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874 tulosta hakusanalla Creighton Halbert

Morteza

Morteza

Neil Creighton

Kelsay Books
2022
pokkari
Morteza, a young physician, makes his escape from a country like Iraq, finds asylum in one like Australia. Each year, he travels to his native land to treat the victims of terrorist explosions. Meanwhile, his new country turns fearful, mean-spirited, eager to shut its doors. On the armature of this story Neil Creighton weaves a work at once epic and lyric. A gifted poet with something urgent to say possesses a powerful voice, especially when his indignation is disciplined and his imagination fired by empathy. Morteza offers memorable and vividly particular imagery; yet no reader will fail to feel its universality.Robert Wexelblatt, author of Hsi-wei TalesThis powerful collection follows the lives of three characters: Morteza, a surgeon and refugee; his wife Rosa; and Atefeh, an amputee Morteza helps when he returns to his country of origin. Morteza explores dark themes like greed, lust for power, tyranny, cruelty, and disregard for the value of human life, yet throughout this often heartrending journey, images of war contrast with a sense of cosmic oneness-the clear night sky rising above a toxic fog. And although empires crumble, for the three protagonists, it is Love that endures. As Atefeh says, What is there but doing good, / loving mercy and believing / that love can triumph and reign / in this small heart of mine. May it be so Penny Harter, author of Still-Water Days"For all refugees and victims of war" is the dedication for this incredible story, a tale of the width and breadth of suffering that war causes. Fiction, yes, but also truth. And in the cloak of verse, this truth becomes a warning, a call for compassion, a plea for everyone to stop and consider our place in the process of wars and refugees and victims. Creighton invites me and you to walk along with him as Morteza, to learn to care. That is where we find the antidote to the ragged face of war. Powerfully written, painfully accurate, Morteza is worth more than a single reading.James E Lewis, author of leave a light on
The Colquhoun Chronicles

The Colquhoun Chronicles

Neil Creighton

Kelsay Books
2023
pokkari
A saga that sings In this new poem cycle-reminiscent at times of the best work of Homer, Jean Rhys and Hemingway-a father, Colquhoun, embarks on a perilous sea journey to rescue his daughter but finds himself on a challenging inner voyage as well. Meanwhile, his daughter's own path is no less difficult. Many surprises await them both. Having already loved Neil Creighton's earlier book, Rock Dreaming, I came to his Colquhoun Chronicles with high expectations. Happily, this new book-steeped in love, loss, hazard and human evolution-met and to some degree even exceeded them.-John Burroughs, U.S. Beat Poet Laureate. 2022-2023I compare the lyrical saga, The Colquhoun Chronicles, to the Odyssey and feel it is destined to become a classic. This hero's journey is not in mighty deeds of self-glorification but in learning how to be affected by stories not his own. Colquhoun learns compassion and understanding from historic women, from his surroundings and from creatures of the sea and sky. Part of its genius is that Miriam, Colquhoun's oppressed daughter, also experiences transformation, her "rescue" coming through her own growth in understanding rather than a "hero" coming to swoop her away. Deep wisdom and love are sprinkled throughout this five-star book and Creighton's words belong in everyone's heart.-Joan Leotta, author of Feathers on Stone Here is an adventure of the soul, a journey of self-discovery, and a history lesson about ourselves and our times. Though it might be difficult to imagine such breadth in one short book, The Colquhoun Chronicles taps into the zeitgeist. Colquhoun is a man who is forced by the circumstances of his life to confront himself. His new understanding is painfully wrung; this is an awakening both agonizing and revelatory. In Creighton's work you'll hear echoes of Coleridge and a touch of Keats. The poet has the spirit of the Romantic about him-you'll find beautiful verse within-but always tempered by a contemporary realism that is startling. Read and be prepared, like Colquhoun, to be changed.-Alan Walowitz, author of The Story of the Milkman and Other Poems
Breakthrough On The Red Planet: First Edition

Breakthrough On The Red Planet: First Edition

Ben Creighton

Independently Published
2018
nidottu
This quick, one-sitting but nonetheless momentous read brings forth additional explanations regarding the puzzling and untimely demise of our neighboring Red planet. Simultaneously, it will also serve to finally breakthrough the repugnant global UFO cover-up and many taken-for-granted religious notions. Ideal for those who put a premium on truth regardless of where it leads... Matchbook Enabled: buy paperback and get Kindle version for just $0.99 (Amazon.com only)
Eloy the Existential Donkey

Eloy the Existential Donkey

Ben Creighton

Land of the Blind LLC
2020
pokkari
Eloy the Existential Donkey tells a story of grief and loss from a secular perspective. When Eloy's best friend dies in a rock slide, Eloy must come to terms with the concept of mortality and the apparent senselessness of his friend's death.Written by Ben Creighton after his own brother's sudden death at the age of 27 and illustrated by award-winning artist Carolyn Arcabascio, Eloy the Existential Donkey approaches its delicate subject matter with respect and sensitivity. It maintains a tone appropriate for young children without shying away from the hard realities of grief.
Reclaiming the Sacred Source

Reclaiming the Sacred Source

Lynn Creighton

Sacred Source
2021
pokkari
Sexuality is our given capacity to celebrate life, a capacity that was diminished by Indo-European invaders who gave women to be the property of their husbands. That cultural imbalance remains today. Reclaiming orgasm as a powerful means of celebrating life will heal and empower us. Reclaiming the Sacred Source is a valuable story, both of one woman and of all women, and their journey of losing connection with the power of their sacred sexuality and a path forward to regaining it.
Reclaiming the Sacred Source

Reclaiming the Sacred Source

Lynn Creighton

Sacred Source
2021
sidottu
Sexuality is our given capacity to celebrate life, a capacity that was diminished by Indo-European invaders who gave women to be the property of their husbands. That cultural imbalance remains today. Reclaiming orgasm as a powerful means of celebrating life will heal and empower us. Reclaiming the Sacred Source is a valuable story, both of one woman and of all women, and their journey of losing connection with the power of their sacred sexuality and a path forward to regaining it.
Reclaiming the Sacred Source

Reclaiming the Sacred Source

Lynn Creighton

Sacred Source
2021
pokkari
Sexuality is our given capacity to celebrate life, a capacity that was diminished by Indo-European invaders who gave women to be the property of their husbands. That cultural imbalance remains today. Reclaiming orgasm as a powerful means of celebrating life will heal and empower us. Reclaiming the Sacred Source is a valuable story, both of one woman and of all women, and their journey of losing connection with the power of their sacred sexuality and a path forward to regaining it.
Reclaiming the Sacred Source

Reclaiming the Sacred Source

Lynn Creighton

Sacred Source
2021
sidottu
Sexuality is our given capacity to celebrate life, a capacity that was diminished by Indo-European invaders who gave women to be the property of their husbands. That cultural imbalance remains today. Reclaiming orgasm as a powerful means of celebrating life will heal and empower us. Reclaiming the Sacred Source is a valuable story, both of one woman and of all women, and their journey of losing connection with the power of their sacred sexuality and a path forward to regaining it.
Early European Castles

Early European Castles

Oliver Creighton

Bloomsbury Academic
2012
nidottu
Medieval castles were, alongside the great cathedrals, the most recognisable buildings of the medieval world. Closely associated with concepts of justice, lordship and authority as well as military might, castles came to encapsulate the period's very essence. Looking at above and below-ground evidence and examining a wide variety of sites - from towering donjons to earth and timber castles - in different parts of western Europe, this book explores the relationship between early castle building and the emergence of a new aristocracy and investigates the impact of authority on the organisation of the landscape.A particular focus is on the social context of early private fortifications: Europe’s earliest castles came to embody a new and radically different form of power – an aristocratic authority that was highly personal in nature, glaringly visible in its presence, and enforceable through violence, both threatened and real. The volume reassesses traditional models of castle origins; examines aspects of elite lifestyle in and around these structures, including pastimes and diet; considers medieval visual experiences of sites and their settings; and explores some future directions for research.
Designs upon the Land

Designs upon the Land

Oliver Creighton

The Boydell Press
2013
pokkari
A wide-ranging and accessibly written account of designed medieval landscapes. The phrase "designed landscape" is generally associated with the great parks and gardens of the post-medieval period, with grand country houses surrounded by parkland, such as Chatsworth and Longleat. However, recent research hasmade it clear that its origins lie much further back than that, in the middle ages, and numerous examples have been identified. This book offers the first full-length survey of designed medieval landscapes, not just the settings for castles, but for palaces, manor houses and monastic institutions. Gardens and pleasure grounds gave their owners sensory enjoyment; lakes, ponds and walkways created routes of approach that displayed residences to best effect;deer parks were stunning backdrops and venues for aristocratic enjoyment; and peacocks, swans, rabbits and doves were some of the many species which lent these landscapes their elite appearance. Richly illustrated with plans, maps, and photographs of key sites showing what can still be seen today. Oliver H. Creighton is Associate Professor in Archaeology, University of Exeter .
The Bones of it

The Bones of it

Kelly Creighton

Liberties Press Ltd
2015
nidottu
Thrown out of university, green-tea-drinking, meditation-loving Scott McAuley has no place to go but home: County Down, Northern Ireland. The only problem is, his father is there now too. Duke wasn’t around when Scott was growing up. He was in prison for stabbing two Catholic kids in an alley. But thanks to the Good Friday Agreement, big Duke is out now, reformed, a counselor. Squeezed together into a small house, with too little work and too much time to think about what happened to Scott’s dead mother, the tension grows between these two men, who seem to have so little in common. Penning diary entries from prison, Scott recalls what happened that year. He writes about Jasmine, his girlfriend at university. He writes about Klaudia, back home in County Down, who he and Duke both admired. He weaves a tale of lies, rage and paranoia.
The Baby Snatchers

The Baby Snatchers

Mary Creighton

BLINK Publishing
2017
nidottu
The Sunday Times and Irish Times bestseller, as featured in the Sunday Independent'You're all fallen women. You've sowed the seed of Satan. You are nothing.'Mary Creighton was just 15 when she found herself pregnant out of wedlock, in 1960s Ireland. She dreamed of a happy life with her child, but that was shattered when she was sent away to Castlepollard - a home for mothers and their unborn babies.Stripped of their clothes and forced into gruelling work whilst pregnant, those who survived childbirth were made to force-feed their children for adoption into wealthy families. Babies were ripped out of their mother's hands, but Mary refused to let that happen to her. She managed to escape only to later lose her beautiful daughter to social services and the Sacred Heart nuns, who always managed to catch up with her. After spending time in an infamous Magdalene Laundry, and having another two children snatched away, Mary sought to find her lost children, and demand answers for the atrocities committed supposedly in God's name.This is a haunting account of a mother's worst nightmare, as Mary continues to fight for justice for the mothers who suffered and the babies of Castlepollard: hundreds of which died and are still buried in the grounds today.
Loving Leah

Loving Leah

Neil Creighton

Kelsay Books
2020
nidottu
Neil Creighton's fine collection, Loving Leah, with its echoes of Lear and white-hot emotional center, is a symphony in a wounded key. Leah's daughter Cordelia confronts her mother's death and betrayal as she struggles back, through memory and nature's healing power, to the deep love that informed her childhood world. Creighton masterfully captures the sorrow of watching a beloved parent shrink away under the baleful influence of selfish daughters and he renders Leah's death scene with great power. You will not come away from this work unmoved, and you will be awed by the sense of hard-earned regeneration.Steve Klepetar, author of fourteen poetry collections, including The Li Bo Poems and My Son Writes a Report on the Warsaw GhettoIf Loving Leah puts you in mind of King Lear, it's quite intentional. Finding forgiveness within ourselves has never been easy. The hurt, the heavy heart, the torn-fabric of lives once intimately connected--all we believed ourselves to be must be faced and measured. This remarkable sequence of poems takes the reader down the entire rock-strewn and sometimes unnerving path. In the chapbook's concluding poem, "Tapestry," Creighton comes to the final letting go, which might, at last, allow for loving Leah again. You'll be moved, and changed, as much by Creighton's journey, as the arrival.Alan Walowitz, author of Exactly Like Love and The Story of the Milkman and Other PoemsNeil Creighton's gifts for incarnating feeling in memorable language, for sharp observation and clear-eyed honesty, are on glorious display in Loving Leah, a cycle of poems at once intimately personal and lamentably universal. Here Lear is Leah, an aging mother fading into fear and institutional care. The poet fills the role of Cordelia, loving, perplexed, unjustly excluded, forgiving. The story behind these poems is characterized by powerful emotional restraint, like a coiled spring. Moving back and forth over time, Loving Leah becomes a miniature saga with the poems carefully disposed into an arc of loss, mourning, resentment, dismay, grief, secrecy, guilt, acceptance. The residue is love. Robert Wexelblatt, whose works include Hsi-wei Tales and Girl Asleep and Other Poems
Rock Dreaming

Rock Dreaming

Neil Creighton

Kelsay Books
2021
nidottu
Neil Creighton's poems insist that it is time, long past time, to acknowledge crimes against indigenous people, to stop cloaking and hiding past colonialism and current racism with lies, to shine a light of honesty on what the legacy of the white invasion of Australia really is, and to begin creating a space of hope for healing. Painful, powerful, and truly necessary poetry.-Laura M. Kaminski, Managing Editor of Praxis Magazine Online and Author of five poetry collections and four chapbooks, including Anchorhold and The Heretic's Hymnal It is astonishing how Rock Dreaming reasserts Australia's precolonial history, confronts her colonial history, rewrites the history, and transcends its endless tyranny with a great anger, a greater insight, and a much greater empathy capable of healing the oppressed. The magic of this collection is rooted in Creighton's humane attention to the details of the conditions of the people whose lives his poems explore so powerfully.-Darlington Chibueze Anuonye, Curator of Daybreak: An Anthology of Short Nigerian Fiction The poems in Rock Dreaming approach their difficult subject matter in many ways. They are lyrical, journalistic, deeply personal, and historical. Often confronting, unflinching, almost cinematically brutal, they seek justice but never self-justification. In them Creighton seeks "to gouge a path of acknowledgment straight into the heart of national conscience." The poems reveal a tender heart and a desire to educate the reader about a buried history of genocide. We can only hope that works such as these can incite sufficient indignation and compassion to lead to whatever reparations are still possible.-Betsy Mars, Author of Alinea