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Drunken Barnaby's Four Journeys to the North of England. In Latin and English Verse. ... To Which is Added, Bessy Bell

Drunken Barnaby's Four Journeys to the North of England. In Latin and English Verse. ... To Which is Added, Bessy Bell

Richard Brathwait

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT006263Anonymous. By Richard Brathwait. First published as 'Barnabees journall' in 1638.London: printed for S. Illidge: and sold by S. Ballard, J. Graves, and J. Walthoe, 1716. 8],151, 9]p., plates: ill.; 8
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Fielding's new Peerage of England Scotland & Ireland Containing the Origin & Progress of Honours; Manner of Creating Peers; ... With an Heraldic Dictionary and a Compleat Extinct Peerage. of 2; Volume 2

Fielding's new Peerage of England Scotland & Ireland Containing the Origin & Progress of Honours; Manner of Creating Peers; ... With an Heraldic Dictionary and a Compleat Extinct Peerage. of 2; Volume 2

John Fielding

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT131476The titlepage is engraved.London: printed for John Fielding, 1788?] 2v., plates; 12
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Drunken Barnaby's Four Journeys to the North of England. In Latin and English Metre. ... Together With Bessy Bell. The Fourth Edition

Drunken Barnaby's Four Journeys to the North of England. In Latin and English Metre. ... Together With Bessy Bell. The Fourth Edition

Richard Brathwait

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)N007247Anonymous. By Richard Brathwait. With additional titlepages in Latin and English. First published in 1638 as 'Barnabees journall'.London: printed by W. Stuart, 1774. 20],175, 9]p., plates; 8
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Appendix to Collier's Musical Travels Through England

Appendix to Collier's Musical Travels Through England

John Bicknell

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)T219112Drop-head title on p. 1: 'Appendix: by Nat. Collier, school-master.' - Joel] Collier and Nat. Collier = John Bicknell. Also attributed to George Veal, Thomas Day, Alexander Bicknell, or Peter Beckford. A satire on Charles Burney's 'The present state of music in France and Italy' and 'The present state of music in Germany, the Netherlands, and the United Provinces'. Also issued, without the titlepage, as part of the third edition of the 'Musical travels', 1775. London, 1775?]. 2],28p.; 8
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The Mother's Legacy in Early Modern England

The Mother's Legacy in Early Modern England

Jennifer Heller

Ashgate Publishing Limited
2011
sidottu
Using printed and manuscript texts composed between 1575 and 1672, Jennifer Heller defines the genre of the mother's legacy as a distinct branch of the advice tradition in early modern England that takes the form of a dying mother's pious counsel to her children. Reading these texts in light of specific cultural contexts, social trends, and historical events, Heller explores how legacy writers used the genre to secure personal and family status, to shape their children's beliefs and behaviors, and to intervene in the period's tumultuous religious and political debates. The author's attention to the fine details of the period's religious and political swings, drawn from sources such as royal proclamations, sermons, and first-hand accounts of book-burnings, creates a fuller context for her analysis of the legacies. Similarly, Heller explains the appeal of the genre by connecting it to social factors including mortality rates and inheritance practices. Analyses of related genres, such as conduct books and fathers' legacies, highlight the unique features and functions of mothers' legacies. Heller also attends to the personal side of the genre, demonstrating that a writer's education, marriages, children, and turns of fortune affect her work within the genre.
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Europe's Languages on England's Stages, 1590–1620

Europe's Languages on England's Stages, 1590–1620

Marianne Montgomery

Ashgate Publishing Limited
2012
sidottu
Though representations of alien languages on the early modern stage have usually been read as mocking, xenophobic, or at the very least extremely anxious, listening closely to these languages in the drama of Shakespeare and his contemporaries, Marianne Montgomery discerns a more complex reality. She argues instead that the drama of the early modern period holds up linguistic variety as a source of strength and offers playgoers a cosmopolitan engagement with the foreign that, while still sometimes anxious, complicates easy national distinctions. The study surveys six of the European languages heard on London's commercial stages during the three decades between 1590 and 1620-Welsh, French, Dutch, Spanish, Irish and Latin-and the distinct sets of cultural issues that they made audible. Exploring issues of culture and performance raised by representations of European languages on the stage, this book joins and advances two critical conversations on early modern drama. It both works to recover English relations with alien cultures in the period by looking at how such encounters were staged, and treats sound and performance as essential to understanding what Europe's languages meant in the theater. Europe's Languages on England's Stages, 1590-1620 contributes to our emerging sense of how local identities and global knowledge in early modern England were necessarily shaped by encounters with nearby lands, particularly encounters staged for aural consumption.
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