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Zauberhaftes Notizbuch f r M dchen / ca. A5 liniert / 108 SeitenDieses Notizbuch ist eine tolle, kleine Geschenkidee f r M dchen, ideal f r Notizen und Mitteilungen, die Schule, zur Einschulung oder als Tagebuch.PRODUKT DETAILS: ca. A5 (15,2 x 22,8 cm)Taschenbuch (soft cover)Zauberhaftes Design mit tanzendem M dchengl nzender Umschlag 108 Seiten liniertstarkes creme wei es Papierperfekt f r Notizen, Skizzen, Adressen, Mitteilungen, als Tagebuch, ...Es stehen viele andere Namen zur Verf gung. Gib einfach in die Amazon-Suche "DanceNotes Vorname" ein.
ABOUT THE BOOK ARON AND HIS GRANDPA tells the story of the close bond that develops between a Jewish boy growing up in America and the boy's grandfather, who lives in Israel. The grandfather visits his family in America every Passover, and the relationship between the boy and his grandfather becomes increasingly close as they celebrate the Passover Seder and discuss its meaning. ABOUT THE AUTHOR Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD'S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published additional picture books, including ICE CREAM SNOW, COLOR IN OUR WORLD, HAIFA, THE BEE AND THE BUTTERFLY, THE LITTLE SONGBIRD, THE BIRD WHO WENT TO HEAVEN, THE GIRL AND THE PIGEONS, WHAT WILL I BE?, LUCY AND THE SNOWMAN, IF I HAD A LITTLE SISTER, IF I WERE A MOM, THE SECRET, ANNE FRANK IN MY ART, RUTHIE AND HER ANCESTORS, AN INTRODUCTION TO MY JUDAICA ART, SHOP AND SHOP, RONNIE'S ALARM CLOCK, HEAVENLY GARDENS, HOLOCAUST PAINTINGS, HOMO SAPIENS, SELF PORTRAITS OF A HOLOCAUST ARTIST, YOUR GRANDPA, MY BIRTHDAY, THE FUTURE, QUEEN ESTHER, THE KING, and GRANDMA'S LESSONS. Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. ABOUT THE ILLUSTRATOR ARON AND HIS GRADPA is the thirty-second book on which Judith Weinshall Liberman, the author, has collaborated with Gail Davis, the illustrator. Since Ms. Liberman did not feel that, in light of her deteriorated eyesight, she could do justice to illustrating ARON AND HIS GRANDPA herself, she selected a fine artist, Ms. Gail Davis, to create the illustrations under the author's guidance. The two had previously collaborated on THE LITTLE FAIRY, THE VERY OLD PAINTER AND HER HUSBAND, ANGEL'S PUPPIES, THE GIANT HOUSE, THE MOUNTAIN, THE TUNNEL, THE OLD DOLL, FIFTEEN FABLES, TWELVE MORE FABLES, A PARAKEET FOR ERIC, TALES OF HUMAN FOIBLES, IN THE MILITRY CEMETERY, MORE TALES OF HUMAN FOIBLES, MICHAEL AND THE FLAG, IF I HAD THE POWER, IF I WERE RICH, THE WHIRLPOOL, THE LETTERS OF THE ALPHABET, TALE OF THE ROMAN NUMERALS, THE BRIDGE, GRANDMA'S GLASSES, THE RAINBOW, THE TRAIN, THE WAIING WALL, THE BLANKET, EXPULSION, THE SINKING OF THE PATRIA, BEN AND THE BISHOP, THE VISIT TO LATRUN, ROKITNO SQUARE and MY FRIEND GERARD. In the present book, Ms. Davis beautifully captures the spirit of the story and of its characters.
ABOUT THE BOOK ARON AND HIS GRANDPA tells the story of the close bond that develops between a Jewish boy growing up in America and the boy's grandfather, who lives in Israel. The grandfather visits his family in America every Passover, and the relationship between the boy and his grandfather becomes increasingly close as they celebrate the Passover Seder and discuss its meaning. ABOUT THE AUTHOR Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD'S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published additional picture books, including ICE CREAM SNOW, COLOR IN OUR WORLD, HAIFA, THE BEE AND THE BUTTERFLY, THE LITTLE SONGBIRD, THE BIRD WHO WENT TO HEAVEN, THE GIRL AND THE PIGEONS, WHAT WILL I BE?, LUCY AND THE SNOWMAN, IF I HAD A LITTLE SISTER, IF I WERE A MOM, THE SECRET, ANNE FRANK IN MY ART, RUTHIE AND HER ANCESTORS, AN INTRODUCTION TO MY JUDAICA ART, SHOP AND SHOP, RONNIE'S ALARM CLOCK, HEAVENLY GARDENS, HOLOCAUST PAINTINGS, HOMO SAPIENS, SELF PORTRAITS OF A HOLOCAUST ARTIST, YOUR GRANDPA, MY BIRTHDAY, THE FUTURE, QUEEN ESTHER, THE KING, and GRANDMA'S LESSONS. Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. ABOUT THE ILLUSTRATOR ARON AND HIS GRADPA is the thirty-second book on which Judith Weinshall Liberman, the author, has collaborated with Gail Davis, the illustrator. Since Ms. Liberman did not feel that, in light of her deteriorated eyesight, she could do justice to illustrating ARON AND HIS GRANDPA herself, she selected a fine artist, Ms. Gail Davis, to create the illustrations under the author's guidance. The two had previously collaborated on THE LITTLE FAIRY, THE VERY OLD PAINTER AND HER HUSBAND, ANGEL'S PUPPIES, THE GIANT HOUSE, THE MOUNTAIN, THE TUNNEL, THE OLD DOLL, FIFTEEN FABLES, TWELVE MORE FABLES, A PARAKEET FOR ERIC, TALES OF HUMAN FOIBLES, IN THE MILITRY CEMETERY, MORE TALES OF HUMAN FOIBLES, MICHAEL AND THE FLAG, IF I HAD THE POWER, IF I WERE RICH, THE WHIRLPOOL, THE LETTERS OF THE ALPHABET, TALE OF THE ROMAN NUMERALS, THE BRIDGE, GRANDMA'S GLASSES, THE RAINBOW, THE TRAIN, THE WAIING WALL, THE BLANKET, EXPULSION, THE SINKING OF THE PATRIA, BEN AND THE BISHOP, THE VISIT TO LATRUN, ROKITNO SQUARE and MY FRIEND GERARD. In the present book, Ms. Davis beautifully captures the spirit of the story and of its characters.
One of the greatest chess legends of all time, Aron Nimzowitsch (1886-1935), is best known for founding the Hypermodernism school of chess, which emerged after World War I to challenge the chess ideologies of traditional central European masters. This first full-scale biography of Nimzowitsch chronicles his early life in Denmark, his family and education, and his fascination with the game that would become the focus of his life. Also included are explorations of his tournament games and records, his dispute with influential chess teacher Siegbert Tarrasch, and his role in the development of Hypermodern Chess. With detailed accounts of nearly 450 games and the only narrative of Nimzowitsch from 1914 to 1924, a period formerly cloaked in mystery, this volume offers the most thorough profile available of one of chess's greatest innovators.
Hello, Aron Welcome to the world of books. This colorful, personalized keepsake is just for you. In Aron s Reading Log, your family and friends will be able to record the first 200 books you read and prepare you for a lifetime of reading, achievement, and success. Sprinkled with great advice and inspiration, this memory book will remind you throughout your life of those books and people who inspired you. A note for adults: recording a child s first books creates a mindset of reading the first steps to a lifetime of learning and growth."
Hello, Aron Welcome to the world of books. This colorful, personalized keepsake is just for you. In Aron s Reading Log, your family and friends will be able to record the first 200 books you read and prepare you for a lifetime of reading, achievement, and success. Sprinkled with great advice and inspiration, this memory book will remind you throughout your life of those books and people who inspired you. A note for adults: recording a child s first books creates a mindset of reading the first steps to a lifetime of learning and growth."
A civic-minded children's book about improving relationships between police and the community. A NOTE FROM THE AUTHOR: As a children's author and former civic leader, I have focused on bringing people together doing whatever I can to foster connections between others and empower them to understand each other. This is almost never easy work, but the more I do it and the more I commit myself to it, the more that it seems to repay me. It is always fulfilling to see that I made a difference in a person's life, especially a young person. Towards that end this children's book will examine and discuss police and community relations in a way that is lighthearted, fun, and clear. I want this book to become a go-to resource for organizations and police departments striving to work towards positive change.
Saving Charlie was nothing compared to knowing Charlie. Aron has never felt so connected to a woman before. After six weeks of checking on her, worry for her well-being makes him brave backlash and escort her to Moe's. Meeting the other Shifters he considers family brings out a side of her he has never seen, causing him to realize how much he feels for her. Charlie has never trusted Shifters. Except, there's something different about the Ravenwood Pride. They make her feel safe and cherished. Especially Aron, who can't seem to tear his eyes from her. As their relationship progresses, and they explore the idea of being mates, a clan of crow Shifters start a fight that could change their lives forever. They just have to survive the night.
Aron-bimnucha - An antidote to cure the calamities of their trembling for fear of the ark is an unchanged, high-quality reprint of the original edition of 1663. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
This book-series, initiated in 1992, has an interdisciplinary orientation; it is published in English and German and comprises research monographs, collections of essays and editions of source texts dealing with German-Jewish literary and cultural history, in particular from the period covering the 18th to 20th centuries. The closer definition of the term German-Jewish applied to literature and culture is an integral part of its historical development. Primarily, the decisive factor is that from the middle of the 18th century German gradually became the language of choice for Jews, and Jewish authors started writing in German, rather than Yiddish or Hebrew, even when they were articulating Jewish themes. This process is directly connected an historical change in mentality and social factors which led to a gradual opening towards a non-Jewish environment, which in its turn was becoming more open. In the Enlightenment, German society becomes the standard of reference - initially for an intellectual elite. Against this background, the term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that explicit or implicit Jewish themes, motifs, modes of thought or models can be identified in them.From the beginning of the 19th century at the latest, however, the image of Jews in the work of non-Jewish writers, determined mainly by anti-Semitism, becomes a factor in German-Jewish literature. There is a tension between Jewish writers' authentic reference to Jewish traditions or existence and the anti-Semitic marking and discrimination against everything Jewish which determines the overall development of the history of German-Jewish literature and culture. This series provides an appropriate forum for research into the whole problematic area.
The acclaimed Italian sculptor’s newest series of redwood figures is the focus of this penetrating exhibition catalog. Celebrated for his profound exploration of the human condition through wood, the Italian sculptor Aron Demetz reveals the raw, natural beauty and inherent fragility of his chosen medium, blending traditional craftsmanship with contemporary themes of resilience and transformation. His newest series draws inspiration from the metaphor of winter as a time of endurance and growth for trees, especially redwoods. These sculptures explore the wood’s inherent characteristics, emphasizing its limitations while revealing intricate details and untold stories within the material. They strikingly capture the tension between permanence and transience, portraying strength through fragility. By skillfully removing material, Demetz uncovers the hidden beauty within the wood’s structure, symbolizing resilience and the delicate balance essential for giant, majestic redwoods to flourish in their natural state. The catalog features stunning photographs of Demetz’s work—a captivating blend of wood and vibrant acrylic elements that mimic machine production techniques like 3D printing—enhanced by three insightful essays that provide diverse perspectives on his artistic vision.
1 The present volume is rich in essential phenomenological descriptions 2 and insightful historico-critical analyses, some of which cannot be fully appreciated, however, except by close examination on the part of the reader. Accordingly, such a task ought to be left to the consideration and judgment of the latter, save where such discussions are directly relevant to the topics I will be dwelling upon. I prefer, then, to approach the matters and questions contained here otherwise, namely, archeologically. In this I 3 follow Jose ´ Huertas-Jourda, the editor of the corresponding French vol- 4 ume, in his felicitous terminological choice, although I adopt it here for my purposes in an etymological sense, i. e. , as signifying a return to prin- 5 ciples or origins. This, after all, is consistent not only with the spirit and practice of phenomenology, as acknowledged by Aron Gurwitsch often enough, but as well with what he has actually said, to wit: it is a qu- tion of 1 Cf. , e. g. , infra,in An Outline of Constitutive Phenomenology, Chapter 4, pp. 185 ff. (Henceforth I shall refer to this book as Outline. ) This essay will be devoted to the study of selected parts of the contents of this volume, although, when necessary, use will be made here of other works by various authors, including Gurwitsch. 2 Cf. , e. g. , ibid. , Chapter 3, pp. 107 ff.
The articles collected in the present volume were written during a period of more than 30 years, the ?rst having been published in 1929, the last in 1961. They are arranged here in a systematic, not a chronological, order, starting from a few articles mainly concerned with psychological m- ters and then passing on to phenomenology in the proper sense. Within the latter group, the sequence is from articles dealing with more g- eral questions of principle to those in which rather special questions are discussed. The articles are reprinted or translated unchanged except for “phenomenology of Thematics and of the Pure Ego,” in which a certain number of pages have been omitted because the author has long since come to consider them erroneous. Almost all of the articles are in the service of Husserlian phenomen- ogy, which they are intended to advance and to develop further rather than merely expound. When the author made his ?rst acquaintance with Husserl’s philosophy about 40 years ago, he was overwhelmed by the spirit of uncompromising integrity and radical philosophical respon- bility, by the total devotedness which made the man disappear behind his work. Soon the young beginner came to realize the fruitfulness both of what Husserl had actually accomplished and of what he had initiated, the promise of further fruitful work.
The French version of this book, Theorie du champ de la conscience (1957), appeared under the auspices of the International Phenomenological Society. This present version appears through the collaboration of the staff of the Duquesne Studies, Psychological Series. In writing this book, I wanted to make it a phenomenological study, not a book about phenomenology. The intention was to advance c- tain phenomenological problems rather than to present a survey of or a report on phenomenology. My point of view is that of the pheno- nologist at work, not of an observer of a methodology from without. While it appeared desirable to expound in a detailed manner some of Husserl's notions and theories which have importance for phenomen- ogy as a whole, I have con?ned my treatment to those which have direct and immediate reference to the problems treated in this study. The manuscript of this book was completed in 1953 before the appe- ance of several volumes of Husserliana among which vol. VI, Die Krisis der Europaischen Wissenschaften und die transzendentale Phanomenologie (1954), and vol. IX, Phanomenologische Psychologie (1962), have particular bearing upon the problems dealt with in this book. Also the most recent presentation of Gestalt theory by W. Metzger, Psychologie (1st ed. 1940, 2nd ed. 1954) did not come to my attention before the completion of the manuscript.
