Kirjojen hintavertailu. Mukana 12 483 689 kirjaa ja 12 kauppaa.

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

1000 tulosta hakusanalla Theodore W. Engstrom

Theodor W. Adornos Kritik der Langeweile

Theodor W. Adornos Kritik der Langeweile

Felipe Resende Da Silva

Verlag Unser Wissen
2024
pokkari
In den letzten drei ig Jahren seines Lebens hat Theodor Adorno nie aufgeh rt, ber das Problem der Langeweile nachzudenken. Die Betrachtung dieses Ph nomens bedeutet f r ihn eine Diagnose des allgemeinen Zustands der Kultur, in der die Arbeit, die Freizeit und die Kulturg ter vom emanzipatorischen Weg des Menschen abgekommen sind. Der Verlust des ethischen Gehalts dieser drei Instanzen f hrt zu chronischen Deformationen der Individuen, die ihnen vor allem den Sinn f r die eigene Existenz und die F higkeit zur Verwirklichung von Erfahrungen absprechen. Die Idee des Fortschritts wird damit in Frage gestellt. In dem Ma e, in dem eine Gesellschaft, die ber alle notwendigen Elemente f r die menschliche Emanzipation verf gt, den umgekehrten Weg einschl gt, beginnt sie, die Individuen auf unterschiedlichste Weise zu entmenschlichen. Adorno weist in seiner Besorgnis ber das Problem der Langeweile auf eine ungel ste Dialektik des Fortschritts hin, in dem Sinne, dass die Selbstverwirklichung des Menschen durch den Prozess der sozialen Integration behindert wird.
Theodor W. Adorno's critique of boredom

Theodor W. Adorno's critique of boredom

Felipe Resende Da Silva

Our Knowledge Publishing
2024
pokkari
Throughout the last thirty years of his life, Theodor Adorno never stopped thinking about the problem of boredom. For him, looking at this phenomenon means making a diagnosis of the general state of culture in which work, free time and cultural objects are deviating from man's emancipatory path. The loss of the ethical content of these three instances leads to chronic deformations of individuals, mainly denying them a meaning for their own existence and the ability to have experiences (Erfahrungen). This puts the idea of progress into question. To the extent that a society with all the necessary elements for human emancipation takes the opposite path, it starts to dehumanize individuals in the most varied ways. Adorno, in expressing concern about the problem of boredom, points to an unresolved dialectic of progress, in the sense that human self-realization is being obstructed by the process of social integration.
Theodor W. Adorno

Theodor W. Adorno

SAGE Publications Inc
2004
muu
Theodor W.Adorno was one of the towering intellectuals of the twentieth century. His contributions cover such a myriad of fields, including the sociology of culture, social theory, the philosophy of music, ethics, art and aesthetics, film, ideology, the critique of modernity and musical composition, that it is difficult to assimilate the sheer range and profundity of his achievement. His celebrated friendship with Walter Benjamin has produced some of the most moving and insightful correspondence on the origins and objects of the Frankfurt School of Critical Theory. This unprecedented collection, devised and assembled by one of Europe's rising social theorists, distills the best from published assessments and responses to Adorno's oeuvre. The collection is divided into 4 volumes: Volume 1: Philosophy, Ethics and Critical Theory Part 1: Negative Dialectics Included here are contributions on the concept of totality in the writings of Adorno and Lukacs; Adorno and Bourgeois Philosophy; the relationship between Adorno and Kierkegaard; Adorno's Critique of Idealism; Adorno and Linguistics; Adono and Habermas. Part 2: Ethics and Redemption This is comprised of contributions on Adorno and Truth; Adorno's Inverse Theology; and Adorno and the Ineffable Part 3: Critical Theory, Ideology Critique and Social Science Included here are contributions on Adorno's relation to the Positivist Dispute; the Popper-Adorno Controversy; Adorno and Empirical Research; and Hermeneutics and Critical Theory. Volume 2: Aesthetic Theory Part 1: Art and Politics in 'Aesthetic Theory' This includes material on the De-Aestheticization of Art; Adorno, Utopia and Mimesis; Adorno and autonomous art; Adorno and Dialectics; Adorno, Marxism and Art; Art and Criticism in Adorno's Aesthetics; Adorno's concept of the Avant-Garde. Part 2: Philosophy of Music This includes contributions on Adorno's music and social criticism; Adorno and nostalgia; Adorno, Heidegger and the meaning of music; Adorno and Wagner. Part 3: On Jazz The material included here addresses questions of Adorno and Popular Music; Adorno's encounter with jazz; Adorno, Jazz and Society; and the reasons for Adorno's apparent hatred of jazz. Volume 3: Social Theory & The Critique of Modernity Part 1: On 'The Dialectic of Enlightenment' Included here are chapters on the dialectic of enlightenment and post-functionalist thought; dialectic of enlightenment as genealogy critique; the relationship between the dialectic of enlightenment, modernity and postmodernity; Adorno's critique of progress; Adorno and theories of subjectivity; and the dialectic of enlightenment and rationality. Part 2: Anti-Semitism This consists of material on Adorno and Horkheimer; and Adorno and Public Sphere Part 3: Popular Culture and Capitalism Included here are contributions on Adorno and Sport; Adorno's alleged left-wing elitism; Adorno's critique of astrology and the Occult; Benjamin and Adorno on Disney; Adorno, Totalitarianism and the Welfare State; and Adorno and Mass Society. Volume 4: Cultural Theory and the Postmodern Challenge Part 1: 'Damaged Life': Exile in America This section includes Leo Lowenthal's insightful recollections of Adorno; Adorno and the primal history of subjectivity; Adorno and Los Angeles; Adorno's relation to American culture; and Adorno's exile in England. Part 2: Film Theory This section includes chapters on Adorno and the Culture Industry; Benjamin, Adorno and Contemporary Film Theory; Adorno, Aesthetics and the Social. Part 3: Wellmer and Adorno Included here are papers on Aesthetic, Psychic and Social Synthesis in Adorno and Wellmer; and New German Aesthetic Theory after Adorno. Part 4: Jameson on Adorno Included here are papers on Jameson, Adorno and the persistence of the Utopian; and a Marxism for Postmodernism Part 5: Modernism and Postmodernism This section contains papers on Adorno, Foucault and the Modern Intellectual; Adorno, Foucault and Two forms of the Critique of Modernity; Adorno and the Habermas-Lyotard Debate; Adorno, Postmodernism and Edward Said; Adorno, Heidegger and Postmodernism; Adorno and the Decline of the Modern Age; The literary process of modernism; Adorno, Tradition and the Postmodern Part 5: The Feminist Response Included here are contributions on Adorno and Judith Butler; Adorno, Art Theory and Feminist Practice; and Gender in the writings of Adorno and Horkheimer. The collection comes with a superb Introduction to Adorno by Gerard Delanty which elucidates the main contributions of this penetrating and enduring thinker. Comprehensive and consistently illuminating, the collection includes the thought on Adorno from some of the most distinguished commentators on social theory. Included here are selections from the writings of Susan Buck-Morss, Martin Jay, Agnes Heller; David Frisby; Johann Arnason; Richard Wolin; Andrew Bowie; Robert Hulnot-Kentor; Leo Lowenthal; Richard Rorty Axel Honneth; Albrecht Wellmer; and Jurgen Habermas. The result is a peerless research resource allowing readers to delve into all aspects of Adorno's extraordinary accomplishments in social thought, philosophy and cultural criticism. It will be required reading for students of the Frankfurt School, Marxism, Critical Theory, Philosophy of Art and Aesthetics and Social Theory.
Theodor W. Hansch

Theodor W. Hansch

VDM Publishing House
2010
nidottu
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
German Essays on Music: Theodor W. Adorno, Ernst Bloch, Thomas Mann, and others
Up to the end of the nineteenth century, Germany largely perceived itself as "the nation of poets and philosophers." But with the enormous popularity of Schubert and Wagner, this began to change. Suddenly, composers also began to play a greater role in theories of national identity, and music theory became and important element of German thought. The essays in this volume reflect this, and are by a range of writers: Adorno, Bloch, Thomas Mann, Wachenroder, Herder, E. T. A. Hoffmann, Hegel, Bettina von Arnim, Nietzsche, Max Weber, Brecht, and others.
Brian Friel and Theodor W. Adorno

Brian Friel and Theodor W. Adorno

Christa Mrowka

Peter Lang International Academic Publishers
2023
nidottu
This book discusses how from their different backgrounds and on different levels, the German philosopher, sociologist and musicologist,Theodor W. Adorno, (1903-1969) and the Irish playwright, Brian Friel,(1929-2015) came to the conclusion that the modern crisis rendered art’s affirmative essence, like all positivistic fixations, obsolete. Only a new conception of dialectics, based on the reciprocity of opposites, rather than on antitheses, is capable of healing modern dichotomies. Independent of Adorno’s Negative Dialectics and Critical Theory, Friel is aware that with the processual character of life this requires of the artist in particular an attitude both critical and conciliatory and a persistent readiness to change. Reality is in need of possibility, its dialectic other. Uncertainty, in Friel’s Theatre of Hope and Despair is no longer a defect of our time, but a source of creation in art as well as in life.
Max Horkheimer/Theodor W. Adorno: Dialektik der Aufklärung
Horkheimer/Adornos im kalifornischen Exil verfasste Dialektik der Aufklärung untersucht das Scheitern menschlicher Befreiung und die Errichtung neuer Herrschaftsformen. Obgleich ein Schlüsseltext der philosophischen Zeitdiagnose, gab es bislang keinen Kommentar zu ihr.Der hier vorgelegte kooperative Kommentar geht der Dialektik der Aufklärung in zwei Durchgängen nach. Ein erster Durchgang kommentiert die einzelnen Abschnitte des Buches; ein zweiter Durchgang verfolgt Koordinaten seines theoretischen Horizonts (Kant, Hegel, Nietzsche, Freud). Abschließend gelangt die Wirkungsgeschichte des Textes zur Darstellung. Ein Gravitationstext der kritischen Theorie unserer Zeit findet damit erstmals eine kommentierende Auslegung.
Modernismens åldrande : Theodor W. Adorno och den moderna konstens kris
Har den moderna musiken hamnat i en återvändsgränd? Har den förlorat stinget, börjat röra sig med tomma gester, invaggats i en falsk trygghet inom kulturlivets institutioner? Det ansåg filosofen och sociologen Theodor W Ardorno (1903-69) vid mitten av 50-talet. Det unga avantgardet var inte sent med att reagera på denna vidräkning från en av modernismens skarpaste och mest inflytelserika analytiker. debattens vågor gick höga ingenting mindre än frågan om den radikala konstens identitet och framtidsutsikter stod på spel. Den här studien tar sin utgångspunkt i denna debatt. Diskussionen leder över till en genomgång av vissa mer allmäna idéer hos Adorno och ger en fyllig bild som inrymmer såväl hans konstuppfattning som civilisationskritik. Här placeras hans tänkande i sitt idéhistoriska sammanhang, bl.a. uppmärksammas Adornos tidiga akademiska verksamhet i Frankfurt am Main och hans ambitioner som tonsättare och kritiker i 1920-talets Wien. Modernismens åldrande är den första större studien om Adorno på svenska.
Att uttrycka det undanträngda : Theodor W. Adorno om konst, natur och sanning
I dialog med en av 1900-talets viktigaste tänkare läggs grunden för att tänka relationen mellan människa och djur, natur och samhälle, på nya sätt. Vad kan konsten tillföra till diskussionen om människans förhållande till naturen? Om den västerländska civilisationen alltid definierat sig i motsats till naturen har det på senare tid blivit allt tydligare hur denna naturförnekelse har slagit tillbaka mot människan själv. I den situationen framstår den tyske filosofen Theodor W. Adornos idéer om historia och natur som mer relevanta än någonsin. Enligt Adorno bevaras minnet av den undanträngda naturen i konsten, som på så vis vittnar om en möjlig försoning mellan människa och natur. Camilla Flodin presenterade denna avhandling i estetik vid Filosofiska intitutionen i Uppsala 2009.
Constellation Et Utopie: Theodor W. Adorno, Le Singulier Et l'Esperance
La philosophie d'Adorno est une critique de la domination politique et ideologique. Elle est aussi une meditation sur les devoirs de la pensee confrontee a la Shoah et aux totalitarismes du XXe siecle. Face a la Catastrophe, elle ne s'abime pas dans le defaitisme mais tente de retrouver, sous les mythes qui les etouffent, les raisons d'esperer sans lesquelles l'experience humaine ne serait pas viable. La notion d'utopie, qu'il herite d'Ernst Bloch et de Walter Benjamin, a d'abord chez Adorno ce sens d'un degagement de possibles qui, enfouis dans l'Histoire et reprimes par la logique du capitalisme, peuvent cependant etre reconnus et liberes. Cela suppose que les singularites - l'individu dans le collectif, le detail dans l'ensemble, l'element dans la composition - ne soient pas annexees et liquidees, mais au contraire preservees dans leur expression propre. Adorno, avec Benjamin, nomme constellations les modes d'articulation qui y parviennent. Pour en degager les enjeux, il faut entrer dans le mouvement d'une pensee qui deconstruit les concepts d'identite et de totalite mais ne renonce pas a l'esperance. Les conceptions adorniennes de la dialectique et de la negativite sont traversees par cette tension feconde. Cette introduction a l'oeuvre d'Adorno l'interprete comme une reponse a ce que Miguel Abensour appelait la sommation utopique sous l'opacite et la noirceur du monde, l'ecriture d'Adorno tente de reveiller un dire de verite, de sauvetage et d'emancipation.