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Elizabeth Gilbert The Women I Love and Admire Journal

Elizabeth Gilbert The Women I Love and Admire Journal

Knock Knock
2020
muistikirja
This elegant, cloth-bound journal is from the debut collection of journals and cards by Elizabeth Gilbert, bestselling author of Big Magic and Eat Pray Love. It's a tribute to the strong and graceful women who know how to handle shit, one way or another—whatever the shit may be. You know who you are. (Our numbers are legion!) This message is also available on a greeting card! -Elizabeth Gilbert brings her genius to Em & Friends with a line of inspiring journals and cards! -Journal measures 5.75 x 7.5-inches -Cloth-covered softcover with foil stamping, 160 lined pages -Ribbon marker
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Left Guard Gilbert

Left Guard Gilbert

Ralph Henry Barbour

Createspace Independent Publishing Platform
2018
nidottu
Coach Robey, coatless, vestless, hatless, his old flannel trousers held up as by a miracle with the aid of a leather strap scarcely deserving the name of belt, pushed his way through the first squad players. The Brimfield Head Coach was a wiry, medium-sized man of about thirty, with a deeply-tanned face from which sharp blue eyes looked out under whitish lashes that were a shade lighter than his eyebrows and two shades lighter than his sandy hair. As the afternoon was excessively hot, even for the twenty-first day of September and in proximity to Long Island Sound, Mr. George Robey's countenance was bathed in perspiration and the faded blue silk shirt was plastered to his body. "That was left half through guard-tackle, wasn't it? Then don't put the ball in your arm, St. Clair. You ought to know better than that. On plays through the line hold it against your stomach with both hands.
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The Classical Legacy of Gilbert Highet

The Classical Legacy of Gilbert Highet

Robert J. Ball

Lockwood Press
2021
sidottu
Gilbert Highet (1906-1978) was one of Columbia University's greatest teachers and in his day the most celebrated classical scholar in America. One may regard his life and career as both extraordinary and controversial. Now, over forty years after his death, a fresh retrospect seems appropriate, as a way of presenting new information about him and evaluating his enduring classical legacy for the twenty-first century reader. This fully documented biographical appreciation of Highet's life and work, capped by fully updated bibliographies of publications by him and about him, offers a long-overdue "official life" of this unique and towering figure.
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