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1000 tulosta hakusanalla Marc Simon Rodriguez

MARC Standards

MARC Standards

VDM Publishing House
2010
nidottu
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
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Marc Anthony

Marc Anthony

VDM Publishing House
2010
nidottu
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
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Marc Cayeux

Marc Cayeux

VDM Publishing House
2010
nidottu
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
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Marc Gasol

Marc Gasol

VDM Publishing House
2010
nidottu
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
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Sir Marc Brunel

Sir Marc Brunel

Harold Bagust

NPI Media Group
2006
nidottu
Born in France, Sir Marc Brunel escaped the guillotine during the French revolution, fleeing to America in the process. He then settled in England and filed over 18 patents. He invented the machinery that saw the first ever mass production factory, used to make pulley-blocks by machine for the Royal Navy. It could be argued that it was the development of the machinery that led to Nelson winning Trafalgar. He spent three months in a debtor's prison, was responsible for designing many improvements to the navy dockyards at Chatham and Woolwich and built the very first tunnel under the Thames at Blackwall. It is still in use today. This fascinating volume charts his eclectic life and career.
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Paul Marc Joseph Chenavard

Paul Marc Joseph Chenavard

Sloane Joseph C.

The University of North Carolina Press
2012
nidottu
This book is an account of the striking parallelism between the symbolic significance of the Pantheon and the life and thought of Paul Chenavard. More broadly, it illuminates the relationship of every artist to his environment. Chenavard was the only painter to attempt a complete exemplification of the epic idea that is found in the writings of such men as Hugo, Ballanche, and Quinet.Originally published in 1962.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
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Replaying Marc Anthony: Sonic, Political, and Cultural Resonances

Replaying Marc Anthony: Sonic, Political, and Cultural Resonances

Frances R. Aparicio

OHIO STATE UNIVERSITY PRESS
2025
sidottu
Replaying Marc Anthony is the first book-length study of Marc Anthony's cultural, aesthetic, and political contributions to Latinx popular music and Latinx communities. Despite the trivializing label of "Latino pop," Anthony's repertoire has had a tremendous impact on his audience, particularly within the US Latinx community. Considering his music outside of limiting frameworks imposed by the music industry, Frances R. Aparicio situates Anthony's songs within specific musical genealogies and histories, demonstrating that his songs not only foster healing from colonial violence but also produce, textually and sonically, multiple identities that resonate with his listeners. Relistening to five of Anthony's most canonical songs--"Preciosa," "Hasta Que Te Conoc ," "I Need to Know," "Aguanile," and "Vivir Mi Vida"--Aparicio traces the circulation of these sonic texts, examining their social, cultural, gender, and political meanings. Among the myriad topics Marc Anthony's music critically reflects on are Puerto Rican and Diasporican itinerant subjectivities, Blackness, environmental crises, MexiRican sonic exchanges, Latinidad, masculinities, struggles with belonging as an "American," and Global South solidarities.
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Replaying Marc Anthony: Sonic, Political, and Cultural Resonances

Replaying Marc Anthony: Sonic, Political, and Cultural Resonances

Frances R. Aparicio

OHIO STATE UNIVERSITY PRESS
2025
nidottu
Replaying Marc Anthony is the first book-length study of Marc Anthony's cultural, aesthetic, and political contributions to Latinx popular music and Latinx communities. Despite the trivializing label of "Latino pop," Anthony's repertoire has had a tremendous impact on his audience, particularly within the US Latinx community. Considering his music outside of limiting frameworks imposed by the music industry, Frances R. Aparicio situates Anthony's songs within specific musical genealogies and histories, demonstrating that his songs not only foster healing from colonial violence but also produce, textually and sonically, multiple identities that resonate with his listeners. Relistening to five of Anthony's most canonical songs--"Preciosa," "Hasta Que Te Conoc ," "I Need to Know," "Aguanile," and "Vivir Mi Vida"--Aparicio traces the circulation of these sonic texts, examining their social, cultural, gender, and political meanings. Among the myriad topics Marc Anthony's music critically reflects on are Puerto Rican and Diasporican itinerant subjectivities, Blackness, environmental crises, MexiRican sonic exchanges, Latinidad, masculinities, struggles with belonging as an "American," and Global South solidarities.
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St. Francis Xavier [by] Jean-Marc Montguerre [pseud.]

St. Francis Xavier [by] Jean-Marc Montguerre [pseud.]

Jean Marc Langlois-Berthelot

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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