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1000 tulosta hakusanalla Ferdinand Probst

Ferdinand, ein wahrer Angst-Hase, der Mut macht

Ferdinand, ein wahrer Angst-Hase, der Mut macht

Max Sievers

BoD - Books on Demand
2025
pokkari
Kann man Angst in Mut verwandeln? Da hat der junge Hase Ferdinand zun chst erhebliche Zweifel. Und dass er, mit seinen au ergew hnlich langen Ohren, ein wahrer Angst-Hase sein k nnte, der genau diese F higkeit besitzt, mag er anfangs auch nicht so recht glauben. Gemeinsam mit seinen Freunden, der zu Beginn noch ngstlichen Maus Malte, dem plappernden Fledertier Giulia und der cleveren Motte Henriette, begibt sich Ferdinand auf ein Abenteuer voller neuer Erfahrungen, Freundschaft und Selbstfindung. Einf hlsam und wunderbar bebildert erz hlt dieses Buch eine Geschichte ber die Vorz ge des Andersseins, ber ngste und dar ber, wie Ferdinand sie in St rke und Mut verwandeln kann. Und das alles 100% KI-frei.
Ferdinand Hodler: Catalogue Raisonn¿ der Gem¿lde. Band 1: Die Landschaften
Ferdinand Hodler (1853-1918) is arguably the foremost Swiss artist of the late 19th and early 20th centuries. Ignoring artistic conventions of his time he created a vast oeuvre of impressive landscapes and portraits, monumental paintings of historic scenes and symbolic and allegorical figures, and also of drawings and sketches. Hodler gained some recognition outside Switzerland already at his time, but a number of recent international publications and exhibitions as well as raising prices for his works in auctions indicate that Hodler has definitely become an important and renowned figure in art history. Although Hodler's work has been widely published in recent years, a catalogue raisonne of his work has been lacking. This gap is being closed now by the Swiss Institute for Art Reasearch in Zurich. The result of years of scholarly work is going to be published in four parts until 2015. Volume 2 ("Portraits") is scheduled for 2010, volume 3 ("Figures, 2 Tomes") for 2013, and volume 4 ("Biography and Documents") for 2014.
Ferdinand Hodler: Catalogue raisonn¿ der Gem¿lde

Ferdinand Hodler: Catalogue raisonn¿ der Gem¿lde

Oskar Batschmann; Monika Brunner; Bernadette Walter

Scheidegger und Spiess AG, Verlag
2017
sidottu
Ferdinand Hodler (1853-1918) is arguably the foremost Swiss artist of the late 19th and early 20th centuries. Ignoring artistic conventions of his time he created a vast oeuvre comprising landscapes and portraits, monumental historic scenes and symbolic and allegorical figures, and also drawings and sketches. A number of recent international publications and exhibitions as well as rising prices for his works at auction indicate that Hodler today has secured his place as an important figure in art history. Although Hodler's work has been widely published in recent years, a catalogue raisonne of his work has been lacking. This gap is being closed now by the Swiss Institute for Art Reasearch (SIK-ISEA) in Zurich. The result of years of scholarly work is going to be published in four parts until 2016. The new volume 2 documents Hodler's oeuvre in portraiture and includes all known works. It presents also all works where attribution to Hodler is questioned by recent research, works where attribution has been proven wrong or that are proven forgeries.
Ferdinand Hodler: Catalogue Raisonne der Gemalde
Ferdinand Hodler (1853-1918), as a painter equally significant and controversial, brought Swiss art to international recognition in the early 20th century. His impressive landscapes and portraits, monumental paintings of historic scenes and symbolistic and allegorical figures were exhibited all over Europe and acquired by museums and private collectors alike. Hodler's work was discussed, praised, and criticised in contemporary publications. The new third volume of the catalogue raisonne of Hodler's painted work is dedicated to his non-portrayal figure paintings. With around 630 works, this key section of Hodler's oeuvre is almost as prolific as his landscapes. It comprises religious and patriotic genre paintings, symbolist figures such as The Night from 1890, and vast canvasses and murals with historic scenes. As in the earlier volumes on Hodler's landscapes and portraits, the new book features an introductory essay, followed by the actual catalogue section listing the works in chronological order, and an appendix documenting questionable or erroneous attributions as well as confirmed forgeries.
Ferdinand Hodler. Catalogue Raisonn¿ der Gem¿lde
Ferdinand Hodler (1853–1918) is arguably the foremost Swiss artist of the late nineteenth and early twentieth century. Ignoring artistic conventions of his time, he created a vast oeuvre of landscapes, portraits, and monumental paintings of historic scenes, as well as drawings and sketches. Hodler gained some recognition outside Switzerland during his lifetime, but a number of recent international publications and exhibitions, as well as increasing prices for his works at auctions, indicate that Hodler has lately come to be seen as an important and highly renowned figure in art history. Published to mark the one-hundredth anniversary of Hodler’s passing, this fourth volume concludes the monumental catalogue raisonné of his paintings, offering the authoritative critical and modern biography of this eminent artist.