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1000 tulosta hakusanalla Edgard Auguin

Edward Ruscha

Edward Ruscha

YALE UNIVERSITY PRESS
2022
sidottu
This third volume of the catalogue raisonné of Ed Ruscha’s works on paper documents more than 1,000 works created between 1998 and 2018 The third volume of this extraordinary catalogue raisonné project compiles the unique works on paper that celebrated American artist Edward Ruscha (b. 1937) made between 1998 and 2018. There are 1,068 works documented, hundreds of which have rarely, or never, been exhibited or published. Drawing is the mode in which Ruscha is most prolific, poetic, and experimental. In this period, he further developed some of his iconic subjects, among them film titles, gasoline stations, mountains, and of course words and phrases. He also expanded into new thematic territory in palindrome drawings, map-like representations, and “swiped word” works that incisively reflect the contemporary moment. Included are pencil, dry pigment, pastel, and acrylic drawings on paper, board, and assorted unconventional supports; collages and photo-based works; and sketches and studies for various contemporaneous paintings, commissions, and miscellaneous projects. Each work is catalogued with a beautiful color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references.Distributed for Gagosian
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Edward Hopper's New York

Edward Hopper's New York

Kim Conaty

YALE UNIVERSITY PRESS
2022
sidottu
A revealing exploration of Edward Hopper’s inspired relationship to New York City through his paintings, drawings, prints, and never-before-published archival materials This engaging book delves into the iconic relationship between Edward Hopper (1882–1967) and New York City. This comprehensive look at an essential aspect of the revered American artist’s life reveals how Hopper’s experience of New York’s spaces, sensations, and architecture shaped his vision and served as a backdrop for his distillations of the urban experience. During sidewalk strolls and elevated train rides, Hopper sketched the city’s many windowed facades. Exterior views gave way to interior lives, forging one of Hopper’s defining preoccupations: the convergence of public and private. These permeable walls allowed Hopper to evoke the perplexing awareness of being alone in a crowd that is synonymous with modern urban life. Drawing on the vast resources of the Whitney Museum of American Art, the largest repository of Hopper’s work, and the recently acquired gift of the Sanborn Hopper Archive, this book features more than 300 illustrations and fresh insight from authoritative and emerging scholars.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (October 19, 2022–March 5, 2023)
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Edvard Munch

Edvard Munch

YALE UNIVERSITY PRESS
2023
sidottu
A thought-provoking volume on Edvard Munch’s often neglected pictures of nature, exploring the Norwegian artist’s landscapes, seascapes, and existential environments in light of his own time and ours This richly illustrated catalogue provides a multifaceted perspective on the pictures of nature and landscape by Norwegian artist Edvard Munch (1863–1944). This important topic has been neglected in scholarship on Munch, despite the fact that it is a major motif in his oeuvre. This volume is the first to explore the theme in its full breadth throughout Munch’s corpus, including his paintings, lithographs, watercolors, and woodcuts. His depictions of forests, farmland, and the seashore, as well as paintings of sea storms, snow, and other extreme weather, present us with undulating forms that animate nature. They likewise provide an example of Munch’s preference for liminal spaces where transformations take place, often celebrating human interaction with nature in its many manifestations. The book also considers Munch’s less conventional landscapes, and particularly those where his famous Scream motif occurs. These environments depict nature in an existential way, suggesting that the artist held a deep concern for nature’s destruction by humans—a concern no less relevant today. A complementary look at his writings as primary sources alongside his images shows how Munch mixed a scientific perspective on nature with metaphysical and spiritual notions of rebirth that permeate other parts of his corpus. The book also includes a engaging short story by award-winning author Ali Smith that was inspired by Munch's work. Distributed for MUNCH Exhibition Schedule:Clark Art Institute, Williamstown, MA (June 10–October 15, 2023)Museum Barberini, Potsdam (November 18, 2023–April 1, 2024)Munch Museum, Oslo (April 27–August 24, 2024)
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Great Tales and Poems of Edgar Allan Poe

Great Tales and Poems of Edgar Allan Poe

Edgar Allan Poe

Vintage Books
2009
pokkari
A new selection for the NEA's Big Read program A compact selection of Poe's greatest stories and poems, chosen by the National Endowment for the Arts for their Big Read program. This selection of eleven stories and seven poems contains such famously chilling masterpieces of the storyteller's art as "The Tell-tale Heart," "The Fall of the House of Usher," "The Cask of Amontillado," and "The Pit and the Pendulum," and such unforgettable poems as "The Raven," "The Bells," and "Annabel Lee." Poe is widely credited with pioneering the detective story, represented here by "The Purloined Letter," "The Mystery of Marie Roget," and "The Murders in the Rue Morgue." Also included is his essay "The Philosophy of Composition," in which he lays out his theory of how good writers write, describing how he constructed "The Raven" as an example.
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Edward VI: The Lost King of England

Edward VI: The Lost King of England

Chris Skidmore

St. Martins Press-3pl
2009
nidottu
In his desperate quest for an heir, King Henry VIII divorced one wife and beheaded another. The birth of Prince Edward on October 12, 1537, ended his father's twenty-seven-year wait. Nine years later, Edward was on the throne, a boy-king of a nation in religious limbo and in a court where manipulation, treachery, and plotting were rife.Chris Skidmore describes how, in the six years of Edward's reign, court intrigue, deceit, and treason very nearly plunged the country into civil war while the stability that the Tudors had sought to achieve came close to being torn apart. Even today, Henry VIII and Elizabeth I are considered the two dominant figures of the Tudor period. But Edward's reign is equally important. It was one of dramatic change and tumult whose impact is still felt today certainly in terms of his religious reformation, which not only exceeded Henry's ambitions but has endured for over four centuries since Edward's death in 1553."
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Edward Burlingame Hill

Edward Burlingame Hill

Linda Tyler Schmidt

Greenwood Press
1989
sidottu
Breaking with the Teutonic tradition of his predecessors, composer Edward Burlingame Hill was among the first Americans to study composition in Paris. His music, in which he incorporated new harmonic, instrumental, and textural devices, helped foster acceptance for many early twentieth-century innovations. Hill also shared his predilection for French music with students at Harvard, where he taught from 1908 until 1940. Through his courses in orchestration and music history, Hill's students were exposed first-hand to modern French compositional techniques and the latest European musical trends. As a writer, Hill served as a Boston music critic, authored many journal articles on contemporary music, and wrote the first systematic English-language study of French musical thought from Chabrier to Les Six. This volume charts Hill's life and career as a composer, educator, and writer in the context of early twentieth-century American culture. The first section consists in a biographical and interpretive essay that details his multifaceted career and identifies his contributions to American music. Subsequent chapters provide the first complete listing of his musical and prose writings, a bibliography of writings about him, and a discography of commercially produced recordings.This bio-bibliography represents the first study of Edward Burlingame Hill to appear in print, and it offers an in-depth look at this important musical figure through annotated citations of his works and their performances, writings by and about him, and his recorded works. It illustrates the significance of his role in the early twentieth-century musical scene as composer, influential mentor, and early music historian. A useful guide to further research as well, this work will serve as an important resource for musicologists, music historians, and students of American music.
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Edward Everett

Edward Everett

Ronald Reid

Greenwood Press
1990
sidottu
If Edward Everett is remembered at all today, it is as the orator who gave the other speech at Gettysburg, Pennsylvania on November 19, 1863. Ironically, Everett's oration, which was given wide coverage in contemporary newspapers, was recognized as both epideictic and argumentative. Everett defended the Union cause, whereas Lincoln's speech was strictly ceremonial. A second irony that attends Everett's oratorical career is that his countrymen believed him to be one of the great orators of the time, the undisputed master of ceremonial address. In this first new study of Edward Everett's oratory, author Ronald Reid addresses the historical and oratorical paradoxes that have influenced perceptions of Everett's career. Reid reconstitutes the role of epideictic rhetoric in the United States from the end of the Revolutionary War to the eve of the Civil War and reinstates Everett in the pantheon of great American orators. He demonstrates why Everett fell into virtual obscurity and treats the reader to a penetrating analysis of the role of public persuasion in the United States during a critical period in its history. In Edward Everett: Unionist Orator Reid effectively restores Everett to his rightful rostrum in the unfolding national drama from the 1820s to the 1860s, providing a sweeping story of America's golden age of oratory in the process.The book opens with a discussion of the influence of Everett's eighteenth-century heritage on his desire to save the Union at all costs. The author shows how the seeds of Everett's Unionism were starting to sprout in his literary and theological speeches and writings, and how he developed the rhetorical methods that he would use throughout his career. Next, Reid deals with Everett's oratory during his years of service, first as a congressman and then as governor of Massachusetts. Here he discusses Everett's increasing concern about the divisiveness of the partisan and sectional causes he espoused. Chapters three and four deal with Everett's modification of his earlier Unionist strategies in an effort to deal with increasing sectionalism and preserve the United States. In conclusion, Reid reviews Everett's oratory, speculating about the role of epideictic oratory in general in maintaining, or failing to maintain, social unity. Sample speeches complete the work, which include a partial text of one of Everett's congressional speeches, a 4th of July oration, his Character of Washington, and a partial text of Everett's Gettysburg address.
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Edward Albee

Edward Albee

Barbara L. Horn

Praeger Publishers Inc
2003
sidottu
This volume documents the life and works of the acclaimed playwright, Edward Albee. His first four plays were all produced Off Broadway from 1960-1961, creating buzz that he was an up-and-coming avant-garde playwright. But his most notable accomplishment came a year later with his first full-length play, Who's Afraid of Virginia Woolf?. His plays were linked with the philosophies of the European absurdists, Beckett and Ionesco, and the American traditional social criticism of Arthur Miller, Tennessee Williams, and Eugene O'Neill.Intended to serve as a quick reference guide and an exhaustive resource, this collection includes play synopses and critical overviews, production histories and credits, and locator suggestions on unpublished archival material and lists of texts/anthologies that have published Albee's material. The two secondary bibliographies contained within are fully annotated chronologically and alphabetically with the year of publication, presenting a fuller sense of Albee's playwriting career.
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Edward IV

Edward IV

Michael Hicks

Hodder Arnold
2004
nidottu
Edward IV was the first Yorkist king. He ruled (with only a brief hiatus) for 22 years, ended the Wars of the Roses triumphantly in 1471, and died in his bed not invariably the place of death for a medieval monarch. The best general of his day, he destroyed the House of Lancaster. At a very difficult time, he redeemed royal prestige at home and abroad, restored order and public finances, and crushed all his opponents, including his brother Clarence. His son Edward V, still a minor, succeeded him peacefully. Yet within months Edward was deposed in favour of Richard III, his uncle. The Wars of the Roses resumed, Edward IV's sons met violent deaths, and so at Bosworth Field did the usurping Richard III. Assessment of Edward IV is inextricably bound up not only in the record of his reign, itself much disputed, but also with what turned out to be his baleful legacy. This book explores how his reputation has changed and analyses the major issues in light of contemporary and later perceptions of this controversial king
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The Complete Poems of Edgar Allan Poe

The Complete Poems of Edgar Allan Poe

Edgar Allan Poe

Lulu.com
2019
nidottu
The complete poetic musings of the master of the sepulchral and macabre are collected here, in this classic volume. The author of such masterful and reknowned verses as "The Raven," "The Haunted Palace," and "The Conqueror Worm," lived a short, tagic life as dark and morbid as his most melancholy verse. His dark, gothic mind and haunted soul is preserved forever in this, his collected body of poetic masterpieces.
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Edward Lloyd and His World

Edward Lloyd and His World

Routledge
2019
sidottu
The publisher Edward Lloyd (1815-1890) helped shape Victorian popular culture in ways that have left a legacy that lasts right up to today. He was a major pioneer of both popular fiction and journalism but has never received extended scholarly investigation until now. Lloyd shaped the modern popular press: Lloyd's Weekly Newspaper became the first paper to sell over a million copies. Along with publishing songs and broadsides, Lloyd dominated the fiction market in the early Victorian period issuing Gothic stories such as Varney the Vampire (1845-7) and other 'penny dreadfuls', which became bestsellers. Lloyd's publications introduced the enduring figure of Sweeney Todd whilst his authors penned plagiarisms of Dickens's novels, such as Oliver Twiss (1838-9). Many readers in the early Victorian period may have been as likely to have encountered the author of Pickwick in a Lloyd-published plagiarism as in the pages of the original author. This book makes us rethink the early reception of Dickens. In this interdisciplinary collection, leading scholars explore the world of Edward Lloyd and his stable of writers, such as Thomas Peckett Prest and James Malcolm Rymer. The Lloyd brand shaped popular taste in the age of Dickens and the Chartists. Edward Lloyd and his World fills a major gap in the histories of popular fiction and journalism, whilst developing links with Victorian politics, theatre and music.
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Edvard Grieg and His Songs

Edvard Grieg and His Songs

Sandra Jarrett

Routledge
2019
sidottu
Originally published in 2003, Edvard Grieg and his Songs examines the lifetime of Edvard Grieg. His songs were among his most popular and well-known works and both historians and critics have seen in them, Grieg at his most sophisticated and innovative. Important in and of themselves, the songs also illuminate critical aspects of his other works such as his musical impressionism, his use of folk music as a source of inspiration, and his novel approach towards harmony. Fifty of Grieg’s most important songs form the focus of this book. Each song is discussed individually and within the wider context of the composer’s output. The book provides a translation of the lyrics, and analysis of the poem and a description of the song’s form, melody, tessitura, harmony, rhythm and accompaniment, together with suggestions for interpretation. In addition to this, the book gives a brief biography of Grieg, with a chapter that analyses his approach to song writing.
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Edvard Grieg and His Songs

Edvard Grieg and His Songs

Sandra Jarrett

Routledge
2021
nidottu
Originally published in 2003, Edvard Grieg and his Songs examines the lifetime of Edvard Grieg. His songs were among his most popular and well-known works and both historians and critics have seen in them, Grieg at his most sophisticated and innovative. Important in and of themselves, the songs also illuminate critical aspects of his other works such as his musical impressionism, his use of folk music as a source of inspiration, and his novel approach towards harmony. Fifty of Grieg’s most important songs form the focus of this book. Each song is discussed individually and within the wider context of the composer’s output. The book provides a translation of the lyrics, and analysis of the poem and a description of the song’s form, melody, tessitura, harmony, rhythm and accompaniment, together with suggestions for interpretation. In addition to this, the book gives a brief biography of Grieg, with a chapter that analyses his approach to song writing.
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Edward MacDowell’s European Piano Music

Edward MacDowell’s European Piano Music

Paul Bertagnolli

TAYLOR FRANCIS LTD
2024
sidottu
Edward MacDowell’s European Piano Music is a critical study of the piano music that MacDowell composed during his European sojourn (1876–1888), steeped in reception history and with a special emphasis of programmaticism.The book expands current knowledge of MacDowell’s childhood in four of the chapters based on his previously uninvestigated sheet music collection, thereby achieving a better balance among the stages of MacDowell’s life than is evident in most books of the life-and-works variety. Prolific contemporaneous music criticism, meticulously preserved in MacDowell’s scrapbooks, is likewise undervalued in the MacDowell literature, but it furnishes penetrating observations about the expressive and programmatic content of numerous compositions, especially as it was revealed to critics when MacDowell performed his own works. Lastly, the book offers explanations for why MacDowell immersed himself in European culture for decades and then, at a crucial juncture in his career, embraced diverse American heritages and worked toward a conception of a pluralistic music that was American “in a creative sense.”The book’s content and methodology would appeal most directly to specialists within the broad fields of musicology and music theory, particularly within American art music and its composers; nineteenth-century music; program music; reception history; and piano literature.
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Eduard Mörike

Eduard Mörike

Margaret Mare

Routledge
2020
sidottu
Originally published in 1957, this was the first biography and full account of Eduard Mörike’s works to appear in English. One of the greatest German lyric poets, Mörike is, according to some critics equal to Goethe as a lyricist. This book was the first attempt to analyse Mörike’s highly suggestive drawings, some of which are reproduced in the book. The contents of poems are summarized, so no prior knowledge of German is assumed, and a large number of poems are quoted in full.
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Eduard Mörike

Eduard Mörike

Margaret Mare

TAYLOR FRANCIS LTD
2021
nidottu
Originally published in 1957, this was the first biography and full account of Eduard Mörike’s works to appear in English. One of the greatest German lyric poets, Mörike is, according to some critics equal to Goethe as a lyricist. This book was the first attempt to analyse Mörike’s highly suggestive drawings, some of which are reproduced in the book. The contents of poems are summarized, so no prior knowledge of German is assumed, and a large number of poems are quoted in full.
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