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1000 tulosta hakusanalla Christopher Hightower

Christopher Nolan

Christopher Nolan

Robbie B. H. Goh

Bloomsbury Academic
2021
sidottu
Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society. This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan’s oeuvre, Robbie Goh examines how the director’s postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a ‘reluctant postmodernist’. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.
Christopher Nolan

Christopher Nolan

Robbie B. H. Goh

Bloomsbury Academic
2021
nidottu
Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society. This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan’s oeuvre, Robbie Goh examines how the director’s postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a ‘reluctant postmodernist’. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.
christopher oscar peña: Three Plays

christopher oscar peña: Three Plays

christopher oscar peña

BLOOMSBURY PUBLISHING PLC
2024
nidottu
“Transcending 20th-century notions of race and culture, peña’s work succeeds in simultaneously touching our hearts, stimulating our minds, and examining our society.” - David Henry Hwang christopher oscar peña is a Latinx American playwright and screenwriter whose works frequently focus on stories that deal with bicultural identities, sexuality, and growing up in the modern world. In this first collected works, three of his plays are brought together, with an introduction by director Mark Armstrong. Together they offer a progressive and formally inventive collection of work to inspire theatre makers, actors and students alike. how to make an American Son: A “Model Immigrant” and business mogul, Honduran-born Mando’s cleaning empire is bracing for a downturn at the exact same moment when he must rein in his over-privileged American son, Orlando. A moving coming-of-age comedy about the complexities of privilege, citizenship, sexual identity, and the most complex relationship of all: family.the strangers: Cris returns to a place he once used to know, only to find a world he no longer recognizes. As he connects with a new stranger tasked to show him around town, an unexpected spark challenges all of Cris’ preconceived notions. a cautionary tail: First generation Chinese-Americans growing up in New York City, siblings Vivienne and Luke confront their confused tangle of family, their diverse array of friends, and their rampant sexuality. In our digital age, how can they navigate the traditional expectations of their mother with their American culture of individuality?
christopher oscar peña: Three Plays

christopher oscar peña: Three Plays

christopher oscar peña

BLOOMSBURY PUBLISHING PLC
2024
sidottu
“Transcending 20th-century notions of race and culture, Peña’s work succeeds in simultaneously touching our hearts, stimulating our minds, and examining our society.” - David Henry Hwang christopher oscar peña is a Latinx American playwright and screenwriter whose works frequently focus on stories that deal with bicultural identities, sexuality, and growing up in the modern world. In this first collected works, three of his plays are brought together, with an introduction by director Mark Armstrong. Together they offer a progressive and formally inventive collection of work to inspire theatre makers, actors and students alike. how to make an American Son: A “Model Immigrant” and business mogul, Honduran-born Mando’s cleaning empire is bracing for a downturn at the exact same moment when he must rein in his over-privileged American son, Orlando. A moving coming-of-age comedy about the complexities of privilege, citizenship, sexual identity, and the most complex relationship of all: family.the strangers: Cris returns to a place he once used to know, only to find a world he no longer recognizes. As he connects with a new stranger tasked to show him around town, an unexpected spark challenges all of Cris’ preconceived notions. a cautionary tail: First generation Chinese-Americans growing up in New York City, siblings Vivienne and Luke confront their confused tangle of family, their diverse array of friends, and their rampant sexuality. In our digital age, how can they navigate the traditional expectations of their mother with their American culture of individuality?
Christopher Columbus

Christopher Columbus

M F 1834-1909 Morris

Palala Press
2018
pokkari
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Christopher Dolumbus

Christopher Dolumbus

Hh Houben

Palala Press
2018
pokkari
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Letters From Portugal, Spain, Italy and Germany, in the Years 1759, 1760, and 1761. By Christopher Hervey, ... of 3; Volume 1
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT092688London: printed by J. Davis; for R. Faulder, 1785. 3v.; 8
The Cobler of Preston, a Farce. As it is Acted at the Theatre-Royal in Lincoln's-Inn-Fields. Written by Mr. Christopher Bullock. The Fifth Edition
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT057667With a final advertisement leaf - Based on the prologue to Shakespeare's 'The taming of the shrew'.London: printed for S. Bladon, 1767. 30, 2]p.; 12
The Cobler of Preston. A Farce. As it is Acted at the New Theatre in Lincolns-Inn-Fields. By Mr. Christopher Bullock
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT057275Based on the prologue to Shakespeare's 'The taming of the shrew'. With a half-title.London: printed for R. Palmer, 1716. x, 2],21, 3]p.; 12
Poems on Several Occasions. By Christopher Smart,

Poems on Several Occasions. By Christopher Smart,

Christopher Smart

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT042626With a list of subscribers.London: printed for the author, by W. Strahan; and sold by J. Newbery, 1752. 16],230p., plates; 4
A Compendium, or Introduction to Practical Music, in Five Parts. ... By Christopher Sympson. The Ninth Edition With Material Additions Corrected From Many Gross Errors in the Former Editions,
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT077992Engraved throughout, except for pp. i-vi. First published in 1667 as 'A compendium of practical musick'.London: printed & sold by Longman, Lukey and Co., 1775?]. 2], vi,90p., plates: port., engr.music; obl.4