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Sarah Caldwell

Sarah Caldwell

Daniel Kessler

Scarecrow Press
2008
sidottu
Sarah Caldwell: The First Woman of Opera is the first biography of this significant musician, conductor, and director and documents Ms. Caldwell's genius as an indomitable force for opera in America. Caldwell mounted many U.S. premieres and brought rare editions of standard works to her audiences. At the height of her career, she raised her baton over four of the top five orchestras, including the New York Philharmonic and the Boston Symphony Orchestra, and conducted orchestras in such cities as Pittsburgh, St. Louis, San Antonio, Atlanta, Mexico City, and Puerto Rico. She conducted ensembles in Canada, Sweden, South Africa, and Russia; was a musical director for Wolf Trap; and was the first woman to conduct at the Metropolitan Opera. She founded the renowned Opera Company of Boston, as well as the outreach effort Opera New England and a nation-wide touring enterprise, the American National Opera Company. Caldwell's undeniable zeal was evident in whatever she undertook, and her accomplishments invite reflection, showing what an opera company could and should be in America. Daniel Kessler presents Ms. Caldwell's life in flashbacks and explores her 1978 landmark production of Gaetano Donizetti's Don Pasquale, which serves as a prime example of how she engaged with her creative Muse. He describes her personal and professional life, including her experience with the impresario Boris Goldovsky, her ability to create her own brand of 'stage wizardry,' and her moments of overreaching and hubris, such as her unorthodox fundraising methods and her experience with Imelda Marcos. Complete with several illustrations, a bibliography, an index, and the comprehensive annals of her three opera companies, Sarah Caldwell demonstrates what one person of genius, imagination, and passion can accomplish single-handedly.
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Sarah Caldwell

Sarah Caldwell

Daniel Kessler

Scarecrow Press
2008
nidottu
Sarah Caldwell: The First Woman of Opera is the first biography of this significant musician, conductor, and director and documents Ms. Caldwell's genius as an indomitable force for opera in America. Caldwell mounted many U.S. premieres and brought rare editions of standard works to her audiences. At the height of her career, she raised her baton over four of the top five orchestras, including the New York Philharmonic and the Boston Symphony Orchestra, and conducted orchestras in such cities as Pittsburgh, St. Louis, San Antonio, Atlanta, Mexico City, and Puerto Rico. She conducted ensembles in Canada, Sweden, South Africa, and Russia; was a musical director for Wolf Trap; and was the first woman to conduct at the Metropolitan Opera. She founded the renowned Opera Company of Boston, as well as the outreach effort Opera New England and a nation-wide touring enterprise, the American National Opera Company. Caldwell's undeniable zeal was evident in whatever she undertook, and her accomplishments invite reflection, showing what an opera company could and should be in America. Daniel Kessler presents Ms. Caldwell's life in flashbacks and explores her 1978 landmark production of Gaetano Donizetti's Don Pasquale, which serves as a prime example of how she engaged with her creative Muse. He describes her personal and professional life, including her experience with the impresario Boris Goldovsky, her ability to create her own brand of "stage wizardry," and her moments of overreaching and hubris, such as her unorthodox fundraising methods and her experience with Imelda Marcos. Complete with several illustrations, a bibliography, an index, and the comprehensive annals of her three opera companies, Sarah Caldwell demonstrates what one person of genius, imagination, and passion can accomplish single-handedly.
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Sarah Sze

Sarah Sze

Linda Norden; Arthur C. Danto

Abrams
2007
sidottu
With her uncanny ability to monumentalize the miniscule and to give permanence to the ephemeral, Sarah Sze has become one of the most original and ambitious artists working today, with solo exhibitions at major art musuems. As the first monograph to span the course of her career including sculptures, site-specific installations, and drawings, Sarah Sze reveals the artist’s working process and gives insight into the thoughtful precision and care that goes into each and every one of her creations.Elaborately transforming everyday materials into elegant sculptures and installations, Sze eloquently finesses the line between sculpture and architecture. In her essay, writer and curator Linda Norden explores the question of how matter takes on value, both temporally and spatially. With its stunning photography, Sarah Sze makes it clear that the exhilarating and challenging aspect of this artist’s work lies in all of its minute details.
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Sarah Livingston Jay

Sarah Livingston Jay

Mary Jo Kline

Westview Press Inc
2026
nidottu
This is a brief biography that explores the life of Sarah Livingston Jay. This book is a part of Westview?s `Lives of American Women? series, edited by Carol Berkin. Each title in the series features brief biographies of figures whose lives serve as a lens onto a major trend, event, movement, or crisis of their eras, and whose stories will be the entry point for a deeper understanding of a particular historical time.
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Sarah Orne Jewett - American Writers 61

Sarah Orne Jewett - American Writers 61

Thorp Margaret Farrand

UNIVERSITY OF MINNESOTA PRESS
1966
nidottu
Sarah Orne Jewett - American Writers 61 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
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The Journal of Sarah Haynsworth Gayle, 1827?1835

The Journal of Sarah Haynsworth Gayle, 1827?1835

Sarah Haynsworth Gayle

The University of Alabama Press
2013
sidottu
Astonishing, tragic, and remarkable, the journal of Sarah Haynsworth Gayle, wife of early Alabama governor John Gayle, is among the most widely studied and seminal accounts of antebellum life in the American South. This is the first complete edition of the journal in print. Bereft of the companionship of her often-absent husband, Sarah considered her journal ?a substitute for social intercourse” during the period from 1827 to 1835. It became the social and intellectual companion to which she confided stories that reflected her personal life and the world of early Alabama. Sarah speaks directly to us of her loneliness, the challenges of child rearing, her fear of and frustration with the management of slaves, and the difficulty of balancing the responsibilities of a socially prominent woman with her family’s slender finances. The poor condition of the journal and its transcripts, sometimes disintegrated or reassembled in the wrong order, has led historians to misinterpret Gayle’s words. Gayle’s descendants, Alabama’s famed Gorgases, deliberately obscured or defaced many passages. Using archival techniques to recover the text and restore the correct order, Sarah Wiggins and Ruth Truss reveal the unknown story of Sarah’s economic hardships, the question of her husband’s ?temperance,” and her opium use. The only reliable and unexpurgated edition of Sarah Gayle’s journal, now enhanced with a fascinating introduction and inset notes, The Journal of Sarah Haynsworth Gayle, 1827?1835, is a robust and gripping account and will be of inestimable value to our understanding of antebellum society, religion, intellectual culture, and slavery. Published in cooperation with the University Libraries, The University of Alabama, with further financial support from the Library Leadership Board, the University Libraries, The University of Alabama.
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Sarah Orne Jewett

Sarah Orne Jewett

Margaret Roman

The University of Alabama Press
2017
nidottu
In her book Sarah Orne Jewett: Reconstructing Gender, Margaret Roman argues that one theme colors almost every short story and novel by the turn-of-the-century American author: each person, regardless of sex, must break free of the restrictive, polar-opposite norms of behavior traditionally assigned to men and women by a patriarchal society. That society, as seen from Jewett’s perspective during the late Victorian era, was one in which a competitive, active man dominates a passive, emotional woman. Frequently referring to Jewett’s own New England upbringing at the hands of an unusually progressive father, Roman demonstrates how the writer, through her personal quest for freedom and through the various characters she created, strove to eliminate the necessity for rigid and narrowly defined male-female roles and relationships.With the details of Jewett’s free-spirited life, Roman’s book represents a solid work of literary scholarship, which traces a gender-dissolving theme throughout Jewett’s writing. Whereas previous critics have focused primarily on her best-known works, including “A White Heron,” Deephaven, A Country Doctor, and The Country of the Pointed Firs, Roman encompasses within her own discussion virtually all of the stories found in the nineteen volumes Jewett published during her lifetime. And although much recent criticism has centered around Jewett’s strong female characters, Roman is the first to explore in depth Jewett’s male characters and married couples.The book progresses through distinct phases that roughly correspond to Jewett’s psychological development as a writer. In general, the characters in her early works exhibit one of two modes of behavior. Youngsters, free as Jewett was to explore the natural world of woods and field, glimpse the possibility of escape from the confining standards that society has set, though some experience turbulent and confusing adolescences where those norms have become more pressing, more demanding. At the opposite extreme are those who have mindlessly accepted the roles in which they have been trapped since youth—greedy, selfish men, dutiful women who tend emotionally empty houses, young couples unable to communicate either between themselves or with others—in short, characters who are too alienated within their roles to function as whole human beings.On the other hand, Jewett approaches the men and women of her later works with a higher degree of optimism, in that each person is free to live according to the dictates of his or her inherent personality—each character is able to measure life from within rather than from without. This group includes the self-confident men who are not reluctant to present a nurturing side, and the warm, giving women who are unafraid of displaying a decided inner strength. As Roman summarizes, “In her writings, Jewett attempts to shift society’s focus from a grasping power over people to the personal development of each member of society.”Ahead of her time in many ways, Sarah Orne Jewett confronted the Victorian polarized gender system, presaging the modern view that men and women should be encouraged to develop along whatever paths are most comfortable and most natural for them.
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The Journal of Sarah Haynsworth Gayle, 1827-1835

The Journal of Sarah Haynsworth Gayle, 1827-1835

Sarah Haynsworth Gayle

THE UNIVERSITY OF ALABAMA PRESS
2023
nidottu
Astonishing, tragic, and remarkable, the journal of Sarah Haynsworth Gayle, wife of early Alabama governor John Gayle, is among the most widely studied and seminal accounts of antebellum life in the American South. This is the first complete edition of the journal in print.Bereft of the companionship of her often-absent husband, Sarah considered her journal “a substitute for social intercourse” during the period from 1827 to 1835. It became the social and intellectual companion to which she confided stories that reflected her personal life and the world of early Alabama. Sarah speaks directly to us of her loneliness, the challenges of child rearing, her fear of and frustration with the management of slaves, and the difficulty of balancing the responsibilities of a socially prominent woman with her family’s slender finances.The poor condition of the journal and its transcripts, sometimes disintegrated or reassembled in the wrong order, has led historians to misinterpret Gayle’s words. Gayle’s descendants, Alabama’s famed Gorgases, deliberately obscured or defaced many passages. Using archival techniques to recover the text and restore the correct order, Sarah Wiggins and Ruth Truss reveal the unknown story of Sarah’s economic hardships, the question of her husband’s “temperance,” and her opium use.The only reliable and unexpurgated edition of Sarah Gayle’s journal, now enhanced with a fascinating introduction and inset notes, The Journal of Sarah Haynsworth Gayle, 1827–1835, is a robust and gripping account and will be of inestimable value to our understanding of antebellum society, religion, intellectual culture, and slavery. Published in cooperation with the University Libraries, The University of Alabama, with further financial support from the Library Leadership Board, the University Libraries, The University of Alabama.
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The Letters of Sarah Harriet Burney

The Letters of Sarah Harriet Burney

Sarah Harriet Burney

University of Georgia Press
1997
sidottu
This scholarly edition presents for the first time all of the known surviving letters of British novelist Sarah Harriet Burney (1772-1884). The overwhelming majority of these letters—more than ninety percent—have never before been published.Burney's accomplishments, says Lorna J. Clark, have been unjustly overlooked. She published five works of fiction between 1796 and 1839, all of which met with reasonable success, including Traits of Nature (1812), which sold out within three months. These letters position Burney among her fellow women writers and shed light on her relations with her publisher and her ambivalence toward her own work and her readership. Her lively observation of the literary scene evinces the range and scope of her reading, as well as her awareness of literary trends and developments. Burney was, for example, remarkably prescient in recognizing, and praising from the first, the talent of Jane Austen, and met several of the authors of her day.A challenging new perspective on family matters also emerges in the letters. The youngest child of the second marriage of Charles Burney, and the only daughter to remain unmarried, Sarah Harriet had the unenviable task of caring for her father in his later years. Her letters reveal a darker side of Dr. Burney, and also help to round out our image of a more favored daughter, Sarah Harriet's half-sister (and fellow novelist), Frances Burney.As literature, Clark observes, Burney's letters are, arguably, her best work. Thoroughly versed in the epistolary arts, she sought always to amuse and entertain her correspondents. Burney ultimately emerges as a quiet but heroic single woman, relegated to the margins of society where she struggled for independence and self-respect. Displaying literary qualities and a lively sense of humor, the letters provide a fascinating insight into the literary, political, and social life of the day.
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Sarah Kane's Blasted

Sarah Kane's Blasted

Helen Iball

Continuum International Publishing Group Ltd.
2008
nidottu
"Blasted" has been labelled as one of the landmark plays of post-war British theatre, achieving its iconic status and, indeed, its notoriety, very quickly. Sarah Kane's suicide in 1999 consolidated a process of singling-out that had begun four years earlier with the 'national outrage' initiated by the media's scandalised response to the premiere of "Blasted". The brutal content of the play resulted in much-quoted hostility from the critics. Academic attention to the play has begun a process of re-evaluation, debating the production and reception of the play and key issues including its status as a classic example of 'in-yer-face' drama.This guide provides a comprehensive critical introduction to "Blasted", giving students an overview of the play's significance, a brief biography of Sarah Kane and a guide to socio-political background; a detailed analysis of the play's structure, style and characters; an analysis of key production issues and choices; an overview of key productions from the 1995 Royal Court premiere to today; and a chapter exploring possibilities and exercises for practical work on the play. An annotated guide to further reading highlights key secondary material including useful websites.These guides provide accessible, informative critical introductions to modern plays for students in both Theatre/Performance Studies and English. Offering up-to-date coverage of a broad range of key plays throughout modern drama, the guides include accounts of performance history, production analysis, screen adaptations and summaries of important critical approaches and debates.
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Sarah Kane's Blasted

Sarah Kane's Blasted

Helen Iball

Continuum International Publishing Group Ltd.
2008
sidottu
Blasted has been labelled as one of the landmark plays of post-war British theatre, achieving its iconic status and, indeed, its notoriety, very quickly. Sarah Kane's suicide in 1999 consolidated a process of singling-out that had begun four years earlier with the 'national outrage' initiated by the media's scandalised response to the premiere of Blasted. The brutal content of the play resulted in much-quoted hostility from the critics. Academic attention to the play has begun a process of re-evaluation, debating the production and reception of the play and key issues including its status as a classic example of 'in-yer-face' drama. This guide provides a comprehensive critical introduction to Blasted, giving students an overview of the play's significance, a brief biography of Sarah Kane and a guide to socio-political background; a detailed analysis of the play's structure, style and characters; an analysis of key production issues and choices; an overview of key productions from the 1995 Royal Court premiere to today; and a chapter exploring possibilities and exercises for practical work on the play. An annotated guide to further reading highlights key secondary material including useful websites.
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Sarah Laughed

Sarah Laughed

Vanessa L. Ochs

Jewish Publication Society
2011
pokkari
In this vivid collection, Judaic scholar Vanessa Ochs brings the legends of the biblical matriarchs to new life. Intimate, familiar and wise, the heroines in Sarah Laughed are revealed to be inspiring role models for women today. From Eve's rebellious taste of wisdom to the righteous anager of Job's wife, each woman's story is retold in imaginative prose and accompanied by real-life rituals that can help us gain insight into various aspects of our everyday lives.
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Sarah Jane

Sarah Jane

James Sallis

No Exit Press
2019
pokkari
Sarah Jane Pullman is a good cop with a complicated past. From her small-town chicken-farming roots through her runaway adolescence, court-ordered Army stint, ill-advised marriage and years slinging scrambled eggs over greasy spoon griddles, Sarah Jane unfolds her life story, a parable about memory, atonement, and finding shape in...
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Sarah Thornhill

Sarah Thornhill

Kate Grenville

Canongate Books Ltd
2012
pokkari
*NEW NOVEL RESTLESS DOLLY MAUNDER SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2024*FROM THE BOOKER PRIZE-SHORTLISTED AND WOMEN'S PRIZE-WINNING AUSTRALIAN NOVELIST Sarah is the youngest daughter of William Thornhill, a ruthless man who made a life for himself and his family in New South Wales after being sentenced from England. When Sarah finds true love with Jack, an older boy with mixed ancestry, she also encounters disapproval: someone in her family will not tolerate their relationship. The reason lies in both the past and the present, and it will take Sarah across an ocean, to a place she never imagined she would go, to discover if her love is ever going to be enough.
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Sarah Keys Evans

Sarah Keys Evans

Amy Nathan; Sarah Keys Evans

THE UNIVERSITY OF NORTH CAROLINA PRESS
2025
sidottu
Sarah Keys Evans wasn’t a person anyone thought would spend a night in a jail cell—or change the world. But trouble came Sarah’s way in 1952, at a North Carolina bus station. There, dressed in her Women’s Army Corps uniform, she was arrested for not moving to the back of a bus—three years before it happened to another Black woman, Rosa Parks. Sarah Keys Evans: The Power of Quiet Courage tells how Sarah stood up for what’s right and helped end that kind of unfairness. Others have now honored her by creating a monument that calls her a “Trailblazer for Justice.”
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Sarah's Seasons

Sarah's Seasons

Martha Moore Davis

University of Iowa Press
2000
nidottu
This is the diary of Sarah Fisher, an Old Order Amish woman from Kalona, Iowa. Written throughout 1976 and 1977, it is an ongoing account of her seasonal routine, telling of a life where all tasks are undertaken without the conveniences of electricity, telephones or automobiles.
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Sarah Whitcher's Story

Sarah Whitcher's Story

Elizabeth Yates

Journeyforth
2005
nidottu
Little Sarah wanders away from her family's cabin into the New Hampshire forest, and settlers come from all across the countryside to help find her. As the long days pass, the searchers grow desperate, but Sarah's father's trust in God holds firm.
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Sarah Sze: Timelapse

Sarah Sze: Timelapse

GUGGENHEIM MUSEUM PUBLICATIONS,U.S.
2023
nidottu
Documenting Sze’s monumental Guggenheim installation—a reflection on the continual reshaping of experience by digital and material saturation Over three decades, Sarah Sze has developed a remarkable practice that boldly traverses sculpture, video, installation, painting, printmaking, drawing and sound. Her work, sometimes compared to scientific models, is distinguished by her intricate constructions using myriad ordinary objects and images that evidence the imprints of contemporary life. Sze’s Guggenheim exhibition, which centers on Timekeeper (2016)—one of the first in the artist's eponymous series of multimedia installations—is a reflection on how our experience of time and place is continuously reshaped in a digitally and materially saturated world. The show represents the New York premiere of Timekeeper. Published after the show’s opening, this book is a rich, immersive document of the singular relationship Sze cultivated with the building over the five years she spent developing this site-specific presentation. The majority of the volume is given over to expansive installation photographs, as well as sketches by the artist. An illustrated essay by curator Kyung An probes the depths of the exhibition’s thread of serendipitous encounters, while contributions by Hilton Als and Molly Nesbit offer explorations of the origins and resonances of Sze’s practice of timekeeping. Sarah Sze (born 1969) received a BA from Yale University in Connecticut in 1991 and an MFA from New York’s School of Visual Arts in 1997. Her previous monographs include Timekeeper (2018), Night into Day (2021) and Fallen Sky (2022). Born in Boston, Sze presently lives and works in New York.
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Break Every Bond: Sarah Helen Whitman in Providence: Literary Essays and Selected Poems

Break Every Bond: Sarah Helen Whitman in Providence: Literary Essays and Selected Poems

Sarah Helen Whitman

Yogh Thorns Books, the Poet's Press
2019
nidottu
Sarah Helen Whitman (1803-1878), poet and critic, is best known for her brief engagement to Edgar Allan Poe in 1848, and for her role as Poe's posthumous defender in her 1860 book, Edgar Poe and His Critics. She is seldom treated as more than an incidental person in Poe biography, and no books of her own poetry were reprinted after 1916. As critic, she was a ground-breaking American defender of Poe, Shelley, Byron, Goethe, Alcott, and Emerson, yet none of her literary essays other than her defense of Poe have ever appeared in book form. She and her friend Margaret Fuller are credited with being the first American women literary critics.This volume presents Whitman's literary essays with more than 500 annotations and notes, tracing her literary sources and allusions, and revealing the remarkable breadth of her readings in literature, philosophy, history, and science. Brett Rutherford's biographical essay is rich in revelations about Whitman's time and place, her family history, and her muted career as poet, essayist, and den mother to artists and writers. Exploding the standard view of her as the secluded "literary widow," we can now perceive her as a literary radical pushing against a conservative milieu; a suffragist and abolitionist who dabbled in s ances; and a devotee of the New England Transcendentalists and the German Idealists who inspired them.The complete text of Edgar Poe and His Critics presented here, includes the opposing texts by Rufus Griswold, whose libels provoked her landmark defense of Poe's writing and character. This annotated version identifies all the contemporary press reviews and books Whitman read and critiqued, making it indispensible for students of Edgar Allan Poe.The selected poems in this volume include the hyper-Romantic traversal of rival mythologies in "Hours of Life," her most ambitious work; her poems to and about Edgar Allan Poe; sensitive and atmospheric nature portrayals; a defense of the then-reviled art of the drama; a love poem from Proserpine to Pluto; an occasional poem about Rhode Island penned in the after-shadow of the Dorr Rebellion; and translations from French and German poets, most notably the most famous of all European ghost ballads, B rger's "Leonora." Whitman's allusions and unattributed quotations from other poets are all annotated, making this book a must for scholars and students.
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Sarah's Secret

Sarah's Secret

Robert McConnell

Napoleon Publishing
1991
pokkari
In this Christmas classic, six-year-old Sarah is determined to make the very best snowman possible, without the help of her older brother. When she sees her snowman, Max, come to life in a Christmas eve frolic, her family refuses to believe her story. Although Sarah has proof that it was not all a dream, she decides in the end to keep the knowledge of her friend as her very own special secret. This title is suitable for ages 4 to 8 years old.
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