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"Tell Me a Riddle"

"Tell Me a Riddle"

Rutgers University Press
1995
nidottu
“Tell Me a Riddle” renders an unforgettable portrait of a working class couple when the gender determined differences in their experiences of poverty and familial life give rise to bitter conflict after almost four decades of marriage. As she dies from cancer, Eva, the protagonist, recollects a revolutionary past that both critiques and offers hope for the present. Deborah Rosenfelt’s introduction and the essays in this volume survey the critical reception of this highly acclaimed story, analyze its biographical and historical contexts, examine the text’s language, structure, spiritual and moral significance, and illuminate Olsen’s relationship to the American midwest, the American left, and the Jewish enlightenment tradition. This casebook includes an introduction by the editor, a chronology of Olsen’s life, an authoritative text of “Tell Me a Riddle,” relevant essays by Olsen, seven critical essays, and a bibliography.The contributors are: Joanne Trautmann Banks, Constance Coiner, Rachel Blau Duplessis, Mara Faulkner, Elaine Orr, Linda Ray Pratt, and Deborah Silverton Rosenfelt.
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Tell It to Women

Tell It to Women

Osonye Tess Onwueme; Ngugi Wa Thiong'o

Wayne State University Press
1997
nidottu
Using the magic of movement, dance, and drama, and the devices of humor and metaphor, Osonye Tess Onwueme has created a post-feminist epic drama that transcends current feminist theories. An ideologically and politically powerful work, Tell It to Women offers a critical discourse on the western feminist movement from an African traditional perspective, focusing attention on the often silenced issues of intra-gender politics and class inequities.
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Tell Me How I'm Doing

Tell Me How I'm Doing

Richard L. Williams

Amacom
2018
nidottu
This book illustrates the importance of feedback using a simple fable in which a beleaguered manager recognizes the enormous impact feedback can have in his organization…by experiencing firsthand what it feels like to go without it.Tell Me How I’m Doing provides step-by-step guidance for how you can improve your own ability to relate to the people around you and become more effective in every sphere of your life. This guide helps you take a personal inventory of your own feedback style, and introduces you to the four distinct types of feedback -- supportive, corrective, abusive, and insignificant -- and clarifies when to use the first two, and how to avoid the others.You'll also learn about the ten essential dimensions of feedback, including how to:Use a Plan -- Give your feedback some preparatory thought, and then deliver it with a clear solution in mind.Be Specific -- Get your point across by citing particular examples of the behavior you’re discussing.Focus on Behaviors -- Target the factors that can be seen or measured, rather than concentrating on personalities, attitudes, or labels.Determine Time and Place -- Know when and where to give feedback for maximum effect.Give Balanced Feedback -- Provide the right mix of supportive and corrective feedback.By understanding how to interact more constructively with your peers, you can create a positive, productive, and dynamic culture that serves everyone well. Tell Me How I’m Doing is an engaging story and an essential guidebook for understanding how to use feedback to communicate goals, improve performance, and achieve greater success in every aspect of your life.
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Tell the World You're a Wildflower

Tell the World You're a Wildflower

Jennifer Horne

The University of Alabama Press
2014
sidottu
Tell the World You’re a Wildflower is a collection of loosely interwoven stories in the voices of southern women and girls of different ages and backgrounds. Beginning with the youngest characters and ending with the oldest, the stories encompass plastic surgery and white supremacists, family secrets and family trees, the United Daughters of the Confederacy and a young writer who describes her work in progress as “the bastard love-child of William Faulkner and Alice Walker.”In Tell the World You’re a Wildflower, each character must decide what to tell, whether to tell it, and to whom to tell it. Each struggles with questions of identity and truth, trying to understand who she is and what holds true for her. Some tell their stories plainly, directly, others more obliquely, nesting one within another. Anchored in the tradition of southern storytelling, these women contend with loss, change, and growth while going to church, school, and prison, navigating love and sex, and worrying too much about what people might think.Yet these women generally refuse to behave, and they wander in and out of each other’s stories just like people do in small towns across the South. Small town lives are always interconnected: your third-grade teacher is your new neighbor’s aunt and the boy you dated your senior year falls from political grace after being caught in a hot tub with your second cousin. Though they may have had little say in where they were planted, Horne’s protagonists nevertheless do their best to bloom.Rich, multifaceted, and unforgettable, Tell the World You’re a Wildflower is the work of a veteran explorer of the twentieth and twenty-first century South. Horne’s quest to understand her culture through decades of reading and observing has now yielded these narratives that imaginatively and insightfully enter the hearts and minds of southern women.
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Tell Borges If You See Him

Tell Borges If You See Him

Peter LaSalle

University of Georgia Press
2012
nidottu
To be untethered in the waking world, to have the feeling that perhaps we are sleepwalking—that’s what life can be like for the people in these eleven stories by Peter LaSalle, known to readers of leading literary magazines for his luminous prose style and narrative daring.The characters range from a fragile, and very rich, Mount Holyoke College girl in Paris to an out-of-work American businessman caught up in an international financial scam in Buenos Aires; from a happy-go-lucky old piano-lounge performer, once famous in all the New England seaside resorts, to a quartet of passengers on a bus barreling across the Mexican desert on Christmas Eve—and heading right toward a nightmarish encounter indeed on the road. In one story, a troubled guy who is somehow both himself on a hockey scholarship at Harvard in the sixties and himself a few decades later, meets his beautiful lost girlfriend at a long-gone Cambridge cafeteria. The busboys become hovering angels. Time slips backward and forward. Things that happened may not have happened.While rich with specific detail of character and place, these stories also tap into the stranger kind of clarity that does come, paradoxically, from subtle disorientation, as found in innovators like Nabokov and Borges. LaSalle’s lovely, rhythmic sentences, in which an aside can sometimes be the central concern, create a captivating permeability in the boundary between real and unreal while always enchanting with their power simply to tell a moving story. This is very original short fiction that aspires to nothing less than reasserting the wonderful possibilities of the genre—or, as the narrator of the story “The End of Narrative” ultimately suggests: “Maybe narrative hadn’t ended, which is to say, hasn’t ended.”
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Tell Tchaikovsky the News

Tell Tchaikovsky the News

Michael James Roberts

Duke University Press
2014
sidottu
For two decades after rock music emerged in the 1940s, the American Federation of Musicians (AFM), the oldest and largest labor union representing professional musicians in the United States and Canada, refused to recognize rock 'n' roll as legitimate music or its performers as skilled musicians. The AFM never actively organized rock 'n' roll musicians, although recruiting them would have been in the union's economic interest. In Tell Tchaikovsky the News, Michael James Roberts argues that the reasons that the union failed to act in its own interest lay in its culture, in the opinions of its leadership and elite rank-and-file members. Explaining the bias of union members-most of whom were classical or jazz music performers-against rock music and musicians, Roberts addresses issues of race and class, questions of what qualified someone as a skilled or professional musician, and the threat that records, central to rock 'n' roll, posed to AFM members, who had long privileged live performances. Roberts contends that by rejecting rock 'n' rollers for two decades, the once formidable American Federation of Musicians lost their clout within the music industry.
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Tell Tchaikovsky the News

Tell Tchaikovsky the News

Michael James Roberts

Duke University Press
2014
pokkari
For two decades after rock music emerged in the 1940s, the American Federation of Musicians (AFM), the oldest and largest labor union representing professional musicians in the United States and Canada, refused to recognize rock 'n' roll as legitimate music or its performers as skilled musicians. The AFM never actively organized rock 'n' roll musicians, although recruiting them would have been in the union's economic interest. In Tell Tchaikovsky the News, Michael James Roberts argues that the reasons that the union failed to act in its own interest lay in its culture, in the opinions of its leadership and elite rank-and-file members. Explaining the bias of union members-most of whom were classical or jazz music performers-against rock music and musicians, Roberts addresses issues of race and class, questions of what qualified someone as a skilled or professional musician, and the threat that records, central to rock 'n' roll, posed to AFM members, who had long privileged live performances. Roberts contends that by rejecting rock 'n' rollers for two decades, the once formidable American Federation of Musicians lost their clout within the music industry.
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Tell Me Why My Children Died

Tell Me Why My Children Died

Charles L. Briggs; Clara Mantini-Briggs

Duke University Press
2016
sidottu
Tell Me Why My Children Died tells the gripping story of indigenous leaders' efforts to identify a strange disease that killed thirty-two children and six young adults in a Venezuelan rain forest between 2007 and 2008. In this pathbreaking book, Charles L. Briggs and Clara Mantini-Briggs relay the nightmarish and difficult experiences of doctors, patients, parents, local leaders, healers, and epidemiologists; detail how journalists first created a smoke screen, then projected the epidemic worldwide; discuss the Chávez government's hesitant and sometimes ambivalent reactions; and narrate the eventual diagnosis of bat-transmitted rabies. The book provides a new framework for analyzing how the uneven distribution of rights to produce and circulate knowledge about health are wedded at the hip with health inequities. By recounting residents' quest to learn why their children died and documenting their creative approaches to democratizing health, the authors open up new ways to address some of global health's most intractable problems.
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Tell Me Why My Children Died

Tell Me Why My Children Died

Charles L. Briggs; Clara Mantini-Briggs

Duke University Press
2016
pokkari
Tell Me Why My Children Died tells the gripping story of indigenous leaders' efforts to identify a strange disease that killed thirty-two children and six young adults in a Venezuelan rain forest between 2007 and 2008. In this pathbreaking book, Charles L. Briggs and Clara Mantini-Briggs relay the nightmarish and difficult experiences of doctors, patients, parents, local leaders, healers, and epidemiologists; detail how journalists first created a smoke screen, then projected the epidemic worldwide; discuss the Chávez government's hesitant and sometimes ambivalent reactions; and narrate the eventual diagnosis of bat-transmitted rabies. The book provides a new framework for analyzing how the uneven distribution of rights to produce and circulate knowledge about health are wedded at the hip with health inequities. By recounting residents' quest to learn why their children died and documenting their creative approaches to democratizing health, the authors open up new ways to address some of global health's most intractable problems.
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Tell the Truth – The Whole Gospel Wholly by Grace Communicated Truthfully Lovingly

Tell the Truth – The Whole Gospel Wholly by Grace Communicated Truthfully Lovingly

Will Metzger

Inter-Varsity Press,US
2012
nidottu
"Picture a gigantic cruise ship filled with happy people. "It's the S.S. Evangelical Gospel. In the midst of their fun and excitement, passengers have not noticed holes in the ship's side under the water line. Well-meaning leaders are attempting to plug these holes with new methods, technology, social activism and cultural savvy. All these are important, yet the structure of the ship remains compromised by years of neglect." In this thoroughly revised fourth edition of the now classic Tell the Truth, Will Metzger reinstates the truth framework necessary for the survival of evangelicalism. Biblical illiteracy among evangelicals is on the rise. Theological discernment between truth and error is increasingly elusive. We need to be recalibrated not to the changing times but to the changeless gospel. As useful as it is passionate, Tell the Truth will refocus and re-energize a whole new generation to communicate the whole gospel, wholly by grace, truthfully and lovingly. Includes a study guide and new training materials for personal witnessing!
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Tell Me Something Good

Tell Me Something Good

Court Stevens

HarperCollins Focus
2025
nidottu
"This is a writer that understands people down to the bones. Her characters are fallible and hopeful, flawed and loving, and so real they have stayed with me." --Joshilyn Jackson, New York Times bestselling author"A knockout." --Booklist Starred ReviewThis is a story of the rich and the very poor. This is a story of an illegal auction with dire consequences. This is a story of murders past and present. This is a story of intertwined relationships and the silent ripples they leave behind, where love becomes a guiding force, revealing the lengths one will go to protect those they cherish.Over twenty years ago, a young hunting guide in rural Kentucky was driving his boat in the early morning mist when his peaceful cruise was cut short by a scene so disturbing, he packed up and moved away. Nine women died early that morning, but it was linked to a similar crime in Texas, so the locals quickly wrote it off as having nothing to do with them.Now, all these years later, when everyone has nearly forgotten about that grisly part of their past, one man's accidental death will bring everything back up to the surface. The locals who knew better can no longer claim it had nothing to do with them, and one woman, desperate to do whatever it takes to save her mother's life, will learn that nearly everyone in her life has been lying to her.In Court Stevens's adult debut, she delves deep into the heart of a community, where some will learn that we don't always live to see the ripples we make, but we must make them all the same.
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Tell Me You Love Me

Tell Me You Love Me

Patricia Pellicane

Total-E-Bound Publishing
2010
pokkari
Is his love enough for them to overcome her hatred? When Kiya Harrison found herself safe and secure and nearly naked in his arms while in the midst of a raging storm, she was soon to learn that passions inside could easily match elements gone berserk beyond the small cabin. Matthew Chase had found the one for him, but could he convince this wilful, luscious woman to put aside her prejudices. Would she ever admit to loving him?
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Tell It Together

Tell It Together

Renita Boyle

BRF (The Bible Reading Fellowship)
2017
pokkari
Storytelling is a vital skill for everyone in ministry of any kind. Everything we are and everything we do revolves around the big story of God's love for us and how we respond to it. Tell It Together combines stories that have been written to read well aloud with tools for groups to share them effectively. The stories can be used on their own, to enhance a theme or Bible passage, or alongside other activities as the basis for clubs or creative worship gatherings and festivals.
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Tell Dafana Reconsidered

Tell Dafana Reconsidered

Leclere Francois; Spencer Jeffrey

BRITISH MUSEUM PRESS
2014
nidottu
A comprehensive re-evaluation of the objects discovered in the 1886 excavation at Tell Dafana and a new assessment of the site’s significance from the seventh to the fifth century BC.
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