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1000 tulosta hakusanalla Sarah Crosetti

Some Account of the Life and Religious Labours of Sarah Grubb

Some Account of the Life and Religious Labours of Sarah Grubb

Sarah Grubb

Cambridge University Press
2012
pokkari
Sarah Grubb (1756–90) was the eldest daughter of William Tuke, founder of the York Retreat. The Tukes were early members of The Society of Friends, or Quakers, and in 1779 Sarah became a minister herself. In this capacity she undertook extensive travels in Britain, France, Holland and Germany, both with her husband Robert Grubb and with female companions. Although childless herself, Sarah had strong views on education and she and her husband also found time to establish Suir Island Girls' School at their home in Clonmel, Ireland. Her determined dedication to her vocation, coupled with her frequent travels, quickly exhausted her and she died at the age of only thirty-four. The journals she kept were first published in Dublin in 1792. They are presented woven together with narrative to bridge gaps, and with extensive selections from her letters, to form an account of her life and work.
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Sarah Waters and Contemporary Feminisms

Sarah Waters and Contemporary Feminisms

Palgrave Macmillan
2016
sidottu
Sarah Waters and Contemporary Feminisms presents ten readings of Sarah Waters’s fictions published to date in relation to feminism and contemporary feminist theory. The analysis offered in the collection investigates how Waters engages with recent debates on women and gender and how her writings reflect the different concerns of contemporary feminist theories. In particular, the collection includes new and innovative readings of how Waters’s novels address issues of patriarchy, female confinement, madness and misogyny, exploitation and oppression, repression and subordination, abortion, marriage and spinsterhood alongside passionate portrayals of female agency, desire, aesthetics, female sexual expression, and, of course, lesbianism.
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Sarah Kane's 4.48 Psychosis

Sarah Kane's 4.48 Psychosis

Glenn D'Cruz

Routledge
2018
nidottu
"Everything passes/Everything perishes/Everything palls" – 4.48 PsychosisHow on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4.48 Psychosis’ inaugural production, the year after Sarah Kane took her own life, but this book explores the ways in which it misses the point. Kane’s final play is much more than a bizarre farewell to mortality. It’s a work best understood by approaching it first and foremost as theatre – as a singular component in a theatrical assemblage of bodies, voices, light and energy. The play finds an unexpectedly close fit in the established traditions of modern drama and the practices of postdramatic theatre.Glenn D’Cruz explores this theatrical angle through a number of exemplary professional and student productions with a focus on the staging of the play by the Belarus Free Theatre (2005) and Melbourne’s Red Stitch Theatre (2007).
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Sarah Kane's 4.48 Psychosis

Sarah Kane's 4.48 Psychosis

Glenn D'Cruz

Routledge
2018
sidottu
"Everything passes/Everything perishes/Everything palls" – 4.48 PsychosisHow on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4.48 Psychosis’ inaugural production, the year after Sarah Kane took her own life, but this book explores the ways in which it misses the point. Kane’s final play is much more than a bizarre farewell to mortality. It’s a work best understood by approaching it first and foremost as theatre – as a singular component in a theatrical assemblage of bodies, voices, light and energy. The play finds an unexpectedly close fit in the established traditions of modern drama and the practices of postdramatic theatre.Glenn D’Cruz explores this theatrical angle through a number of exemplary professional and student productions with a focus on the staging of the play by the Belarus Free Theatre (2005) and Melbourne’s Red Stitch Theatre (2007).
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Sarah Fyge Egerton

Sarah Fyge Egerton

Robert C. Evans

Routledge
2019
nidottu
Sarah Fyge Egerton (1668-1723) is an intriguing poet who wrote a great deal of poetry during a period when women poets were relatively rare. Her career also began at an astonishingly early age: she was barely fourteen years old when one of her poems was first printed in London. Throughout much of her life Egerton used poetry to share her thoughts, vent her feelings, and participate, to a highly unusual degree, in the public discourse of her times. The Female Advocate is perhaps her most famous single work. It was her very first publication and was printed three times in her own lifetime”in 1686, in a revised edition in 1687 and once more in 1707. The original 1686 edition is included in this volume along with the third edition of 1707, which is very rare. Alongside The Female Advocate in this volume is Egerton's Poems on Several Occasions, Together with a Pastoral. This is a diverse volume with no obvious pattern or design but which includes many poems which display real talent and can express surprisingly assertive or unexpected views, suggesting the volume deserves far more analytical attention than it has yet received.
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