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Simone Kappeler - America 1981

Simone Kappeler - America 1981

Simone Kappeler

Scheidegger und Spiess AG, Verlag
2020
sidottu
In the late 1970s and early 1980s, Zurich's youth was rebellious. An entire generation of students was in search for the 'new'. In 1981, photographic artist Simone Kappeler left her native Switzerland, setting off on a road trip across America. She took with her a Hasselblad, a 35 mm camera, as well as a Polaroid. Over the course of the journey, she would add a multitude of cheap cameras to this collection that enabled snapshot-like images - taken unselfconsciously whenever a motif sprang at her. The images reflect a direct and unrestrained manner, they tell of immediate sensual experience and the longing for freedom and independence. Thirty-five years later, Kappeler has revisited the vast collection that resulted from her undertaking. The selection of some 230 images and their composition reveal a consistent artistic perspective and a signature style. And even today, her 1981 view of America has lost none of its magic. Text in English and German.
Simone Demandt: Movers

Simone Demandt: Movers

Simone Demandt; Katia Fazio; Michael Wahl

DCV
2024
sidottu
Motorways are Europe's lifelines. The products we buy every day arrive on supermarket shelves after traveling along these arteries on the backs of thousands of trucks steered by hard-working drivers. Glancing up into the cabs of their hulking vehicles, we can just barely make out their heads sticking up above the steering wheels. In this overdue volume, Simone Demandt lets us see more of the heroes of the road who confidently posed for her camera. The pictures demonstrate Demandt's knack for discovering " the intimate in the anonymous and the narrative element in the matter-of-factly" (Matthias Winzen). She has condensed the truckdrivers' lifeworld into documentary black-and-white shots in which she shows these people as whole persons and individuals-- very different from how we perceive them when they're in the next lane. Movers lets us peek into the cabs through Demandt's nonjudgmental lens, broadening our horizons hardly less than travelling would and helping us overcome our prejudices about teamsters. If you've always wanted to know whom we really have to thank for those never-empty supermarket shelves, you should not miss out on this book.
Simone de Beauvoir e Carolina de Jesus

Simone de Beauvoir e Carolina de Jesus

Josiana Barbosa Andrade

Editora Karywa
2020
pokkari
Como Bitita tornou-se Carolina? Ao longo desse ensaio, a fim de responder tal quest o, -se realizada uma leitura da vida da escritora brasileira a partir da filosofia existencialista e fenomenol gica de Simone de Beauvoir. Nela, diferen a das interpreta es reducionistas de car ter sociol gico, n o se buscado engendrar uma imagem inequ voca sua: Carolina se revela humana e amb gua - aquela que utilizou n o somente a t o conhecida cor amarela como met fora, mas tamb m a cor a roxa, que foi, apesar disso, eclipsada, no decorrer da hist ria dos estudos de sua obra. A cor amarela a sua cor da fome, e a roxa, a sua cor da ang stia. Por que somente a segunda foi negligenciada? Por qu , especificamente, a cor do sofrimento existencial de Carolina fora ocultada? Seria uma contradi o uma moradora da favela sentir a totalidade de sua exist ncia? Seria contradit rio sentir a dor estomacal e o sofrimento existencial? Carolina revela que n o, ao expressar a diferen a entre ambos os sofrimentos por meio das duas cores. A sua ang stia fora-lhe t o real quanto a sua fome. E no momento em que ela elaborou essa distin o, Carolina indica que n o seria poss vel, se se for coerente com a sua obra, reduzir o seu sofrimento nem a uma e nem a outra, sendo necess rio reconhecer a exist ncia de ambas, as quais n o s o contradit rias e nem hier rquicas: diferentes. Por m, somente uma, frequentemente, foi reconhecida - a sua dor estomacal. Disso, ela sabia, como bem escreveu em seu verso: "desconhecem minha agonia". O ensaio de Josiana B. Andrade busca, portanto, mediante a filosofia beauvoiriana, que possui como um dos fundamentos a ambiguidade, em que o ser humano definido como, simultaneamente, corpo e esp rito, facticidade e liberdade, revelar uma Carolina por ela mesma.
Sannhet for enhver pris; Simone Weils politiske filosofi
Finnes det en troverdig fremgangsmåte for å kjenne rettferdigheten? Er det mulig å tale om sannhet i etiske spørsmål? Og har etikk og rettferdighet egentlig noe med politikkens maktspill å gjøre? Den franske filosofen Simone Weil svarer bekreftende på disse spørsmålene. At sannhet og rettferdighet eksisterer i ordenes mest opphøyede betydning, er ifølge henne selve grunnlaget for politikken. Og Weil legger stor vekt på å gi rettferdigheten et konkret uttrykk i begrepet forpliktelse. Noe av det mest tankevekkende i Weils filosofi er at hun tar til orde for en korrigering av den europeiske menneskerettighetstenkningen; det vi har oversett helt siden 1700-tallet, er at det ikke er våre rettigheter som er det mest grunnleggende, men vår forpliktelse overfor medmennesket. Simone Weil er en av 1900-tallets mest betydelige politiske tenkere. I Frankrike er det en fornyet interesse for henne. Mange ser på Simone Weil som en alliert i vår tids idékamper. Denne boken gir et nært og fyndig møte med kvinnen som nobelprisvinner Albert Camus kalte «den eneste store ånd i vår tid». «En viktig bok, velskrevet og intelligent.» Nils Heyerdahl, idéhistoriker og tidligere sjef for Radioteatret, NRK.
Simone de Beauvoir. Lo Quiero Todo de la Vida / Simone de Beauvoir. I Want It All from Life
Una biograf a nica y apasionante para adentrarse en la vida de una de las mujeres m s influyentes de todos los tiempos, por las ganadoras del Premio de Periodismo Luise B chner y del Premio Max und Moritz «Todo un siglo feminista en palabras e im genes. Esta novela gr fica catapulta brillantemente el pensamiento de Simone de Beauvoir hasta nuestros d as. De obligada lectura . -Sonja Eismann «Lo quiero todo de la vida, quiero ser mujer y quiero ser hombre, quiero tener muchos amigos y gozar de la soledad, quiero trabajar mucho y escribir buenos libros, quiero viajar y pasarlo bien, quiero ser ego sta y quiero ser generosa , dijo Simone de Beauvoir en una carta a su amante Nelson Algren. Desde su infancia, en una poca en la que a las mujeres no se les permit a estudiar, votar o elegir su profesi n, hasta convertirse en una de las pensadoras m s influyentes de todos los tiempos, Simone se embarc con pasi n en la gran aventura de ser ella misma. La fil sofa y escritora existencialista, que se declar comunista y atea, que form con Sartre una pareja m tica, pero que decidi no casarse ni tener hijos, y que trat de entender qu significa ser mujer, sigue siendo un icono incontestable del feminismo y una fuente de inspiraci n para una legi n de lectoras. Las premiadas Julia Korbik y Julia Bernhard retratan a la autora de El segundo sexo como hija, amiga, amante: una intelectual que lo quiso todo de la vida y explor como nadie lo hab a hecho antes en la condici n femenina, la sexualidad, la libertad y las distintas maneras de amar. ENGLISH DESCRIPTION A one-of-a-kind passionate biography exploring the life of one of the most influential women of all time, by the winners of the Luise B chner Prize for journalism and the Max and Moritz Award. "I want everything in life, I want to be a woman and I want to be a man, I want to have many friends and enjoy solitude, I want to work plenty and write good books, I want to travel and have a good time, I want to be selfish and I want to be generous," Simone de Beauvoir wrote in a letter to her lover, Nelson Algren. From her childhood days, in a time when women were not allowed to study, vote, nor choose a profession, up until becoming one of the most influential thinkers of our time, Simone embarked enthusiastically on the great adventure of being herself. The philosopher and the existentialist writer that declared herself a communist and an atheist, who formed a mythical couple with Sartre, but decided not to marry nor bear children, who tried to understand what it means to be a woman, is still an unchallenged icon of feminism and a source of inspiration to a legion of readers. The Luise B chner Prize laureates, Julia Korbik and Julia Bernhard, portray the author of The Second Sex as a daughter, a friend, a lover, an intellectual who wanted everything in life and explored--as no one had done before in female condition--the sexuality, the freedom, and the different ways to love.
Simone Fattal: A Breeze Over the Mediterranean

Simone Fattal: A Breeze Over the Mediterranean

Simone Fattal

Mousse Publishing
2025
nidottu
The multicultural city of Pompeii and its ruins form the basis for Fattal's sculptural series investigating the history of displacementOver the last 50 years, Lebanese American artist Simone Fattal's (born 1942) multifaceted practice has explored the impact of displacement as well as the episteme of archeology and mythology, drawing from a range of sources including war narratives, landscape painting, ancient history and poetry. Inspired by her visit to the archeological sites of Pompeii, Fattal debuts a new body of sculpture and ceramics blending history with memory, grappling with the loss of time while revealing its repetitions. Says Fattal of Pompeii's significance, "the place has not been destroyed by time, but by a moment ... there are fragments of all periods mingled together ... Egypt is present, but also Syria and Asia Minor. But with all this diversity and differences, it seems that all lived together in harmony."