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B-Side Books

B-Side Books

Columbia University Press
2021
sidottu
There are the acknowledged classics of world literature: the canonical works assigned in schools, topping every must-read list . . . and then there are the B-Sides. These are the books that slipped through the cracks, went unread, missed their rightful appointment with posterity. They were ahead of their times or behind their times or on a whole different schedule than the rest of the universe.What do you do when a book that you love has been neglected or dismissed by everyone else? In B-Side Books, leading writers, critics, and scholars show why their favorite forgotten books deserve a new audience. From dusty westerns and far-out science fiction to obscure Czech novelists and romance-novel precursors, the contributors advocate for the unsung virtues of overlooked books. They write about unheralded novels, poetry collections, memoirs, and more with understanding, respect, passion, and love.In these thoughtful, often personal essays, contributors—including Stephanie Burt, Caleb Crain, Merve Emre, Ursula K. Le Guin, Carlo Rotella, and Namwali Serpell—read books by writers such as Helen DeWitt, Shirley Jackson, Stanislaw Lem, Dambudzo Marechera, Paule Marshall, and Charles Portis.
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B-Side Books

B-Side Books

Columbia University Press
2021
pokkari
There are the acknowledged classics of world literature: the canonical works assigned in schools, topping every must-read list . . . and then there are the B-Sides. These are the books that slipped through the cracks, went unread, missed their rightful appointment with posterity. They were ahead of their times or behind their times or on a whole different schedule than the rest of the universe.What do you do when a book that you love has been neglected or dismissed by everyone else? In B-Side Books, leading writers, critics, and scholars show why their favorite forgotten books deserve a new audience. From dusty westerns and far-out science fiction to obscure Czech novelists and romance-novel precursors, the contributors advocate for the unsung virtues of overlooked books. They write about unheralded novels, poetry collections, memoirs, and more with understanding, respect, passion, and love.In these thoughtful, often personal essays, contributors—including Stephanie Burt, Caleb Crain, Merve Emre, Ursula K. Le Guin, Carlo Rotella, and Namwali Serpell—read books by writers such as Helen DeWitt, Shirley Jackson, Stanislaw Lem, Dambudzo Marechera, Paule Marshall, and Charles Portis.
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B Street

B Street

Lawney L. Reyes

University of Washington Press
2008
pokkari
B Street tells intimate stories about the street of shops, restaurants, bars, and brothels where the workmen who built the Grand Coulee Dam spent their recreational hours and wages. From the beginning, B Street was the place to play and let off steam for the white workingmen who had faced the hard times of the Depression. It was a raucous playground that denied blacks and most dark-skinned Indians access to the frivolity, good times, and pretty ladies that were the main attractions of that provocative place.This vivid story of a colorful era is based largely on the memories of Lawney L. Reyes. As a young boy he wandered B Street with his little sister, Luana, and their dog, Pickles, while their Indian mother and Filipino father eked out a living running a Chinese restaurant. His mother's diary and the stories told by his parents and older members of the Sin-Aikst tribe contribute to his story.Reyes tells of hard times, dreams, and extreme courage and reveals the humor, toughness, and recklessness of the adventurers who came to work on the dam. He also describes the history and culture of the Indians whose villages were flooded and whose way of life was irrevocably changed by the building of the Grand Coulee Dam.
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B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present

B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present

George Plasketes

Ashgate Publishing Limited
2009
sidottu
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. George Plasketes adapts the iconic "A-side/B-side" dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered "B-sides"”overlooked, underappreciated, and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular culture, music and media during the past 40 years. The underappreciated yet enduring contributions of a variety of creative individuals in music, television and film are a centerpiece of this volume: actress Doris Day's son, Terry Melcher, a 1960s music producer whose imprint is on the surf, country blues, garage pop and most importantly the folk rock genre; Hans Fenger's kid chorus cover project, a musical variation of "outsider art" that became representative of the tribute wave that began in the 1990s and continues today; versatile guitarist virtuoso Ry Cooder's extensive film soundtrack work; World Music "missionary efforts" of American artists beyond Paul Simon's Graceland, including Neil Diamond's precursor with Tap Root Manuscript in the 1970s and the exotic adventures of Henry Kaiser and David Lindley in Madagascar and Norway”to name just a few examples. These B-sides represent undercurrents, but they resonate as overtones in the mainstream of music and culture, many as historical hinges. Collectively, these B-sides are an A-side antidote of outskirt observations, individual snapshots of artists, artifacts and rituals, genres and generations, producers and musical productions in television, film and video. They constitute an important connect-the-dots cultural chronicle with a multi-layered context”social, legal, historic, economic, technological, generational, aesthetic”for interpreting the interrelations between creators and institutions, the music market place, the production of culture and important connections between the peripheral and the popular.
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B-Somebody [1958]; 1958

B-Somebody [1958]; 1958

Phillips High School

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present

B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present

George Plasketes

Routledge
2016
nidottu
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. George Plasketes adapts the iconic "A-side/B-side" dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered "B-sides"”overlooked, underappreciated, and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular culture, music and media during the past 40 years. The underappreciated yet enduring contributions of a variety of creative individuals in music, television and film are a centerpiece of this volume: actress Doris Day's son, Terry Melcher, a 1960s music producer whose imprint is on the surf, country blues, garage pop and most importantly the folk rock genre; Hans Fenger's kid chorus cover project, a musical variation of "outsider art" that became representative of the tribute wave that began in the 1990s and continues today; versatile guitarist virtuoso Ry Cooder's extensive film soundtrack work; World Music "missionary efforts" of American artists beyond Paul Simon's Graceland, including Neil Diamond's precursor with Tap Root Manuscript in the 1970s and the exotic adventures of Henry Kaiser and David Lindley in Madagascar and Norway”to name just a few examples. These B-sides represent undercurrents, but they resonate as overtones in the mainstream of music and culture, many as historical hinges. Collectively, these B-sides are an A-side antidote of outskirt observations, individual snapshots of artists, artifacts and rituals, genres and generations, producers and musical productions in television, film and video. They constitute an important connect-the-dots cultural chronicle with a multi-layered context”social, legal, historic, economic, technological, generational, aesthetic”for interpreting the interrelations between creators and institutions, the music market place, the production of culture and important connections between the peripheral and the popular.
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B Sides & Rarities

B Sides & Rarities

CL Bledsoe

Lulu.com
2023
pokkari
In his 14th poetry collection, Bledsoe explores the emotional impact of the pandemic using a sardonic sense of humor contrasted with sincere observations, creating an intense emotional experience. His poems range from personal anecdotes about his childhood and adult life, to surreal portraits that explore significant themes of alienation and love. Similar in scope to The Bottle Episode, B Sides and Rarities is a moving commentary on the state of America today.
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B-Side Concerto: Book One of "The Sadlands Saga"

B-Side Concerto: Book One of "The Sadlands Saga"

Robert Shannon Pelletier

Createspace Independent Publishing Platform
2013
nidottu
What humanity knows of the darkness has been undeniably altered. The night sky now fills with mysteries that even the greatest scientific minds and most brilliant philosophical intellects cannot quite understand. In this world, Golgo Spiegel runs a comic book shop. He enjoys video games, Japanese giant monster movies, crab rangoon and the overall aesthetic of Sanrio character designs. Into his life of pacifism comes a chaotic whirlwind of rebellious energy that shall forever change his fate in exciting and visceral ways. - A vicious Right-wing militia - Introspective house pets - Robots of questionable workmanship and design. - A cat-eared quarter-life crisis. - A Small Town pastor who will not shy away from a fight. All of this and more can be found in the pages of "B-Side Concerto: Book One of the Sadlands Saga" .
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