The book is intended for anyone interested in archaeology, in Napoleonic Europe and above all, in Rome.
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1000 tulosta hakusanalla Ridgley Torrence
Peter and the Starcatchers-Peter and the Starcatchers, Book One
Ridley Pearson; Dave Barry
Disney Hyperion
2006
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While young orphan Peter and his friends are sent away to an island ruled by the villainous King Zarboff and are forced to set sail aboard the Never Land, Peter decides he must take action into his own hands if he ever plans to escape and so decides to find out the mystery behind the cargo being carried deep within the ship. Reprint.
Seattle police psychologist Daphne Mathews has her hands full with a pregnant, addicted, runaway teenager, a murder victim's brother whose strange behavior unnerves her, and a deputy sheriff she once treated who's now stalking her. She's frightened enough to move in with Detective John LaMoia, a development that doesn't exactly thrill Lou Boldt, their boss and Daphne'sex-lover. But Lou's too busy with his own cases to brood over John and Daphne: the recent disappearances of two local women, and the death of Billy Chen, the nephew of Mama Lu, an old friend and a powerful figure in Seattle's Chinese community, which appeared to be an accident but turns out to have been murder. The only thing the disappearances and murder have in common is location; all three victims were last seen in a part of downtown built over the Underground, a dark and dangerous warren of buildings abandoned after the fire that leveled Seattle more than a hundred years ago. While Seattle's Underground has been the setting for several mysteries by other authors (Earl Emerson, J.A. Jance), Pearson makes the most of its creepy-crawly atmosphere in a gripping thriller whose solid plotting pulls all of Daphne's, LaMoia's, and Boldt's cases together. It also wisely reconfigures the personal relationships among the three central characters, which bodes well for their future adventures in this long-running series (Middle ofNowhere, The Pied Piper). --Jane Adams
Sleuth Lou Boldt becomes entangled in an all-too-personal case when his wife Liz is blackmailed by an old lover, David Hayes, a one-time computer specialist at the bank where she is an executive, who had engaged in a daring embezzlement scheme and who is now out to retrieve the money he had hidden for the Russian mob. 150,000 first printing.
"Outstanding . . . An attention to forensic and procedural detail unmatched outside of Ed McBain's best . . . A read-through-the-night story" (Kirkus Reviews).Police Sgt. Lou Boldt heads a special task force within Seattle's homicide bureau. His job: find and stop the Cross Killer, a twisted, perverse serial murderer who has eluded police for six months and paralyzed the city. But when a body washes up on the shore of Puget Sound, Boldt thinks the killer has finally made a mistake. This body shows some of the work of the Cross Killer-but a job badly botched. Did this woman die while trying to escape? Did she knowingly jump in the water to preserve a clue? And is she now desperately trying to tell Boldt something? With the help of the alluring Daphne Matthews, a police psychologist, Boldt must piece together the complex puzzle.From the #1 New York Times-bestselling author of the Chris Klick series and the Walt Fleming series, this thriller reveals "an authentic feeling for police investigation and forensic medicine, and a remarkable insight and understanding of the motivations of the criminal mind" (Publishers Weekly)."Pearson has done well at putting together the grueling steps in an investigation . . . His characters are believable, and it's an enjoyable entertainment." -Chicago Tribune
Aaron Ridley explores Nietzsche's mature ethical thought as expressed in his masterpiece On the Genealogy of Morals. Taking seriously the use that Nietzsche makes of human types, Ridley arranges his book thematically around the six characters who loom largest in that work—the slave, the priest, the philosopher, the artist, the scientist, and the noble. By elucidating what the Genealogy says about these figures, he achieves a persuasive new assessment of Nietzsche's ethics. Ridley's intellectually supple interpretation reveals Nietzsche's ethical position to be deeper and more interesting than is often supposed: the relation, for instance, between Nietzsche's ideal of the noble and the ascetic or priestly conscience does not emerge as a stark opposition but as a rich interplay between the tensions inherent in each. Equally, he shows that certain under-appreciated confusions in Nietzsche's thought reveal much about the positive aspects of the philosopher's moral vision. The only book devoted entirely to the Genealogy, Nietzsche's Conscience offers a sympathetic but tough-minded critical reading of the philosopher's most important work. Delivered in clear and vigorous language and employing a broadly analytical approach, Ridley's commentary makes Nietzsche's reflections on morality more accessible than they have been hitherto.
Terayama Shuji (1935-1983) was an avant-garde Japanese poet, dramatist, film director, and photographer known for his highly provocative work. In this inventive and revealing work, Steven Ridgely examines Terayama's life and art to show that a conventional notion of him does not do full justice to the meaning and importance of his wide-ranging, often playful body of work.Ridgely places Terayama at the center of Japanese and global counterculture and finds in his work a larger story about the history of postwar Japanese art and culture. He sees Terayama as reflecting the most significant events of his day: young poets seizing control of haiku and tanka in the 1950s, radio drama experimenting with form and content after the cultural shift to television around 1960, young assistant directors given free rein in the New Wave as cinema combated television, underground theatre in the politicized late 1960s, and experimental short film through the 1970s after both the studio system and art house cinema had collapsed.Featuring close readings of Terayama's art, Ridgely demonstrates how across his oeuvre there are patterns that sidestep existing power structures, never offering direct opposition but nevertheless making the opposition plain. And, he claims, there is always in Terayama's work a broad call for seeking out or creating pockets of fiction-where we are made aware that things are not what they seem-and to use otherness in those spaces to take a clearer view of reality.
Winner of the Tennessee History Book Award. During the latter half of the nineteenth century, Belle Meade became probably the most important nursery for Thoroughbred race horses in America. Since that time, virtually every Kentucky Derby winner can trace its lineage back to Belle Meade. Belle Meade also holds a place in American history as a stage for the comings and goings of great people and events. Weaving together family and regional history, Wills provides his reader with a fascinating account of the land, people, buildings, and horses that for a century made Belle Meade a significant focal point for Tennessee and the South.
SOMETIMES YOU JUST GOTTA GET YOUR HALO DIRTYFormer cyberspace hacker Boy Eastman lives off the grid in the Manhattan Outzone: he deals apps, has a kick-ass girlfriend and keeps his nose clean. But when Kreskin the Fixer blackmails him into one more job against his former employer, his online reappearance sparks a chain reaction - now everyone wants a piece of Boy, and he's going to need all the help he can get to survive. Meanwhile on a server farm in the mega-city of Thames-Midland, the artificial intelligence called Ghostdancer has hatched a plan to escape cyberspace for good, and she's not going alone...A cyberpunk crime story in the grand tradition of William Gibson and Neal Stephenson, McIntyre's YEAR OF THE RAT throws you face first into a plausible near-future world of corporate-sponsored street gangs, cyborgs and messianic Artificial Intelligences populated by street-wise characters with plenty of attitude.
The Relationship Between Certain Dietary Factors and the Serum Alkaline Phosphatase of Rats
Ridley Kustaa 1925- Shaw; University of Alberta Faculty of Agr
Hassell Street Press
2021
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Herschell, R: Besuch In Meinem Vaterland (1846)
Ridley H. Herschell
KESSINGER PUBLISHING, LLC
2010
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In this fantastical thriller, five young teens tapped as models for theme park "guides" find themselves pitted against Disney villains and witches that threaten both the future of Walt Disney World and the stability of the world outside its walls. Using a cutting-edge technology called DHI--which stands for both Disney Host Interactive and Daylight Hologram Imaging--Finn Whitman, an Orlando teen, and four other kids are transformed into hologram projections that guide guests through the park. The new technology turns out, however, to have unexpected effects that are both thrilling and scary. Soon Finn finds himself transported in his DHI form into the Magic Kingdom at night. Is it real? Is he dreaming? Finn's confusion only increases when he encounters Wayne, an elderly Imagineer who tells him that the park is in grave danger. Led by the scheming witch, Maleficent, a mysterious group of characters called the Overtakers is plotting to destroy Disney's beloved realm, and maybe more. This gripping high-tech tale will thrill every kid who has ever dreamed of sneaking into Walt Disney World after hours and wondered what happens at night, when the park is closed.
It's supposed to be a happy day at the Magic Kingdom-the return of the teenaged holographic hosts. But things go very wrong when a sudden lightning storm disrupts the celebration, and Amanda's mysterious sister, Jez, disappears. The only clue is the sighting of a wild monkey in the Magic Kingdom during the storm. The mystery deepens as Finn is contacted by Wayne, an old man he hasn't heard from in months. Wayne tells Finn that there's trouble at the Animal Kingdom: the evil Overtakers have gained control of one of the computer servers that will be used to operate Daylight Holographic Imaging there. That means that if any of the holographic hosts fall asleep, they will go into comas-permanently. Filled with action and brimming with the same meticulous detail as The Kingdom Keepers: Disney After Dark, this second book in the series-The Rise of Chernabog-is the result of hands-on research behind the scenes at Disney's Animal Kingdom Park. Young and older readers alike will get a glimpse into a second Disney kingdom. The wild rides have only just begun; and the clock is ticking. How long can the teens keep themselves awake in their quest to find their friend-and what happens if they fail?
With the adventures set forth in the first books now behind them, Kingdom Keepers 3: Disney In Shadow follows the five teens, Finn, Philby, Willa, Charlene, and Maybeck as they search to find Wayne, their mentor and head Imagineer who has mysteriously gone missing. Concerned Wayne has been abducted by the Overtakers-Disney villains, who along with other Disney characters, take over the parks when the turnstiles stop spinning, and want desperately to steer the parks to a far darker place-the five kids pick up a major clue from a close friend, Jess, whose dreams (nightmares, really) often accurately predict the future. The very few clues from Jess's dream lead the kids into Disney's Hollywood Studios and Epcot--through imaginary worlds that become real, by imaginary kids who are real. Each clue seems tied to the last, and with the stakes growing ever higher, what starts out as a puzzle ends up as a fight for their lives. Through a transparent paper box, a quest for a sword, rides on Soarin' and Maelstrom, life-and-death encounters with giant snakes, and a devious Maleficent, the Kingdom Keepers not only begin to decipher deeper meanings to the clues, but discover new truths about themselves and their ever-growing friendships.