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1000 tulosta hakusanalla RICHARD EDW DENNETT

Richard Rolle and the Invention of Authority

Richard Rolle and the Invention of Authority

Nicholas Watson

Cambridge University Press
1991
sidottu
This 1991 book is a literary study of the career of Richard Rolle (d.1349), a Yorkshire hermit and mystic who was one of the most widely read English writers of the late Middle Ages. Nicholas Watson proposes a chronology of Rolle's writings, and offers a literary analyses of a number of his works. He shows how Rolle's career, as a writer of passionate religious works in Latin and later in English, has as its principal focus the establishment of his own spiritual authority. The book also addresses wider issues, suggesting an alternative way of looking at mystical writing in general and challenging the prevailing view of the relationship between medieval and renaissance attitudes to authors and authority.
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Richard III

Richard III

Horrox Rosemary

Cambridge University Press
1991
pokkari
Despite the recent renaissance in studies of the reign of Richard III, most historians have remained focussed on conventional themes, especially the character and motivation of the king and the fate of his nephews. Less attention, as a result, has been devoted to the reign’s importance in the patterns of late medieval government and in the evolution of royal authority. Basing her research on a wide range of archival material, Dr Horrox attempts to correct this thematic imbalance by highlighting a crucial feature of royal government in the period, the role of the king’s servants. For the years immediately before and during Richard’s reign, the book fully explores the practicalities of having commands obeyed, the reciprocal nature of service relationships and the whole structure of late medieval ‘affinities’, or client systems. Indeed, this first full-length study of royal patronage in a period of social and political upheaval will prove invaluable to anyone concerned with the dynamics of power and executive government on a national and local level. Inevitably, it will also alter our understanding of the reasons for the fall of the last Yorkist king and shed light on broader issues in fifteenth-century politics.
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Richard Wagner's Music Dramas

Richard Wagner's Music Dramas

Dahlhaus Carl

Cambridge University Press
1992
pokkari
Previous studies of Wagner's operas have tended to approach the works as chunks of autobiography, philosophical speculations or historical-political comments on the age in which they were written. Professor Dahlhaus dissociated himself from all such ventures. His aim is to reveal, by careful analysis of the works from Der fliegende Hollander to Parsifal, the dominant features of 'music drama' and how Wagner achieves such profound, unified effects. Professor Dahlhaus cites music examples only when they are germane to his argument and requires from his readers no more than a limited amount of technical musical knowledge. This is not, therefore, an exclusively specialist study. Rather it will help the enthusiastic beginner to come to terms with these great works of art as well as offering many valuable insights to the experienced Wagnerian. The book will be of interest to students and scholars of music history, theory, opera and philosophy.
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Richard Wagner: Tristan und Isolde

Richard Wagner: Tristan und Isolde

Cambridge University Press
2011
sidottu
Wagner's Tristan und Isolde occupies a singular position in the history of Western culture. What Nietzsche called the 'sweet and terrible infinity' of its basic nexus of longing and death has fascinated audiences since its first performance in 1865. At the same time, its advanced harmonic language, immediately announced by the opening 'Tristan chord', marks a defining moment in the evolution of modern music. This accessible handbook brings together seven leading international writers to discuss the opera's genesis and the libretto's relationship to late Romantic literary concerns, present an analysis of the Prelude, the music of the drama itself, and Wagner's innovative use of instrumental timbre, and illustrate the production history and reception of the music-drama into the twenty-first century. The book includes the first English translation of Wagner's draft prose of the libretto, a detailed discussion of Wagner's orchestration, and rare pictures from important and influential productions.
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Richard Wagner: Tristan und Isolde

Richard Wagner: Tristan und Isolde

Cambridge University Press
2011
nidottu
Wagner's Tristan und Isolde occupies a singular position in the history of Western culture. What Nietzsche called the 'sweet and terrible infinity' of its basic nexus of longing and death has fascinated audiences since its first performance in 1865. At the same time, its advanced harmonic language, immediately announced by the opening 'Tristan chord', marks a defining moment in the evolution of modern music. This accessible handbook brings together seven leading international writers to discuss the opera's genesis and the libretto's relationship to late Romantic literary concerns, present an analysis of the Prelude, the music of the drama itself, and Wagner's innovative use of instrumental timbre, and illustrate the production history and reception of the music-drama into the twenty-first century. The book includes the first English translation of Wagner's draft prose of the libretto, a detailed discussion of Wagner's orchestration, and rare pictures from important and influential productions.
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Richard Wagner: Die Meistersinger von Nürnberg

Richard Wagner: Die Meistersinger von Nürnberg

Warrack John

Cambridge University Press
1994
sidottu
Die Meistersinger von Nürnberg is Wagner’s only mature comedy, and one of the richest and most profound in the history of music. This book presents an informative and stimulating study of an opera that occupies a particular place in music lovers’ affections, yet always has more to reveal. John Warrack traces the evolution of the work from plans for a light comic opera, through all the drafts and the literary influences on them, into the eventual comedy; and he then studies the music in depth. He also gives an account of what Wagner found in the historical Mastersingers and their music. Lucy Beckett explores the influence of Schopenhauer on the work, and examines the complexity of its expressive methods. Michael Tanner suggests new ways of interpreting the opera’s inner and outer worlds. There is a history of significant productions by Patrick Carnegy. The volume includes a full synopsis, bibliography and three appendices.
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Richard Wagner: Die Meistersinger von Nurnberg

Richard Wagner: Die Meistersinger von Nurnberg

John Warrack

Cambridge University Press
1994
nidottu
Die Meistersinger von Nürnberg is Wagner’s only mature comedy, and one of the richest and most profound in the history of music. This book presents an informative and stimulating study of an opera that occupies a particular place in music lovers’ affections, yet always has more to reveal. John Warrack traces the evolution of the work from plans for a light comic opera, through all the drafts and the literary influences on them, into the eventual comedy; and he then studies the music in depth. He also gives an account of what Wagner found in the historical Mastersingers and their music. Lucy Beckett explores the influence of Schopenhauer on the work, and examines the complexity of its expressive methods. Michael Tanner suggests new ways of interpreting the opera’s inner and outer worlds. There is a history of significant productions by Patrick Carnegy. The volume includes a full synopsis, bibliography and three appendices.
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Richard Strauss

Richard Strauss

Michael Kennedy

Cambridge University Press
1999
sidottu
This book re-evaluates a figure whom the author considers to be the greatest composer of the twentieth century. Kennedy deals fully with Strauss’s life as leading composer and national figure in the Third Reich, during which he was both feted and cold-shouldered by the authorities. In putting this period into perspective he draws heavily on hitherto ignored material, including Strauss’s own letters and diaries. In addition he reveals much about Strauss’s long, happy but tempestuous marriage to the soprano Pauline de Ahna as well as tracing the important relationships to his librettists Hugo von Hofmannsthal, Stefan Zweig, Joseph Gregor and Clemens Krauss. Kennedy re-assesses the man and the music, revealing a picture of a level-headed, practical and extremely versatile musician - a great conductor as well as a great composer.
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Richard Wagner: Der Fliegende Hollander

Richard Wagner: Der Fliegende Hollander

Cambridge University Press
2000
sidottu
Der Fliegende Hollander (The Flying Dutchman) is universally acknowledged as Richard Wagner's first truly significant, original work. It is the earliest of Wagner's operatic masterpieces to have secured a permanent place in the international repertoire and the composer himself regarded it as a major turning point in his artistic career. This handbook brings together five leading specialists to provide an in-depth account of the origins, style, and performance history of Der Fliegende Hollander. Designed for scholars, performers and the opera-going public alike, the book reflects on the biographical impulses behind the opera's conception and considers how Wagner drew on German Romantic tradition whilst also anticipating the revolutionary aims of 'music drama'. The opera's literary sources and production history are examined and there is a detailed survey of how generations of performers have interpreted the musical score. Rare pictures from important and influential productions complete this invaluable guide.
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Richard Wagner: Der Fliegende Holländer

Richard Wagner: Der Fliegende Holländer

Cambridge University Press
2000
pokkari
Der Fliegende Holländer (The Flying Dutchman) is universally acknowledged as Richard Wagner’s first truly significant, original work. It is the earliest of Wagner’s operatic masterpieces to have secured a permanent place in the international repertoire and the composer himself regarded it as a major turning point in his artistic career. This handbook brings together five leading specialists to provide an in-depth account of the origins, style, and performance history of Der Fliegende Holländer. Designed for scholars, performers and the opera-going public alike, the book reflects on the biographical impulses behind the opera’s conception and considers how Wagner drew on German Romantic tradition whilst also anticipating the revolutionary aims of ‘music drama’. The opera’s literary sources and production history are examined and there is a detailed survey of how generations of performers have interpreted the musical score. Rare pictures from important and influential productions complete this invaluable guide.
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Richard Symonds's Diary of the Marches of the Royal Army

Richard Symonds's Diary of the Marches of the Royal Army

Richard Symonds

Cambridge University Press
1998
sidottu
This diary is the only eye-witness account of the English Civil War by a participant on the King's side who was not an officer. The diarist, Richard Symonds, was a royal Lifeguardsman for the crucial two years of 1644–5, which included the battle of Naseby and the Royalist defeat. The value of his diaries to our understanding of the Civil War is considerable. It provides a distinctive picture of the face of battle in the Civil War, of the feelings of a sensitive and passionate follower of the King, and of the variety of military experience the war afforded. This 1998 reissue enhances Symond's diary by placing it in a rich historical context for the first time, and adds a great deal of material supplied by recent historical scholarship. This book will be invaluable to scholars and students of the English Civil War, as well as to local historians, war-gamers and Civil War re-enactors.
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Richard Symonds's Diary of the Marches of the Royal Army

Richard Symonds's Diary of the Marches of the Royal Army

Richard Symonds

Cambridge University Press
1998
pokkari
This diary is the only eye-witness account of the English Civil War by a participant on the King's side who was not an officer. The diarist, Richard Symonds, was a royal Lifeguardsman for the crucial two years of 1644–5, which included the battle of Naseby and the Royalist defeat. The value of his diaries to our understanding of the Civil War is considerable. It provides a distinctive picture of the face of battle in the Civil War, of the feelings of a sensitive and passionate follower of the King, and of the variety of military experience the war afforded. This 1998 reissue enhances Symond's diary by placing it in a rich historical context for the first time, and adds a great deal of material supplied by recent historical scholarship. This book will be invaluable to scholars and students of the English Civil War, as well as to local historians, war-gamers and Civil War re-enactors.
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Richard Rorty

Richard Rorty

Cambridge University Press
2003
sidottu
Arguably the most influential of all contemporary English-speaking philosophers, Richard Rorty has transformed the way many inside and outside philosophy think about the discipline and the traditional ways of practising it. Drawing on a wide range of thinkers from Darwin and James to Quine, Wittgenstein, Heidegger and Derrida, Rorty has injected a bold anti-foundationalist vision into philosophical debate, into discussions in literary theory, communication studies, political theory and education, and, as public intellectual, into national debates about the responsibilities of America in the modern world. The essays in this volume offer a balanced exposition and critique of Rorty's views on knowledge, language, truth, science, morality and politics. The editorial introduction presents a valuable overview of Rorty's philosophical vision. Written by a distinguished team of philosophers, this volume will have an unusual appeal outside philosophy to students in the social sciences, literary studies, cultural studies and political theory.
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Richard Wollheim on the Art of Painting

Richard Wollheim on the Art of Painting

Cambridge University Press
2001
sidottu
Richard Wollheim is one of the dominant figures in the philosophy of art, whose work has shown not only how paintings create their effects but why they remain important to us. His influential writings have focused on two core, interrelated questions: How do paintings depict? and how do they express feelings? In this collection of essays a distinguished group of thinkers in the fields of art history and philosophical aesthetics offers a critical assessment of Wollheim's theory of art. Among the themes under discussion are Wollheim's explanation of pictorial representation in terms of seeing-in, his views of artistic expression as a type of complex projection, and his notion of the internal spectator. In the final essay Wollheim himself responds to the contributors. This book will be eagerly sought out by all serious students of the theory of art, whether in departments of philosophy or art history.
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Richard II and the Rebel Earl

Richard II and the Rebel Earl

A. K. Gundy

Cambridge University Press
2013
sidottu
The reign of Richard II and the circumstances of his deposition have long been subject to intense debate. This new interpretation of the politics of the late-fourteenth century offers an in-depth survey of Richard's reign from the perspective of one of the leading nobles who came to oppose him, Thomas Beauchamp, the Appellant Earl of Warwick. This is the first full-length study of one of Richard II's opponents to explore not only why the Earl rebelled against the King, but also why Richard lost his throne. Rather than offering the traditional explanation of a subject grown too mighty, A. K. Gundy sets Warwick's rule in the context of the political and constitutional framework of the period. The interplay of local and national events helps to reveal Warwick's motives as a long-serving member of the nobility faced with a king determined to rule in a manner contradictory to contemporary political structures.
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