Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Nick Robison
Als sie unverhofft in eine fremde Welt gesto en werden, geht Nicks Bruder verschollen. Die einzige Spur weist in Richtung der W stenstadt Reverska. Doch der Weg dorthin ist nicht ungef hrlich. Als er es dann auch noch mit einer Bande von Dieben zu tun bekommt, ist das Chaos in Nicks Leben komplett - zumindest glaubt er das.
The Day May Break, photographed in Zimbabwe and Kenya in late 2020, is the first part of a global series portraying people and animals that have been impacted by environmental degradation and destruction. The people in the photos were all affected by climate change, displaced by cyclones and years-long droughts. Photographed at five sanctuaries, the animals were rescues that can never be re-wilded. As a result, it was safe for human strangers to be close to them, photographed so close to them, within the same frame. The fog on location is the unifying visual, as we increasingly find ourselves in a kind of limbo, a once-recognizable world now fading from view. However, in spite of their loss, these people and animals are the survivors. And therein lies possibility and hope.
Some of Nick Brandt’s subjects are humans, some are animals, but they all are creatures of equal and obvious personhood. The overwhelming sense in the photographer’s ongoing global series The Day May Break is that they are all figuring out how to live in a new world. Each has arrived at the shoot at Senda Verde wildlife sanctuary in Bolivia through their own cascade of tragedy. Both extreme droughts and floods have destroyed people’s homes and livelihoods. Victims of habitat destruction and wildlife trafficking, the animals are rescues that can never be released to the wild. People and animals were photographed in the same frame and indeed convey a sense of connectedness through a shared fate. Fog is the unifying visual, symbolic of the natural world rapidly fading from view; and an echo of the smoke from wildfires, intensified by climate change, devastating so much of the planet. But in spite of their loss, these people and animals are survivors, pioneers entering the new phase our world has reached. In The Day May Break they share their powerful stories.
Otherworldly Portraits in an Age of Rising Sea Levels SINK / RISE is the third chapter of The Day May Break, Nick Brandt’s ongoing global series portraying people and animals that have been impacted by environmental degradation and destruction. This third chapter focuses on South Pacific Islanders impacted by climate change and serves as a stark reminder of the looming reality many island nations face. The local people in these photos, photographed underwater in the ocean off the coast of the Fijian islands, symbolize the many people who stand to lose their homes, land and livelihoods in the coming decades as the water rises. The images—all shot in-camera underwater—are hauntingly beautiful. But beyond the immediate visual impact, Brandt’s work delves deeper, asking: how did we get here? What does the future hold for these communities? And how can we mitigate, if not reverse, the damage? Brandt’s emphatic portraits bridge the often abstract concept of climate change and are a reminder that behind every statistic about rising sea levels, there’s a tangible human story.
Nick Cave's "Soundsuits"-exuberant, brightly colored wearable sculptures adorned with buttons, hair, toys and other found objects-have made him one of the best-known contemporary artists. This book documents his most extensive work to date, turning his art inside out. Until fills MASS MoCA's football field- sized gallery, without a single Soundsuit to be found. Instead Cave takes us inside the belly of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities' police departments, and death. An installation diary and numerous images reveal how an idea becomes reality. Until also incorporates special appearances by dancers, singer/ songwriters, and poets, as well as community forums, and opportunities for public debate and engagement. Transcripts of the first of these events accompany the book's illustrations. This book features an essay by exhibition Curator Denise Markonish, commentary by David Byrne and Lori E.Lightfoot that contextualizes Cave's work against today's headlines, and an excerpt from Claudia Rankine's Citizen: An American Lyric. Powerful and transformative, Until promises to take its place among the era's most important artistic statements.Published in association with MASS MoCA
Jakob Christoph Heer: Nick Tappoli. Roman Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Erstdruck: Stuttgart, Berlin: J. G. Cotta'sche Buchhandlung Nachfolger, 1920. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Siegmar Schwiez, Die Holzbr cke von Eglisau, 2019. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)
Jakob Christoph Heer: Nick Tappoli. Roman Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Erstdruck: Stuttgart, Berlin: J. G. Cotta'sche Buchhandlung Nachfolger, 1920. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Siegmar Schwiez, Die Holzbr cke von Eglisau, 2019. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)
