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Bṛhad Bhāgavatāmṛta, Canto 1: A story of Nārada's quest

Bṛhad Bhāgavatāmṛta, Canto 1: A story of Nārada's quest

Śrīla San& Gosvāmī; Hh Bhanu Swami

Independently Published
2019
nidottu
This book is provided with direct translation of Śrīla Sanātana's Dig-darśinī commentary. This canto answers the question 'Who receives the greatest mercy of Kṛṣna' The answer is illustrated through a story. Nārada visits various persons in this planet and higher planets in order to find the answer, and each person indicates some devotee who has received greater mercy. The end of the quest indicates the conclusion of Gauḍīya philosophy and Caitanya Mahāprabhu's teachings.
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B S Johnson and Post-War Literature

B S Johnson and Post-War Literature

Palgrave Macmillan
2014
sidottu
A collection of essays on the 1960s experimental writer B.S. Johnson, this book draws together new research on all aspects of his work, and, in tracing his connections to a wider circle of continental, British and American avant-garde writers, offers exciting new approaches to reading 1960s experimental fiction.
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B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present

B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present

George Plasketes

Routledge
2016
nidottu
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. George Plasketes adapts the iconic "A-side/B-side" dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered "B-sides"”overlooked, underappreciated, and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular culture, music and media during the past 40 years. The underappreciated yet enduring contributions of a variety of creative individuals in music, television and film are a centerpiece of this volume: actress Doris Day's son, Terry Melcher, a 1960s music producer whose imprint is on the surf, country blues, garage pop and most importantly the folk rock genre; Hans Fenger's kid chorus cover project, a musical variation of "outsider art" that became representative of the tribute wave that began in the 1990s and continues today; versatile guitarist virtuoso Ry Cooder's extensive film soundtrack work; World Music "missionary efforts" of American artists beyond Paul Simon's Graceland, including Neil Diamond's precursor with Tap Root Manuscript in the 1970s and the exotic adventures of Henry Kaiser and David Lindley in Madagascar and Norway”to name just a few examples. These B-sides represent undercurrents, but they resonate as overtones in the mainstream of music and culture, many as historical hinges. Collectively, these B-sides are an A-side antidote of outskirt observations, individual snapshots of artists, artifacts and rituals, genres and generations, producers and musical productions in television, film and video. They constitute an important connect-the-dots cultural chronicle with a multi-layered context”social, legal, historic, economic, technological, generational, aesthetic”for interpreting the interrelations between creators and institutions, the music market place, the production of culture and important connections between the peripheral and the popular.
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B/ordering Space

B/ordering Space

Henk van Houtum

Routledge
2016
nidottu
In the wake of globalization, numerous social scientists are turning to concepts of mobility, fluidity and hybridity to characterize a presumed de-territorialization and de-bordering of contemporary social and economic relations. This book brings together a select group of internationally renowned human geographers to explore the use of these concepts in relation to space, place and territory. In doing so, they (re)situate the subject of borders as active socio-spatial processes from a variety of theoretical perspectives. The contributors link debates on borders to discussions within the wider sphere of cultural studies, notably those addressing themes of migration, post-colonialism, the formation of national/regional identities and radical democratic practice. The chapters focus on those discursive practices that constitute 'bordered' geographical entities in the first instance through differentiated regimes of discourse. The book thus transcends the narrower field of borderlands research by building bridges to other domains of enquiry within political and human geography.
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