Essentials of WNV Assessment provides practitioners with practical, step-by-step advice for administering, scoring, and interpreting the Wechsler Nonverbal Scale of Ability (WNV), a nonverbal assessment used to assess a wide variety of individuals. Written by Kimberly Brunnert, Jack Naglieri, and Steven Hardy-Braz, the test is especially well suited for those who are not proficient in English, such as young children, recent immigrants, ESL students, and the deaf and hard of hearing. This essential guide provides you with illuminating case reports and valuable advice on its clinical applications.
How can you tap into your team’s creativity to tackle today’s toughest business challenges? In The Firefly Effect, Kimberly Douglas presents inspiring yet pragmatic insights into getting your entire team firing on all cylinders and aiming in the right direction. Comparing the difficult act of harnessing and capturing creativity to the act of catching fireflies on a summer night, she will explain: What to do when the fireflies don’t show up (or when creativity dries up)How to know when it’s time to find a new meadow (or a new approach, place or process)What to do if the leader is keeping too tight a lid on the jar (and team innovation is gasping for air)How to get inventive when it rains on your firefly hunt (or parade of ideas)What happens when everyone is too busy to join in (and group problems remain unresolved)
"I don't even help [my children] with their homework in the evening because I'm in the chat rooms, and I don't help put them to bed because I don't realize how late it is. I also don't help them get ready for school in the morning like I used to do because I'm checking my e-mail. And I just can't stop myself."-Raymond, an Internet addict. Internet addiction is real. Like alcoholism, drug addiction, or compulsive gambling, it has devastating effects on the lives of addicts and their families: divorce, job loss, falling productivity at work, failure in school, and, in extreme cases, criminal behavior. The problem has already reached epidemic proportions in the United States, and the number of "netaholics" continues to grow rapidly as more households and businesses go on-line. Yet, until now, no one from the mental health community has come forward with a specific description of Internet addiction and its effects or a strategy for treatment and recovery. In Caught in the Net, Kimberly Young shares the results of her three-year study of Internet abuse. Often using the words of the Internet addicts themselves, she presents the stories of dozens of lives that were shattered by an overwhelming compulsion to surf the Net, play MUD games, or chat with distant and invisible neighbors in the timeless limbo of cyberspace. Why is the Internet so seductive? What are the warning signs of Internet addiction? Is recovery possible? Dr. Young answers these questions and many more. She provides a questionnaire to help Net users determine whether they are addicts, and offers concrete steps to help problem users regulate Internet usage and devise a more balanced place for it in their daily lives. For Internet addicts as well as their parents, spouses, friends, and employers, Caught in the Net offers guidance on where and how to seek help from counselors, therapists, and other professionals who take this affliction seriously. For mental health professionals, this book provides insights into the nature and causes of Internet addiction and encourages counselors and therapists to expand their addiction recovery programs to address the specific problems of Internet addicts. "Think that computer addiction is a joke? Think again. This groundbreaking book is the first to explore on-line addiction in a serious way and to consider the effects on individuals and their families. Caught in the Net is an important book for anyone who spends mornings and evenings connected to the Net."-Clifford Stoll, author of The Cuckoo's Egg and Silicon Snake Oil. "An excellent account of the dangers of the burgeoning Internet industry. Dr. Young carefully outlines the traps into which people can fall and offers pragmatic self-help suggestions. Caught in the Net is valuable for both consumers and the professionals who deal with them."-Maressa Hecht Orzack, PhD, Founder and Coordinator, Computer Addiction Services, McLean Hospital Lecturer, Harvard University Medical School "I don't mean to spend all my time this way, but I can't stop. It's the only place my opinion matters and I feel important."-bobage38.automechanic.internet.addict "I feel guilty about it, but when I tried to break free, I simply didn't have the strength....I'm a long-time smoker, but I've found the craving to go on the Internet first thing every morning is stronger than my urge to light a cigarette."-marylouage40.motheroffour.internet.addict "When you're talking about the Internet, you're talking about power. It's the most powerful information tool I have ever known. When I explore the on-line world, I feel like that robot in the movie Short Circuit. I need more input! More input!"-daveage28.militarytelecommunicationsexpert.internet.addict "I feel the rush every time my mind gets connected to this intensely powerful information whirlpool. When I enter cyberspace, I become one with my mind. It's like Mr. Spock doing the Vulcan mind meld."-joshage29.computerprogrammer.internet.addict itt.edu and view her website at: www.netaddiction.com.
Published in 1976, Sir John Keegan's The Face of Battle was a groundbreaking work in military history studies, providing narrative techniques that served as a model for countless subsequent scholarly and popular military histories. Keegan's approach to understanding battles stressed the importance of small unit actions and personal heroism, an approach widely employed in the narratives produced by reporters embedded with American combat troops in Iraq.Challenging Keegan's seminal work, The Eye of Command offers a new approach to studying and narrating battles, based upon an analysis of the works of the Roman military authors Julius Caesar and Ammianus Marcellinus. Kimberly Kagan argues that historians cannot explain a battle's outcome solely on the basis of soldiers' accounts of small-unit actions. A commander's view, exemplified in Caesar's narratives, helps explain the significance of a battle's major events, how they relate to one another and how they lead to a battle's outcome. The "eye of command" approach also answers fundamental questions about the way commanders perceive battles as they fight them-questions modern military historians have largely ignored."The Eye of Command is a remarkable book-smart, thoughtful, clear, vigorous, factual but creative, and grounded in the practical. It is at once scholarly and readable, combining classical scholarship and military theory. Rarely have I come across a book that makes two-thousand-year-old events seem so alive."-Barry Strauss, Professor of History, Cornell University"In a work well written, concisely presented, and convincingly argued, Kagan uses examples from Caesar's Gallic Wars to challenge John Keegan's focus on lower-echelon experiences of battle in favor of 'The eye of command': a narrative technique emphasizing decisions and events that shape a battle's outcome."-Dennis Showalter, Professor of History, Colorado College"To know whether a battle is won or lost is not enough. Kagan's deep analysis of theory and practice points to a new way of understanding complex army-commander and small-unit perspectives that can properly claim the status of history."-Gordon Williams, Thacher Professor of Latin Emeritus, Yale UniversityKimberly Kagan was an Assistant Professor of History at the United States Military Academy between 2000 and 2005. Since then, she has served as a lecturer in International Affairs, History, and the Humanities at Yale University and as an adjunct professor at Georgetown's Edmund A. Walsh School of Foreign Service and at American University's Department of History. She received her Ph.D. in Ancient History from Yale University.
"An engaging study of 'mammy,' the provocative figure of the African American nanny, cook, and housekeeper in white households . . . Wallace-Sanders reveals . . . disturbing innuendos of mammy still relevant today, in particular the elevation in value of raising others' children at the expense of one's own." ---Choice"In this insightful analysis of representations of mammy, Wallace-Sanders skillfully illustrates how this core icon of Black womanhood has figured prominently in upholding hierarchies of race, gender, and class in the United States. Far from being a timeless, natural, benign image of domesticity, the idealized mammy figure was repeatedly reworked to accommodate varying configurations of racial rule. No one reading this book will be able to see Gone with the Wind in the same way ever again."---Patricia Hill Collins, University of Maryland"Kimberly Wallace-Sanders' interdisciplinary approach is first-rate. This expansive and engaging book should appeal to students and scholars in American studies, African American studies, and women's studies." ---Thadious Davis, The University of Pennsylvania Her cheerful smile and bright eyes gaze out from the covers of old cookbooks, song sheets, syrup bottles, salt and pepper shakers, and cookie jars, and she has long been a prominent figure in fiction, film, television, and folk art. She is Mammy, a figure whose provocative hold on the American psyche has persisted since before the Civil War.But who is Mammy, and where did she come from? Her large, dark body and her round smiling face tower over our imaginations to such an extent that more accurate representations of African American women wither in her shadow. Mammy's stereotypical attributes---a sonorous and soothing voice, raucous laugh, infinite patience, self-deprecating wit, and implicit acceptance of her own inferiority and her devotion to white children---all point to a long-lasting and troubled confluence of racism, sexism, and southern nostalgia.This groundbreaking book traces the mammy figure and what it has symbolized at various historical moments that are linked to phases in America's racial consciousness. The author shows how representations of Mammy have loomed over the American literary and cultural imagination, an influence so pervasive that only a comprehensive and integrated approach of this kind can do it justice.The book's many illustrations trace representations of the mammy figure from the nineteenth century to the present, as she has been depicted in advertising, book illustrations, kitchen figurines, and dolls. The author also surveys the rich and previously unmined history of the responses of African American artists to the black mammy stereotype, including contemporary reframings by artists Betye Saar, Michael Ray Charles, and Joyce Scott.Kimberly Wallace-Sanders is Associate Professor of the Graduate Institute of Liberal Arts and Women's Studies at Emory University. She is editor of Skin Deep, Spirit Strong: The Black Female Body in American Culture.
Artaud and His Doubles is a radical re-thinking of one of the most influential theater figures of the twentieth century. Placing Artaud's writing within the specific context of European political, theatrical, and intellectual history, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe. Kimberly Jannarone shows that Artaud's work reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles---those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubles will generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas.
Mass Performance: Systems and Citizens examines mass performance systems from the first major festival of the French Revolution through the democratic and socialist movements of the nationalizing nineteenth and twentieth centuries in Europe, to totalitarian communist and socialist regimes in the twentieth century, ending with contemporary North Korea. While other scholars have studied specific mass performances, this study synthesizes the phenomenon across centuries and countries, focusing on its systemization. Modern nations defining or redefining their identities not only organized mass performances, but also planned to make those performances a permanent component of nationhood. Kimberly Jannarone reveals that mass performance systems, from synchronized gymnastics to choreographed rallies, encapsulate ideals and debates within emerging nations about the relationship of citizens to each other and to their leaders, playing a generative and reflective role in the culture and politics of the modern era. Mass Performance analyzes the specifics of performance choreography and design, the organizational planning and thinking behind the systems, the material circumstances of each system’s emergence, and the broader intellectual milieu in which they developed. Although not a comprehensive study of such events, Jannarone’s analysis of the selected mass performance systems yields new theoretical perspectives on these phenomena, a central focus of her study being how political leaders find ways to create a physically coordinated mass body politic, even during times of hardship and war. By interpreting and historicizing mass assemblies of bodies, this study analyzes the choreographies and organizations that brought thousands of people together as an ensemble and kept them together in meaning-making motion.
Published in 1976, Sir John Keegan's The Face of Battle was a groundbreaking work in military history studies, providing narrative techniques that served as a model for countless subsequent scholarly and popular military histories. Keegan's approach to understanding battles stressed the importance of small unit actions and personal heroism, an approach widely employed in the narratives produced by reporters embedded with American combat troops in Iraq.Challenging Keegan's seminal work, The Eye of Command offers a new approach to studying and narrating battles, based upon an analysis of the works of the Roman military authors Julius Caesar and Ammianus Marcellinus. Kimberly Kagan argues that historians cannot explain a battle's outcome solely on the basis of soldiers' accounts of small-unit actions. A commander's view, exemplified in Caesar's narratives, helps explain the significance of a battle's major events, how they relate to one another and how they lead to a battle's outcome. The "eye of command" approach also answers fundamental questions about the way commanders perceive battles as they fight them-questions modern military historians have largely ignored."The Eye of Command is a remarkable book-smart, thoughtful, clear, vigorous, factual but creative, and grounded in the practical. It is at once scholarly and readable, combining classical scholarship and military theory. Rarely have I come across a book that makes two-thousand-year-old events seem so alive."-Barry Strauss, Professor of History, Cornell University"In a work well written, concisely presented, and convincingly argued, Kagan uses examples from Caesar's Gallic Wars to challenge John Keegan's focus on lower-echelon experiences of battle in favor of 'The eye of command': a narrative technique emphasizing decisions and events that shape a battle's outcome."-Dennis Showalter, Professor of History, Colorado College"To know whether a battle is won or lost is not enough. Kagan's deep analysis of theory and practice points to a new way of understanding complex army-commander and small-unit perspectives that can properly claim the status of history."-Gordon Williams, Thacher Professor of Latin Emeritus, Yale UniversityKimberly Kagan was an Assistant Professor of History at the United States Military Academy between 2000 and 2005. Since then, she has served as a lecturer in International Affairs, History, and the Humanities at Yale University and as an adjunct professor at Georgetown's Edmund A. Walsh School of Foreign Service and at American University's Department of History. She received her Ph.D. in Ancient History from Yale University.
Artaud and His Doubles is a radical re-thinking of one of the most influential theater figures of the twentieth century. Placing Artaud's writing within the specific context of European political, theatrical, and intellectual history, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe. Kimberly Jannarone shows that Artaud's work reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles---those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubles will generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas.
The Social Life of Criticism explores the cultural representation of the female critic in Victorian Britain, focusing especially on how women writers imagined themselves—in literary essays, periodical reviews, and even works of fiction—as participants in complex networks of literary exchange. Kimberly Stern proposes that in response to the “male collectivity” prominently featured in critical writings, female critics adopted a social and sociological understanding of the profession, often reimagining the professional networks and communities they were so eager to join. This engaging study begins by looking at the eighteenth century, when critical writing started to assume the institutional and generic structures we associate with it today, and examines a series of case studies that illuminate how women writers engaged with the forms of intellectual sociability that defined nineteenth-century criticism—including critical dialogue, the club, the salon, and the publishing firm. In doing so, it clarifies the fascinating rhetorical and political debates surrounding the figure of the female critic and charts how women writers worked both within and against professional communities. Ultimately, Stern contends that gender was a formative influence on critical practice from the very beginning, presenting the history of criticism as a history of gender politics. While firmly grounded in literary studies, The Social Life of Criticism combines an attention to historical context with a deep investment in feminist scholarship, social theory, and print culture. The book promises to be of interest not only to professional academics and graduate students in nineteenth-century literature but also to scholars in a wide range of disciplines, including literature, intellectual history, cultural studies, gender theory, and sociology.
As long as far-right parties—known chiefly for their vehement opposition to immigration—have competed in contemporary Western Europe, many have worried about these parties’ acceptability to democratic voters and mainstream parties. Yet, rather than treating the far right as pariahs, major mainstream-right parties have included the far right in 15 governing coalitions from 1994 to 2017. Parties do not care equally about all issues at any given time, and Kimberly Twist demonstrates that far-right parties will agree to support the mainstream right’s goals more readily than many other parties, making them appealing partners.Partnering with Extremists builds on existing work on coalition formation and party goals to propose a theory of coalition formation that works across countries and over time. The evidence comes from 19 case studies of coalition formation in Austria and the Netherlands, countries where far-right parties have been excluded when they could have been included and included when the mainstream right had other options. The argument is then extended to countries where coalitions are less common, France and the United Kingdom, and to cases of mainstream-right adoption of far-right themes. Twist incorporates both office and policy considerations in her argument and reimagines “policy” to be a two-dimensional factor; it matters not just where parties are located on an issue but how firmly they hold those positions.
Mass Performance: Systems and Citizens examines mass performance systems from the first major festival of the French Revolution through the democratic and socialist movements of the nationalizing nineteenth and twentieth centuries in Europe, to totalitarian communist and socialist regimes in the twentieth century, ending with contemporary North Korea. While other scholars have studied specific mass performances, this study synthesizes the phenomenon across centuries and countries, focusing on its systemization. Modern nations defining or redefining their identities not only organized mass performances, but also planned to make those performances a permanent component of nationhood. Kimberly Jannarone reveals that mass performance systems, from synchronized gymnastics to choreographed rallies, encapsulate ideals and debates within emerging nations about the relationship of citizens to each other and to their leaders, playing a generative and reflective role in the culture and politics of the modern era. Mass Performance analyzes the specifics of performance choreography and design, the organizational planning and thinking behind the systems, the material circumstances of each system’s emergence, and the broader intellectual milieu in which they developed. Although not a comprehensive study of such events, Jannarone’s analysis of the selected mass performance systems yields new theoretical perspectives on these phenomena, a central focus of her study being how political leaders find ways to create a physically coordinated mass body politic, even during times of hardship and war. By interpreting and historicizing mass assemblies of bodies, this study analyzes the choreographies and organizations that brought thousands of people together as an ensemble and kept them together in meaning-making motion.
On the 28th of February 2020, New Zealand has its first confirmed case of Covid-19. By the 26th of March, the country had gone into one of the strictest lockdowns in the world. As other countries tried to keep their economies going alongside trying to quell the deadly virus, the economy in New Zealand completely shut down as five-million New Zealanders were told to stay at home. This helped to eventually eliminate Covid-19 in New Zealand. In this unprecedented and historical point in time, Kimberly kept a daily diary of the events that unfolded including the New Zealand government's response to the pandemic, how New Zealander's were generally feeling, important news reports, and how she managed her time during lockdown. She also kept details on the alert level system that was put in place for the pandemic in New Zealand. An honest and in-depth account of New Zealand's lockdown from a New Zealander who found herself, her family, her community and her business all affected by the Great New Zealand Lockdown.
The Channelling 2021 Almanac is the fourth almanac to be released by The Channelling. The Channelling Almanac doubles as a personal journal and spiritual guide with this almanac detailing astrology, moon activity, planetary retrogrades and more over 2021. We've included a bit of numerology, aura information and crystal information in this one too, as well as a moon diary at the back of the almanac. Use your almanac to keep track of your own personal spiritual development, tracking of the planets and important events over the year. We've also set aside a line for gratitude for each day.
When Quo was born from the Source as a new soul, a cycle of learning and karma was put into motion. The end goal? To reach enlightenment and become one with the Source again. To reach enlightenment Quo will need to incarnate multiple times into various lives and navigate through the human experience. From ancient civilisations to modern-day worlds, through wealth, poverty, illness and health, each lifetime brings a new lesson. Will a lifetime as the Imperial Consort Hu in ancient China help Quo's soul learn about love and betrayal? Will a lifetime spent as the young French girl C cile help Quo understand the depths of horror that the human mind can endure? Or, will Quo's lifetime as Noah bring a true understanding of peace and happiness? Guided by one's soul teacher and soulmate Quo recounts what each past life has taught them. With a deep yearning to reach enlightenment Quo experiences love and loss in many forms and realises that their quest for enlightenment is more difficult than first expected.
This book provides an in-depth look at the production of clicks using a variety of different techniques. Static palatography, linguography, electropalatography, and aerodynamic data, including the intra-oral pressure of the click cavity, never previously before measured, all combine to create a comprehensive picture of click consonants. This important work provides conclusive evidence that click consonants co-articulate, or adjust their articulation, with adjacent consonants in interesting ways. Although clicks are widely considered to be among the most interesting classes of segments, many aspects of their phonetics are little known. This book examines how the three different click types of IsiZulu differ from each other in their production in both spatial and temporal dimensions, and considers the question of how these complex segments are integrated into the stream of speech. Strong claims have been made in the literature that clicks do not coarticulate, but there is little articulatory evidence to support this claim. Coproduction and coarticulation of the dental, palato-alveolar and lateral clicks of IsiZulu were examined using three different techniques for the collection of physiological phonetic information: staticpalatography and linguography, dynamic palatography, and aerodynamic records. Four native IsiZulu speakers provided controlled data sets of real IsiZulu words. Results indicate that the characteristics of the front closure release are markedly different for the three click types. Rarefaction in all three click types is achieved by lowering the tongue center, with the greatest proportional change in cavity volume occuring in palato-alveolar clicks and the least with laterals. Palato-alveolar clicks supplement tongue center lowering with some retraction of the location of the dorsal closure. Quite extensive adaptation of both spatial and timing properties of clicks to the different vowel contexts is observed. For example, the dorsal closure is fronted in front vowel contexts, and before mid vowels the tongue center rises in preparation for the upcoming mid-vowel. Clicks are indeed complex articulations but they none-the-less coarticulate. This book contains a wealth of physiological phonetic data, including aerodynamic measures of the click cavity, which have never before been measured, and provides us with a comprehensive account of click consonants.
This captivating ethnography explores Vietnam's sex industry as the country ascends the global and regional stage. Over the course of five years, author Kimberly Kay Hoang worked at four exclusive Saigon hostess bars catering to diverse clientele: wealthy local Vietnamese and Asian businessmen, Viet Kieus (ethnic Vietnamese living abroad), Western businessmen, and Western budget-tourists. Dealing in Desire takes an in-depth and often personal look at both the sex workers and their clients to show how Vietnamese high finance and benevolent giving are connected to the intimate spheres of the informal economy. For the domestic super-elite who use the levers of political power to channel foreign capital into real estate and manufacturing projects, conspicuous consumption is a means of projecting an image of Asian ascendancy to potential investors. For Viet Kieus and Westerners who bring remittances into the local economy, personal relationships with local sex workers reinforce their ideas of Asia's rise and Western decline, while simultaneously bolstering their diminished masculinity. Dealing in Desire illuminates Ho Chi Minh City's sex industry as not just a microcosm of the global economy, but a critical space where dreams and deals are traded.
