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John Stuart Mill and the Meaning of Life

John Stuart Mill and the Meaning of Life

Elijah Millgram

Oxford University Press Inc
2022
nidottu
John Stuart Mill was one of the most important and influential philosophers of the nineteenth century. He was also someone who exemplified a view about the meaning of life that is widespread among both philosophers and non-academics: that projects are what make your life meaningful, and if a single project is large enough to occupy center stage in it, that is the meaning of your life. His brilliant career notwithstanding, Mill's life was a train wreck; the intellectual energy and philosophical ingenuity which he devoted to figuring out what had gone wrong make him a fascinating object lesson in the view that projects give life meaning. Elijah Millgram argues that what went wrong was the very fact that Mill's life was a project--the tragedy of his life was an almost inevitable consequence of living out this account of the meaning of life. At once a scholarly contribution to the history of an important philosophical figure and an intervention in an ongoing debate within moral philosophy, this book takes on a topic that people outside the academy expect philosophy to address, but which it too rarely does: namely, the meaning of life. It is simultaneously an exercise in biography and a novel reconstruction and reframing of some of the central theories and texts of the philosophical canon. Millgram's work attempts to look at the theory of rationality from an unusual angle by asking: what difference does it make to the shape and progress of someone's life whether he has one or another understanding of practical reasoning--that is, of how one ought to reason about what to do?
John Williams

John Williams

Tim Greiving

OXFORD UNIVERSITY PRESS INC
2025
sidottu
The first biography of a great American composer of the cinema age John Williams is one of the most important film composers of all time, having almost singlehandedly revived the Hollywood symphonic scoring tradition and helped restore the livelihood of American orchestras through the popularity of film music programming. His film music, in the words of director Oliver Stone, "came to stand for the American culture." In John Williams: A Composer's Life, the first biography of the composer, author Tim Greiving offers an engaging account of a man whose body of work is well-known but whose personal life has consistently remained very private. Williams wrote the memorable scores and hummable themes for a staggering number of popular touchstones across multiple generations--among them Star Wars, Indiana Jones, Jaws, E.T., Jurassic Park, Schindler's List, and the Harry Potter series--and earned more Oscar nominations than any individual artist in the history of the motion picture Academy. He also composed dozens of concerti, fanfares, and other concert works and was a national presence as music director of the Boston Pops for more than a decade. He inspired countless children to pursue a career in the orchestra and won the respect of the classical community worldwide. Seeking to understand what drove Williams's musical productivity and its effects on the lives of those close to him, Greiving delves deeply into the composer's decades-long career, uncovering countless new stories and revelations. Throughout, he analyzes and describes Williams' film scores, recalling them primarily in narrative and emotional terms rather than purely musicological ones, and in doing so emphasizes one of Williams's principle strengths: his musical storytelling. With unprecedented interview access to Williams and those close to him, Greiving presents the definitive portrait of a beloved but famously private doyen of twentieth-century pop culture. Featuring 175 exclusive interviews--including with Steven Spielberg, Oliver Stone, George Miller, Mia Farrow, Hans Zimmer, Yo-Yo Ma, session musicians, family members, and friends--John Williams: A Composer's Life is the first and last word on the great court composer of the cinema age, the musical conductor of our collective memory.
John Locke's Theology

John Locke's Theology

Jonathan S. Marko

OXFORD UNIVERSITY PRESS INC
2023
sidottu
In John Locke's Theology: An Ecumenical, Irenic, and Controversial Project, Jonathan S. Marko offers the closest work available to a theological system derived from the writings of John Locke. Marko argues that Locke's intent for The Reasonableness of Christianity, his most noted theological work, was to describe and defend his version of the fundamental doctrines of Christianity and not his personal theological views. Locke, Marko says, intended the work to be an ecumenical and irenic project during a controversial time in philosophy and theology. Locke described what qualifies someone as a Christian in simple and irenic terms, and argued for the necessity of Scripture and the reasonableness of God's means of conveying his authoritative messages. The Reasonableness of Christianity could be construed as personal, but mainly in the sense that it puts the burden of understanding Scripture and arriving at theological convictions on the autonomous individual, rejecting the notion that one should base one's doctrinal opinions on so-called authorities. His work was inadvertently controversial partly because then, like today, readers typically failed to make a distinction between Locke's personal and programmatic positions. Marko also points to places in Locke's corpus where he avoids advocating for a particular sectarian position in his treatment of theological doctrines. What is more, it shows why attempting to categorize Locke--a philosopher, theologian, and political scientist all at once--according to traditional Christian paradigms is a dangerous misstep and a difficult scholarly feat.
John Sullivan Dwight

John Sullivan Dwight

Bill F. Faucett

OXFORD UNIVERSITY PRESS INC
2023
sidottu
John Sullivan Dwight (1813-93) was, for much of the nineteenth century, America's leading music critic. Born into a musical family and educated at several premier Boston schools, he fell under the spell of New England Transcendentalism and befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and wrote on many topics--Transcendentalism, of course, but especially on music and musical performance. After the demise of Brook Farm and several years as a journeyman writer, Dwight launched Dwight's Journal of Music: A Paper of Art and Literature in 1852. It was a newspaper that firmly established him as a serious music critic and in its time spoke to America's growing appetite for art music. By charting Dwight's relationships with other writers, musicians, and thinkers, as well as his evolution into a powerful and persuasive writer in his own right, this book situates his story in its nineteenth century and Transcendental contexts and provides the first thorough account of music and the arts at Brook Farm. Dwight's enormous body of essays, reviews, translations, correspondence, and other various writings are illuminated in this biography and reveal the indelible influence Dwight's Journal had on music criticism--the impacts of which resonate today.
The Early Poems of John Clare 1804-1822: Volume I
For the first time all Clare's early poems are brought together with all known variants, and with Clare's characteristic vocabulary, grammar, spelling, and punctuation preserved. Through this collection, ranging from juvenilia to the published poems that first established his reputation with Poems Descriptive of Rural Life and Scenery and The Village Minstrel, it becomes clear how many more poems Clare composed in these early years than have previously seen the light of day. Strenuous efforts have been made to recover poems obliterated in some of Clare's first manuscripts, and the complete text of The Parish, his major satirical poem, is included. A glossary is provided for both volumes, together with extensive annotation. Clare's own dating of his first poems is employed and every attempt has been made to establish a reliable chronology. This edition provides the first reliable basis for a new assessment of Clare's poetic growth, allowing his increasing assurance as a poet writing in a characteristic idiom of his own to be traced, and demonstrating how surprisingly early his individuality as a poet emerged.
The Early Poems of John Clare 1804-1822
For the first time all Clare's early poems are brought together with all known variants, and with Clare's characteristic vocabulary, grammar, spelling, and punctuation preserved. Through this collection, ranging from juvenilia to the published poems that first established his reputation with Poems Descriptive of Rural Life and Scenery and The Village Minstrel, it becomes clear how many more poems Clare composed in these early years than have previously seen the light of day. Strenuous efforts have been made to recover poems obliterated in some of Clare's first manuscripts, and the complete text of The Parish, his major satirical poem, is included. A glossary is provided for both volumes, together with extensive annotation. Clare's own dating of his first poems is employed and every attempt has been made to establish a reliable chronology. This edition provides the first reliable basis for a new assessment of Clare's poetic growth, allowing his increasing assurance as a poet writing in a characteristic idiom of his own to be traced, and demonstrating how surprisingly early his individuality as a poet emerged.
John Clare: Poems of the Middle Period, 1822-1837
These volumes represent the third and fourth of five volumes devoted to Clare's 'middle period', between 1822 and 1837, arguably the years of his finest creativity. The poems contained in these volumes range from examples of Clare's satirical and political verse, in 'The Summons' and 'The Hue & Cry', to a telling expression of his philosophy of nature, in 'The Eternity of Nature', and probably the most important statement of Clare's poetic objectives in 'To the Rural Muse'. If there is any lingering belief in the 'sameness' of Clare's verse, these volumes ought surely to dispel it.
The Miscellaneous Works of John Bunyan: Volume XIII: Israel's Hope Encouraged; The Desire of the Righteous Granted; The Saints Privilege and Profit; Christ a Compleat Saviour; The Saints Knowledge of Christ's Love; Of Antichrist, and His Ruine
The six treatises which make up this concluding volume of Bunyan's Miscellaneous Works were all published posthumously, in the 1692 Folio edited by Charles Doe. Most of them seem to have been composed in the final ten years of his life, while he was the height of his fame as a preacher and writer. They are characteristic Bunyan productions, designed to edify, exhort, and comform the saints, and brimful of his conviction that the Christian pilgrimage is a strenuous affair, calling for constant vigilence, self-examination and courage. The theme of endurance under persecution is prominent, and in a late millenarian work, Of Antichrist, and His Ruine, Bunyan offers a sombre, but eloquent account of the approaching downfall of the great enemy of the ture church, the Antichrist. Unlike many of his contemporaries, Bunyan is careful not to name dates, or interpret the apocalyptic texts too literally, but a striking feature of this work is his belief that kings would be God's chosen intruments in the destruction of Antichrist.
John Clare: Poems of the Middle Period, 1822-1837
These volumes represent the third and fourth of five volumes devoted to Clare's 'middle period', between 1822 and 1837, arguably the years of his finest creativity. The poems contained in these volumes range from examples of Clare's satirical and political verse, in 'The Summons' and 'The Hue & Cry', to a telling expression of his philosophy of nature, in 'The Eternity of Nature', and probably the most important statement of Clare's poetic objectives in 'To the Rural Muse'. If there is any lingering belief in the 'sameness' of Clare's verse, these volumes ought surely to dispel it.
John Clare: Poems of the Middle Period, 1822-1837

John Clare: Poems of the Middle Period, 1822-1837

John Clare

Oxford University Press
2003
sidottu
Completing the influential Oxford edition of Clare's collected poems, this volume presents the poems of the Northborough period of Clare's creativity. As with other volumes in the edition, many of the poems have never before been published, and Clare's spelling, punctuation, grammar, and vocabulary have all been carefully preserved. This final volume also includes corrections to the texts, variants, and notes in previously-published volumes in the series, along with a cumulative glossary and cumulative indices of first-lines and titles that will assist readers in their use of the edition as a whole. Clare's poetry deals not only with his own countryside, but also with its ceremonies and celebrations, its customs and games, its political, economic, and religious concerns, its proverbs, tales, and songs - indeed, with all aspects of its popular culture. The poems of the Northborough period are some of Clare's best work, demonstrating a particularly concise vision of Clare's experience of Nature.
The Sixth Book of Virgil's Aeneid translated and commented on by Sir John Harington (1604)
Sir John Harington (1560-1612) is well known to students of Elizabethan and Jacobean history and literature as a courtier and wit, and as the author of an unusually diverse oeuvre, including a translation of Ariosto; letters; epigrams; and a satirical discourse on a primitive kind of water-closet of his own invention. The Sixth Book of Virgil's Aeneid shows him in more serious vein, and throws new light on his abilities in translation, criticism, theological discussion, and social comment. The original manuscript was prepared for the use of Prince Henry in 1604. Long thought to be lost, it is here published for the first time, and forms an important and interesting addition to the canon of Harington's published writings. The manuscript consists of 162 neatly written pages, containing an epistle to King James I, parallel English and Latin texts (the latter added, after the first eight lines, by a scribe), marginal explanatory notes, and a `comment' in seven chapters. Dr Cauchi has prepared a critical old-spelling edition, with an introduction and commentary.
The Collected Letters of John Millington Synge Volume I: 1871-1907

The Collected Letters of John Millington Synge Volume I: 1871-1907

John Millington Synge

Oxford University Press
1983
sidottu
'This authoritative edition adds a dimension to our understanding of John Millington Synge...annotated in generous detail.' British Book News 'it is good to have all this material brought together, splendidly elucidated by Professor Saddlemyer's notes.' London Review of Books 'a model of editorial scholarship.' Times Higher Education Supplement