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1000 tulosta hakusanalla Walter Lippmann
This is the biography of Australia's first naval architect, Walter Reeks (1861 - 1925). A man who produced innovative, sometimes unorthodox designs across a broad range of vessels, from commercial craft to recreational yachts. Best known as the pioneer of the Sydney fleet of ferries, Reeks rose to prominence immediately after his arrival in Sydney from Liverpool in 1885. He went on to design more than 300 vessels up until his death in 1925 at the age of 64. Clients included the well-heeled to those with less resources. Craft were built throughout Australia and New Zealand, many becoming stalwarts of local, regional, state and national trading routes and industries. Others went on to win coveted yachting titles, some with Reeks at the helm. Despite these professional successes and his wide-reaching acclaim, this is also the story of sorrow and tragedy, the death at a young age of his first wife Mary in 1895, and the murder of his son Kent in 1914 casting large, grieving shadows on Reeks' family life. Yet, this is the story of a man who not only achieved so much professionally but was a dedicated supporter and protagonist of maritime pursuits throughout Australia, as well as to engineering, education and volunteering more generally. Reeks was a member of the Royal Sydney Yacht Squadron for over 40 years, being made a life member in 1900, serving as vice-commodore between 1906 and 1910, and notably being its official measurer for an unsurpassed stint of 39 years. During this period, Reeks also designed many of Sydney's leading yachts and investigated the potential for an Australian challenge to the America's Cup, a dream he was still chasing some four decades later. A life of serving, adventure, cutting-edge innovation, risk-taking and saying 'Yes ' are highlights of Reeks' journey. While his achievements, as we reflect back on his career, are immense, their collective weight and worthiness would likely not have been realised by Reeks himself. They were just the next project, the next step forward, the next outcome, the next compromise between the practical and the ideal, between his design parameters and his client's needs. It was definitely a life well lived and one worth telling.
Walter the Dragon who lives in a cave, is covered in scales and green. With a wonderful nature, he is vegetarian, and keeps himself pristinely clean.If anyone asked or required some help, the first there Walter would be. Yet such fine qualities, were completely ignored by those who chose not to see.This is a story about being different and being accepted for who you are.
Walter the Dragon who lives in a cave, is covered in scales and green. With a wonderful nature, he is vegetarian, and keeps himself pristinely clean. If anyone asked or required some help, the first there Walter would be. Yet such fine qualities, were completely ignored by those who chose not to see. This is a story about being different and being accepted for who you are.
The Collected Sermons of Walter Brueggemann
Walter Brueggemann
Westminster/John Knox Press,U.S.
2011
nidottu
In addition to being one of the world's leading interpreters of the Old Testament, Walter Brueggemann is a skilled and beloved preacher. This collection of sermons demonstrates Brueggemann's fidelity to biblical texts, which come alive with meaning in our contemporary world. Throughout, Brueggemann also reflects on his preaching.The book features a biblical index as well as a foreword by Samuel Wells of Duke University who writes: "Enjoy this volume from a master exegete, a master theologian, and a master preacher. They really are neat sermons. And they're for you."
The Collected Sermons of Walter Brueggemann, Volume 2
Walter Brueggemann
Westminster John Knox Press
2015
sidottu
This collection presents over fifty powerful sermons from one of the most trusted preachers today, Walter Brueggemann. In it, Brueggemann continues his task of making the biblical text available to the church. He sees preaching as a performance of God's good rule that, in an act of utterance and receptive listening, mediates the truthful, joyous reality of that rule. The sermons are organized according to the church year, starting with sermons for Advent, Christmas, and Epiphany and followed by sermons for Lent and Easter and then Pentecost and Ordinary Time. Sermons for other occasions, such as ordinations, weddings, and graduations, are also included, along with a Scripture index. Whether a pastor or a person in the pew, the reader will find inspiration, reflection, and wisdom in Brueggemann's powerful words.
The Collected Sermons of Walter Brueggemann, Volume 2
Walter Brueggemann
Westminster/John Knox Press,U.S.
2015
nidottu
This collection presents over fifty powerful sermons from one of the most trusted preachers today, Walter Brueggemann. In it, Brueggemann continues his task of making the biblical text available to the church. He sees preaching as a performance of God's good rule that, in an act of utterance and receptive listening, mediates the truthful, joyous reality of that rule. The sermons are organized according to the church year, starting with sermons for Advent, Christmas, and Epiphany and followed by sermons for Lent and Easter and then Pentecost and Ordinary Time. Sermons for other occasions, such as ordinations, weddings, and graduations, are also included, along with a Scripture index. Whether a pastor or a person in the pew, the reader will find inspiration, reflection, and wisdom in Brueggemann's powerful words.
The Collected Sermons of Walter Brueggemann, Volume 3
Walter Brueggemann; Barbara Brown Taylor
Westminster John Knox Press
2020
sidottu
The Collected Sermons of Walter Brueggemann, Volume 3
Walter Brueggemann; Barbara Brown Taylor
WESTMINSTER/JOHN KNOX PRESS,U.S.
2020
nidottu
This collection features sixty sermons by Walter Brueggemann, preached mostly in the last five years. For his final public appearances, he preached at various churches and the Festival of Homiletics, including his last address there in 2018. Most of these are based on lectionary texts, with numerous sermons on Advent-Christmas and Lent-Easter texts. Preachers will find inspiration in the handful of sermons covering special occasions or themes, including confirmation, evangelism, and funerals.
Walter Benjamin was one of the most original and important critical voices of the twentieth century, but until now only a few of his writings have been available in English. Harvard University Press has now undertaken to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a true sense of the man and the many facets of his thought. (The magnum opus of Benjamin’s Paris years, The Arcades Project, has been published in a separate volume.) Walter Benjamin emerged from the head-on collision of an idealistic youth movement and the First World War, which Benjamin and his close friends thought immoral. He walked away from the wreck scarred yet determined “to be considered as the principal critic of German literature.” But the scene, as he found it, was dominated by “talented fakes,” so—to use his words—“only a terrorist campaign would I suffice” to effect radical change. This book offers the record of the first phase of that campaign, culminating with “One Way Street,” one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, and gentrification of all life into a new world order, Benjamin made the word his sword. Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, and take us through 1926, when he had already begun, with his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germany’s most influential journals. The volume includes a number of his most important works, including “Two Poems by Friedrich Hölderlin,” “Goethe’s Elective Affinities,” “The Concept of Criticism in German Romanticism,” “The Task of the Translator,” and “One Way Street.” He is as compelling and insightful when musing on riddles or children’s books as he is when dealing with weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, and, above all, the virtual king of criticism, with his magisterial exposition of the basic problems of aesthetics. Benjamin’s sentences provoke us to return to them again and again, luring us as though with the promise of some final revelation that is always being postponed. He is by turns fierce and tender, melancholy and ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche and the world of things, and strikingly progressive in his attitude toward society and what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted with a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising and challenging of critical writers.
In the frenzied final years of the Weimar Republic, amid economic collapse and mounting political catastrophe, Walter Benjamin emerged as the most original practicing literary critic and public intellectual in the German-speaking world. Volume 2 of the Selected Writings is now available in paperback in two parts.In Part 1, Benjamin is represented by two of his greatest literary essays, "Surrealism" and "On the Image of Proust," as well as by a long article on Goethe and a generous selection of his wide-ranging commentary for Weimar Germany's newspapers. Part 2 contains, in addition to the important longer essays, "Franz Kafka," "Karl Kraus," and "The Author as Producer," the extended autobiographical meditation "A Berlin Chronicle," and extended discussions of the history of photography and the social situation of the French writer, previously untranslated shorter pieces on such subjects as language and memory, theological criticism and literary history, astrology and the newspaper, and on such influential figures as Paul Valery, Stefan George, Hitler, and Mickey Mouse.
In the frenzied final years of the Weimar Republic, amid economic collapse and mounting political catastrophe, Walter Benjamin emerged as the most original practicing literary critic and public intellectual in the German-speaking world. Volume 2 of the Selected Writings is now available in paperback in two parts.In Part 1, Benjamin is represented by two of his greatest literary essays, "Surrealism" and "On the Image of Proust," as well as by a long article on Goethe and a generous selection of his wide-ranging commentary for Weimar Germany's newspapers. Part 2 contains, in addition to the important longer essays, "Franz Kafka," "Karl Kraus," and "The Author as Producer," the extended autobiographical meditation "A Berlin Chronicle," and extended discussions of the history of photography and the social situation of the French writer, previously untranslated shorter pieces on such subjects as language and memory, theological criticism and literary history, astrology and the newspaper, and on such influential figures as Paul Valery, Stefan George, Hitler, and Mickey Mouse.