational value that he arranged for copies to be sent to all the deputies in France.
Claude Debussy As I Knew Him and Other Writings of Arthur Hartmann
A record of a ten-year personal friendship, with letters, and insights on other contemporaries. Arthur Hartmann (1881-1956), a celebrated violinist who performed over a thousand recitals throughout Europe and the United States, met Claude Debussy in 1908, after he had transcribed 'Il pleure dans mon coeur' for violin and piano. Their relationship developed into friendship, and in February 1914 Debussy accompanied Hartmann in a performance of three of Hartmann's transcriptions of Debussy's works. The two friends saw each other for the last time on thecomposer's birthday, 22 August 1914, shortly before Hartmann and his family fled Europe to escape the Great War. With the publication of Hartmann's memoir Claude Debussy As I Knew Him, along with the twenty-twoknown letters from Claude Debussy and the thirty-nine letters from Emma Debussy to Hartmann and his wife, the richness and importance of their relationship can be appreciated for the first time. The memoir covers the years 1908-1918. Debussy's letters to Hartmann span the years 1908-1916, and Emma (Mme) Debussy's letters span the years 1910-1932. Also included are the facsimile of Debussy's Minstrels manuscript transcription for violin and piano, three previously unpublished letters from Debussy to Pierre Louÿs, and and correspondence between Hartmann and Béla Bartók, Nina Grieg, Alexandre Guilmant, Charles Martin Loeffler, Marian MacDowell, Hans Richter, and Anton Webern, along with Hartmann's memoirs on Loeffler, Ysaÿe, Joachim and Grieg. Samuel Hsu is a pianist and professor of music at Philadelphia Biblical University. Sidney Grolnic, now retired, was a librarian in the music department of the Free Library of Philadelphia, where he served as curator of the Hartmann Collection. Mark Peters is associate professor of music at Trinity Christian College.
Claude Vivier

Claude Vivier

Bob Gilmore

University of Rochester Press
2014
sidottu
In 1983, French-Canadian composer Claude Vivier was murdered in Paris at the age of thirty-four. Based on unrestricted access to Vivier's personal archives, this book is the first to tell his story. Claude Vivier's haunting and expressive music has captivated audiences around the world. But the French-Canadian composer is remembered also because of the dramatic circumstances of his death: he was found murdered in his Paris apartment at the age of thirty-four. Given unrestricted access to Vivier's archives and interviews with Vivier's family, teachers, friends, and colleagues, musicologist and biographer Bob Gilmore tells here the full story of Vivier's fascinating life, from his abandonment as a child in a Montreal orphanage to his posthumous acclaim as one of the leading composers of his generation. Expelled from a religious school at seventeen for "lack of maturity," Vivier gave up his ambition to join the priesthood to study composition. Between 1976 and 1983 Vivier wrote the works on which his reputation rests, including Lonely Child, Bouchara, and the operas Kopernikus and Marco Polo. He was also an outspoken presence in the Montreal arts world and gay scene. Vivier left Quebec for Paris in 1982 to work on a new opera, the composition of which was interrupted by his murder. On his desk wasthe manuscript of his last work, uncannily entitled "Do You Believe in the Immortality of the Soul." Vivier's is a tragic but life-affirming story, intimately connected to his passionate music. Bob Gilmore was a notedmusicologist and performer who taught at Brunel University in London. He wrote or edited five previous books, including Harry Partch: A Biography.
Claude Debussy

Claude Debussy

François Lesure

University of Rochester Press
2019
sidottu
English translation and revised edition of the most comprehensive and reliable biography of Claude Debussy. François Lesure's "critical biography" of Claude Debussy (Fayard, 2003) is widely recognized by scholars as the most comprehensive and reliable account of that composer's life and career as well as of the artistic milieu in whichhe worked. This encyclopedic volume draws extensively on Debussy's complete correspondence (at that time unpublished), a painstaking tracking of contemporary reviews and comments in the press, and an examination of other primary documents-including private diaries-that had not been available to previous biographers. As such, Lesure's book presents a wealth of new information while debunking a number of myths that had developed over the years since the composer's death in 1918. The present English translation and revised edition, by Debussy authority Marie Rolf, augments Lesure's numerous notes with several thousand new ones by Rolf, providing more precise information oncrucial and sometimes contentious points. It also reflects Debussy scholarship that has appeared since 2003, updating Lesure's seminal work. Rolf's translation-the first ever-will make Lesure's findings accessible to scholars, musicians, and music lovers in English-speaking lands and around the world. FRANÇOIS LESURE (1923-2001) was the Director of the Music division of the Bibliothèque nationale de France, Professor of Musicology at the Université libre de Bruxelles, and Chair of Musicology at the École pratique des Hautes Études. MARIE ROLF is senior associate dean of graduate studies and professor of music theory at the Eastman School of Music and a memberof the editorial board for the Ouvres complètes de Claude Debussy.
Nightcharmer and Other Tales of Claude Seignolle

Nightcharmer and Other Tales of Claude Seignolle

Claude Seignolle; Lawrence Durrell

Texas A M University Press
2000
nidottu
These eight tales of mystery and the supernatural feature sorcerers, the Grim Reaper in a horse-drawn coach, a beguiling bird of death, a long-dead saint turned devil, and a whole retinue of creatures of the night. Claude Seignolle, distinguished French ethnographer and folklorist and author of more than twenty-three volumes of short stories and novels, is a master of the "rustic" tale, which depicts folklore and popular traditions of the French countryside. He incarnates Satan as an entity sharing human traits, an evil spirit who identifies himself with human suffering. Seignolle's Gothic stories are not meant merely to terrorize, however; they are intended to revive an oral tradition in danger of becoming extinct. These vignettes, selected and translated into English by Eric H. Deudon, are charged with poetry and mystery; as Lawrence Durrell notes in his foreword, they are strong, truthful, and intense. Seignolle brings to life the wealth of popular legend; by intertwining the boundaries of the real and the supernatural, he reveals that the least conspicuous or most ordinary objects of everyday life can possess unexpected and formidable dimensions. Claude Seignolle's fiction works have been translated into eight languages and adapted for both theater and cinema. These stories will delight anyone who enjoys Gothic tales and the enchanted territory of the fantastic.
Claude & Medea

Claude & Medea

Zoe Weil

LANTERN BOOKS,US
2023
nidottu
Seventh-graders, Claude and Medea, don't expect a "quirky" substitute teacher to change their lives and turn them into heroes who solve a mystery, go after criminals, and commit to making a difference in the world. Claude and Medea aren't expecting an odd substitute teacher to change their lives. Nor are they anticipating the dangerous adventure in store for them. They seem like normal kids. But are they? Claude has famous parents and sticks to the rules. Medea's got a scholarship to a fancy private school and can't get into trouble. Why do they care so much about the weird Ms. Rattlebee and become inspired to be heroes? Find out what makes this unlikely pair begin to view the world differently and risk everything. Claude and Medea: The Hellburn Dogs is a riveting story that will make kids eager for more while offering them true heroes for today's world. This is a book that gives kids not only what they most want but also what they most need--protagonists who embody courage, compassion, and care.
Claude Simon

Claude Simon

Alina Cherry

Fairleigh Dickinson University Press
2016
sidottu
Claude Simon: Fashioning the Past by Writing the Present considers the aesthetic, cultural, and philosophical facets of a temporal paradox in the works of French novelist Claude Simon (1913-2005), and its broader implications for the study of narrative, and for cultural and post-modern theory. This paradox emerges from the problematic representation of the past through an aesthetic rooted in an exclusive valorization of the present. In his 1985 Nobel speech, as well as on other numerous occasions, Simon expressed a fascination with simultaneity through the provocative claim that he never wrote about the past, but attempted to capture only what was happening during the writing process, that is, in the “present of writing,” as he put it. Simon’s seemingly unambiguous claim raises significant issues and contradictions that become extensively apparent when the statement is considered in the light of his fictional works, since these must be construed, for the most part, as explorations of the past. In this study Alina Cherry propose to look at the tensions that arise from this paradox, and examine the present of writing holistically—that is both as a stylistic device and within the thematic context of Simon’s works—in order to assess its capacity for becoming an instrument of ontological and epistemological inquiry that can also intervene powerfully in the decisive philosophical and socio-political debates that have animated the cultural landscape of post-World War II France. Simon’s vivid portrayals of suffering and devastation open new ways of understanding the impact of some of the most traumatic historical events of the twentieth century: the two World Wars and the Spanish Civil War. This impact is necessarily connected with a need to tell these events, and to tell them in highly innovative ways, namely by creating a distinctive style that revolutionizes the outworn narrative traditions of a world whose very foundations have been shattered by the chaos of war and effectively undermines various institutions and dominant socio-cultural structures, revealing implicitly and explicitly, a strong ethical vein.
Claude Monet Mini Sticky Book

Claude Monet Mini Sticky Book

Claude Monet

teNeues Publishing Company
2018
muistikirja
Claude Monet (French, 1840-1926) was one of the best-known and most influential painters of the seminal Modern art movement, Impressionism, which sought to capture the fleeting moments in nature and the subtle passage of time with flickering light effects and hurried brush strokes of soft color on canvas. This Mini Sticky Book is a portable hardcover containing a full-colour sticky notepad for easy note and list-taking at home or on the road. durable, pocket-sized, hardcover bookcardstock and fabric inside pocket for business cards, cash, receipts, stamps, etc.130 full-colour illustrated note sheetsbook measures 89 x 127mm. We choose the best images from well-known classic and contemporary fine artists, plus talented emerging illustrators and designers from around the globe.
Claude Monet Mini Notebook

Claude Monet Mini Notebook

Claude Monet

teNeues Publishing Company
2021
muistikirja
Mini Notebooks are full colour hardcover pocket-sized books featuring bright accents on the edges of the paper. The paper is lightly printed with a dot-grid, perfect for note taking, list making and doodling. We choose the best images from well-known classic and contemporary fine artists, plus talented emerging illustrators and designers from around the globe. Claude Monet (French, 1840-1926) was one of the best-known and most influential painters of the seminal Modern art movement, Impressionism, which sought to capture the fleeting moments in nature and the subtle passage of time with flickering light effects and hurried brush strokes of soft colour on canvas. 120 pagesdot-grid papersky-blue edge paper padportable size 127 x 89mm.hardcoverlay-flat bindingsmooth matte finish cover art
Claude Monet GreenThanks

Claude Monet GreenThanks

Claude Monet

teNeues Publishing Company
2018
muu
These eco-friendly cards, envelopes, and packaging are printed with soy-based inks and made with environmentally-friendly materials. 16 notecards and envelopes, 1 imageCards, envelopes and packaging made with recycled materialsPackaged in a reusable corrugated flip-top boxCards printed on uncoated paper stockCards and envelopes bundled together with a decorative twine tieBox measurement 114 x 147 x 25 mm. We choose the best images from well-known classic and contemporary fine artists, plus talented emerging illustrators and designers from around the globe. Claude Monet (French, 1840-1926) was one of the best-known and most influential painters of the seminal Modern art movement, Impressionism, which sought to capture the fleeting moments in nature and the subtle passage of time with flickering light effects and hurried brush strokes of soft colour on canvas.