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What Literature Teaches Us about Emotion

What Literature Teaches Us about Emotion

Patrick Colm Hogan

Cambridge University Press
2011
sidottu
Literature provides us with otherwise unavailable insights into the ways emotions are produced, experienced and enacted in human social life. It is particularly valuable because it deepens our comprehension of the mutual relations between emotional response and ethical judgment. These are the central claims of Hogan's study, which carefully examines a range of highly esteemed literary works in the context of current neurobiological, psychological, sociological and other empirical research. In this work, he explains the value of literary study for a cognitive science of emotion and outlines the emotional organization of the human mind. He explores the emotions of romantic love, grief, mirth, guilt, shame, jealousy, attachment, compassion and pity - in each case drawing on one work by Shakespeare and one or more works by writers from different historical periods or different cultural backgrounds, such as the eleventh-century Chinese poet Li Ch'ing-Chao and the contemporary Nigerian playwright Wole Soyinka.
How Authors' Minds Make Stories

How Authors' Minds Make Stories

Patrick Colm Hogan

Cambridge University Press
2013
sidottu
This book explores how the creations of great authors result from the same operations as our everyday counterfactual and hypothetical imaginations, which cognitive scientists refer to as 'simulations'. Drawing on detailed literary analyses as well as recent research in neuroscience and related fields, Patrick Colm Hogan develops a rigorous theory of the principles governing simulation that goes beyond any existing framework. He examines the functions and mechanisms of narrative imagination, with particular attention to the role of theory of mind, and relates this analysis to narrative universals. In the course of this theoretical discussion, Hogan explores works by Austen, Faulkner, Shakespeare, Racine, Brecht, Kafka and Calvino. He pays particular attention to the principles and parameters defining an author's narrative idiolect, examining the cognitive and emotional continuities that span an individual author's body of work.
Beauty and Sublimity

Beauty and Sublimity

Patrick Colm Hogan

Cambridge University Press
2016
sidottu
Recent decades have witnessed an explosion in neuroscientific and related research treating aesthetic response. This book integrates this research with insights from philosophical aesthetics to propose new answers to longstanding questions about beauty and sublimity. Hogan begins by distinguishing what we respond to as beautiful from what we count socially as beautiful. He goes on to examine the former in terms of information processing (specifically, prototype approximation and non-habitual pattern recognition) and emotional involvement (especially of the endogenous reward and attachment systems). In the course of the book, Hogan examines such issues as how universal principles of aesthetic response may be reconciled with individual idiosyncrasy, how it is possible to argue rationally over aesthetic response, and what role personal beauty and sublimity might play in the definition of art. To treat these issues, the book considers works by Woolf, Wharton, Shakespeare, Arthur Miller, Beethoven, Matisse, and Kiran Rao, among others.
How Authors' Minds Make Stories

How Authors' Minds Make Stories

Patrick Colm Hogan

Cambridge University Press
2014
pokkari
This book explores how the creations of great authors result from the same operations as our everyday counterfactual and hypothetical imaginations, which cognitive scientists refer to as 'simulations'. Drawing on detailed literary analyses as well as recent research in neuroscience and related fields, Patrick Colm Hogan develops a rigorous theory of the principles governing simulation that goes beyond any existing framework. He examines the functions and mechanisms of narrative imagination, with particular attention to the role of theory of mind, and relates this analysis to narrative universals. In the course of this theoretical discussion, Hogan explores works by Austen, Faulkner, Shakespeare, Racine, Brecht, Kafka and Calvino. He pays particular attention to the principles and parameters defining an author's narrative idiolect, examining the cognitive and emotional continuities that span an individual author's body of work.
What Literature Teaches Us about Emotion

What Literature Teaches Us about Emotion

Patrick Colm Hogan

Cambridge University Press
2014
nidottu
Literature provides us with otherwise unavailable insights into the ways emotions are produced, experienced and enacted in human social life. It is particularly valuable because it deepens our comprehension of the mutual relations between emotional response and ethical judgment. These are the central claims of Hogan's study, which carefully examines a range of highly esteemed literary works in the context of current neurobiological, psychological, sociological and other empirical research. In this work, he explains the value of literary study for a cognitive science of emotion and outlines the emotional organization of the human mind. He explores the emotions of romantic love, grief, mirth, guilt, shame, jealousy, attachment, compassion and pity - in each case drawing on one work by Shakespeare and one or more works by writers from different historical periods or different cultural backgrounds, such as the eleventh-century Chinese poet Li Ch'ing-Chao and the contemporary Nigerian playwright Wole Soyinka.
Beauty and Sublimity

Beauty and Sublimity

Patrick Colm Hogan

Cambridge University Press
2017
pokkari
Recent decades have witnessed an explosion in neuroscientific and related research treating aesthetic response. This book integrates this research with insights from philosophical aesthetics to propose new answers to longstanding questions about beauty and sublimity. Hogan begins by distinguishing what we respond to as beautiful from what we count socially as beautiful. He goes on to examine the former in terms of information processing (specifically, prototype approximation and non-habitual pattern recognition) and emotional involvement (especially of the endogenous reward and attachment systems). In the course of the book, Hogan examines such issues as how universal principles of aesthetic response may be reconciled with individual idiosyncrasy, how it is possible to argue rationally over aesthetic response, and what role personal beauty and sublimity might play in the definition of art. To treat these issues, the book considers works by Woolf, Wharton, Shakespeare, Arthur Miller, Beethoven, Matisse, and Kiran Rao, among others.
Colonialism and Literature

Colonialism and Literature

Patrick Colm Hogan

University of Nebraska Press
2025
sidottu
In earlier work Patrick Colm Hogan argued that a few story genres-heroic, romantic, sacrificial, and others-recur prominently across separate literary traditions. These structures recur because they derive from important emotion-motivation systems governing human social interaction, such as group pride and shame. In Colonialism and Literature Hogan extends this work to argue that these genres play a prominent role in the fashioning of postcolonization literature-literature encompassing both the colonial and postcolonial periods. Crucially, colonizers and colonized people commonly understand and explain their situation in terms of these narrative structures. In other words, the stories we tell to some degree simply reflect the facts. But we also tend to interpret our condition in terms of genre, with the genre guiding us about what to record and how to evaluate it. Hogan explores these consequential processes in theoretical and literary analysis, presenting extended, culturally and historically specified interpretations of works by PÁdraic Pearse (Ireland), Ngugi wa Thiong’o (Kenya), Yasujiro Ozu (Japan), J. M. Coetzee (South Africa), Margaret Atwood (Canada), Rabindranath Tagore (India), Abderrahmane Sissako (Mali), and Dinabandhu Mitra (India).
The Death of the Goddess – A Poem in Twelve Cantos
THE DEATH OF THE GODDESS is an epic, narrative poem that is a moving account of affection, personal loss, and grief. Inspired by Buddhism, Indic thought and Hogan's reading of the BHAGAVAD GITA, the central figures of THE DEATH OF THE GODDESS is two lovers who refuse to accept unjust social hierarchies and suffer separation and death for that choice. In this groundbreaking narrative, Patrick Colm Hogan sets out to re-synthesize ancient Indian philosophy and myth, with a beauty and literary feeling (called rasa in Sanskrit) that are the central aspects of this poem. THE DEATH OF THE GODDESS is an excellent literary achievement to be read by serious poetry lovers and students of mythology or epic literature alike.
Tagore's Best Short Stories

Tagore's Best Short Stories

Patrick Colm Hogan

FRONTPAGE PUBLICATIONS
2011
sidottu
In commemoration of Rabindranath Tagore's [1861-1941] 150 years anniversary, this new collection of English translation of his selected short stories opens up the possibility of an English reading global audience discovering relevance in Tagore's creations more than a century after they were penned in India.
Joyce, Milton and the Theory of Influence

Joyce, Milton and the Theory of Influence

Hogan Patrick Colm; Benstock Bernard

University Press of Florida
1995
sidottu
Patrick Hogan examines the complex and conflicted relation of James Joyce's works - primarily the epic novels ""Ulysses"" and ""Finnegan's Wake"" - to one of the most important and influential epics in English, Milton's ""Paradise Lost"", and to other Milton works. Though Stephen Dedalus expresses his poetic ambition as ""rewriting Paradise Lost"", though he teaches ""Lycidas"" and though Milton is amply present in ""Finnegan's Wake"", virtually nothing has been written on this important literary relationship. Hogan traces the deep structural affinities that link the writers, arguing that Milton provided a crucial model for Joyce to create his great ""works of mourning"", ""Ulysses"" and ""Finnegan's Wake"". In addition, Hogan sets the novels in a larger tradition of European and Middle Eastern retellings of the fall of humankind, incuding 18th- and 19th-century revisions of ""Paradise Lost"". From this perspective, he analyses the structure and technique of ""Ulysses"" and of ""Finnegan's Wake"" and interprets key passages in a way that helps make these works comprehensible even to a novice reader. As part of his study Hogan draws on psychoanalysis, cognitive science, Sanskrit aesthetics, and cultural materialism to formulate a theory of influence with implications that reach beyond the study of Joyce and Milton.
The Economy of the American People;

The Economy of the American People;

Gerhard 1897-1968 Colm

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Economy of the American People;

The Economy of the American People;

Gerhard 1897-1968 Colm

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Earth Hall, Ring Gift and Heaven's Field

Earth Hall, Ring Gift and Heaven's Field

Max Adams; Colm O'Brien

JOHN DONALD PUBLISHERS LTD
2025
sidottu
The story of the lands between the Forth and Humber from the end of the Roman period to the Viking kingdom of York is one of the most richly fascinating in British history. This the age of Lindisfarne and of Bede; of the dramatic hills, valleys and ancient routeways that link the Irish Sea and the North Sea; of names that resonate even now: Edwin, Oswald, Hild, Cuthbert, Wilfrid; of conquest, conversion and the legacies of intellectual giants. This history of Early Medieval Northumbria explores themes of landscape, power, creativity and intellect. Fresh archaeological evidence and research in historical geography shed light on the fascinating story of how land was managed, exploited and deployed as an expression of power by both secular and ecclesiastical forces, and aspects such as the role of élite women in shaping politics and religion is given new focus. Max Adams and Colm O’ Brien show conclusively how Northumbria’s political, cultural and religious elements coalesced to forge a creative powerhouse which shaped the world we have inherited.
The Aetiology of Deep Venous Thrombosis

The Aetiology of Deep Venous Thrombosis

P. Colm Malone; Paul S. Agutter

Springer-Verlag New York Inc.
2008
sidottu
What we now call ‘deep venous thrombosis’ (DVT) has been studied in diverse ways during the last 200–300 years. Each of these approaches contributes to a full modern understanding of aetiology. Therefore, much of this book is a historical survey of the field. However, our remit is broader than the title might suggest: the evolution of ideas about DVT is typical in many ways of medical biology as a whole. Thus, although the aetiology of DVT may seem a narrow topic for a monograph – it implicitly excludes arterial thrombosis and marginalises prophylaxis, therapy, and even such clinically significant sequelae as pulmonary embolism – we hope to engage the reader in a much more general inquiry. Our historical investigation reveals a 160-year-old schism between two contrasting philosophies of medical and biological research, a schism that is particularly – but by no means uniquely – relevant to the study of DVT. In principle, these philosophies should be complementary rather than competing. So while we wish to elucidate the aetiology of DVT per se, we are also concerned with a more abstract and wide-ranging issue: the future accommodation or rapprochement between two conceptual and methodological traditions.
The Hidden Nazi

The Hidden Nazi

Dean Reuter; Colm Lowery; Keith Chester

Regnery History
2019
sidottu
He’s the worst Nazi war criminal you’ve never heard of Sidekick to SS Chief Heinrich Himmler and supervisor of Nazi rocket scientist Wernher von Braun, General Hans Kammler was responsible for the construction of Hitler’s slave labor sites and concentration camps. He personally altered the design of Auschwitz to increase crowding, ensuring that epidemic diseases would complement the work of the gas chambers. Why has the world forgotten this monster? Kammler was declared dead after the war. But the aide who testified to Kammler’s supposed “suicide” never produced the general’s dog tags or any other proof of death. Dean Reuter, Colm Lowery, and Keith Chester have spent decades on the trail of the elusive Kammler, uncovering documents unseen since the 1940s and visiting the purported site of Kammler’s death, now in the Czech Republic. Their astonishing discovery: US government documents prove that Hans Kammler was in American custody for months after the war—well after his officially declared suicide. And what happened to him after that? Kammler was kept out of public view, never indicted or tried, but to what end? Did he cooperate with Nuremberg prosecutors investigating Nazi war crimes? Was he protected so the United States could benefit from his intimate knowledge of the Nazi rocket program and Germany’s secret weapons?The Hidden Nazi is true history more harrowing—and shocking—than the most thrilling fiction.
The Hidden Nazi

The Hidden Nazi

Dean Reuter; Colm Lowery; Keith Chester

Regnery History
2021
pokkari
He's the Worst Nazi War Criminal You've Never Heard Of He was among the worst of the Nazis. He was responsible for the construction of Hitler’s slave labor sites and concentration camps. He personally altered the design of Auschwitz to increase crowding, ensuring that epidemic diseases would complement the work of the gas chambers. At the end of the war he had even more power than SS chief Heinrich Himmler. Yet few today know the name of General Hans Kammler. Why has the world forgotten this monster? Kammler was declared dead after the war. But the aide who testified to Kammler’s supposed “suicide” never produced the general’s dog tags or any other proof of death. Dean Reuter, Colm Lowery, and Keith Chester have spent decades on the trail of the elusive Kammler. The Hidden Nazi is true history more harrowing—and shocking—than the most thrilling fiction.