Arquitectonica is the design firm that put Miami on the map for the cool, hip, very now architecture that was first celebrated on TV in Miami Vice. Since their founding four decades ago, the firm has grown exponentially in stature, and its energies have only increased. Arquitectonica is a major presence on the world architectural stage, with offices in New York, Los Angeles, Paris, Hong Kong, Shanghai, Manila, Dubai, Lima, and Sao Paulo. Founded in 1977, the firm received critical and popular attention and acclaim almost from its inception, thanks to a bold modernism that was immediately identified with a renaissance in Miami s urban landscape. Principals Bernardo Fort-Brescia and Laurinda Spear continue to this day exploring and pushing the limits of materials and design with their innovative use of geometry, pattern, and colour. The first book on this major international architectural design firm since Rizzoli s own Arquitectonica (2004), this volume is a retrospective of the firm s forty-year history, considering its earliest projects the archetypal and hugely influential Pink House and Babylon Apartments to Regalia Condominium tower, its twenty-first-century masterwork of undulant glass and steel.
Theater of Shopping tells the story of retail visionary Stanley Whitman and the creation of Bal Harbour Shops, the most successful luxury fashion shopping centre in the world*, and one of the last family-owned malls in America. Written by critically acclaimed author Alastair Gordon, Theater of Shopping is a cultural history of both a place and a personal legacy. The open-air mall opened in 1965 as a pedestrian-friendly environment that turned shopping into a kind of theatrical event, while featuring the work of young design talents like Valentino, Versace, Mugler, de La Renta, and other foreign designers who were unknown in America before first showcasing their collections at Bal Harbour Shops. The text weaves together fashion, luxury commerce, architecture, landscape design, urban development, and family history, to create a highly readable narrative illustrated with more than 300 images including never-before-published drawings, plans and photographs by renowned photographers including Richard Avedon and Ezra Stoller.
Throughout their twenty-five-year commitment to modern design, Barnes Coy Architects have specialized in one-of-a-kind dream houses designed for those who prefer to live in highly spatial and modern ways. Assembled in Light is the first exclusive look at this firm s previously unpublished body of high-end residential work. These leisure homes gleam in the sun like sleek, finely tuned machines. Everything has been custom designed, custom made, custom treated. The houses are tastefully furnished with one-of-a-kind artisanal pieces (by Wendell Castle, Chris Lehrecke, etc.) and museum-quality collections of contemporary art hanging on the walls (such as works by Anselm Kiefer, Barbara Kruger, Richard Prince, and Cindy Sherman). They feature infinity pools, outdoor and indoor kitchens, roof decks, temperature-controlled wine cellars, and numerous guest rooms, as well as ten-foot-high doorways and floor-to-ceiling swathes of tempered glass to better gaze out at the dunes and ocean views. The new photography beautifully captures the architects attention to detail and love of specialized materials, whether it s Carrara marble from Italy or teak from Bali. While most of the houses are located in the Hamptons in New York, a few are found as far afield as Costa Rica, California, Georgia, and Westchester County. All but three homes were built on commanding waterfront sites.
Over the 40 years since its launch, i-D has grown from a hand-stapled zine to one of the world s leading international style titles with two million Instagram followers. Founded by Terry Jones in 1980, i-D began as a chronicle of style and attitude as much as a fashion bible, and over the years it has kept to that ethos, in the process becoming a nurturing ground for gener-ations of fashion talents, from David Sims to Juergen Teller, Edward Enninful to Wolfgang Tillmans, Tyler Mitchell to Harley Weir. This celebratory volume commemorates the 40th anniversary of i-D through the prism of different cultural eras, with each chapter focusing on a decade of the magazine s history and featuring a mix of original rephotographed spreads from the magazine, reprinted text pieces, archival imagery, covers, and new essays exploring both the history of i-D and the wider cultural contexts of the era it was created in. It s a magazine that has given Greta Thunberg, Madonna, Naomi Campbell, and Sonic the Hedgehog their first covers; that invented the emoticon; and that, across 40 years and 500 cover winks, has had one defining message: that fashion should be inclusive, fun, diverse, and always original.
Island Follies is the first book to explore the work of Henry Melich (1924-1999), a Czech-born architect who brought a beguiling form of neoclassicism to the Caribbean. While Melich built projects in the United States and England, he s best remembered for the romantic follies he designed in the 1960s and 1970s in sunny island retreats like Lyford Cay, Harbour Island, and Windermere Island in the Bahamas. Melich created a romantic sense of escape with a softly cushioned whimsy and discrete sense of tranquillity. His signature motifs included faux marbled walls, seasoned wood, colonnades and tent-like interiors with striped ceilings that suited the playful mood of the moment, documented in Island Follies with the warm touch of Slim Aarons and with new photography of many previously unpublished interiors. Gardens with Bougainvillea-draped pergolas, ivy-clad alcoves, palm-lined allees are just some of the other features that extended the architecture into the tropical landscape. Island Follies showcases more than forty of Melich s island projects, capturing a lost world of glamor and faded glory certain to inspire lovers of interior design and island retreats alike.
Although many people consider bloody-mindedness and stubbornness as being perfect qualifications for a contrarian investor, the approach is in fact a little different than that. Yes, it requires one to act against the crowd. However, it is futile to do so without good reason. A naivå?ve contrarian investor pops into a pub looking for a fight and is delighted if his first opponent is Lennox Lewis. A more seasoned contrarian looks to fight only little old ladies. But looking for the right opponent in a local pub is far from straightforward – little old ladies can sometimes be veteran jujitsu champions – and detecting the easier battles in the stock market is similarly challenging. At first blush, many stocks are attractive and other appealing stocks may initially look like dogs.There is no trustworthy shortcut to separate the dogs from the delightful. The long cut is the implementation of much hard work. Hard work as in understanding a company's business model, why other investors hate it, what positive factors they might have missed, how its balance sheet and cash flow interact, and whether its valuation is sufficiently attractive. None of that is rocket science perhaps, but that does not make it easy. The bull arguments are often well hidden and can only be discovered through meticulous work, a sceptical mindset, and deep thought.In this collection of his writings, top fund manager Alastair Mundy takes a contrarian look at a host of topics and issues, providing a range of ideas and approaches and encouraging investors to think hard about their approach to investment. This book should be essential reading for any investor – contrarian or otherwise.
Professor Minnis argues that the paganism in Troilus and Criseyde and The Knight's Taleis not simply a backdrop but must be central to our understanding of the texts. Chaucer's two great pagan poems, Troilus and Criseyde and The Knight's Tale, belong to the literary genre known as the `romance of antiquity' (which first appeard in the mid 12th century), in which the ancient pagan world is shown on its own terms, without the blatant Christian bias against paganism characteristic of works like the Chanson de Roland, where the writer is concerned with present-day rather than classical forms of paganism. Chaucer's attitudes to antiquity were influenced, but not determined, by those found in the compilations, commentaries, mythographies and history books which we know that he knew. These sources illuminate the manner in which he transformed Boccaccio. Much modern criticism has concentrated on the medieval veneer of manners and fashions which are ascribed to the heathen protagonists of Troilus and The Knight's Tale; Dr Minnis examines the other side of the coin, Chaucer's historical interest in cultures very different from his own. The paganism in these poems is not mere background and setting, but an essential part of their overall meaning.
The author recounts his experiences following the trail used in the Iditarod dog sled race, and shares his impressions of the Alaskan bush and the people he met in his travels
An officer's first-person account of British colonial disengagement from Sarawak. Morrison explains the daily bureaucracy of colonial life from an inside perspective and details the changes that occurred during his years in Sarawak: the growth and expansion of Communist movements, the emerging modernization of various districts, and the formation of Malaysia.
Medieval literature and art abounds in descriptions of grotesque torments (punitive in hell, redemptive in purgatory) being meted out to the unhappy dead. But how can pain be experienced in the absence of the body? Can the main agents of suffering specified in Old Testament prophecies, fire and the worm, actually trouble a disembodied soul? The rel
A sinister, hooded figure with a mysterious past lurks in the grounds of Wolf Manor; watching silently as Alex Wolf returns home from boarding school to his grandparents' lavish estate. Oblivious to the many dangers that now surround him, Alex soon finds himself thrust into the centre of an unwelcome adventure, guided only by his wayward granddad Henry - the one member of his family he knows that he can trust. With Henry's help, Alex must try to unravel his family's dark secrets and discover, if he can, the extraordinary power of the Black Fire Book; for if he doesn't then someone else surely will... Alex Wolf & The Black Fire Book is the first novel in the Alex Wolf Series.
Talking Harpsichords is an attempt to bring more into focus the world of the harpsichord. Importantly, it is also an expression of appreciation to all those who have helped this traveller achieve the making of some good instruments. In addition, the writer believes that we are, each one of us, and from time to time, entitled to be amused: so may it be.
