Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Jan Scheffler
Jan ist berlebensk nstler, aber nicht etwa im Dschungel, sondern in einer Kleinstadt im Sauerland. Viel Tratsch einerseits und das Fehlen jedweder Geheimnisse andererseits ergeben eine explosive Mischung. Unter diesen Bedingungen scheint ein Faulpelz zum Scheitern verurteilt zu sein. Gezwungenerma en nimmt es Jan daher eher philosophisch, und so hat er zu allen Lebensfragen eine Antwort parat. Wie so oft im Leben h ngt die Frage, ob er selber erfolgreich ist, vom eigenen Standpunkt ab.
Aber eh, wie sie sich versah, sauste eine seltsame Bestie auf den Pharao zu und stie ihn an die Wand, nachdem er gepackt wurde. Das Wesen hatte eine graue Haut, Fledermausfl gel ragten aus dem R cken raus und die H nde, sowie die F e sahen aus wie Klauen. Doch der Rest war ein normaler Mensch gewesen und als das Wesen sie ansah, erschrak Katja regelrecht. Jan war es der vor ihr stand, seine Augen waren seltsam und blutrot, seine Z hne ragten bedrohlich heraus. Seine Kleidung war etwas demoliert, dennoch in einem angemessenen Zustand. Alle anderen kamen zu ihr, aber waren ebenfalls erschrocken. Bevor einer etwas sagen konnte, schleuderte der junge Vampir den Pharao gegen die n chste S ule. Dann ging sein blutr nstiger Blick auf sein n chstes Opfer, aber er griff nicht an. Er breitete seine Fl gel aus und erhob sich in die Luft.
Jan Tschichold (1902–1974 ) was one of the most outstanding and influential graphic artists and typographers of the 20th century. Throughout his life he stood in the service of print and writing, first as a talented young calligrapher and designer of some 70 posters and then, later on, as a self-critical typographer and typeface designer. In his posters, he expresses the avant-garde ideas of the Neue Typografie, or New Typography, which were strongly influenced by the Bauhaus. Tschichold received many prizes for his work. For example, the Société Typographique de France appointed him an honorary member in 1960, and he was named an honorary Royal Designer of Industry by the Royal Society of Arts in 1965. This book is an analytical examination of Tschichold’s posters. It contains his own collection of posters, with works by Hans Arp, El Lissitzky, László Moholy-Nagy, Oskar Schlemmer, and others, as well as the approximately 70 posters he designed himself.
The posters of Tschichold Jan Tschichold (1902–1974 ) was one of the most outstanding and influential graphic artists and typographers of the 20th century. Throughout his life he stood in the service of print and writing, first as a talented young calligrapher and designer of some 70 posters and then, later on, as a self-critical typographer and typeface designer. In his posters, he expresses the avant-garde ideas of the Neue Typografie, or New Typography, which were strongly influenced by the Bauhaus. Tschichold received many prizes for his work. For example, the Société Typographique de France appointed him an honorary member in 1960, and he was named an honorary Royal Designer of Industry by the Royal Society of Arts in 1965. This book is an analytical examination of Tschichold’s posters. It contains his own collection of posters, with works by Hans Arp, El Lissitzky, László Moholy-Nagy, Oskar Schlemmer, and others, as well as the approximately 70 posters he designed himself. Contains Tschichold’s own work and also his poster collection Top-flight reproductions of outstanding posters
Jan Toeve
Hatje Cantz
2017
sidottu
Jan Tove's photographs of his home region are lyrical dabs of memory, the wide-eyed absorption of changes. For a period just short of ten years, the Swedish photographer and publicist returned to the Swedish countryside, at different points during the year, portrayed landscape as well as inhabitants, and discovered an individual rhythm.
Jan Jedlicka (Bilingual edition)
HATJE CANTZ
2023
sidottu
Jan St. Werner: Space Synthesis (Bilingual edition)
HATJE CANTZ
2023
nidottu
Sound – Space – Perception How can one inhabit a sound? What perspectives open up through the encounter of space, resonance and perception? And how are participants changed in the process? With Space Synthesis, artist and composer Jan St. Werner, known as one half of the duo Mouse on Mars, designs a radically new understanding of sound and space. The interplay between the two becomes a method of exploring architecture and social contexts. Space Synthesis is the catalog for Jan St. Werner's first solo exhibition and, at the same time, the document of a practice that turns against seemingly fixed knowledge and explores the productive power of sound from multiple perspectives. Numerous contributions deepen the understanding of his artistic work. Texts by: Michael Akstaller, Nikola Bojic, Louis Chude-Sokei, Damir Gamulin, Çagla Ilk, Gascia Ouzounian, Patricia Reed, Jan St. Werner, Oswald Wiener
Dieses Buch ist eine erste Hilfe bei der Auswahl typischer ostfriesischer Vornamen. Außer einem Verzeichnis von gut 2000 Namen enthält der Band eine Zitatenlese zur Namengebung in Ostfriesland und eine umfassende Sammlung von nahezu 700, zumeist humorvollen plattdeutschen Liedern, Neck- und Spottreimen, Redensarten und Sprichwörtern. Die erweiterte Neuausgabe, illustriert mit 24 Vignetten von Holger Fischer, ist zugleich ein vergnügliches Geschenkbuch für jeden Norddeutschen zur Geburt oder zur Taufe, zum Geburtstag und zu vielen anderen Anlässen.
Jan Faktor trifft Wilhelm Raabe
Wallstein Verlag GmbH
2023
pokkari
In 1776, at the Enlightenment’s height, Jan Christiaan Sepp published a wholly unique and striking work: A Representation of Marble Types. Across 100 richly hand-colored plates, it traced an elegant visual journey through 570 different marble types. This facsimile edition, a world first, devotedly brings to life a forgotten book of great knowledge and rare beauty.
In 1776, at the Enlightenment’s height, Jan Christiaan Sepp published a wholly unique and striking work: A Representation of Marble Types. Across 100 richly hand-colored plates, it traced an elegant visual journey through 570 different marble types. This facsimile edition, a world first, devotedly brings to life a forgotten book of great knowledge and rare beauty.