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Joel Shapiro

Joel Shapiro

Scheidegger und Spiess AG, Verlag
2019
sidottu
Born in New York in 1941, Joel Shapiro is one of the most significant artists of his generation. Since the first public showing of his work in 1969 as part of the landmark Anti-Illusion: Procedures/Materials exhibiton at the Whitney Museum of American Art, he has been the subject of numerous solo exhibitions in galleries and museums around the world. Most renowned for having developed in the 1980s and '90s a distinctive language of dynamic sculpture that blurs the lines between abstraction and figuration, Shapiro became known through his earliest 1970s New York shows for introducing common forms of often diminutive size. Since then he has continued to push the material and conceptual boundaries of sculpture by working in a number of materials and employing various working methods. Joel Shapiro: Sculpture and Works on Paper 1969-2019 is the first book in over twenty years to survey the artist's entire working career. In an extensive essay, art historian Richard Shiff provides a fresh and incisive examination of Shapiro's oeuvre and working process. With more than two hundred striking full-colour illustrations, this is a long-anticipated and much-needed survey of this vital and essential American artist.
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Joel Shapiro

Joel Shapiro

Richard Shiff

Scheidegger und Spiess AG, Verlag
2019
sidottu
Born in New York in 1941, Joel Shapiro is one of the most significant artists of his generation. Since the first public showing of his work in 1969 as part of the landmark Anti-Illusion: Procedures/Materials exhibiton at the Whitney Museum of American Art, he has been the subject of numerous solo exhibitions in galleries and museums around the world. Most renowned for having developed in the 1980s and '90s a distinctive language of dynamic sculpture that blurs the lines between abstraction and figuration, Shapiro became known through his earliest 1970s New York shows for introducing common forms of often diminutive size. Since then he has continued to push the material and conceptual boundaries of sculpture by working in a number of materials and employing various working methods. Joel Shapiro: Sculpture and Works on Paper 1969-2019 is the first book in over twenty years to survey the artist's entire working career. In an extensive essay, art historian Richard Shiff provides a fresh and incisive examination of Shapiro's oeuvre and working process. With more than two hundred striking full-colour illustrations, this is a long-anticipated and much-needed survey of this vital and essential American artist.
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Joel Sternfeld

Joel Sternfeld

Steidl Verlag
2008
nidottu
From 1978 to 1987, Sternfeld set out to explore and photograph the country. Working largely on the interface between town and country, he photographed ordinary scenes and people, discovering the extraordinary within them, making a study of the American character and condition.
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Joel Sternfeld

Joel Sternfeld

Joel Sternfeld

Steidl Verlag
2010
sidottu
As Paris and its shopping arcades were to the 19th Century, Dubai and its wondrous malls may be to the new millennium. The Baudelarian flâneur, is replaced by the phoneur, a wired wanderer who uses the cell phone to text and call and access the internet, all the while snapping digital images on the fly. If the arcades were representative sites of early capitalism, then perhaps the postmodern shopping playgrounds of Dubai are exemplars of advanced capitalism. With this in mind, when Joel Sternfeld visited these malls in 2008, he documented them with the consumer fetish object of the moment – the iPhone. In the process, he achieves a very particular unity of form and content; the object that encapsulates the spirit of an era is used to document that era. The ramifications of a profusion of mobile phone cameras around the globe are numerous. We have already witnessed this phenomenon becoming a platform for news construction with civilian journalism changing the documentation of events. In Dubai, Joel Sternfeld uses his iPhone camera to get past mass media images of the Emirate as Disney World on the Persian Gulf, and find a human component.
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Joel Sternfeld

Joel Sternfeld

Joel Sternfeld

Steidl Verlag
2012
sidottu
"I went to Central Park to find the place behind the Metropolitan Museum of Art where Jennifer Levin had been killed. It was bewildering to find a scene so beautiful ... to see the same sunlight pour down indifferently on the earth. As I showed the photograph of this site to friends, I realized that I was not alone in thinking of her when walking by the Met. It occurred to me that I held something within: a list of places that I cannot forget because of the tragedies that identify them, and I began to wonder if each of us has such a list. I set out to photograph sites that were marked during my lifetime. Yet, there was something else that drew me to this work. I think of it as the question of knowability. Experience has taught me again and again that you can never know what lies beneath a surface or behind a facade. Our sense of place, our understanding of photographs of the landscape is inevitably limited and fraught with misreading." --Joel Sternfeld. Between 1993 and 1996, Joel Sternfeld photographed 50 infamous crime sites around the US. On This Site contains images of these unsettlingly normal places, ordinary landscapes left behind after tragedies, their hidden stories disturbingly invisible. Each photograph is accompanied by a text describing the crime that took place at the location. This is the first Steidl edition of On This Site, originally published in 1996 to great acclaim.
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Joel Sternfeld

Joel Sternfeld

Joel Sternfeld

Steidl Verlag
2012
sidottu
Over a period of fifteen years Joel Sternfeld travelled across America and took portrait photographs that form in Douglas R. Nickel’s words an “intelligent, unscientific, interpretive sampling of what Americans looked like at the century’s end.” Unlike historical portraits which represent significant people in staged surroundings, Sternfeld’s subjects are uncannily “normal”: a banker having an evening meal, a teenager collecting shopping carts in a parking lot, a homeless man holding his bedding. Using August Sander’s classic photograph of three peasants on their way to a dance as a starting point, Sternfeld employed a conceptual strategy that amounts to a new theory of the portrait, which might be termed “The Circumstantial Portrait”. What happens when we encounter the other in the mist of a circumstance? What presumptions, if any, are valid? What, if anything, can be known of the other from a photographic portrait? A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s books published by Steidl include American Prospects (2003), Sweet Earth (2006), Oxbow Archive (2008), First Pictures (2011) and On This Site (2012).
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Joel Sternfeld: Oxbow Archive

Joel Sternfeld: Oxbow Archive

STEIDL
2026
sidottu
In 1836, the landscape painter and conservationist Thomas Cole completed "View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow)," his iconic painting of the Connecticut River where it bends like an ox yoke. Nearly 200 years later, Joel Sternfeld walked into the field depicted in the lower right quadrant of Cole's painting--which he had first photographed in 1978 while traveling for his seminal American Prospects series--and began making almost daily photographs. By 2006, the oxbow in the river was crossed by an interstate highway and the destructive effects of progress which Cole had so feared were making themselves apparent globally as climate change. This volume collects 77 of the quietly haunting photographs that Sternfeld made over the next year-and-a-half. His choice of subject matter--a flat, unremarkable corn and potato field--signals a conceptual stance away from previous nature depictions: His field is neither beautiful, nor sublime, nor picturesque. Its flatness offers an eloquent emptiness, as well as a vessel for the true subject of this work--the effects of human consumption upon the natural world. Following Sternfeld's Sweet Earth: Experimental Utopias in America and When It Changed, this volume resounds with political and cultural implications.
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Joel Sternfeld: Sweet Earth

Joel Sternfeld: Sweet Earth

STEIDL
2026
sidottu
As laissez-faire market forces sweep the globe and the earth's future seems endangered, the dream of living in concert with nature and with one another is increasingly essential. A common human longing throughout history, the utopian community ideal has taken root firmly in America over the past 200 years. In Sweet Earth: Experimental Utopias in America, Joel Sternfeld looks at 60 representative historic or present American utopias. Neither a conventional history nor a conventional book of photography, Sweet Earth brings together what might otherwise seem disparate, individualized social phenomena and makes visible the community of communities. This tradition of thinking has ancient, universal precedents. When Thomas More wrote Utopia in 1516, he gave a name to an idea that had included the Epic of Gilgamesh, Plato's Republic and the Old Testament's and he started an argument. Francis Bacon (who believed in utopia through science) and Jean-Jacques Rousseau (utopia through nature) soon joined the debate, but it was the harsh changes in daily life engendered by the factory systems of the early Industrial Revolution that brought an urgency to the discussion, as seen in the writings of David Owens, Karl Marx and Friedrich Engels. While the early social theorists were largely European, it was in the fluid environment of young America that true utopian communities were built and utopian experimentation flourished. In the years between 1810 and 1850, hundreds of secular and religious societies bravely tried to build a "perfect" life for their members. In the twentieth century, experimentation began again, reaching a fever pitch in the turbulent days of the Vietnam War. Some of the late-1960s communes still survive and continue to flourish. The 1990s and the early years of the new millennium have become yet another hotbed of social experimentation. The co-housing movement is sweeping America with at least 70 communities fully completed and occupied and numerous others planned. At the same time, the rapid global expansion of sustainable communities known as ecovillages has been widely adopted in America. This book by one of America's foremost artists includes a photograph of each community and is accompanied by brief text that summarizes the most salient aspects of the history or organization. A book that functions both as art, as well as a hopeful guide to alternative ways of life.
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Joel Sternfeld: Rome After Rome

Joel Sternfeld: Rome After Rome

Joel Sternfeld

Steidl Verlag
2019
sidottu
In his 1992 book Campagna Romana: The Countryside of Ancient Rome, Joel Sternfeld (born 1944) focused on the ruins of grand structures with a clear warning: great civilizations fall, ours may too. Now in Rome after Rome, containing images from the previous book as well as numerous unpublished pictures, Sternfeld's questions multiply: Who are these modern Romans? What is their relationship to the splendor that was? What is the nature of sullied modernity in relation to the Arcadian ideal?The Campagna--the countryside south and east of Rome--occupies a special place in Roman (and human) history. With the rise of Ancient Rome, this once polluted, malarial landscape was restored by emperors and thrived, with some 20 towns and numerous wealthy villas on the rolling plains among the mighty aqueducts that fed water to Rome. After the city fell, the Campagna once again became desolate and dangerous. Sternfeld updates this history for the contemporary eye.
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Joel og Io

Joel og Io

Geir Gulliksen

Aschehoug
2014
sidottu
En dag møter Joel Io. De har ikke sett hverandre før. Men nå blir de venner. Veldig gode venner, kanskje kjærester."Joel og Io" er en vakker fortelling om vennskap og kjærlighet og om at noen ganger er de voksne bare i veien. Humoristisk illustrert av Anna Fiske. Boken er nominert til Nordisk råds barne- og ungdomslitteraturpris 2015. "Jeg opplever et stort nærvær, både i tekst og bilder. Enkeltsituasjoner produserer følelser en voksen også godt kan kjenne igjen. (...) «Joel og Io. En kjærlighetshistorie» retter seg mot ferske lesere, aldersgruppen seks til ni år antydes av forlaget. Men visst er dette blitt en bok som hever seg over merkelapp og marked - den kan finne mottakelige lesere i mange aldre."Anne Cathrine Straume, NRK
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Joel Meyerowitz: Europa 1966-1967

Joel Meyerowitz: Europa 1966-1967

Miguel López Remiro; Maggie Barrett

LA FABRICA
2024
nidottu
A photographic travelog of Meyerowitz’s yearlong journey across postwar Europe In 1966, at the age of 28, photographer Joel Meyerowitz embarked on a journey that would take him to the United Kingdom, Ireland, Spain, France, Germany, Eastern Europe, Turkey and Greece. In total, he drove 20,000 miles through 10 countries and ended up taking 25,000 photographs. This trip was a transcendental experience and formative in shaping Meyerowitz's instinctive and brilliant identity that he is known for today. Europa 1966–1967 compiles a selection of photographs taken by Meyerowitz on his yearlong trip through Europe, offering an exciting glimpse of the “New Old World” that, having lately overcome the trauma of World War II, opened itself to modernity and progress. Meyerowitz witnessed societies in transition, stuck between dictatorship and economic blossoming. Yet he also documented unshakable cultural traditions, such as when he lived with a flamenco-performing family in Francoist Spain for six months. The strength and freshness of Meyerowitz’s gaze and the new codes that were captured in these pictures inspired the next generation of photographers. Joel Meyerowitz (born 1938) is a street, portrait and landscape photographer. The New York native began photographing in color in 1962 and was an early advocate for its use at a time when there was significant resistance to the idea of color photography as serious art. Many of his photographs are icons of modern photography, and he is considered one of the most influential representatives of the New Color Photography of the 1960s and ’70s. His work has appeared in over 350 exhibitions around the world and is in the collections of the Museum of Fine Arts, Boston, the Art Institute of Chicago, the Museum of Modern Art, New York, and many other museums worldwide.
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Joel Meyerowitz: Wild Flowers

Joel Meyerowitz: Wild Flowers

Joel Meyerowitz

Damiani
2021
sidottu
This new and expanded edition of Joel Meyerowitz’s widely acclaimed photobook, Wild Flowers — now, in a larger format, features new and unpublished images. For nearly forty years Joel Meyerowitz has tended his visual garden in the streets and parks and cities he has visited or lived in. He goes out into the streets open-eyed and passionate, carrying a machine which is perfectly suited to the task of taking it all in. The Leica, as quick as the flick of an eyelash, effortlessly interrupts time, stopping and holding it forever. These walks gave shape to new territory for him, which he began to think of as a garden that reflected the variety of his observations. Then, one day, while editing, Meyerowitz stumbled upon a small group of these flower photographs which he had gathered unknowingly. He began to believe that this innocent premise might be enough to tie together many of his other photographic concerns under the nominal subject of ‘flowers,’ which, given the surprises of city life, he viewed as flowers gone somewhat berserk—and so Wild Flowers was born.
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Joel Meyerowitz: Redheads

Joel Meyerowitz: Redheads

Joel Meyerowitz

Damiani
2022
sidottu
Photographer Joel Meyerowitz (born 1938) began photographing redheads in 1978 against the contrasting blue backdrop of Cape Cod. The portraits from this period are collected in this new edition of Meyerowitz's 1991 photobook Redheads, featuring 16 additional images. After running an ad in the Provincetown Advocate, Meyerowitz began collecting the experiences of people who grew up with red hair, in addition to photographing them. Making up only two or three percent of the world’s population, their stories of schoolyard bullying and self-acceptance illustrate a broader narrative of growth and beauty. Despite cultural and racial distinctions between redheads, the phenotypic association between the subjects brings a sense of familiality to the collection of portraits. Meyerowitz describes how red hair and its reaction to light evokes a sense of the color film process. He is known for his transition to color film during a period of resistance to color photography. “My way of making portraits is not by getting down on my hands and knees, nor climbing high on a ladder, nor getting into bed with a celebrity,” Meyerowitz writes, “but simply standing eye to eye with anyone who has found their way to me, young or old. I need only one or two sheets of film and the patience to see it through.” This hardcover edition includes previously unseen portraits.
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Joel Watz : historien om sin tids mest kände frisör och hans hårvatten

Joel Watz : historien om sin tids mest kände frisör och hans hårvatten

Jan Söderström

Stockholmia förlag
2023
sidottu
Joel Watz livsresa är en berättelse om ett dramatiskt liv under en tid när Sverige går från fattigt bondeland till modern industrination. Joel kommer till Stockholm år 1888 och visar sig besitta en mångsidighet och initiativförmåga som är få förunnat. Han står bakom en rad reformer som stärkte frisörernas ställning i samhället. Han är en av grundarna av Svenska Frisörföreningen, där han 1907 blir dess förste ordförande. Och vid sidan av allt detta får han fyra patent inom helt olika områden godkända av Patent- och registreringsverket. Lika skicklig som Joel är som organisatör och innovatör, lika svag är han dock som ekonom. Efter tio års berg- och dalbana av framgångar och misslyckanden står han med enorma skulder som förföljer honom resten av livet. Men trots en gigantisk konkurs är hans optimism obruten. Bara fyra år före sin bortgång kommer hans stora genombrott hårvattnet Watzins Keratin som blir en storsäljare under nästan ett halvt sekel.
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