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1000 tulosta hakusanalla Caroline Dutton

Caroline Von Grone

Caroline Von Grone

Caroline Von Grone; Ina Jessen; Wofgang Ullrich; Bettina Schlebrugge; Omar Kholeif

SNOECK VERLAGSGESELLSCHAFT MBH
2023
pokkari
As I walk through the museum, I can tell which painting is based on a model and which is not - Caroline von Grone has a keen eye for situations and an unerring one for portraits. In 1991, she was a master-class student under Klaus Rinke at the D sseldorf Art Academy and, quite untypically for that time, had turned to painting portraits, either of models she had approached, for instance in subway stations, or later then of models who commissioned a portrait from her. It is absolutely her strength that she does not invent observations. This results in a visual acuity that is a definite pleasure for the viewer. Her paintings time and again offer an image within the image, such as abstractly conceived tiled walls, floor tiles, and the interiors of public places such as telephone booths and ticket machines. She also has frequently painted houses, for example, in a northern German housing estate, until these were eventually demolished. These ultimate conditions also interested her, as a counterpoint to the photography of, for instance, the Bechers. Part of Caroline von Grone's practice has always been the painting in public, because otherwise she would not be able to capture the still-life presence within the picture if I tried to paint it based on a photograph.
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Caroline Broadhead

Caroline Broadhead

Liesbeth den Besten; Jorunn Veiteberg

Arnoldsche
2017
sidottu
Caroline Broadhead (b. 1950) is a highly versatile artist who started in jewellery in the late 1970s. Since then she has extended her practice from "wearable objects" and textile works to dance collaborations and installations in historic buildings. Broadhead's work is concerned with the boundaries of an individual and the interface of inside and outside, public and private, including a sense of territory and personal space, presence and absence and a balance between substance and image. It has explored outer extents of the body as seen through light, shadows, reflections and movement. Published to accompany the Exhibition at CODA Museum Apeldoorn (NL), 4 February - 15 April 2018 and the Exhibition at Lethaby Gallery, Central Saint Martins, London, 11 January - 2 February 2019.
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