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1000 tulosta hakusanalla Joseph Addison; Joseph Spectator

The Campaign, a Poem, to His Grace the Duke of Marlborough. By Mr. Addison. With Remarks Thereon, and a True Account of his Life, and all the Famous Transactions of That British General

The Campaign, a Poem, to His Grace the Duke of Marlborough. By Mr. Addison. With Remarks Thereon, and a True Account of his Life, and all the Famous Transactions of That British General

Joseph Addison

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)N000932London: printed for T. Warner, 1713. 24p.: ill.; 8
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Cato. A Tragedy. As it is Acted at the Theatres, by His Majesty's Servants. By Mr. Addison. The Fifteenth Edition

Cato. A Tragedy. As it is Acted at the Theatres, by His Majesty's Servants. By Mr. Addison. The Fifteenth Edition

Joseph Addison

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)N030045With an epilogue.Dublin: printed for James Dalton, 1749. 69, 3]p.; 12
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Cato. A Tragedy. By Mr. Addison. [Seven Lines From Seneca]

Cato. A Tragedy. By Mr. Addison. [Seven Lines From Seneca]

Joseph Addison

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Library of CongressW037705"Prologue. By Mr. Pope."--p. 3]. "A new epilogue," p. 60], is a shortened version of A new epilogue to Cato, composed by Jonathan Mitchell Sewall in 1778 for the Bow Street Theater at Portsmouth, N.H., and first printed anonymously in the New Hampshire gazette, Portsmouth, 31 March, 1778. Another version wa printed as Epilogue to Cato in Sewall's Miscellaneous poems, Portmouth, 1801, p. 107-110, and still another is reprinted under this title in Occasional addresses, edited by Laurence Hutton and William Carey, New York, Dunlap Society, 1890. Worcester, Mass.]: London, printed. Worcester, (Massachusetts) reprinted by I. Thomas, for N. Coverly, in Boston, MDCCLXXXII. 1782]. 59, 1]p.; 12
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Cato. A Tragedy. As it is Acted at the Theatres-Royal in Drury-Lane and Covent-Garden. By Mr. Addison

Cato. A Tragedy. As it is Acted at the Theatres-Royal in Drury-Lane and Covent-Garden. By Mr. Addison

Joseph Addison

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Trinity College Library Watkinson CollectionT028909London: printed for J. Wenman, 1777. 17, 1]p., plate; 8
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The Freeholder

The Freeholder

Joseph Addison

Oxford University Press
1979
sidottu
A scholarly edition of a work by Joseph Addison. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
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Cato

Cato

Joseph Addison; Forrest McDonald

Liberty Fund Inc
2004
nidottu
"A day, an hour, of virtuous liberty is worth a whole eternity in bondage." -- Joseph Addison, Cato 1713. Joseph Addison was born in 1672 in Milston, Wiltshire, England. He was educated in the classics at Oxford and became widely known as an essayist, playwright, poet, and statesman. First produced in 1713, Cato, A Tragedy inspired generations toward a pursuit of liberty. Liberty Fund's new edition of Cato: A Tragedy, and Selected Essays brings together Addison's dramatic masterpiece along with a selection of his essays that develop key themes in the play. Cato, A Tragedy is the account of the final hours of Marcus Porcius Cato (95-46BC), a Stoic whose deeds, rhetoric, and resistance to the tyranny of Caesar made him an icon of republicanism, virtue, and liberty. By all accounts, Cato was an uncompromisingly principled man, deeply committed to liberty. He opposed Caesar's tyrannical assertion of power and took arms against him. As Caesar's forces closed in on Cato, he chose to take his life, preferring death by his own hand to a life of submission to Caesar. Addison's theatrical depiction of Cato enlivened the glorious image of a citizen ready to sacrifice everything in the cause of freedom, and it influenced friends of liberty on both sides of the Atlantic. Captain Nathan Hale's last words before being hanged were, "I only regret that I have but one life to lose for my country," a close paraphrase of Addison's "What pity is it that we can die but once to serve our country!" George Washington found Cato such a powerful statement of liberty, honor, virtue, and patriotism that he had it performed for his men at Valley Forge. And Forrest McDonald says in his Foreword that "Patrick Henry adapted his famous Give me liberty or give me death' speech directly from lines in Cato." Despite Cato's enormous success, Addison was perhaps best-known as an essayist. In periodicals like the Spectator, Guardian, Tatler, and Freeholder, he sought to educate England's developing middle class in the habits, morals, and manners he believed necessary for the preservation of a free society. Addison's work in these periodicals helped to define the modern English essay form. Samuel Johnson said of his writing, "Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the study of Addison."
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