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1000 tulosta hakusanalla George Barrell Cheever

George Michael

George Michael

Rob Jovanovic

Piatkus Books
2017
pokkari
From the formation of Wham! to his untimely death, this is the ultimate biography of George Michael. George Michael is an enigma. He was one of the most open and vocal pop superstars on the planet, yet he was also fiercely protective of his privacy. From the formation of Wham! in 1981 he immediately found fame and fortune beyond his wildest dreams. His music formed the soundtrack to the 1980s and he achieved all of this despite growing up in a dysfunctional family where his father openly proclaimed that George had no talent. Wham! Split in 1986 but Michael went on to greater things as a solo artist. Along the way he was embroiled in several controversies, but in a refreshing change to other superstars, he has been happy to address his issues head-on in the media. In the last decade he returned to touring with the massively successful 25Live tour and the critically acclaimed Symphonica after a serious health scare and a stint in prison. In the months before his death he was working on new material and a TV documentary. It was only after his death in December 2016 that stories of the full extent of his generosity came to light, adding another layer to the complex story of an unusual superstar. Rob Jovanovic's newly updated biography of George Michael tackles the issues and glory that formed the superstar and his place as a cultural icon.
George Arliss in DISRAELI

George Arliss in DISRAELI

Robert M Fells

Lulu.com
2018
pokkari
Russian meddling in the affairs of western governments is nothing new. Over a century ago, George Arliss starred in a play that told the story of British prime minister Benjamin Disraeli's efforts to purchase the Suez Canal for his country. But his plan was almost thwarted by Russia. The play ran for five years, then Arliss starred in a silent film version, later followed by a sound film version that won him an Academy Award. This graphic novel faithfully recreates the 1921 silent film DISRAELI that today is considered lost.
George Washington and the Mohawk Frontier
New York State was a key battleground in the War for American Independence with nearly a third of all battles being fought there. The Mohawk Valley, often described as the "Bloody Mohawk" suffered through multiple coordinated strikes by an enemy determined to split the Colonies. This book deals with a little known and little understood chapter of American history. Communications between the Commander-in-Chief and Philip Schuyler, George Clinton, James Clinton, John Sullivan, General William Stirling, Goose Van Schaick, Marinus Willett, George Reid, Benjamin Tupper, all as it related to the defense of the Mohawk frontier are covered in the research. The book follows Washington's trip into the Mohawk Frontier and his visit to Fort Rensselaer on August 2, 1783 just three years after the fort successfully repelled an enemy attack. All profits go to support the preservation work of the Fort Plain Museum & Historical Park
George Washington Carver Selected Bulletins
This book is a compilation of three of the many bulletins Dr. George Washington Carver produced entitled: 1916 Experiment Station: How to Grow the Peanut & 105 Ways of Preparing it for Human Consumption; How To Grow The Tomato & 115 Ways to Prepare it for the Table; and How to Make Sweet Potato Flour, Starch, Sugar Bread & Mock Cocoanut. Dr. Carver produced these bulletins from 1898 to 1943 while a professor and agronomist at Tuskegee Institute. Dr. Carver dedicated his life to working in agriculture and the cultivation of soil for the fruit that it bears. He indicated that soil "can be built up and be made much more productive, and thus bring about a more ideal type of general prosperity and happiness for those whose labors are spent in the tilling of the soils." It is in that spirit that we hope to share with you just a smidgen of his enormous body of work. We hope that you, too, will benefit in general prosperity and happiness from his work and share it widely with others.
George Crabbe and his Times 1754-1832
This book was first published in 1968 First appearing in 1907, René Huchon with the help of original manuscripts rewrote the biography of Crabbe published by his son in 1834. As the title suggests, however, Huchon was not merely concerned with the presentation of Crabbe as a literary figure in isolation, and by conjuring up the atmosphere and background of the eighteenth century he is able to shed new light on Crabbe's poetry.There are descriptions of Aldborough, of the desolate heaths and marshy wastes where Crabbe spent his unhappy youth, which together with his background of poverty, and familiarity with the life of the country poor, led him to revolt against the current trend of pastoral poetry.At the time the most detailed study of Crabbe, this work is of foremost importance, for rarely is a poety placed so securely in his setting, and both followers of the poet, and devotees of the eighteenth century will welcome this being freely available agian.
George Crabbe and his Times 1754-1832
This book was first published in 1968 First appearing in 1907, René Huchon with the help of original manuscripts rewrote the biography of Crabbe published by his son in 1834. As the title suggests, however, Huchon was not merely concerned with the presentation of Crabbe as a literary figure in isolation, and by conjuring up the atmosphere and background of the eighteenth century he is able to shed new light on Crabbe's poetry.There are descriptions of Aldborough, of the desolate heaths and marshy wastes where Crabbe spent his unhappy youth, which together with his background of poverty, and familiarity with the life of the country poor, led him to revolt against the current trend of pastoral poetry.At the time the most detailed study of Crabbe, this work is of foremost importance, for rarely is a poety placed so securely in his setting, and both followers of the poet, and devotees of the eighteenth century will welcome this being freely available agian.
George Du Maurier: Illustrator, Author, Critic

George Du Maurier: Illustrator, Author, Critic

Simon Cooke; Paul Goldman

Routledge
2019
nidottu
Though well-known as the author of Trilby and the creator of Svengali, the writer-artist George Du Maurier had many other accomplishments that are less familiar to modern audiences. This collection traces Du Maurier’s role as a participant in the wider cultural life of his time, restoring him to his proper status as a major Victorian figure. Divided into sections, the volume considers Du Maurier as an artist, illustrator and novelist who helped to form some of the key ideas of his time. The contributors place his life and work in the context of his treatment of Judaism and Jewishness; his fascination with urbanization, Victorian science, technology and clairvoyance; his friendships and influences; and his impact on notions of consumerism and taste. As an illustrator, Du Maurier collaborated with Thomas Hardy, Elizabeth Gaskell and sensational writers such as M. E. Braddon and the author of The Notting Hill Mystery. These partnerships, along with his reflections on the art of illustration, are considered in detail. Impossible to categorize, Du Maurier was an Anglo-Frenchman with cultural linkages in France, England, and America; a social commentator with an interest in The New Woman; a Punch humourist; and a friend of Henry James, with whom he shared a particular interest in the writing of domesticity and domestic settings. Closing with a consideration of Du Maurier’s after-life, notably the treatment of his work in film, this collection highlights his diverse achievements and makes a case for his enduring significance.
The Plays of George Colman the Younger
Originally composed and published in 1981, this second book makes up two volumes of the plays of George Colman the Younger. Versatile, industrious, talented, George Colman the Younger (1762-1836) followed Sheridan as England's most popular playwright. He wrote not only monologues, farces, pantomimes, comic operas, and straight comedies, but also hybrid three-act anticipations of melodrama.
The Plays of George Colman the Younger

The Plays of George Colman the Younger

George Colman

TAYLOR FRANCIS LTD
2021
nidottu
Originally composed and published in 1981, this second book makes up two volumes of the plays of George Colman the Younger. Versatile, industrious, talented, George Colman the Younger (1762-1836) followed Sheridan as England's most popular playwright. He wrote not only monologues, farces, pantomimes, comic operas, and straight comedies, but also hybrid three-act anticipations of melodrama.
The Plays of George Colman the Younger
Originally composed and published in 1981, this second book makes up two volumes of the plays of George Colman the Younger. Versatile, industrious, talented, Goerge Colman the Younger (1762-1836) followed Sheridan as England's most popular playwright. He wrote not only monologues, farces, pantomimes, comic operas, and straight comedies, but also hybrid three-act anticipations of melodrama.
The Plays of George Colman the Younger

The Plays of George Colman the Younger

George Colman

TAYLOR FRANCIS LTD
2021
nidottu
Originally composed and published in 1981, this second book makes up two volumes of the plays of George Colman the Younger. Versatile, industrious, talented, Goerge Colman the Younger (1762-1836) followed Sheridan as England's most popular playwright. He wrote not only monologues, farces, pantomimes, comic operas, and straight comedies, but also hybrid three-act anticipations of melodrama.
George W. Bush's Foreign Policies

George W. Bush's Foreign Policies

Donette Murray; David Brown; Martin A. Smith

Routledge
2021
nidottu
This book offers a fresh assessment of George W. Bush’s foreign policies.It is not designed to offer an evaluation of the totality of George W. Bush’s foreign policy. Instead, the analysis will focus on the key aspects of his foreign and security policy record, in each case considering the interplay between principle and pragmatism. The underpinning contention here is that policy formulation and implementation across Bush’s two terms can more usefully be analysed in terms of shades of grey, rather than the black and white hues in which it has often been painted. Thus, in some key policy areas it will be seen that the overall record was more pragmatic and successful than his many critics have been prepared to give him credit for. The president and his advisers were sometimes prepared to alter and amend their policy direction, on occasion significantly. Context and personalities, interpersonal and interagency, both played a role here. Where these came together most visibly – for instance in connection with dual impasses over Iraq and Iran – exigencies on the ground sometimes found expression in personnel changes. In turn, the changing fortunes of Bush’s first term principals presaged policy changes in his second. What emerges from a more detached study of key aspects of the Bush administration – during a complicated and challenging period in the United States’ post-Cold War history, marked by the dramatic emergence of international Islamist terrorism as the dominant international security threat – is a more complex picture than any generalization can ever hope to sustain, regardless of how often it is repeated.This book will be of much interest to students of US foreign policy, international politics and security studies.
George W Bush Administration Propaganda for an Invasion of Iraq
Hartenian’s history of George W Bush propaganda for an invasion of Iraq returns the administration’s approach to its conceptual origins. Hartenian places "evidence" in the center of his analysis, showing that Rumsfeld’s "the absence of evidence is not evidence of absence" meant that no evidence was necessary to justify an invasion. The 9/11 attacks, indeed, "changed everything" for the Bush administration and in its aftermath the time for regime change in Iraq had simply come. With no good evidence to support its fears, the administration was certain of a post-9/11-conceived Iraq–al Qaeda "nexus," just as with no evidence except the "absence of evidence" it was certain of Iraqi mastery of "denial and deception" that hid "Saddam’s" "evil" activities. Resting on Cheney’s "one percent doctrine," administration "certainty" of the threat from Iraq required a US invasion.The policy offices of Douglas Feith at the Pentagon, with the help of George Tenet at CIA, would generate a case of such fright and enormity—the "mushroom cloud"—that required administration action. Manipulating intelligence and ignoring the growing body of evidence undermining its case, the Bush administration invaded Iraq to bring about "regime change."
George W Bush Administration Propaganda for an Invasion of Iraq
Hartenian’s history of George W Bush propaganda for an invasion of Iraq returns the administration’s approach to its conceptual origins. Hartenian places "evidence" in the center of his analysis, showing that Rumsfeld’s "the absence of evidence is not evidence of absence" meant that no evidence was necessary to justify an invasion. The 9/11 attacks, indeed, "changed everything" for the Bush administration and in its aftermath the time for regime change in Iraq had simply come. With no good evidence to support its fears, the administration was certain of a post-9/11-conceived Iraq–al Qaeda "nexus," just as with no evidence except the "absence of evidence" it was certain of Iraqi mastery of "denial and deception" that hid "Saddam’s" "evil" activities. Resting on Cheney’s "one percent doctrine," administration "certainty" of the threat from Iraq required a US invasion.The policy offices of Douglas Feith at the Pentagon, with the help of George Tenet at CIA, would generate a case of such fright and enormity—the "mushroom cloud"—that required administration action. Manipulating intelligence and ignoring the growing body of evidence undermining its case, the Bush administration invaded Iraq to bring about "regime change."
George Eliot’s Moral Aesthetic

George Eliot’s Moral Aesthetic

Constance Fulmer

Routledge
2020
nidottu
George Eliot’s serious readers have been intrigued by the fact that she declared that she had lost her faith in God and had renounced her hope for a traditional Christian heaven and yet she continued to preach her own version of morality in everything she wrote, to hope for an immortality which allowed her to join an invisible choir which would influence generations to come, and to be concerned about the moral growth of her characters. This is only one of the many compelling contradictions in her life and in her artistry. This volume aims to investigate Eliot’s ethical and artistic principles by defining her moral aesthetic as it relates to her self-concept and exploring Eliot’s narrative decisions and the decisions made by her characters and the circumstances which prompt those choices. Dr. Fulmer includes chapters on her clerical figures and other types of individuals such as musicians, and politicians. Dr. Fulmer also illuminates the paradoxes and contradictions in George Eliot’s life and in her philosophy by focusing on Eliot's use of animals, mirrors, windows, jewelry, wills and other tangible images in her poetry as well as her novels. George Eliot’s Moral Aesthetic contends that everything about her moral philosophy is related to her writing and that everything about her writing is related to her moral philosophy.