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1000 tulosta hakusanalla Francesca Gavin

Palestinian Refugees in International Law

Palestinian Refugees in International Law

Francesca P. Albanese; Lex Takkenberg

Oxford University Press
2020
nidottu
The Palestinian refugee question, resulting from the events surrounding the birth of the state of Israel seventy years ago, remains one of the largest and most protracted refugee crises of the post-WWII era. Numbering over six million in the Middle East alone, Palestinian refugees' status varies considerably according to the state or territory 'hosting' them, the UN agency assisting them and political circumstances surrounding the Israeli-Palestinian conflict these refugees are naturally associated with. Despite being foundational to both the experience of the Palestinian refugees and the resolution of their plight, international law is often side-lined in political discussions concerning their fate. This compelling new book, building on the seminal contribution of the first edition (1998), offers a clear and comprehensive analysis of various areas of international law (including refugee law, human rights law, humanitarian law, the law relating to stateless persons, principles related to internally displaced persons, as well as notions of international criminal law), and probes their relevance to the provision of international protection for Palestinian refugees and their quest for durable solutions.
A Primer on Stable Isotopes in Ecology

A Primer on Stable Isotopes in Ecology

Francesca Cotrufo; Yamina Pressler

Oxford University Press
2023
sidottu
In the past few decades, the field of ecology has made huge advancements thanks to stable isotopes. Ecologists need to understand the principles of stable isotopes to fully appreciate many studies in their discipline. Ecologists also need to be aware of isotopic approaches to enrich their “toolbox” for further advancing the discipline. A Primer on Stable Isotopes in Ecology is a concise and foundational resource for anyone interested in acquiring theoretical and practical knowledge for the application of stable isotopes in ecology. Readers will gain a more in-depth and complete knowledge of stable isotopes and explore isotopic methods used in ecological research, learning about stable isotope definitions, measurement, ecological processes, and applications in research. Chapters include in-depth descriptions of stable isotopes and their notation, isotope fractionation, isotope mixing, heavy isotope enrichment, and quantification methods by mass spectrometry and laser spectroscopy. The text guides readers to think "isotopically” to better understand research conducted using stable isotopes. The book also provides basic practical skills and activities to apply stable isotope methods in ecological research. It includes 5 activities through which readers can apply their knowledge to real-world problems and improve their skills for interpreting and using stable isotopes in ecological research. This book is designed for students and scientists from different backgrounds who share the common interest in stable isotopes.
Poet of the Medieval Modern

Poet of the Medieval Modern

Francesca Brooks

Oxford University Press
2021
sidottu
The early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones's Library, this volume reads with Jones in order to trouble the distinction between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in Modernist and Medieval Studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages--including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography--to re-envision British Catholic identity in the twentieth-century long poem. Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponised in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore-up and challenge English hegemonies across modern British culture.
Poet of the Medieval Modern

Poet of the Medieval Modern

Francesca Brooks

Oxford University Press
2021
nidottu
The early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones's Library, this volume reads with Jones in order to trouble the distinction between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in Modernist and Medieval Studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages--including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography--to re-envision British Catholic identity in the twentieth-century long poem. Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponised in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore-up and challenge English hegemonies across modern British culture.
Materiality and Devotion in the Poetry of George Herbert

Materiality and Devotion in the Poetry of George Herbert

Francesca Cioni

Oxford University Press
2024
sidottu
George Herbert, his contemporaries, and readers inhabited a world of material things that were spiritually animated but deeply troubling. Habitual providential and typological interpretation imbued matter with meaning, and connected it with the rest of Creation; using material things was an act of interpretation, devotion an act of habitual reading. Materialist philosophies rejected distinctions between body and soul; injunctions to continuous prayer made every place and every bodily motion a potential house of and vehicle for prayer. At the same time Protestant doctrine and Church of England policy, expressed in sermons, visitation articles and works of theology as well as devotional manuals, prayer books and even physiologies and biographies, policed the ways and conditions in which material things, bodies, and spaces might be properly used in devotion. Herbert's Temple is built, read, and used in this world of continual textual and material 'reading'. By a close reading of The Temple, this book explores how Herbert and his readers understood, experienced, and used material objects in devotion. The Temple is an edifice built of paper and ink, of Biblical allusion, and of analogy to both physical churches and spiritual communities of believers: a material and spiritual, literal, and figurative construction. In his verse, Herbert plays with the boundaries between material and spiritual presence, and between literal and figurative signification; in its devotional poetics material and spiritual meanings inform one another and its readers' devotional lives. Materiality and Devotion in the Poetry of George Herbert focuses in turn on three of the most significant kinds of material things seventeenth-century English believers encountered in devotion: their bodies, church buildings, and books.
God Is Not a Story

God Is Not a Story

Francesca Aran Murphy

Oxford University Press
2007
sidottu
A challenging critique of narrative theologies, including the works of George Lindbeck, Robert Jenson, and Herbert McCabe. Francesca Aran Murphy argues that the use of the concept of story or narrative in theology is circular and self-referential, and that the widespread notion that the role of the theologian is to 'tell God's story' has not helped theology to advance the reality of its doctrines. Murphy contends that the scriptural revelation on which Christian theology depends is not a story or a plot but a dramatic encounter between mysterious, free, and unpredictable persons. She offers her own alternative approach, making use of cinema and film theory, and engaging in particular in a dialogue with the work of Hans Urs von Balthasar.
Europe's Advantage

Europe's Advantage

Francesca Carnevali

Oxford University Press
2005
sidottu
This is the first book to explore the causes of the decline of British manufacturing in the 20th century by focusing on the troubled relationship between banks and small firms in a comparative historical perspective. Since the mid-1970s, the 'rediscovery' of small firms and of the important role they have played in the economies of continental Europe have occupied a substantial part of the literature on the sources of economic competitiveness. In Britain, the relationship between banks and industry has been the object of intense speculation since before the First World War. Since then banks have been accused by the business community, academics and politicians of neglecting industrial finance and by doing so of reducing the competitiveness of British firms. By comparing the rise of small firms in France, Germany and Italy and their decline in Britain this book analyses how the structure of these countries' banking systems has affected small firms' growth. This analysis is placed in the historical context of the political economy of these four countries, to show how banking and industrial structures developed over the century as a consequence of the state's need to mediate between different social and economic groups. This approach allows the author to show why British banking came to be so concentrated and the negative impact that this had on the supply of finance to small firms. The experiences of France, Germany and Italy show alternative structures and policy responses towards small firms.
Landscapes of Desire in the Poetry of Vittorio Sereni

Landscapes of Desire in the Poetry of Vittorio Sereni

Francesca Southerden

Oxford University Press
2012
sidottu
Landscapes of Desire in the Poetry of Vittorio Sereni is the first book-length study in English on Vittorio Sereni (1913-83), one of the major figures of Italian twentieth-century poetry. It argues that a key innovation of Sereni's poetry is constituted in the way in which, from Frontiera [Frontier] (1941) to Stella variabile [Variable Star] (1981), he reworks the boundaries of poetic space to construct a lyric 'I' radically repositioned in the textual universe with respect to its predecessors: an 'I' that is decentred, in limine, and struggles to subordinate the world to its point of view. Through an interdisciplinary framework that bridges psychoanalytic, linguistic, and poetic theory, two main dimensions of Sereni's work are revisited and reassessed. The first is the role of liminality, which is presented as a condition of writing and as the mark of a desiring subject whose most desired object is the complete poem or total identity that elude him. The second is Sereni's relationship to the Italian poetic tradition, including Dante, Petrarch, Leopardi, and Montale, who mediate his contact with a textual beyond that slips further and further from view. The study maps, through close-reading, the poet's evolving use of deictic reference (spatio-temporal coordinates, demonstratives, personal pronouns) and the progressive transformation of the poem into a place of frustrated desire that occludes fulfilment. It argues that Sereni's particular brand of experimentalism develops from this point and that he represents a unique moment in the history of twentieth-century Italian poetry in the way in which he adapts pre-existing models of lyric discourse to new modes of expression.
Caring for a Living

Caring for a Living

Francesca Degiuli

Oxford University Press Inc
2016
sidottu
Today's world is aging at a great speed, and although increased longevity represents one of the greatest achievements of the last century, the extension of life expectancy does not necessarily correspond to an extension of healthy lives. Aging populations, particularly those with a high percentage of the oldest old, are often burdened with chronic conditions that require extended long-term care. Deciding who provides said care, and in what forms, are key problems that will soon affect a growing number of post-industrial high- and mid-income countries. ^iCaring for a Living^r contributes to this debate by exploring the organization of long-term care in Italy, a country already in the midst of an eldercare crisis. There, the answer to this problem has taken the shape of home eldercare assistance, an arrangement whereby long-term care services are bought in the market in the form of private and individualized assistance by families sometimes with economic support provided by the State. The providers of these services, commonly known as "badanti" (minders), are, for the most part, im/migrant women coming from different areas of the world. ^iCaring for a Living^r analyzes the emergence and development of this arrangement and the role that the state, Italian families, and workers themselves play in shaping and in defining it. The author provides timely insights on: the nature of long-term care and its requirements; the specific needs of families facing this issue; the changing role of the neoliberal State; and the ways in which global political and economic processes influence and shape an apparently individually based solution to long-term care. This book is ideal for graduate courses in sociology and anthropology, specifically in courses related to gender and migration, work and women, social inequality, and immigration studies.
Troy, Unincorporated

Troy, Unincorporated

Francesca Abbate

University of Chicago Press
2012
nidottu
Daily it storms: dams give out, a lake in the next county empties, every river swells. And the story says this is love, this is hope, Silly. It's sorry, but it means to keep the afternoon as I left it: folding chairs at a folding table and the light wasp-colored, an old postcard of this was a factory town. And him (who won't be you, not again, nor still) setting the kettle on the ancient stove. On the table, a receipt he'd written on - something about God handing the world back to Job. A meditation on the nature of betrayal, the constraints of identity, and the power of narrative, the lyric monologues in "Troy", "Unincorporated" offer a retelling of Chaucer's tragedy "Troilus and Criseyde". The tale's unrooted characters now find themselves adrift in the industrialized farmlands, strip malls, and half-tenanted "historic" downtowns of south-central Wisconsin, including the real, and literally unincorporated, town of Troy. Allusive and often humorous, they retain an affinity with Chaucer, especially in terms of their roles: Troilus, the courtly lover, suffers from depression. Pandarus, the hardworking catalyst who brings the lovers together in Chaucer's poem, is here a car mechanic. Aware of themselves as literary constructs, the narrator and characters in "Troy", "Unincorporated" are paradoxically driven by the desire to be autonomous creatures - tale tellers rather than tales told. Thus, through "Troy", "Unincorporated" follows Chaucer's plot, it moves beyond Chaucer to posit a possible fate for Criseyde on this "litel spot of erthe."
William James at the Boundaries

William James at the Boundaries

Francesca Bordogna

University of Chicago Press
2008
sidottu
At Columbia University in 1906, William James gave a highly confrontational speech to the American Philosophical Association (APA). He ignored the technical philosophical questions the audience had gathered to discuss and instead addressed the topic of human energy. Trampling on the rules of academic decorum, James invoked the work of amateurs, read testimonials on the benefits of yoga and alcohol, and concluded by urging his listeners to take up this psychological and physiological problem.What was the goal of this unusual speech? Rather than an oddity, Francesca Bordogna asserts that the APA address was emblematic - it was just one of many gestures that James employed as he plowed through the barriers between academic, popular, and pseudoscience, as well as the newly emergent borders between the study of philosophy, psychology, and the "science of man." Bordogna reveals that James' trespassing of boundaries was an essential element of a broader intellectual and social project. By crisscrossing divides, she argues, James imagined a new social configuration of knowledge, a better society, and a new vision of the human self. As the academy moves toward an increasingly interdisciplinary future, "William James at the Boundaries" reintroduces readers to a seminal influence on the way knowledge is pursued.
Before Nature

Before Nature

Francesca Rochberg

University of Chicago Press
2017
sidottu
In the modern West, we take for granted that what we call the "natural world" confronts us all and always has but we are wrong. In reality, nature is a human construct. Before Nature is an exploration of that almost unimaginable time when there was no such thing as "nature" no word, reference, or sense for it. Long before the concept of nature formed over the long history of European philosophy and science, our ancestors in ancient Assyria and Babylonia developed the cuneiform script, the earliest system of writing used for documenting and observing the world in a way not wholly dissimilar to our modern science With Before Nature, Francesca Rochberg explores that Assyro-Babylonian knowledge tradition and shows how it relates to the history of science, despite not being focused around a conscious category of nature. From a modern, Western perspective, a world not conceived somehow within the framework of physical nature is difficult if not impossible to imagine. Yet, as Rochberg lays out, ancient Assyro-Babylonian investigations of regularity and irregularity, norms and anomalies clearly established an axis of knowledge between the knower and an intelligible, ordered world. Rochberg is the first scholar to make a case for how exactly we can understand cuneiform knowledge, prediction, and explanation in relation to science without recourse to later ideas of nature. Systematically examining the whole of Mesopotamian science from a remarkable analytic and historical perspective, Before Nature will open up surprising new pathways for studying the history of science.
It Was Like a Fever

It Was Like a Fever

Francesca Polletta

University of Chicago Press
2006
sidottu
Activists and politicians have long recognized the power of a good story to move people to action. In early 1960, four black college students sat down at a whites-only lunch counter in Greensboro, North Carolina, and refused to leave. Within a month, sit-ins spread to thirty cities in seven states. Student participants told stories of impulsive, spontaneous action - this despite all the planning that had gone into the sit-ins. "It was like a fever," they said. Francesca Polletta's "It Was Like a Fever" sets out to account for the power of storytelling in mobilizing political and social movements. Drawing on cases ranging from sixteenth-century tax revolts to contemporary debates about the future of the World Trade Center site, Polletta argues that stories are politically effective not when they have clear moral messages, but when they have complex, often ambiguous ones. The openness of stories to interpretation has allowed disadvantaged groups, in particular, to gain a hearing for new needs and to forge surprising political alliances. But, popular beliefs in America about storytelling as a genre have also hurt those challenging the status quo. A rich analysis of storytelling in courtrooms, newsrooms, public forums, and the United States Congress, "It Was Like a Fever" offers provocative new insights into the dynamics of culture and contention.
It Was Like a Fever – Storytelling in Protest and Politics

It Was Like a Fever – Storytelling in Protest and Politics

Francesca Polletta

University of Chicago Press
2006
nidottu
Activists and politicians have long recognized the power of a good story to move people to action. In early 1960, four black college students sat down at a whites-only lunch counter in Greensboro, North Carolina, and refused to leave. Within a month, sit-ins spread to thirty cities in seven states. Student participants told stories of impulsive, spontaneous action - this despite all the planning that had gone into the sit-ins. "It was like a fever," they said. Francesca Polletta's "It Was Like a Fever" sets out to account for the power of storytelling in mobilizing political and social movements. Drawing on cases ranging from sixteenth-century tax revolts to contemporary debates about the future of the World Trade Center site, Polletta argues that stories are politically effective not when they have clear moral messages, but when they have complex, often ambiguous ones. The openness of stories to interpretation has allowed disadvantaged groups, in particular, to gain a hearing for new needs and to forge surprising political alliances. But, popular beliefs in America about storytelling as a genre have also hurt those challenging the status quo. A rich analysis of storytelling in courtrooms, newsrooms, public forums, and the United States Congress, "It Was Like a Fever" offers provocative new insights into the dynamics of culture and contention.
Freedom Is an Endless Meeting – Democracy in American Social Movements
Freedom Is an Endless Meeting offers vivid portraits of American experiments in participatory democracy throughout the twentieth century. Drawing on meticulous research and more than one hundred interviews with activists, Francesca Polletta challenges the conventional wisdom that participatory democracy is worthy in purpose but unworkable in practice. Instead, she shows that social movements have often used bottom-up decision making as a powerful tool for political change.Polletta traces the history of democracy in early labor struggles and pre-World War II pacifism, in the civil rights, new left, and women's liberation movements of the sixties and seventies, and in today's faith-based organizing and anti-corporate globalization campaigns. In the process, she uncovers neglected sources of democratic inspiration—Depression-era labor educators and Mississippi voting registration workers, among them—as well as practical strategies of social protest. But Freedom Is an Endless Meeting also highlights the obstacles that arise when activists model their democracies after familiar nonpolitical relationships such as friendship, tutelage, and religious fellowship. Doing so has brought into their deliberations the trust, respect, and caring typical of those relationships. But it has also fostered values that run counter to democracy, such as exclusivity and an aversion to rules, and these have been the fault lines around which participatory democracies have often splintered. Indeed, Polletta attributes the fragility of the form less to its basic inefficiency or inequity than to the gaps between activists' democratic commitments and the cultural models on which they have depended to enact those commitments. The challenge, she concludes, is to forge new kinds of democratic relationships, ones that balance trust with accountability, respect with openness to disagreement, and caring with inclusiveness.For anyone concerned about the prospects for democracy in America, Freedom Is an Endless Meeting will offer abundant historical, theoretical, and practical insights. "This is an excellent study of activist politics in the United States over the past century. . . . Assiduously researched, impressively informed by a great number of thoughtful interviews with key members of American social movements, and deeply engaged with its subject matter, the book is likely to become a key text in the study of grass-roots democracy in America."—Kate Fullbrook, Times Literary Supplement"Polletta's portrayal challenges the common assumption that morality and strategy are incompatible, that those who aim at winning must compromise principle while those who insist on morality are destined to be ineffective. . . . Rather than dwell on trying to explain the decline of 60s movements, Polletta shows how participatory democracy has become the guiding framework for many of today's activists."—Richard Flacks, Los Angeles Times Book Review "In Freedom Is an Endless Meeting, Francesca Polletta has produced a remarkable work of historical sociology. . . . She provides the fullest theoretical work of historical sociology. . . . She provides the fullest theoretical picture of participatory democracy, rich with nuance, ambiguity, and irony, that this reviewer has yet seen. . . . This wise book should be studied closely by both academics and by social change activists."—Stewart Burns, Journal of American History
Inventing the Ties That Bind

Inventing the Ties That Bind

Francesca Polletta

University of Chicago Press
2020
sidottu
At a time of deep political divisions, leaders have called on ordinary Americans to talk to one another: to share their stories, listen empathetically, and focus on what they have in common, not what makes them different. In Inventing the Ties that Bind, Francesca Polletta questions this popular solution for healing our rifts. Talking the way that friends do is not the same as equality, she points out. And initiatives that bring strangers together for friendly dialogue may provide fleeting experiences of intimacy, but do not supply the enduring ties that solidarity requires. But Polletta also studies how Americans cooperate outside such initiatives, in social movements, churches, unions, government, and in their everyday lives. She shows that they often act on behalf of people they see as neighbors, not friends, as allies, not intimates, and people with whom they have an imagined relationship, not a real one. To repair our fractured civic landscape, she argues, we should draw on the rich language of solidarity that Americans already have.
Inventing the Ties That Bind

Inventing the Ties That Bind

Francesca Polletta

University of Chicago Press
2020
nidottu
At a time of deep political divisions, leaders have called on ordinary Americans to talk to one another: to share their stories, listen empathetically, and focus on what they have in common, not what makes them different. In Inventing the Ties that Bind, Francesca Polletta questions this popular solution for healing our rifts. Talking the way that friends do is not the same as equality, she points out. And initiatives that bring strangers together for friendly dialogue may provide fleeting experiences of intimacy, but do not supply the enduring ties that solidarity requires. But Polletta also studies how Americans cooperate outside such initiatives, in social movements, churches, unions, government, and in their everyday lives. She shows that they often act on behalf of people they see as neighbors, not friends, as allies, not intimates, and people with whom they have an imagined relationship, not a real one. To repair our fractured civic landscape, she argues, we should draw on the rich language of solidarity that Americans already have.
Before Nature

Before Nature

Francesca Rochberg

University of Chicago Press
2020
nidottu
In the modern West, we take for granted that what we call the “natural world” confronts us all and always has—but Before Nature explores that almost unimaginable time when there was no such conception of “nature”—no word, reference, or sense for it. Before the concept of nature formed over the long history of European philosophy and science, our ancestors in ancient Assyria and Babylonia developed an inquiry into the world in a way that is kindred to our modern science. With Before Nature, Francesca Rochberg explores that Assyro-Babylonian knowledge tradition and shows how it relates to the entire history of science. From a modern, Western perspective, a world not conceived somehow within the framework of physical nature is difficult—if not impossible—to imagine. Yet, as Rochberg lays out, ancient investigations of regularity and irregularity, norms and anomalies clearly established an axis of knowledge between the knower and an intelligible, ordered world. Rochberg is the first scholar to make a case for how exactly we can understand cuneiform knowledge, observation, prediction, and explanation in relation to science—without recourse to later ideas of nature. Systematically examining the whole of Mesopotamian science with a distinctive historical and methodological approach, Before Nature will open up surprising new pathways for studying the history of science.
Networking Operatic Italy

Networking Operatic Italy

Francesca Vella

University of Chicago Press
2022
sidottu
A study of the networks of opera production and critical discourse that shaped Italian cultural identity during and after Unification. Opera’s role in shaping Italian identity has long fascinated both critics and scholars. Whereas the romance of the Risorgimento once spurred analyses of how individual works and styles grew out of and fostered specifically “Italian” sensibilities and modes of address, more recently scholars have discovered the ways in which opera has animated Italians’ social and cultural life in myriad different local contexts. In Networking Operatic Italy, Francesca Vella reexamines this much-debated topic by exploring how, where, and why opera traveled on the mid-nineteenth-century peninsula, and what this mobility meant for opera, Italian cities, and Italy alike. Focusing on the 1850s to the 1870s, Vella attends to opera’s encounters with new technologies of transportation and communication, as well as its continued dissemination through newspapers, wind bands, and singing human bodies. Ultimately, this book sheds light on the vibrancy and complexity of nineteenth-century Italian operatic cultures, challenging many of our assumptions about an often exoticized country.