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1000 tulosta hakusanalla Editor Phyllis Galde

God the Bestseller: How One Editor Transformed American Religion a Book at a Time
New York Times bestselling author and acclaimed religion scholar, Stephen Prothero, captures the compelling and unique saga of twentieth-century America on an identity quest through the eyes and books of one of the most influential editors of the day--a search, born of two world wars, for resolution of our divided identity as a Christian nation and a nation of religions.One summer evening in 1916 in Blanchester, Ohio, a sixteen-year-old farm boy was riding his horse past the town cemetery. The horse reared back and whinnied, and Eugene Exman saw God. For the rest of his life, he struggled to recreate that moment. Through a treasure of personal letters and papers, God, the Bestseller explores Exman's personal quest. A journey that would lead him in the late 1920s to the Harper religious books department, which he turned during the Great Depression into a money-making juggernaut and the country's top religion publisher. Exman's role in the shaping of American religion is undeniable. Here was a man who was ahead of his time and leading the rest of the nation through books on a spiritual exploration. Exman published bestsellers by the controversial preacher Harry Emerson Fosdick, the Catholic radical Dorothy Day, the Civil Rights pioneer Howard Thurman, and two Nobel laureates: Albert Schweitzer and Martin Luther King Jr. Exman did not just sit at a desk and read. In addition to his lifelong relationships with the most influential leaders of the day, Exman was on a spiritual journey of his own traversing the world in search of God. He founded a club of mystics, dropped acid in 1958, four years before Timothy Leary. And six years before The Beatles went to India, he found a guru there in 1962. In the end, this is the story of the popularization of the religion of experience--a cultural story of modern America on a quest of its own. Exman helped to reimagine and remake American religion, turning the United States into a place where denominational boundaries are blurred, diversity is valued, and the only creed is that individual spiritual experience is the essence of religion.
Stein on Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies
Stein on Writing provides immediately useful advice for all writers of fiction and nonfiction, whether they are newcomers or old hands, students or instructors, amateurs or professionals. As the always clear and direct Stein explains here, "This is not a book of theory. It is a book of usable solutions--how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place." With examples from bestsellers as well as from students' drafts, Stein offers detailed sections on characterization, dialogue, pacing, flashbacks, trimming away flabby wording, the so-called "triage" method of revision, using the techniques of fiction to enliven nonfiction, and more.
Shakespeare and the Rise of the Editor

Shakespeare and the Rise of the Editor

Sonia Massai

Cambridge University Press
2012
pokkari
Sonia Massai's central claim in this book is that the texts of early printed editions of Renaissance drama, including Shakespeare's, did not simply 'degenerate' or 'corrupt' over time, as subsequent editions were printed using the immediate predecessor as their basis. By focusing on early correctors of dramatic texts for the press, this book identifies a previously overlooked category of textual agents involved in the process of their transmission into print. Massai also challenges the common assumption that the first editor of Shakespeare was Nicholas Rowe, who published his edition of Shakespeare's Works in 1709. The study offers a 'prehistory' of editing from the rise of English drama in print at the beginning of the sixteenth century to the official rise of the editorial tradition of Shakespeare at the beginning of the eighteenth century.
Shakespeare and the Rise of the Editor

Shakespeare and the Rise of the Editor

Sonia Massai

Cambridge University Press
2007
sidottu
Sonia Massai's central claim in this book is that the texts of early printed editions of Renaissance drama, including Shakespeare's, did not simply 'degenerate' or 'corrupt' over time, as subsequent editions were printed using the immediate predecessor as their basis. By focusing on early correctors of dramatic texts for the press, this book identifies a previously overlooked category of textual agents involved in the process of their transmission into print. Massai also challenges the common assumption that the first editor of Shakespeare was Nicholas Rowe, who published his edition of Shakespeare's Works in 1709. The study offers a 'prehistory' of editing from the rise of English drama in print at the beginning of the sixteenth century to the official rise of the editorial tradition of Shakespeare at the beginning of the eighteenth century.
My Life as Author and Editor

My Life as Author and Editor

H. L. Mencken

VINTAGE
1995
nidottu
H. L. Mencken stipulated that this memoir remain sealed in a vault for thirty-five years after his death. For good reason: My Life as Author and Editor is so telling and uproariously opinionated that it might have provoked a storm of libel suits. As he recounts his career as a critic, essayist, and editor of the ground-breaking magazine Smart Set, Mencken brings us face to face with the literary aristocracy of his day, from the dour womanizer Theodore Dreiser to F. Scott Fitzgerald, drowning his gifts in alcohol. Here, too, are the hacks, poseurs, and bohemian crackpots who flocked around them. Most of all, here is Mencken himself, defying censors and Prohibition agents with equal aplomb in an age when literature was a contact sport.
Cómo me enamoré de mi editor
Mercedes (Tita) es una escritora amateur, que dej la universidad cuando murieron sus padres, igual, tiene un inmenso talento para contar historias. Se encontr entre las cosas de sus padres con un diario que llevaba su madre cuando conoci a su padre y decide que esa ser su primera publicaci n. Ella vive con su mejor amigo Iv n (Banchi) que estudia Literatura en la misma universidad donde ella es due a del restaurante del campus, que le dejaron sus padres. Un nuevo chico llega transferido de otra universidad y se hace amigo de Banchi, y Tita se enamora perdidamente de l, l sin embargo la ve como una de sus mejores amigas en todo el mundo. La relaci n se va haciendo cada vez m s fuerte entre los tres y viven muchas aventuras que, dependiendo de donde las veas, son muy amistosas o muy rom nticas, t seras el juez. Pero en alg n momento tendr n que graduarse y cada quien tomar su camino. Sobrevivir este amor?...
Cómo me enamoré de mi editor
Mercedes (Tita) es una escritora amateur, que dej la universidad cuando murieron sus padres, igual, tiene un inmenso talento para contar historias. Se encontr entre las cosas de sus padres con un diario que llevaba su madre cuando conoci a su padre y decide que esa ser su primera publicaci n. Ella vive con su mejor amigo Iv n (Banchi) que estudia Literatura en la misma universidad donde ella es due a del restaurante del campus, que le dejaron sus padres. Un nuevo chico llega transferido de otra universidad y se hace amigo de Banchi, y Tita se enamora perdidamente de l, l sin embargo la ve como una de sus mejores amigas en todo el mundo. La relaci n se va haciendo cada vez m s fuerte entre los tres y viven muchas aventuras que, dependiendo de donde las veas, son muy amistosas o muy rom nticas, t seras el juez. Pero en alg n momento tendr n que graduarse y cada quien tomar su camino. Sobrevivir este amor?...
Books and Myself: Memoirs of an Editor

Books and Myself: Memoirs of an Editor

John Alexander Hammerton

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Extending and Customizing Unreal Engine Editor

Extending and Customizing Unreal Engine Editor

Roger Mattsson

TAYLOR FRANCIS LTD
2026
nidottu
This book provides a broad overview of editor extensions and modifications that can be made to speed up your workflow in the Unreal Engine. It covers tips for both initial content creation as well as for debugging already existing content.The book explains how several editor systems work, with a focus on how you can extend and modify them to suit your own workflow. Chapters cover how to create your own editor modes with several different kinds of tools in them, covering tools for artists and for gameplay scripting, giving you the foundation to build further tools and personalize your workflow. It also covers how to personalize toolbars and editor windows and create custom variable visualization and Blueprint nodes.Whether you are making a small indie game or an AAA game, this book will help you and your team in creating the tools needed to improve your workflow.
Extending and Customizing Unreal Engine Editor

Extending and Customizing Unreal Engine Editor

Roger Mattsson

TAYLOR FRANCIS LTD
2026
sidottu
This book provides a broad overview of editor extensions and modifications that can be made to speed up your workflow in the Unreal Engine. It covers tips for both initial content creation as well as for debugging already existing content.The book explains how several editor systems work, with a focus on how you can extend and modify them to suit your own workflow. Chapters cover how to create your own editor modes with several different kinds of tools in them, covering tools for artists and for gameplay scripting, giving you the foundation to build further tools and personalize your workflow. It also covers how to personalize toolbars and editor windows and create custom variable visualization and Blueprint nodes.Whether you are making a small indie game or an AAA game, this book will help you and your team in creating the tools needed to improve your workflow.
How to Become an Effective Journal Editor in Business and Management
This timely guide provides detailed advice to help editors become more effective at aiding their authors’ scholarly development and creating ethical, values-based manuscript assessment processes. A key book for journal editors at any stage in their career, it sheds light on tried-and-true strategies for growing their editorial toolkit. Using specific real-world examples, Kathy Lund Dean encourages editors confidence in both practice and policy by learning foundational editorial skills. She draws upon 20 years of editorial experience to share crucial tips for all stages of the editorial process, from the identification of values to boosting journal visibility. She ultimately dispels the common assumption that journal editing merely involves ensuring author conformity to style, instead showing how effective journal editors must possess a dynamic mix of disciplinary expertise, constructive critique, and emotional intelligence to coax the best manuscripts from their authors. How to Become an Effective Journal Editor in Business and Management is vital for scholars who are considering an editorial role, particularly those focusing on business and management, leadership and education.. Current journal editors will also benefit from its examination of ethics, new resource identification and potentially difficult situations.