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Jezebel

Jezebel

Megan Barnard

Penguin Putnam Inc
2023
nidottu
With a bold voice reminiscent of Madeline Miller's Circe, a stunning reimagining of the story of a fierce princess from Tyre and her infamous legacy Jezebel was born into the world howling. She intends to leave it the same way. When Jezebel learns she can't be a king like her father simply because she's a girl, she vows never to become someone's decorative wife, nameless and lost to history. At fifteen she's married off, despite her protests, to Prince Ahab of Israel. There, she does what she must to gain power and remake the dry and distant kingdom in the image of her beloved, prosperous seaside homeland of Tyre, beginning by building temples to the gods she grew up worshipping. As her initiatives usher in an era of prosperity for Israel, her new subjects love her, and her name rings through the land. Then Elijah, the prophet of Yahweh and her former lover, begins to speak out against her. Bitter at having been abandoned by Jezebel, he lashes out, calling her a slut. Harlot. Witch. And the people, revering their prophet's message, turn on her. As ancient powers and faiths are pitted against each other, bloodshed descends on Israel and Jezebel faces the fall of her legacy. Determined despite the odds to make Israel a great nation, she must decide how far she's willing to go to protect her family, her throne--her name. A stunning revision of a notorious queen's story, Jezebel is a thrilling lyrical debut about a fierce woman who refuses to be forgotten.
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The Winter Goddess

The Winter Goddess

Megan Barnard

Penguin Putnam Inc
2025
nidottu
A goddess is cursed to endlessly live and die as a mortal until she understands the value of human life, in this inventive, moving reimagining of Irish mythology. Cailleach, goddess of winter, was not born to be a blight on humanity, but she became one. She would say with scorn that it was their own fault: mortals were selfish, thoughtless, and destructive, bringing harm to each other and the earth without cause or qualms. One day, Cailleach goes too far. Thousands die, lost to her brutal winter. In punishment, her mother Danu, queen of the gods, strips the goddess of her powers and sends Cailleach to earth, to live and die as the mortals she so despises, until she understands what it is to be one of them. Though determined to live in solitude, Cailleach finds that she cannot help but reach for the people she once held in such disdain. She loves and mourns in equal measure, and in opening herself to humanity, hears tales not meant for immortal ears--including a long-buried secret that will redefine what it means to be a god. From the author of the "stunning . . . riveting" historical reenvisioning Jezebel (Library Journal), a vividly imagined and arresting story of a goddess punished--and a goddess reborn, as she discovers the importance of a life ephemeral...and what it means to truly be alive.
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Print and the Urdu Public

Print and the Urdu Public

Megan Eaton Robb

Oxford University Press Inc
2020
sidottu
In early twentieth century British India, prior to the arrival of digital medias and after the rise of nationalist political movements, a small-town paper from the margins of society became a key player in Urdu journalism. Published in the isolated market town of Bijnor, Madinah grew to hold influence across North India and the Punjab while navigating complex issues of religious and political identity. In Print and the Urdu Public, Megan Robb uses the previously unexamined perspective of the Madinah to consider Urdu print publics and urban life in South Asia. Through a discursive and material analysis of Madinah, the book explores how Muslims who had settled in ancestral qasbahs, or small towns, used newspapers to facilitate a new public consciousness. The book demonstrates how Madinah connected the Urdu newspaper conversation both explicitly and implicitly with Muslim identity and delineated the boundaries of a Muslim public conversation in a way that emphasized rootedness to local politics and small urban spaces. The case study of this influential but understudied newspaper reveals how a network of journalists with substantial ties to qasbahs produced a discourse self-consciously alternative to the Western-influenced, secularized cities. Megan Robb augments the analysis with evidence from contemporary Urdu, English, and Hindi papers, government records, private diaries, private library holdings, ethnographic interviews, and training materials for newspaper printers. This thoroughly researched volume recovers the erasure of qasbah voices and proclaims the importance of space and time in definitions of the public sphere in South Asia. Print and the Urdu Public demonstrates how an Urdu newspaper published from the margins became central to the Muslim public constituted in the first half of the twentieth century.
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Gender: A Reader for Writers

Gender: A Reader for Writers

Megan L. Titus; Wendy L. Walker

Oxford University Press
2015
nidottu
Developed for courses in first-year writing, Gender: A Reader for Writers includes an interdisciplinary mix of public, academic, and cultural reading selections. It provides students with the rhetorical knowledge and analytical strategies required to participate effectively in discussions about gender and culture. Chapters include numerous pedagogical features and are organized thematically around the topics below: -Gender and identity-Gender and stereotypes-Gender and the body-Gender and popular culture-Gender and work-Gender and globalization Gender: A Reader for Writers is part of a series of brief, single-topic readers from Oxford University Press designed for today's college writing courses. Each reader in this series approaches a topic of contemporary conversation from multiple perspectives.
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The Escape Line

The Escape Line

Megan Koreman

Oxford University Press Inc
2018
sidottu
Of all the resistance organizations that operated during the war, about which much has been written, one stands out for its transnational character, the diversity of the tasks its members took on, and the fact that, unlike many of the known evasion lines, it was not directed by Allied officers, but rather by group of ordinary citizens. Between 1942 and 1945, they formed a network to smuggle Dutch Jews and others targeted by the Nazis south into France, via Paris, and then to Switzerland. This network became known as the Dutch-Paris Escape Line, eventually growing to include 300 people and expanding its reach into Spain. Led by Jean Weidner, a Dutchman living in France, many lacked any experience in clandestine operations or military tactics, and yet they became one of the most effective resistance groups of the Second World War. Dutch-Paris largely improvised its operations--scrounging for food on the black market, forging documents, and raising cash. Hunted relentlessly by the Nazis, some were even captured and tortured. In addition to Jews, those it helped escape the clutches of the Nazis included resistance fighters, political foes, Allied airmen, and young men looking to get to London to enlist. As the need grew more desperate, so did the bravery of those who rose to meet it. Using recently declassified archives, The Escape Line tells the story of the Dutch-Paris and the thousands of people it saved during World War II. Koreman, who was given exclusive access to many of the archives, is herself the daughter of Dutch parents who were part of the resistance, offers the definitive account of this largely untold story.
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Nature Is Nurture

Nature Is Nurture

Megan E. Delaney

Oxford University Press Inc
2020
nidottu
"From foraging and hunting for food to (more recently) finding solace and peace in a beautiful vista, humans have long interacted with the natural world. Though a connection to nature runs deep in our DNA, however, people of the modern age are indoors almost 93% of the day. With that said, there is a growing evidence suggests that the natural world promotes mental and physical well-being, including stress relief, improved mood, and neurological benefits. Ecotherapy, a steadily developing but lesser-known construct in mental health, explores the reciprocal relationship humans have with nature and its capacity to build strength and provide healing. Nature Is Nurture provides an overview of the theoretical concepts and empirical bases of ecotherapy via historical considerations and recent research within the discipline. Chapters share practical ways to incorporate ecotherapy with children, adults, and veteran populations; within schools; and in group work. Descriptions of modalities such as animal-assisted, equine-assisted, horticultural, forest-bathing, green-exercise, and adventure-based therapy are also included alongside case examples, techniques, and practical and ethical considerations. In examining the impact of improved physical and mental wellness for all clients, this book provides counselors, therapists, social workers, and psychologists with the knowledge and techniques to infuse ecotherapy into everyday practice."
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Hearing Homophony

Hearing Homophony

Megan Kaes Long

Oxford University Press Inc
2020
sidottu
The question of tonality's origins in music's pitch content has long vexed many scholars of music theory. However, tonality is not ultimately defined by pitch alone, but rather by pitch's interaction with elements like rhythm, meter, phrase structure, and form. Hearing Homophony investigates the elusive early history of tonality by examining a constellation of late-Renaissance popular songs which flourished throughout Western Europe at the turn of the seventeenth century. Megan Kaes Long argues that it is in these songs, rather than in more ambitious secular and sacred works, that the foundations of eighteenth century style are found. Arguing that tonality emerges from features of modal counterpoint - in particular, the rhythmic, phrase structural, and formal processes that govern it - and drawing on the arguments of theorists such as Dahlhaus, Powers, and Barnett, she asserts that modality and tonality are different in kind and not mutually exclusive. Using several hundred homophonic partsongs from Italy, Germany, England, and France, Long addresses a historical question of critical importance to music theory, musicology, and music performance. Hearing Homophony presents not only a new model of tonality's origins, but also a more comprehensive understanding of what tonality is, providing novel insight into the challenging world of seventeenth-century music.
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Steve, Terror of the Seas

Steve, Terror of the Seas

Megan Brewis

Oxford University Press
2018
nidottu
The almost true story of Steve, the very scary fish. Steve is not very big. His teeth aren't very sharp. And though he's no angelfish, there are far scarier creatures in the sea. So why is everyone so frightened of Steve? With a brilliant new voice and distinctive art style, Megan Brewis is definitely 'one to watch'.
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There's a Spider in my Soup!

There's a Spider in my Soup!

Megan Brewis

Oxford University Press
2019
nidottu
Little Spider loves swinging from her web, in spite of the fact that Mum and Dad Spider warn her against it. But when swinging lands her in the soup, it's an opportunity to make new friends and do something adventurous that the whole family can enjoy! A playful story featuring Megan Brewis' distinctive voice and artwork with positive messages around breaking down all kinds of barriers (even if it does mean breaking the rules . . . and the web).
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Original Sin and the Evolution of Sexual Difference

Original Sin and the Evolution of Sexual Difference

Megan Loumagne Ulishney

Oxford University Press
2022
sidottu
Original Sin and the Evolution of Sexual Difference develops an interdisciplinary conversation between evolutionary biology, feminist philosophy, and theology in order to illuminate the entanglement of Christian thinking about original sin with theologies of sexual difference. It then assesses the opportunities for rethinking original sin and its implications for theologies of sexual difference in light of developments in evolutionary biology and feminist theology and philosophy. Despite some resistances in the present age to conceptions of both original sin and meaningful sexual differences, this study argues that both can provide essential insights that help to make sense of some of the features of human life in the twenty-first century, especially the stubborn persistence of inequality, poverty, environmental degradation, and the pernicious patterns of sexual violence and abuse that have been uncovered by the #MeToo movement. To this end, Megan Loumagne Ulishney marshals resources from a variety of places-Augustine of Hippo, feminist theology, the Extended Evolutionary Synthesis, John Paul II, and a new group of feminist philosophers known as the New Feminist Materialists-to develop an analysis of original sin and sexual difference that is grounded in both scientific and theological insights about creaturely life. The project cultivates a sense of wonder at the diversity and unpredictability of human biology, a value for the role of creativity in the human participation that partially shapes our ongoing evolution, and humility about the extent to which we can predict and control the future of the evolution of our species. It illuminates the interdependencies that define creaturely life, the persistent entanglement of nature and culture, the centrality of desire to human identity and behaviour, and the role played by biology in the transmission of sin. It develops a vision of material life as evolving, generative, and imbued with activity, but also as simultaneously infected with sin and saturated with the divine.
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Public Opinion Polling in Mid-Century British Literature

Public Opinion Polling in Mid-Century British Literature

Megan Faragher

Oxford University Press
2021
sidottu
Whereas modernist writers lauded the consecrated realm of subjective interiority, mid-century writers were engrossed by the materialization of the collective mind. An obsession with group thinking was fuelled by the establishment of academic sociology and the ubiquitous infiltration of public opinion research into a bevy of cultural and governmental institutions. As authors witnessed the materialization of the once-opaque realm of public consciousness for the first time, their writings imagined the potentialities of such technologies for the body politic. Polling opened new horizons for mass politics. Public Opinion Polling in Mid-Century British Literature traces this most crucial period of group psychology's evolution--the mid-century--when "psychography," a term originating in Victorian spiritualism, transformed into a scientific praxis. The imbrication of British writers within a growing institutionalized public opinion infrastructure bolstered an aesthetic turn towards collectivity and an interest in the political ramifications of meta-psychological discourse. Examining works by H.G. Wells, Evelyn Waugh, Val Gielgud, Olaf Stapledon, Virginia Woolf, Naomi Mitchison, Celia Fremlin, Cecil Day-Lewis, and Elizabeth Bowen, this book utilizes extensive archival research to trace the embeddedness of writers within public opinion institutions, providing a fresh explanation for the new "material" turn so often associated with interwar writing.
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From Camelot to Spamalot

From Camelot to Spamalot

Megan Woller

Oxford University Press Inc
2021
sidottu
For centuries, Arthurian legend has captured imaginations throughout Europe and the Americas with its tales of Camelot, romance, and chivalry. The ever-shifting, age-old tale of King Arthur and his world is one which depends on retellings for its endurance in the cultural imagination. Using adaptation theory as a framework, From Camelot to Spamalot foregrounds the role of music in selected Arthurian adaptations, examining six stage and film musicals. The book considers how musical versions in twentieth and twenty-first century popular culture interpret the legend of King Arthur, contending that music guides the audience to understand this well-known tale and its characters in new and unexpected ways. All of the productions considered include an overtly modern perspective on the legend, intruding and even commenting on the tale of King Arthur. Shifting from an idealistic utopia to a silly place, the myriad notions of Camelot offer a look at the importance of myth in American popular culture. Author Megan Woller's approach, rooted in the literary theory of scholars like Linda Hutcheon, highlights the intertextual connections between chosen works and Arthurian legend. In so doing, From Camelot to Spamalot intersects with and provides a timely contribution to several different fields of study, from adaptation studies and musical theater studies to film studies and Arthurian studies.
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From Camelot to Spamalot

From Camelot to Spamalot

Megan Woller

Oxford University Press Inc
2021
nidottu
For centuries, Arthurian legend has captured imaginations throughout Europe and the Americas with its tales of Camelot, romance, and chivalry. The ever-shifting, age-old tale of King Arthur and his world is one which depends on retellings for its endurance in the cultural imagination. Using adaptation theory as a framework, From Camelot to Spamalot foregrounds the role of music in selected Arthurian adaptations, examining six stage and film musicals. The book considers how musical versions in twentieth and twenty-first century popular culture interpret the legend of King Arthur, contending that music guides the audience to understand this well-known tale and its characters in new and unexpected ways. All of the productions considered include an overtly modern perspective on the legend, intruding and even commenting on the tale of King Arthur. Shifting from an idealistic utopia to a silly place, the myriad notions of Camelot offer a look at the importance of myth in American popular culture. Author Megan Woller's approach, rooted in the literary theory of scholars like Linda Hutcheon, highlights the intertextual connections between chosen works and Arthurian legend. In so doing, From Camelot to Spamalot intersects with and provides a timely contribution to several different fields of study, from adaptation studies and musical theater studies to film studies and Arthurian studies.
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Metaphors of Change in the Language of Nineteenth-Century Fiction

Metaphors of Change in the Language of Nineteenth-Century Fiction

Megan Perigoe Stitt

Clarendon Press
1998
sidottu
From the beginning of the nineteenth century, the emerging study of language shared with geology certain metaphors - co-existing but mutually incompatible - to describe theories of change. The Tower of Babel, Rise and Fall, Line and Branch were ideas that fed both disciplines; and linguistic study sometimes drew its imagery directly from geology, comparing varieties of language to fossils marking layers of development. At the same time, tension arose between the concept of language as a fixed sign and the wish to endorse it as a tool for change, an unpredictable maker of history. Metaphors of Change looks in detail at three authors - Walter Scott, Elizabeth Gaskell, and Charles Kingsley - whose handling of language, and in particular of dialect speech, demonstrates different angles of approach, and puts fiction into dialogue with science. Through textual analysis of the novels, and examination of contemporary scientific discourse, the book throws light on how different genres affected the century's use of metaphor and its often contradictory theories of progress.
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Romancing Treason

Romancing Treason

Megan Leitch

Oxford University Press
2015
sidottu
Romancing Treason addresses the scope and significance of the secular literary culture of the Wars of the Roses, and especially of the Middle English romances that were distinctively written in prose during this period. Megan Leitch argues that the pervasive textual presence of treason during the decades c.1437-c.1497 suggests a way of conceptualising the understudied space between the Lancastrian literary culture of the early fifteenth century and the Tudor literary cultures of the early and mid-sixteenth century. Drawing upon theories of political discourse and interpellation, and of the power of language to shape social identities, this book explores the ways in which, in this textual culture, treason is both a source of anxieties about community and identity, and a way of responding to those concerns. Despite the context of decades of civil war, treason is an understudied theme even with regards to Thomas Malory's celebrated prose romance, the Morte Darthur. Leitch accordingly provides a double contribution to Malory criticism by addressing the Morte Darthur's engagement with treason, and by reading the Morte in the hitherto neglected context of the prose romances and other secular literature written by Malory's English contemporaries. This book also offers new insights into the nature and possibilities of the medieval romance genre and sheds light on understudied texts such as the prose Siege of Thebes and Siege of Troy, and the romances William Caxton translated from French. More broadly, this book contributes to reconsiderations of the relationship between medieval and early modern culture by focusing on a comparatively neglected sixty-year interval -- the interval that is customarily the dividing line, the 'no man's land' between well--but separately-studied periods in English literary studies.
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Global Justice, Natural Resources, and Climate Change

Global Justice, Natural Resources, and Climate Change

Megan Blomfield

Oxford University Press
2019
sidottu
To address climate change fairly, many conflicting claims over natural resources must be balanced against one another. This has long been obvious in the case of fossil fuels and greenhouse gas sinks including the atmosphere and forests; but it is ever more apparent that responses to climate change also threaten to spur new competition over land and extractive resources. This makes climate change an instance of a broader, more enduring and - for many - all too familiar problem: the problem of human conflict over how the natural world should be cared for, protected, shared, used, and managed. This work develops a new theory of global egalitarianism concerning natural resources, rejecting both permanent sovereignty and equal division, which is then used to examine the problem of climate change. It formulates principles of resource right designed to protect the ability of all human beings to satisfy their basic needs as members of self-determining political communities, where it is understood that the genuine exercise of collective self-determination is not possible from a position of significant disadvantage in global wealth and power relations. These principles are used to address the question of where to set the ceiling on future greenhouse gas emissions and how to share the resulting emissions budget, in the face of conflicting claims to fossil fuels, climate sinks, and land. It is also used to defend an unorthodox understanding of responsibility for climate change as a problem of global justice, based on its provenance in historical injustice concerning natural resources.
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Police Community Support Officers

Police Community Support Officers

Megan O'Neill

Oxford University Press
2019
sidottu
Police Community Support Officers: Cultures and Identities within Pluralised Policing presents the first in-depth ethnographic study of Police Community Support Officers (PCSOs) since the creation of the role in 2002. Situated within the tradition of police ethnographies, this text examines the working worlds of uniformed patrol support staff in two English police forces. Based on over 350 hours of direct observation and 33 interviews with PCSOs and police constables in both urban and rural contexts, Police Community Support Officers offers a detailed analysis of the operational and cultural realities of pluralised policing from within. Using a dramaturgic framework, the author finds that PCSOs have been undermined by their own organisations from the beginning, which has left a lasting legacy in terms of their relationships and interactions with police officer colleagues. The implications of this for police cultures, community policing approaches and the success of pluralisation are examined. The author argues that while PCSOs can have similar occupational experiences to constables, their particular circumstances have led to a unique occupational culture, one which has implications for existing police culture theories. The book considers these findings in light of budget reductions and police reforms occurring across the sector, processes in which PCSOs are particularly vulnerable.
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Kurt Schwitters

Kurt Schwitters

Megan R. Luke

University of Chicago Press
2014
sidottu
German artist Kurt Schwitters (1887-1948) is best known for his pioneering work in fusing collage and abstraction, the two most transformative innovations of twentieth-century art. Considered the father of installation art, Schwitters was also a theorist, a Dadaist, and a writer whose influence extends from Robert Rauschenberg and Eva Hesse to Thomas Hirschhorn. But while his early experiments in collage and installation from the interwar period have garnered much critical acclaim, his later work has generally been ignored. In the first book to fill this gap, Megan R. Luke tells the fascinating, even moving story of the work produced by the aging, isolated artist under the Nazi regime and during his years in exile. Combining new biographical material with archival research, Luke surveys Schwitters' experiments in shaping space and the development of his Merzbau, describing his haphazard studios in Scandinavia and the United Kingdom and the smaller, quieter pieces he created there. She makes a case for the enormous relevance of Schwitters' aesthetic concerns to contemporary artists, arguing that his later work provides a guide to new narratives about modernism in the visual arts. These pieces, she shows, were born of artistic exchange and shaped by his rootless life after exile, and they offer a new way of thinking about the history of art that privileges itinerancy over identity and the critical power of humorous inversion over unambiguous communication. Packed with images, Kurt Schwitters completes the narrative of an artist who remains a considerable force today.
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Doing Time Together

Doing Time Together

Megan Comfort

University of Chicago Press
2008
nidottu
By quadrupling the number of people behind bars in two decades, the United States has become the world leader in incarceration. Much has been written on the men who make up the vast majority of the nation's two million inmates. But what of the women they leave behind? "Doing Time Together" vividly details the ways that prisons shape and infiltrate the lives of women with husbands, fiances, and boyfriends on the inside. Megan Comfort spent years getting to know women visiting men at San Quentin State Prison, observing how their romantic relationships drew them into contact with the penitentiary. Tangling with the prison's intrusive scrutiny and rigid rules turns these women into quasi-inmates, eroding the boundary between home and prison and altering their sense of intimacy, love, and justice. Yet Comfort also finds that with social welfare weakened, prisons are the most powerful public institutions available to women struggling to overcome untreated social ills and sustain relationships with marginalized men. As a result, they express great ambivalence about the prison and the control it exerts over their daily lives. An illuminating analysis of women caught in the shadow of America's massive prison system, Comfort's book will be essential for anyone concerned with the consequences of our punitive culture.
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The Monk and the Book

The Monk and the Book

Megan Hale Williams

University of Chicago Press
2014
nidottu
In The Monk and the Book, Megan Hale Williams argues that Saint Jerome was the first to represent biblical study as a mode of asceticism appropriate for an inhabitant of a Christian monastery, thus pioneering the enduring linkage of monastic identities and institutions with scholarship. Revisiting Jerome with the analytical tools of recent cultural history - including the work of Bourdieu, Foucault, and Roger Chartier-Williams proposes new interpretations that remove obstacles to understanding the life and legacy of the saint.
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