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1000 tulosta hakusanalla Edith Hamilton
This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women’s suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women’s suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women’s suffrage movement receives timely reappraisal in Katharine Cockin’s meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig’s death.
This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women’s suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women’s suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women’s suffrage movement receives timely reappraisal in Katharine Cockin’s meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig’s death.
The Early Short Fiction of Edith Wharton - A Ten-Volume Collection - Volume 1
Edith Wharton
White Press
2014
pokkari
The Early Short Fiction of Edith Wharton - A Ten-Volume Collection - Volume 2
Edith Wharton
White Press
2014
pokkari
Edith Wharton and Mary Roberts Rinehart at the Western Front, 1915
Ed Klekowski; Libby Klekowski
McFarland Co Inc
2018
pokkari
By 1915, the Western Front was a 450-mile line of trenches, barbed wire and concrete bunkers, stretching across Europe. Attempts to break the stalemate were murderous and futile. Censorship of the press was extreme--no one wanted the carnage reported. Remakably, the Allied command gave two intrepid American women, Edith Wharton and Mary Roberts Rinehart, permission to visit the front and report on what they saw. Their travels are reconstructed from their own published accounts, Rinehart's unpublished day-by-day notes, and the writings of other journalists who toured the front in 1915. The present authors' explorations of the places Wharton and Rinehart visited serves as a travel guide to the Western Front.
Edith and the Mysterious Stranger: A Family Saga in Bear Lake, Idaho
Linda Weaver Clarke
Createspace Independent Publishing Platform
2012
nidottu
Edith is a nurse and moves to Idaho to care for her cousin. Edith has wonderful qualities but never gives a man a second chance because her expectations are so high. However, all that changes when a mysterious stranger starts writing to her. For the first time, she gets to know a man's inner soul before making any harsh judgments. Whoever he is, this man is a mystery and the best thing that has ever happened to her. The question that puzzles her is whether or not he is as wonderful in person as he is in his letters.
The Early Short Fiction Of Edith Wharton
Edith Wharton
Createspace Independent Publishing Platform
2013
nidottu
Edith Wharton, Willa Cather, and the Place of Culture
Julie Olin-Ammentorp
University of Nebraska Press
2019
sidottu
Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton’s The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather’s O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862–1937) and Cather (1873–1947) have rarely been studied together. Indeed, Wharton is seen as “our literary aristocrat,” an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describes the lives of rugged Western pioneers. But these depictions neglect the striking and important ways the works of these two authors intersect. The first comparative study of Wharton and Cather in more than thirty years, this book reveals Wharton’s and Cather’s parallel experiences of dislocation, their relationship to each other as writers, and the profound similarities in their theories of fiction. Julie Olin-Ammentorp explores the importance of literary and geographic place in their lives and works, including the role of New York City, the American West, France, and travel. In doing so she reveals the two authors’ shared concern about the culture of place and the place of culture in the United States.
Edith Wharton, Willa Cather, and the Place of Culture
Julie Olin-Ammentorp
University of Nebraska Press
2025
pokkari
Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton’s The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather’s O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862–1937) and Cather (1873–1947) have rarely been studied together. Indeed, Wharton is seen as “our literary aristocrat,” an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describes the lives of rugged Western pioneers. But these depictions neglect the striking and important ways the works of these two authors intersect. The first comparative study of Wharton and Cather in more than thirty years, this book reveals Wharton’s and Cather’s parallel experiences of dislocation, their relationship to each other as writers, and the profound similarities in their theories of fiction. Julie Olin-Ammentorp explores the importance of literary and geographic place in their lives and works, including the role of New York City, the American West, France, and travel. In doing so she reveals the two authors’ shared concern about the culture of place and the place of culture in the United States.
Edith Wharton, Collection novels
Edith Wharton
Createspace Independent Publishing Platform
2014
nidottu
Edith Wharton, Collection novels II
Edith Wharton
Createspace Independent Publishing Platform
2014
nidottu
Thoughts in Rhyme by Edith Holland: Thoughts in Rhyme
Edith M. Holland
Createspace Independent Publishing Platform
2014
nidottu
Selected Poems of Edith Wharton
Edith Wharton; Irene Goldman-Price
Scribner Book Company
2019
nidottu
Edith Wharton, the first woman to win the Pulitzer Prize for Fiction with her novel The Age of Innocence, was also a brilliant poet. This revealing collection of 134 poems brings together a fascinating array of her verse--including fifty poems that have never before been published. The celebrated American novelist and short story writer Edith Wharton, author of The House of Mirth, Ethan Frome, and the Pulitzer Prize-winning The Age of Innocence, was also a dedicated, passionate poet. A lover of words, she read, studied, and composed poetry all of her life, publishing her first collection of poems at the age of sixteen. In her memoir, A Backward Glance, Wharton declared herself dazzled by poetry; she called it her "chiefest passion and greatest joy." The 134 selected poems in this volume include fifty published for the first time. Wharton's poetry is arranged thematically, offering context as the poems explore new facets of her literary ability and character. These works illuminate a richer, sometimes darker side of Wharton. Her subjects range from the public and political--her first published poem was about a boy who hanged himself in jail--to intimate lyric poems expressing heartbreak, loss, and mortality. She wrote frequently about works of art and historical figures and places, and some of her most striking work explores the origins of creativity itself. These selected poems showcase Wharton's vivid imagination and her personal experience. Relatively overlooked until now, her poetry and its importance in her life provide an enlightening lens through which to view one of the finest writers of the twentieth century.
From the beginning of her career in 1935 to her death in 1963 and right up to the present, Édith Piaf has been recognized as unique and iconic. She is France’s most celebrated and mythified singing star across the world. Récital 1961 explores her most important album: the live recording of her comeback concert at the Paris Olympia on 29 December 1960, which unveiled her keynote song, ‘Non je ne regrette rien’ (No Regrets). It examines the content, context and significance of the concert in relation to Piaf’s career, her life and her celebrity. What was so special about the performance and why did the ecstatic audiences, that night and at the subsequent performances in 1961, find it so powerful and moving? The book dissects the live show, the album and the songs that feature on it, and at a deeper level their place in the invention of the public Piaf we know today – asking why, more than a century after her birth and 60 years after her death, we still remember her, listen to her and commemorate her around the world.
From the beginning of her career in 1935 to her death in 1963 and right up to the present, Édith Piaf has been recognized as unique and iconic. She is France’s most celebrated and mythified singing star across the world. Récital 1961 explores her most important album: the live recording of her comeback concert at the Paris Olympia on 29 December 1960, which unveiled her keynote song, ‘Non je ne regrette rien’ (No Regrets). It examines the content, context and significance of the concert in relation to Piaf’s career, her life and her celebrity. What was so special about the performance and why did the ecstatic audiences, that night and at the subsequent performances in 1961, find it so powerful and moving? The book dissects the live show, the album and the songs that feature on it, and at a deeper level their place in the invention of the public Piaf we know today – asking why, more than a century after her birth and 60 years after her death, we still remember her, listen to her and commemorate her around the world.
Edith and the Meteor: & Hitchhiking, Couch Surfing, Bar Hopping: Two Screenplays
Wil Davis
Createspace Independent Publishing Platform
2015
nidottu