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1000 tulosta hakusanalla Doris Howe

Narrative Authority and Homeostasis in the Novels of Doris Lessing and Carmen Martín Gaite
This study, originally published in 1990, assesses a shift in the presentation of self-consciousness in two pairs of novels by Doris Lessing and Carmen Martín Gaite: 1) Lessing’s The Summer Before the Dark (1973) and Martín Gaite’s Retahílas (1974) and 2) Lessing’s The Memoirs of a Survivor (1974) and Martín Gaite’s The Back Room (1978). Three major structural divisions facilitate examining implications of the novels for 1) feminism 2) literary narrative and 3) the lives of people-at-large.
Theatre-Fiction in Britain from Henry James to Doris Lessing
This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre. Though theatre has made star appearances in dozens of literary fictions, including many by modern history’s most influential authors, no full-length study has dedicated itself specifically to theatre-fiction—in fact there has not even been a recognized name for the phenomenon. Focusing on Britain, where most of the world’s theatre-novels have been produced, and commencing in the late-nineteenth century, when theatre increasingly took on major roles in novels, Theatre-Fiction in Britain argues for the benefits of considering these works in relation to each other, to a history of development, and to the theatre of their time. New modes of intermedial analysis are modelled through close studies of Henry James, Somerset Maugham, Virginia Woolf, J. B. Priestley, Ngaio Marsh, Angela Carter, and Doris Lessing, all of whom were deeply involved in the theatre-world as playwrights, directors, reviewers, and theorists. Drawing as much on theatre scholarship as on literary theory, Theatre-Fiction in Britain presents theatre-fiction as one of the past century’s most vital means of exploring, reconsidering, and bringing forth theatre’s potentials.
Reading Women's Worlds from Christine de Pizan to Doris Lessing
In this work, Jansen explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room, for example, but many women writers are much more ambitious, fantasizing about cities, even entire countries, created for and inhabited exclusively by women.
Reading Women's Worlds from Christine de Pizan to Doris Lessing
In this work, Jansen explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room, for example, but many women writers are much more ambitious, fantasizing about cities, even entire countries, created for and inhabited exclusively by women.
The Cook Who Defended Pearl Harbor: A Graphic Novel Biography of Doris Dorie Miller
On December 7, 1941, Dorie Miller, a cook aboard the USS West Virginia battleship, became an unlikely hero during the infamous attack on Pearl Harbor, Hawaii. Without any formal training, Miller took control of an antiaircraft gun, shooting down enemy planes and saving countless lives. In this action-packed graphic novel, relive the brave actions that earned Miller the Navy Cross, making him the first African American to receive this honor. With fast-paced text and full-color illustrations, this must-read nonfiction graphic novel showcases one of history's greatest barrier breakers.
The Cook Who Defended Pearl Harbor: A Graphic Novel Biography of Doris Dorie Miller
On December 7, 1941, Dorie Miller, a cook aboard the USS West Virginia battleship, became an unlikely hero during the infamous attack on Pearl Harbor, Hawaii. Without any formal training, Miller took control of an antiaircraft gun, shooting down enemy planes and saving countless lives. In this action-packed graphic novel, relive the brave actions that earned Miller the Navy Cross, making him the first African American to receive this honor. With fast-paced text and full-color illustrations, this must-read nonfiction graphic novel showcases one of history's greatest barrier breakers.
What's my name? DORIS

What's my name? DORIS

Tiina Walsh

Createspace Independent Publishing Platform
2018
nidottu
A personalised storybook for girls called DORIS. The story is based on the letters of the child's own name. All books are different from one another. The girl wakes up but can't remember her name. Magic Mouse knows how to solve the problem. They go on a wonderful adventure in the Magic Bus Translated and adapted by the author from the top-selling Finnish language children's namebook series "Tytt /Poika, joka unohti nimens ". The beautiful hand-drawn pictures will delight both the young and the young-at-heart Looking for a namebook "What's my name?" but couldn't find a book for the name you are looking for? Please don't hesitate to contact me with your name request -Tiina Walsh Author fb.me/whatsmynamestorybooks for more details about the storybooks
Captive in the Quonset Hut: A Kate and Doris Mystery
A missing student from a downtown university is found in a Shelby County drainage ditch and Kate's lover, Shelbyville detective Sam Williamson, is assigned to the case. Kate takes classes at the same school and falls, or is pushed, down the stairs one evening, breaking her ankle, and confining her to a wheelchair. Her fellow student, Vincent drives her to the emergency room.A creepy history teacher keeps hitting on Kate and is angry when she refuses his advances, another girl is kidnapped at IUPUI and Kate is drugged, and locked in the janitor's closet. Vincent saves her again, leading Sam to become suspicious of his proximity to Kate's assaults.Other complications ensue. Her daughter Ellie has marital problems, Kate's lawyer ex-husband, is cheating her out of revenue from the law office they jointly own, and a mysterious old man from the Senior Center Doris attends, seems to have appointed himself as Kate's protector. Her old nemesis, Bitch Barbara, has joined the local dramatic society and seems intent on sabotaging the latest production, directed by her dear friend Sebastian, who seems oblivious to Bitch Barbara's machinations, and worst of all Sam seems able to make time to lunch with an old girlfriend while disregarding Kate.With help from Doris and her friends from the Senior Center, Sebastian's play is saved, her ex-husbands financial shenanigans exposed, and the mystery of the Captive in the Quonset Hut finally solved.
New Critical Perspectives on Ageing Women in the Writings of Doris Lessing
This book uses some of Doris Lessing’s fictional texts as a springboard for making new contributions to the study of ageing, and more specifically, on the ageing of women. Lessing’s fiction invites a critical political, cultural and ethical reflection at the intersections between literature and culture in the final years of the twentieth century and the first few of the current one. Lessing’s narrative reflects on the complexity of older women’s lives, their acquiescence or disagreement with social norms, and how to negotiate the effects of the passage of time. The four chapters and conclusion discuss the various elements that serve as indicators of the well-being or ill-being of this diverse human group, including health, place of residence, neighbourliness, financial situation, public policies, and nature of relationships.
Bin ich gut, Doris?

Bin ich gut, Doris?

Franziska König

BoD - Books on Demand
2025
pokkari
Roman eines Monats. (Januar 2004) Wieder ein Monat im Leben, aus dem sich mehrere Themen herauskristallisiert haben: - Dorothea, Lehrerein von Beruf, liebt ihren Mann J rgen bis zum Wahn. F r ihn hat sie einst ihren einj hrigen, unehelichen Sohn weggegeben. Doch J rgen, ebenfalls Lehrer, hat sich in eine 18-j hrige Sch lerin verliebt. - Herr Sch tt, ein feiner alter Herr, findet im hohen Alter nochmals einen wahren Freund. Doch der Freund ist schwer krank. - An einem verschneiten Abend zieht ein bler Abzocker durch die Gassen in Aurich Und warum hei t dieser Roman wie er hei t? Erstens weil der Titel lustig klingt, und zweitens weil Franziska manchmal, ohne es zu wollen, mit dem Schr der-Gef hl Violine spielt: "Bin ich gut, Doris?" (Besonders wenn der Vater lauscht)
«a Wordless Statement»: Die Rolle Der Darstellung in Doris Lessings Space-Fiction

«a Wordless Statement»: Die Rolle Der Darstellung in Doris Lessings Space-Fiction

Britta Bücher

Peter Lang Gmbh, Internationaler Verlag Der W
2002
nidottu
In der literaturwissenschaftlichen Forschung sind Doris Lessings Romane bislang vielfach als blo e 'Ideenromane' und ihre formale Darstellung als mangelhaft abgetan worden. Im Gegensatz dazu will die vorliegende Studie nachweisen, da die Art der Darstellung eine wesentliche Rolle in den Texten der Autorin spielt: Anhand von Lessings Space-fiction-Romanen - Briefing for a Descent into Hell und den f nf Romanen der Reihe Canopus in Argos: Archives - wird aufgezeigt, da die Darstellungsformen in etlichen F llen als Spiegel thematischer Kernaspekte fungieren. Zu den analysierten Darstellungsformen geh ren unter anderem Erz hltechnik, Informationsvergabe, Bildlichkeit sowie rhetorische Elemente, wobei die Untersuchung neben der individuellen Gestaltung der einzelnen Texte auch formale und thematische Parallelen zwischen den Romanen ber cksichtigt.