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French Symbolist Poetry, 50th Anniversary Edition, Bilingual Edition
Whether viewed as an influence or in and for themselves, the Symbolists are a tantalizing group. Paralleling similar movements in art and music, their intensely personal poetry leans more heavily on oblique suggestions and evocation than on overt statement. It sets its perceptions, intuitive and nonrational, squarely against intellectual and scientific thinking - and this with a music that is flexible, intrepid, and subtle, sometimes even dissonant and jazzy. But the poetry itself is the movement's best definition. Here with bilingual text en face, an introduction, and illuminating notes, are some forty carefully selected poems of that movement. They range from the remote beginnings in Nerval and Baudelaire, through the humor and irony of Corbiere and Laforgue, to the technical brilliance of Valery, who died as recently as 1945. For those who wish an overall view of the movement, this is a generous sampling.
French Wine

French Wine

Rod Phillips

University of California Press
2016
sidottu
For centuries, wine has been associated with France more than with any other country. France remains one of the world's leading wine producers by volume and enjoys unrivalled cultural recognition for its wine. If any wine regions are global household names, they are French regions such as Champagne, Bordeaux, and Burgundy. Within the wine world, products from French regions are still benchmarks for many wines. French Wine is the first synthetic history of wine in France: from Etruscan, Greek, and Roman imports and the adoption of wine by beer-drinking Gauls to its present status within the global marketplace. Rod Phillips places the history of grape growing and winemaking in each of the country's major regions within broad historical and cultural contexts. Examining a range of influences on the wine industry, wine trade, and wine itself, the book explores religion, economics, politics, revolution, and war, as well as climate and vine diseases. French Wine is the essential reference on French wine for collectors, consumers, sommeliers, and industry professionals.
French Legislators 1800 - 1834

French Legislators 1800 - 1834

Thomas D. Beck

University of California Press
2022
pokkari
French Legislators, 1800-1834: A Study in Quantitative History examines the political evolution of France in the early nineteenth century, focusing on the makeup and role of the French legislature during the period following the French Revolution. The study offers a comprehensive analysis of the individuals who held legislative office, drawing on quantitative methods to classify them by social class, occupation, political affiliation, and regional representation. It explores the tension between the revolution's promise of social change and the entrenched power structures that emerged during the Bourbon Restoration and the July Monarchy. The study aims to answer key questions about the social composition of French politics, the impact of electoral laws, the rise of regionalism, and the consequences of the Revolution of 1830. The work relies heavily on extensive archival data, including electoral results, tax records, and biographical dictionaries, to categorize legislators based on their social status, professional background, and political leanings. Through this data, the study assesses how these men shaped and responded to political shifts, including the changes in government during the post-Napoleonic era and the restoration of Bourbon monarchy. The author presents a nuanced view of political affiliations, identifying the Left and Right as key players in the political discourse of the period, with both groups evolving over time in their relationship to the Revolution and its outcomes. Ultimately, the study offers a fresh perspective on a historically underexplored period, emphasizing the importance of quantitative history in understanding social and political transformations. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
French Wine

French Wine

Rod Phillips

University of California Press
2020
pokkari
"A fascinating book that belongs on every wine lover’s bookshelf."—The Wine Economist"It’s a book to read for its unstoppable torrent of fascinating and often surprising details."—Andrew Jefford, Decanter For centuries, wine has been associated with France more than with any other country. France remains one of the world’s leading wine producers by volume and enjoys unrivaled cultural recognition for its wine. If any wine regions are global household names, they are French regions such as Champagne, Bordeaux, and Burgundy. Within the wine world, products from French regions are still benchmarks for many wines. French Wine is the first synthetic history of wine in France: from Etruscan, Greek, and Roman imports and the adoption of wine by beer-drinking Gauls to its present status within the global marketplace. Rod Phillips places the history of grape growing and winemaking in each of the country’s major regions within broad historical and cultural contexts. Examining a range of influences on the wine industry, wine trade, and wine itself, the book explores religion, economics, politics, revolution, and war, as well as climate and vine diseases. French Wine is the essential reference on French wine for collectors, consumers, sommeliers, and industry professionals.
French Legislators 1800 - 1834

French Legislators 1800 - 1834

Thomas D. Beck

University of California Press
2022
sidottu
French Legislators, 1800-1834: A Study in Quantitative History examines the political evolution of France in the early nineteenth century, focusing on the makeup and role of the French legislature during the period following the French Revolution. The study offers a comprehensive analysis of the individuals who held legislative office, drawing on quantitative methods to classify them by social class, occupation, political affiliation, and regional representation. It explores the tension between the revolution's promise of social change and the entrenched power structures that emerged during the Bourbon Restoration and the July Monarchy. The study aims to answer key questions about the social composition of French politics, the impact of electoral laws, the rise of regionalism, and the consequences of the Revolution of 1830. The work relies heavily on extensive archival data, including electoral results, tax records, and biographical dictionaries, to categorize legislators based on their social status, professional background, and political leanings. Through this data, the study assesses how these men shaped and responded to political shifts, including the changes in government during the post-Napoleonic era and the restoration of Bourbon monarchy. The author presents a nuanced view of political affiliations, identifying the Left and Right as key players in the political discourse of the period, with both groups evolving over time in their relationship to the Revolution and its outcomes. Ultimately, the study offers a fresh perspective on a historically underexplored period, emphasizing the importance of quantitative history in understanding social and political transformations. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
French Revolutionary Syndicalism and the Public Sphere

French Revolutionary Syndicalism and the Public Sphere

Kenneth H. Tucker

Cambridge University Press
2005
pokkari
This study explores the evolution of the Confédération Générale du Travail (CGT), and its interaction with the French public sphere, between 1900 and 1920. Kenneth Tucker examines the triumph of this productivism and instrumental rationality, in contrast with other visions of society and the future. He gives a Habermasian twist to the recent linguistic turn in labour history, focusing on the role of competing bodies of knowledge in influencing the self-understanding and strategies of the CGT. He also goes further to situate the rise of productivism within the social and cultural context of the French Third Republic.
French Renaissance Tragedy

French Renaissance Tragedy

Gillian Jondorf

Cambridge University Press
2006
pokkari
The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective.
French Anti-Slavery

French Anti-Slavery

Lawrence C. Jennings

Cambridge University Press
2006
pokkari
Some works have examined the first and temporary abolition of French colonial slavery during the French Revolutionary era, but relatively little is known about the second French abolitionist movement that culminated in the freeing of a quarter of a million slaves in 1848. This book fills the huge gap in existing historiography by providing a detailed study of French anti-slavery forces during this period, explaining why France abolished colonial slavery fifteen years later than Britain but fifteen years before emancipation in the United States. It traces the largely political struggle of a cautious, elitist group of humanitarians against a well-organized colonial lobby and a largely indifferent July Monarchy government. The few radical, determined abolitionists, like the black Cyrille Bissette, were too marginal to move French public opinion and bring about abolition until the Revolution of 1848 brought the Second Republic to power.
French Absolutism: The Crucial Phase, 1620–1629

French Absolutism: The Crucial Phase, 1620–1629

A. D. Lublinskaya

Cambridge University Press
2008
pokkari
As an introduction to her detailed study Professor Lublinskaya presents a summary and critique of the whole 'general crisis' interpretation of seventeenth-century European history which is regularly a subject for heated debate among Western historians. However, it is as a specialist in the history of seventeenth-century France that Professor Lublinskaya approaches the problem of the general crisis. The major part of her book is a detailed analysis of the political, social and economic history of the France of Louis XIII - a crucial period for the development of the French monarchy.
French Finances 1770–1795

French Finances 1770–1795

J. F. Bosher

Cambridge University Press
2008
pokkari
The monarchy of Louis XVI suffered revolution and then destruction after failing to settle its financial difficulties. What precisely were those difficulties? In this book, Professor Bosher shows that the monarchy was financed by a chaotic system of private enterprise which proved increasingly unmanageable and wasteful. Hundreds of profit-seeking accountants - 'capitalists', in the language of the time - stood in the way of reform and even of clear accounting until governments of the French Revolution eventually nationalized the financial system and changed it 'from capitalism into a bureaucracy'. From his close study of the administrative changes Professor Bosher concludes that the National Assembly planned to guard the public finances by bureaucratic organization. 'With a vision of mechanical efficiency and articulation', he writes, 'systems of clock-like checks and balances such as eighteenth-century Frenchmen found everywhere, even in nature itself, the revolutionary planners hoped to prevent corruption, putting their faith in the virtues of organization to offset the vices of the individual men.'
French Society and the Revolution

French Society and the Revolution

Douglas Johnson

Cambridge University Press
2008
pokkari
Taken as a whole the essays in this volume illustrate the outstanding contribution made to French Revolutionary scholarship by British and American authors. Professor Johnson has selected essays which cover a wide spectrum of time, place and social class but are vitally concerned to describe and explain the social reality of revolution in its various phases. The essays fall into three main groups; the first sets the scene with studies of the social, economic and intellectual life of pre-Revolutionary France; the second studies the role of fate of certain social groups during the Revolution; and the third examines counter-revolution in two provincial areas. The editor has added an introduction and index, and some minor changes have been made to the essays. Many of these articles are already well known to professional historian and it is hoped that publication in the present form will make them available to a wider audience interested in the social experience of the most dramatic and far reaching of revolution in modern times.
French Politicians and Elections 1951–1969

French Politicians and Elections 1951–1969

Philip M. Williams

Cambridge University Press
1970
pokkari
Originally published in 1970, this collection of essays, in which Mr Williams displays his exceptionally wide learning and sympathetic insight into French political life, is an indispensable guide to anyone interested in the background to and achievements of de Gaulle's regime. It surveys French elections in the Fourth and Fifth Republics: the issues, the changing methods of campaigning, and the sharp mutations in voting behaviour, illustrated in a series of maps and tables. The electoral chapters are linked by discussions of the principal political developments between the successive appeals to the people. Each of the four chronological chapters sections concentrates on a leading theme.
French Theatre in the Neo-classical Era, 1550–1789
This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comédie-Française (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.
French Architects and Engineers in the Age of Enlightenment

French Architects and Engineers in the Age of Enlightenment

Antoine Picon

Cambridge University Press
2009
pokkari
The professions of architect and engineer, which had maintained very close links since the time of the Renaissance, became increasingly isolated from one another in France during the course of the eighteenth century, the 'Age of the Enlightenment'. This book analyses the meaning of this gradual mutual isolation, the consequences of which can still be felt at a variety of different levels, and offers a unique insight in English to the teaching and practice of architects such as Jacques-Francois Blondel and Pierre Patte, and engineers such as Jean-Rodolphe Perronet and Gaspard-Riche de Prony. The text of the book is clear and easily comprehensible, and presents a fully accessible account of this key period in the development of architectural achievement and debate.
French Sacred Drama from Bèze to Corneille

French Sacred Drama from Bèze to Corneille

J. S. Street

Cambridge University Press
2011
pokkari
Originally published in 1983, this was the first comprehensive study of the French sacred theatre during the crucial transition from the medieval to the modern conception of drama. Although some hundreds of sacred plays were written between 1550 and 1650, the genre was largely ignored by subsequent critics, deterred by deliberately non-naturalistic styles. The author explores the use of techniques which were not consecrated by later critical opinion, extending to other styles the reassessment of the humanist theatre occurring at the time of publication. He examines the functions that these conventions were intended to serve, and the effects that the dramatists sought in adopting one or another style: the result is a fresh appraisal of the dramatic forms then current, ranging from the medieval through the humanist and the baroque to the flowering of French Classicism. This book will be of value to anyone with an interest in theatre.
French Verse-Art

French Verse-Art

Clive Scott

Cambridge University Press
2011
pokkari
This 1980 book is designed to help university students to master the technicalities and techniques of French verse. The author assumes that part of the difficulty encountered by readers derives from the need to approach French verse through English verse; this book undertakes, therefore, a differentiation of the two verse traditions. Dr Scott's concern is to provide the groundwork of a terminology, to discuss the origins and implications of that terminology, and to show how terminological knowledge can be translated into critical speculation about poetry. After three chapters which establish the essential features of the French line of verse and outline the difficulties the student is likely to encounter in trying to describe it and deal with it, the book moves on to consider rhyme, stanzas, verse forms and free verse.
French Pulpit Oratory, 1598–1650

French Pulpit Oratory, 1598–1650

Peter Bayley

Cambridge University Press
2011
pokkari
This 1980 text was the first full-length study of seventeenth-century pulpit oratory since 1863, and the first to treat both Catholic and Protestant preaching. The first part opens with a general discussion on the sermon as a literary form, followed by a survey of ideas on preaching and the practical 'arts of preaching' circulating in late Renaissance Europe. Of the central chapters on the sermons themselves, two are concerned with the style and complex formal structures of the sermons; while two examine in turn the major themes of illusion and nature and the imagery associated with them. The second part is a descriptive catalogue of extant sermons and some funeral orations of the period, which provided a great deal of information never previously collected. The book made a significant contribution both to the study of a neglected period of French literature, the 'Baroque', and to comparative studies of the sermon.
French Grand Opera and the Historical Imagination

French Grand Opera and the Historical Imagination

Sarah Hibberd

Cambridge University Press
2011
pokkari
During the July Monarchy, French grand operas, with their plots drawn from historical events, tended to be received as metaphors for current political themes. Previous studies have usually underestimated the role of music and the visual dimensions in articulating an alternative message to that offered by the libretto, and have instead focused on single political interpretations. In this study, five operas - Auber's La Muette de Portici and Gustave III, Niedermeyer's Stradella, Halévy's Charles VI and Meyerbeer's Le Prophete - illustrate the complex, contested nature of political meaning during this period. By setting these operas in the context of the emerging liberal historiography pioneered by Jules Michelet, and analysing the manner in which audiences and critics constructed 'meanings' with reference to their personal and collective experience and memories, this study reveals the central position that grand opera occupied in the period, bringing the past alive.