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1000 tulosta hakusanalla Nadine Labib
Jessica was going through a divorce and was in no mood for any new relationships at the moment. In fact, she needed a long vacation away from the stress of her pending divorce and the opening of her new bakery in a few months. Her friends and family talked her into going on vacation and trying new things. While on vacation she runs into an old love of hers. They rekindle a flame that she thought was long burned out. Jessica got burned by Greg once before, does she dare let him hurt her again? Greg knew he had to make Jessica understand how he felt about her. Even though he was not ready for a serious relationship right now, he knew that he could not let Jessica leave North Carolina without her knowing that he still loved her. But was his love for her enough to keep her in his life. Will the risk of getting hurt by Greg again be worth letting him back into her life?
In this collection of sixteen stories, Gordimer brings unforgettable characters from every corner of society to life: a child refugee fleeing civil war in Mozambique; a black activist's deserted wife longing for better times; and, a rich safari party indulging themselves while lionesses circle their lodge. "Jump" is a vivid, disturbing and rewarding portrait of life in South Africa under apartheid.
Harold, a respected director of an insurance company, and his doctor wife, Claudia, are faced with something they believed could never happen to them: their son has committed murder. What kind of loyalty do parents owe a son who has committed this horror? And where is it they have failed him?
Gordimer describes this collection of her non-fiction pieces as "a reflection of how I've looked at this century I've lived in". The essays and articles encompass wide-ranging and global themes from the South Africa of 1956 to the emergence of a free state in 1994, and the impact of technology.
In this work, Nadine Gordimer unfolds the story of a young woman's slowly evolving identity in the turbulent political environment of present-day South Africa. Her father's death in prison leaves Rosa Burger alone to explore the intricacies of what it actually means to be Burger's daughter.
In these stories, selected by Gordimer herself, characters from every corner of society come to life, along with the South African landscape they inhabit. The stories have a strong focus on racial issues, yet their implications are universal. The stories are National Curriculum recommended reading.
Julie Summers' car breaks down in a sleazy street. A young Arab garage mechanic comes to her aid. Out of this meeting develops a story of relentless emotions as the young man is deported and Julie insists on going with him. He is dedicated to leaving while she becomes attached to her new home.
James Bray, an English colonial administrator who was expelled from a central African nation for siding with its black nationalist leaders, is invited back ten years later to join in the country's independence celebrations. As he witnesses the factionalism and violence that erupt as revolutionary ideals are subverted by ambition and greed, Bray is once again forced to choose sides, a choice that becomes both his triumph and his undoing.
Helen Shaw is the daughter of white middle-class parents in a gold-mining town in South Africa. As Helen comes of age, her awareness of the African life around her grows. Her involvement with young blacks leads her into complex relationships of emotion and action in a culture of dissension.
Living in Johannesburg, Toby moves easily between the complacent wealthy white suburbs and the vibrant alive black townships. His friends include a wide variety of people, but it is his friendship with Steven Sithole that touches him in ways he never thought possible.
A schoolboy playing truant bumps into his revered father coming out of the cinema with a woman. An ordinary mishap; but the father is no ordinary man, and the family, threatened by the affair, is no ordinary family. This is a passionate story; love between a man and two women, between father and son, and something even more demanding - a love of freedom. It is a highly intimate drama of personal conflict and public struggle in the evolutionary events that, at great cost to people like these, have brought about change in South Africa.
A startling new work from a Nobel prize-winning author: ten short stories, each a revelation of our interior lives, each entering unforeseen contexts of our contemporary world. In the title story an earthquake exposes both an ocean bed strewn with treasure among the dead, and the avarice of the town's survivors. In 'The Diamond Mine' a woman remembers her first, passionately erotic experience, hidden, in the company of her parents, with a soldier who may not be alive to remember her. The anopheles mosquito brings death to the saunas and other playgrounds of the developed with in 'The Emissary'. In 'Karma', Gordimer's inventiveness knows no bounds: in five returns to the earthly life, taking on different ages and genders, a disembodied narrator testifies to unfinished business - critically, wittily - and questions the nature of existence.
Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son and mistress leave him; his foreman and workers become increasingly indifferent to his stewardship; even the land rises up, as drought, then flood, destroy his farm. As the upheaval in Mehring's world increasingly resembles that in the country as a whole, it becomes clear that only a seismic shift in ideas and concrete action can avert annihilation.
For years, it has been what is called a 'deteriorating situation'. Now all over South Africa the cities are battlegrounds. The members of the Smales family - liberal whites - are rescued from the terror by their servant, July, who leads them to refuge in his native village. What happens to the Smaleses and to July - the shifts in character and relationships - gives us an unforgettable look into the terrifying, tacit understandings and misunderstandings between blacks and whites.
When Paul Bannerman, an ecologist in Africa, is diagnosed with cancer and prescribed treatment that makes him radioactive, his suddenly fragile existence makes him question his life for the first time. He is especially struck by the contradiction in values of his work as a conservationist and that of his wife, an advertising agency executive. Then when Paul moves in with his parents to protect his wife and young son from radiation, the strange nature of his condition leads his mother to face her own past.
This rich story collection will be a reminder to Nadine Gordimer's countless admirers, and a taster for the uninitiated, of her enduring imaginative power. A woman gauges the state of her marriage by the tone of her husband's cello; a wife reads her husband's mood by the scent in the nape of his neck; a newly emigrated couple are divided by visual obsession, he with his native Budapest, she with South African suburbia. With consummate artistry, Gordimer illustrates the show downs, standoffs and highlights of human intimacy while penetrating the nuances of immigration, national identity and race.
Throughout her career the internationally renowned South African writer Nadine Gordimer has built a literary reputation with her incisive short stories as much as with her acclaimed novels. Together with her essays, this highly imaginative and committed body of work won her the Nobel Prize for Literature in 1991. In the opinion of the Academy: ‘Through her magnificent epic writing she has - in the words of Alfred Nobel - been of very great benefit to humanity.'Gordimer has said that while novelists take the reader by the hand developing ‘a consistency of relationship that does not and cannot convey the quality of human life, where contact is more like the flash of fireflies, in and out, now here, now there, in darkness. Short-story writers see by the light of the flash; theirs is the only thing one can be sure of - the present moment.'Now, for the first time, the best of her stories are published in one volume.
How do the practices of philosophy and film converge in ethical and political theory? Focusing on Alain Resnais and Chris Marker's cinemas, Boljkovac uses the philosophy of Gilles Deleuze to ask how cinema can enable us to see and act in an ethical way. It is a new perspective on the relationships between poststructuralist philosophy, ethics and modern cinema. It reads and analyses the cinematic medium itself through concepts of affect, sensation and actual & virtual violence.