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1000 tulosta hakusanalla Catrin Stevens

I månmakarnas värld

I månmakarnas värld

Catrin Kjäll

Parola Förlag
2025
sidottu
Tänk dig att du klättrar upp till månen och sätter dig på den. Utsikten är den bästa du har sett. Du har skaffat dig en egen måne. Men så kommer det någon och bogserar bort den. Vad ska fiskaren göra med din måne? Vi är inte helt säkra på det, för det verkar som att någon har suddat ut all text. Vad som händer i månmakarnas värld är upp till barnen – för i den här boken är det de som är författarna. Unwritten Stories är en serie barnböcker som väntar på att bli skrivna – av de som redan kan eller ihop med någon som vill låna ut en skrivande hand. Böckerna är fyllda med illustrationer men raderna har lämnats tomma. I månmakarnas värld är bok nummer 2. När barn skriver för hand, jämfört med att skriva på skärm eller tangentbord, förbättrar de sitt minne och sin inlärningsförmåga. Forskning visar att de blir bättre på att skriva men också på att läsa, och de positiva effekterna är med dem långt senare i livet. Anledningen är att hela hjärnan aktiveras när vi skriver för hand. I en tid av mycket skärmar är Unwritten Stories en motkraft. Men framförallt är böckerna till för att barnen ska kunna utforska sin kreativitet och fantasi.
Calling Together

Calling Together

Catrin Harland-Davies

CANTERBURY PRESS NORWICH
2026
nidottu
In a time when churches face dwindling volunteers for traditional roles, Calling Together offers a powerful, renewed vision of vocation – not just as individual calling but as the shared purpose of the whole church. Using biblical examples, case studies and practical tools, Catrin Harland-Davies helps church leaders and congregations discern God’s unique direction for their local church community and invites individuals to see their personal callings within that larger mission. With an emphasis on discipleship and Kingdom-building, Calling Together offers resources for church leaders and members to help build a culture of vocational discernment and encouragement, helping each person live out their purpose in service to God and one another.
Wirkliche Möglichkeiten - Mögliche Wirklichkeiten: Grundriss Einer Theorie Modaler Rechtfertigung
berlegungen ber M glichkeiten und Notwendigkeiten sind f r unseren Umgang mit der Wirklichkeit beinahe genau so wichtig wie solche ber Tatsachen. Fast immer, wenn wir unsere Handlungsm glichkeiten abw gen oder Pl ne schmieden, sind Modalurteile relevant. Sie spielen aber auch in den Wissenschaften eine wichtige Rolle, die Modalit t in ihren GeSetzen sowie bei der Annahme von kausalen Beziehungen und Dispositionen vorausSetzen. Nicht zuletzt geh ren Aussagen ber notwendige Wahrheiten von jeher zum Kernbestand der Philosophie, insbesondere der Metaphysik. Doch wie k nnen solche Urteile gerechtfertigt werden? Keine einfach zu beantwortende Frage, denn die empirisch wahrgenommenen Fakten geben uns keinen Aufschluss dar ber. Mit ihrer Hilfe k nnen wir nur herausfinden, wie sich die Dinge tats chlich verhalten, aber nicht, ob sie sich auch anders verhalten k nnten. Trotz der gro en Bedeutung dieses Problems fehlt es bislang an einer umfassenden und berzeugenden Erkl rung modaler Rechtfertigung. Misselhorn baut - ausgehend von einer neuartigen Sicht auf Kants berlegungen zum Thema - eine umfassende Theorie modaler Rechtfertigung auf, die sie in der AuseinanderSetzung mit den neuesten Ans tzen der Erkenntnistheorie und Modalontologie weiterentwickelt und auch kognitionswissenschaftlich unterf ttert.
Fyren vid havets slut

Fyren vid havets slut

Catrin Ormestad

Bazar Förlag
2026
sidottu
På den ensliga fyren Örskär bor Tamara, ensam med de fåglar som hon rehabiliterar – ugglor insnärjda i taggtråd, måsar med metkrokar i halsen och blyförgiftade vråkar. Intelligent och känslig, och missförstådd av de andra kustborna, har Tamara vänt ryggen åt världen. Men när hon får hand om en skadskjuten havsörn korsar samtidigt oljeborraren Roman hennes väg och allting förändras. Han ser något i den vilda unga kvinnan som ingen annan sett och han bestämmer sig för att stanna på ön, tills örnen kan flyga igen. Mellan dem växer känslor fram som ingen av dem vågar bejaka men som de heller inte kan förneka. Men Roman och Tamara bär på hemligheter och när avskedet närmar sig tvingas de båda konfrontera det förflutna som de helst vill glömma. "Fyren vid havets slut" är en roman om ensamhet och kärlek, och om att finna räddningen där man minst anar det.
Jersey Norman French

Jersey Norman French

Mari Catrin Jones

Blackwell Publishers
2001
nidottu
This book is the first to present a comprehensive linguistic study of Jersey Norman French. Drawing on a corpus of original data, it offers historical and dialectological sketches, an assessment of language planning on Jersey, and an account of language change in progress. It also establishes the relevance of Jersey Norman French to the field of language obsolescence.
Weisheit und subjektiver Weisheitsgewinn - Eine Interviewstudie

Weisheit und subjektiver Weisheitsgewinn - Eine Interviewstudie

Barbara Catrin Parr; Angelika Kühl

Grin Publishing
2009
pokkari
Diplomarbeit aus dem Jahr 2009 im Fachbereich Psychologie - Entwicklungspsychologie, Note: 2, Universit t Hamburg (Psychologische Fakult t Universit t Hamburg), Veranstaltung: Diplomarbeit, Sprache: Deutsch, Anmerkungen: Die Arbeit befasst sich mit einer Qualitativen Studie zu der Fragestellung: Gibt es in Ihrem Leben Ereignisse oder Erlebnisse, bei denen Sie das Gef hl hatten, weiser geworden zu sein., Abstract: Die Arbeit besch figt sich mit der Frage nach dem subjektiv erlebten Weisheitsgewinn und versucht zu erkl ren, weshalb es im Wesentlichen Lebenskrisen sind, die ein Individuum zum subjektiven Erleben von Weisheitszuwachs f hren.
Die nicht-kognitiven Aspekte der Hochbegabung
Tanja Catrin Blut untersucht das Selbstbild, die nicht-kognitiven Fähigkeiten und die Persönlichkeitsstruktur von hochbegabten Erwachsenen und gibt Aufschluss über deren psychische Stabilität. Hochbegabung fasziniert und begeistert, ist aber auch gleichzeitig stigmatisiert und macht vielen Mitmenschen Angst – Klischees wie „Genie und Wahnsinn“ kommen in einem Atemzug über die Lippen, als würde hohe Begabung auch immer eine negative Seite mit sich bringen. Andererseits haben schon die Studien von Terman über Hochbegabte gezeigt, dass die Mehrzahl der Hochbegabten sich einer besonderen psychischen Stabilität erfreut.
Carlo Scarpa

Carlo Scarpa

Anne-Catrin Schultz

Edition Axel Menges
2007
sidottu
In recent decades, Carlo Scarpa's relevance has been steadily on the rise. At a time when architects have to use existing city and building structures as a point of departure for their work, his oeuvre remains a source of inspiration. Buildings such as the Castelvecchio in Verona show us that architecture is capable of communicating its own history, has meaning, and develops a contemporary dynamic of its own. Scarpa's layered architecture makes visible the process of becoming and the time-related sedimentation of material and meanings. It is especially at points of transition and interface that layering becomes a narrative element that elucidates the tectonic qualities of the building. Overlaying includes leaving a record of how an object came into being -- either by means of the sediments of its history or through the intervention of the architect. In this book Anne-Catrin Schultz presents her research about the phenomenon of layering in Carlo Scarpa's architecture. Layering describes the physical composition of layers defining space as well as the parallel presence of cultural referrals and formal associations imbedded in the physical layers. Scarpa's work is an embodiment of multidimensional layering and, at the same time, a focal point for architectural movements of his time that have stratification as their theme. In most buildings, the principle of layering may be regarded as something that is part of the nature of building. Functional conditions call for planes, elements, or "layers" to provide the supporting structure, and others to protect from rain, cold or the heat of the sun. However, architectonic layering goes beyond merely fulfilling technical requirements -- the principle of layering may be used as a formative method that allows elements of different origins to be combined into a non-hierarchical whole. Layering exists in a realm of complexity and implies a capacity of being interpreted that goes beyond itself and creates references to the world at large. The first part of the book examines Scarpa's fields of influence and intellectual roots and puts them in perspective with former theories and their interpretation of architecture as layered, for example Gottfried Semper's theory of clothing. The second part displays an analysis of three major projects, Castelvecchio and Banca Popolare in Verona and the Querini Foundation in Venice.
Skidmore, Owings & Merrill, International Terminal, San Francisco International Airport
At the time San Francisco International Airport opened as Mills Field Municipal Airport of San Francisco in 1927, most of the San Francisco Peninsula was pastureland. Over the years, new terminals and hangars were built to satisfy the demand of increased air traffic. Beginning with a small administration building of residential character including horizontal wood siding and red cedar shingles, the airport advanced to the larger San Francisco Airport Administration Building. After continuous growth, in 2000 the airport was reorganised and expanded into the vast, structurally iconic new International Terminal. The new building acts as a gateway between land and air, offering a recognisable image to arriving and leaving passengers. It is organised over five levels, making it America's first mid-rise terminal. It receives multiple modes of transportation -- linking cars, busses, the Bay Area Rapid Transit (BART) system and the internal light-rail system. According to Craig Hartman, design architect with SOM, the terminal is "founded upon the qualities of light and lightness". He says of the new roof: "We conceived of it as a floating, sheltering plane and as a symbol." The building's position above several lanes of traffic required a 380-foot long span between the central columns -- essentially the building is a bridge. Thus the building itself is in a state of lift-off, offering the first step into the air for departure or a transition space for arrival before the traveller really gets back to the ground. The terminal is built on friction-pendulum base insulators that allow it to swing in the event of an earthquake. The roof trusses' shape evokes many possible associations, the rolling Bay Area hills, the wings of airplanes, a bird in flight -- all images not unusual inspirations for airport designs, though in this case especially elegantly achieved.
Ada Karmi-Melamede and Ram Karmi, Supreme Court of Israel, Jerusalem
Intent on realising her late husband's vision, Dorothy de Rothschild first offered to provide funding for a new building housing the Supreme Court of Israel in the 1960s. In 1983 the offer was seriously considered and accepted. Renowned architects from Israel and from all over the world entered into a two-stage competition in 1986. Ada Karmi-Melamede and Ram Karmi, siblings their own architecture practices, were asked to compete as a team. Their contribution stood out clearly against the other entries. Instead of proposing a formal and monumental scheme, the Karmis came up with a coherent site-specific building which roots itself into the land, continues the stone language of Jerusalem, and relates to its unique vibrant light. Pure geometrical volumes are arranged to form a balanced composition and complex whole. A careful equilibrium is created between the gravity of local stone-masonry walls and the immaterial play of light and shadow in the voids and volumes of the structure. The Supreme Court acts as part of a larger civic urban ensemble and forms a gateway to Government Hill offering a pedestrian walkway to the Knesset. While referred to as a single building, in reality the Supreme Court building is an ensemble applying urban principles to the interior, thus producing public spaces throughout. Half architecture, half landscape architecture, the building is deeply anchored in its site and reaches out further than its own walls. Four main functions are manifested in four distinct geometric volumes organised by two cardinal axes. These axes separate the four main program elements: the library, the judges' chambers, the courtrooms and the parking area. The allocation of the various volumes within the building allows for a sequence of in-between spaces which are used for circulation, for the penetration of natural light and for the transition between the public and private domains. Paul Goldberger stated in The New York Times in 1995 that "the sharpness of the Mediterranean architectural tradition and the dignity of law are here married with remarkable grace.
Time, Space & Material

Time, Space & Material

Anne-Catrin Schultz

Edition Axel Menges
2015
sidottu
This book examines the application of the principle of layering in architecture, its mechanics, possible application and meaning. Layering is widely used in the discussions of the 20th and 21st centuries architecture but rarely defined or examined. Layering bridges the tectonics of structure and skin, offers a system for the creation of different architectural spaces over time and functions as a design principle without hierarchy. Three types of layering are identified: a chronological sedimentation of planes materializing changes over time (temporal layering), the additive sequence of spaces (spatial layering), and the stratification of individual planes (material layering). Like a palimpsest, historic cities frequently reveal temporal layering and aspects of change over time, a condition familiar to archaeologists who study layer upon layer of remnants of civilisation, including architectural remains and urban organization. In historic cities, one can read at least the most recent layers to determine a physical chronology of the city's history; contemporary architects add strata of the 21st century. Cities are composed of several layers, offering a complex understanding of time in which a view of the present includes also the perception of the past. At a building scale, layers can be part of the spatial composition, multiple elements of walls, the skin, the structure or decorative and narrative elements. Just as the position and order of geological strata contain information related to their age, formation, and origin, the position and form of architectural layers come with information about their function, intellectual scope, and provenance. The possible elements of such an architectural strategy include materials, light, water, and color as well as associations, memories, and analogies embedded in the layers or in the voids between them. Material layering is based on a perceived separation of spatial enclosures into floor, wall, and ceiling or roof elements and combinations thereof. Individual elements may consist of multiple planes fulfilling a series of specific functions. The architectural enclosure can represent the physical wrapper of a building and might transport the structure's narrative, tectonic information, cultural expression, the architect's design intent, and other topics that might be embedded.
Snajs : springpojkar och flickor i Olskroken, Bagaregården och Lunden runt 1950
I mitten på förra seklet försökte många pojkar i Olskroken, Bagaregården och Lunden skaffa sig ett snajs eller springtjack, som det kallades på göteborgska. I området myllrade det av speceriaffärer, mjölkaffärer, charkuterier, blomsteraffärer, kortvaruaffärer, cykelaffärer och andra fackbutiker. Springpojkarnas tjänster var efterfrågade här liksom i centrala stan. På söndagarna gick de upp tidigt för att sälja tidningar och veckan före jul bar de julgranar. Springflickorna var färre men blomsterhandlarna och konditorierna efterfrågade emellanåt deras tjänster. Boken försöker fånga tidsandan och vardagslivet via minnen berättade av män och kvinnor som växte upp i de tre stadsdelarna under 1940- och 1950-talen. I fokus står händelser, upplevelser och funderingar kopplade till jobben som varubud och andra snajs. Berättelserna ramas min av ev beskrivning av stadsdelarnas framväxt och förändring i bred bemärkelse samt illustreras med fotografier.