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1000 tulosta hakusanalla Alain Sturm

Cleveland Calamities: A History of Storm, Fire and Pestilence

Cleveland Calamities: A History of Storm, Fire and Pestilence

Alan F. Dutka

History Press Library Editions
2014
sidottu
For the first time under one cover, here are the tales of Cleveland's greatest blizzards, most destructive tornados, nastiest snowstorms and worst floods--and so much more. A pseudo tidal wave once pounded the Lake Erie shore from Bay Village to the Pennsylvania border. A phantom ice age caused scientists to predict that glaciers would soon return to Cleveland. A river burned, mayflies swarmed the downtown area by the millions, credible UFO sightings are still unexplained and a June blizzard raged in the city. Citizens perfected the art of throwing rocks at volunteer firefighters. Secret assistance in developing the atomic bomb created a radioactive neighborhood. Join Cleveland author Alan F. Dutka as he explores intriguing stories of famous and lesser-known Forest City disasters.
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Lost in a Poet Storm

Lost in a Poet Storm

Alan Hines

Trafford Publishing
2021
pokkari
Urban Fiction As a king of one of Chicago's largest street gang daughter emerges to become a young lady she gets lost in a poets storm, becoming a poet that depicts the harsh reality of this cold world we live, filled with sin she conveys it through her poetry, amongst other poets with their own stories to tell, which eventually leads to death and destruction.
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Lost in a Poet Storm

Lost in a Poet Storm

Alan Hines

Trafford Publishing
2021
sidottu
Urban Fiction As a king of one of Chicago's largest street gang daughter emerges to become a young lady she gets lost in a poets storm, becoming a poet that depicts the harsh reality of this cold world we live, filled with sin she conveys it through her poetry, amongst other poets with their own stories to tell, which eventually leads to death and destruction.
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Authors of the Storm

Authors of the Storm

Gary Alan Fine

University of Chicago Press
2007
sidottu
In "Authors of the Storm", Gary Alan Fine offers an inside look at how meteorologists and forecasters predict the weather. Through field observation and interviews, Fine finds a supremely hard-working, insular clique of professionals who often refer to themselves as a 'band of brothers'. In Fine's skilled hands, we learn their lingo, how they 'read' weather conditions, how forecasts are written, and, of course, how those messages are conveyed to the public. Weather forecasts, he shows, are often shaped as much by social and cultural factors inside local offices as they are by approaching cumulus clouds.
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Authors of the Storm

Authors of the Storm

Gary Alan Fine

University of Chicago Press
2010
nidottu
In "Authors of the Storm", Gary Alan Fine offers an inside look at how meteorologists and forecasters predict the weather. Through field observation and interviews, Fine finds a supremely hard-working, insular clique of professionals who often refer to themselves as a 'band of brothers'. In Fine's skilled hands, we learn their lingo, how they 'read' weather conditions, how forecasts are written, and, of course, how those messages are conveyed to the public. Weather forecasts, he shows, are often shaped as much by social and cultural factors inside local offices as they are by approaching cumulus clouds.
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Alain L. Locke

Alain L. Locke

Leonard Harris; Charles Molesworth

University of Chicago Press
2008
sidottu
Alain L. Locke, in his famous 1925 anthology "The New Negro", declared that 'the pulse of the Negro world has begun to beat in Harlem'. The first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America's cultural and intellectual life. The heart of this narrative illuminates Locke's heady years in 1920s New York City and his forty-year career at Howard University, where he helped spearhead the adult education movement of the 1930s and wrote on topics ranging from the philosophy of value to the theory of democracy.
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Alain L. Locke

Alain L. Locke

Leonard Harris; Charles Molesworth

University of Chicago Press
2010
nidottu
Alain L. Locke, in his famous 1925 anthology "The New Negro", declared that 'the pulse of the Negro world has begun to beat in Harlem'. The first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America's cultural and intellectual life. The heart of this narrative illuminates Locke's heady years in 1920s New York City and his forty-year career at Howard University, where he helped spearhead the adult education movement of the 1930s and wrote on topics ranging from the philosophy of value to the theory of democracy.
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Alain Locke and the Visual Arts

Alain Locke and the Visual Arts

Kobena Mercer

YALE UNIVERSITY PRESS
2022
sidottu
A fresh perspective on the influential critic, offering new ways of understanding the art of the Harlem Renaissance “Mercer’s sumptuously illustrated study . . . succeeds in positioning Locke as an important philosophical voice in the ‘not yet finalized story of Afro-modern art and culture.’”—Douglas Field, Times Literary Supplement Alain Locke (1885–1954), leading theorist of the Harlem Renaissance, maintained a lifelong commitment to the visual arts. Offering an in-depth study of Locke’s writings and art world interventions, Kobena Mercer focuses on the importance of cross-cultural entanglement. This distinctive approach reveals Locke’s vision of modern art as a dynamic space where images and ideas generate new forms under the fluid conditions of diaspora. Positioning the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past, Mercer shows how Aaron Douglas, Loïs Mailou Jones, and other New Negro artists acknowledged the diaspora’s rupture with the ancestral past as a prelude to the rebirth of identity. In his 1940 picture book, The Negro in Art, Locke also explored the different ways black and white artists approached the black image. Mercer’s reading highlights the global mobility of black images as they travel across national and ethnic frontiers. Finally, Mercer examines how Locke’s investment in art was shaped by gay male aestheticism. Black male nudes, including works by Richmond Barthé and Carl Van Vechten, thus reveal the significance of queer practices in modernism’s cross-cultural genesis. Published in association with the Hutchins Center for African & African American Research, Harvard University
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Alain Locke and Philosophy

Alain Locke and Philosophy

Johnny Washington

Praeger Publishers Inc
1986
sidottu
Washington provides the first systematic critical look at the life and work of Alain Locke, an important American philosopher, in the context of a thoroughgoing analysis of the values, ideals, aspirations, and problems of the Black community. Alain Locke contributed significantly to the twentieth-century dialogue on ethics and society. Drawing particularly on the work of William James and Josiah Royce, Locke was perhaps the first to bring philosophy to bear on the problems of race relations and social justice in a multiracial society. He argued that racial problems in the United States stem from the fact that white Americans hold up their values as the only controlling and only acceptable model, to which other groups are forced to conform. First discussing what is meant by Black philosophy and what its concerns include, the author examines Locke's philosophic interpretation of Black America's historical experience, contributions to culture, and struggles for social justice. He provides a critique of Locke's model of the political community, with special reference to the work of Hannah Arendt. Looking at the impact of Locke, DuBois, and others on the Black community, he discusses their relation to the Black Elite, their encouragement of Black artists and their positions on educational issues such as teaching Black history, parity for Blacks, and school desegregation. Other subjects considered are the New Negro, the Harlem Renaissance, African art and culture, and Locke's views in light of changes that have occurred since his death in 1954.An important work on a philosopher whose insights are of continuing significance today, this book will be of interest for Afro-American studies, as well as for courses on American philosophy and American social and intellectual history.
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Alain Robbe-Grillet

Alain Robbe-Grillet

John Fletcher

Routledge
2019
sidottu
Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet’s script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet’s work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.
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Alain Robbe-Grillet

Alain Robbe-Grillet

John Fletcher

Routledge
2021
nidottu
Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet’s script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet’s work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.
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Alain Chartier

Alain Chartier

Routledge
2004
sidottu
Belle dame sans merci (Beautiful lady with no mercy) (1424) is not readily available in moden English translation elsewhere, making this an essential addition to any library with a medieval literature or French literature collection.
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Alain Resnais

Alain Resnais

Emma Wilson

Manchester University Press
2009
nidottu
Alain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais' films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond. Yet it also offers a highly personal and detailed engagement with individual images and scenes in Resnais' films. A passionate and partial defence of Resnais' work, old and new, this volume stands apart in its attention to the more tangible and moving pleasures of his films, their pathos, rigour and visual beauty.
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Alain Badiou

Alain Badiou

Jason Barker

Pluto Press
2001
pokkari
Alain Badiou is rapidly emerging as one of the most radical and influential philosophers of our time. Badiou opposes the contemporary reduction of philosophy to nothing but a matter of language and premature announcements of the end of philosophy and thus sets himself against both analytic and continental modes of philosophy. Setting the traditional platonic concerns of philosophy, truth and being, against the modern sophists of postmodernism, Badiou has articulated a powerful systematic philosophy with profound ethical and political consequences.
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