The Philosophy of Benedetto Croce is a comprehensive exploration of the life and work of Italian philosopher Benedetto Croce, written by Angelo A. De Gennaro. The book delves into Croce's philosophical ideas, including his views on aesthetics, history, and ethics, and provides a detailed analysis of his major works, such as Aesthetic as Science of Expression and General Theory of Spirit. De Gennaro also examines Croce's influence on other philosophers and his impact on Italian intellectual culture. The book is an essential resource for anyone interested in the history of Italian philosophy and the works of Benedetto Croce.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Quest'opera fa parte di un pi vasto lavoro di ricerca sul neo-idealismo italiano in rapporto alla politica. Il titolo - filosofia e politica - di per s significativo: sta a indicare chiaramente la direzione e il tipo dell'indagine, che non empirica ma trascendentale, non riguarda cio la dottrina politica e le scelte pratiche di Croce, staccate dall'organismo del pensiero in cui s'incorporano e analizzate alla luce di alcune categorie, magari psicologiche e sociologiche; ma riguarda i presupposti teoretici che stanno a fondamento di quella dottrina e di quelle scelte. Scartato, perch fuorviante, il metodo di quelle due false scienze che sono la psicologia e la sociologia, l'Autore ha tentato un discorso schiettamente filosofico, che poi discorso di fondazione e di deduzione. Per questo stato necessario procedere a una lettura integrale di Croce, avendo in una mano l'esperienza dei testi e nell'altra quella categoria della totalit , che pi facile da invocare che da impiegare. Ma stato necessario anche dare al lavoro un taglio particolare, in modo da evitare le semplificazioni eccessive e le sintesi sommarie, per andare direttamente al cuore dei problemi. L'impostazione metodologica ha richiesto da una parte l'adesione all'universo spirituale dell'autore studiato, e dall'altra l'obiettivo distaccato scientifico: due condizioni fondamentali, queste, che solo in apparenza si escludono, perch in realt si conciliano riassumendosi nel concetto di critica interna. DAL TESTO - "A ragione Croce afferma che il liberalismo grandemente debitore all'estetica e alla filosofia dell'economia che hanno asserito la spiritualit del corpo, l'interiorit dell'oggetto nel soggetto, s che il suo destino legato a quelle due scienze che unificando Dio e mondo, idea e fatto, garantiscono, contro ogni disposizione autoritaria, la spontaneit e i contrasti delle forze spirituali; e a ragione afferma che l'autoritarismo politico e morale si congiunge a tutte quelle concezioni che hanno un riferimento trascendente e oltremondano. (da Archiviostorico.info) . Ristampa del libro edito da Bulzoni, nel 1976.
In Zhu Guangqian and Benedetto Croce on Aesthetic Thought, Mario Sabattini analyses Croce’s influence on the aesthetic thought of Zhu Guangqian. Zhu Guangqian is one of the most representative figures of contemporary Chinese aesthetics. Since the '30s, he had an active role in China both on the literary and philosophical scenes, and, through his writings, he exerted an important influence in the moulding of numerous generations of intellectuals. Some of his works have been widely read, and they still provoke considerable interest in China, on the mainland as well as in Taiwan and Hong Kong. The volume also presents a revised translation of Zhu Guangqian’s Wenyi xinlixue (Psychology of Art and Literature).
Ausgehend von der 1902 erschienenen Estetica unternimmt die Arbeit den Versuch, die Entwicklung des Intuitionsbegriffs im Werk Croces und seine systematischen Implikationen sowohl fur eine Theorie der asthetischen Wahrnehmung als auch fur eine Kunsttheorie zu verfolgen. Dabei wird sowohl die Kontinuitat der Grundpositionen Croces herausgestellt als auch seine Leistung gewurdigt, mit dem Intuitionsbegriff eine autonome Rationalitat der asthetischen Erkenntnis herausgearbeitet zu haben. In einem einleitenden Essay wird das geistesgeschichtliche Profil Benedetto Croces und seine Rolle als Stichwortgeber der philosophischen AEsthetik der Moderne vorgestellt.
Studienarbeit aus dem Jahr 2010 im Fachbereich Romanistik - Italienische u. Sardische Sprache, Literatur, Landeskunde, Note: 1,3, Universit t Passau (Philosophische Fakult t - Romanische Literaturwissenschaft und Kultur), Veranstaltung: Lekt rekurs Dante, Sprache: Deutsch, Abstract: Seit seiner Ver ffentlichung ist Dantes Text der Divina Commedia eines der umstrittensten, am h ufigsten diskutierten und zugleich eines der am meisten bewunderten Werke der Literaturgeschichte. Von unz hligen Kommentaren, bersetzungen und Deutungsversuchen, ber die Entstehung zahlloser Kunstwerke bis hin zur Gr ndung spezieller Dantevereine, wie beispielsweise einer eigenen Dantegesellschaft, wird die Begeisterung und die Verwunderung, die diesem Klassiker der Weltliteratur zu Teil wurden, und auch heute noch werden bezeugt. ber die Jahrhunderte widmeten sich viele bedeutende Schriftsteller, Historiker und Wissenschaftler dem intensiven Studium der Commedia und betrachteten sie unter den unterschiedlichsten Gesichtspunkten. Zu den bekanntesten Interpretationen z hlen diejenigen von Erich Auerbach, Ernst Kantorowicz und Benedetto Croce. In der vorliegenden Untersuchung liegt das Augenmerk auf der Betrachtung des zuletzt genannten Dantekritikers: Benedetto Croce, genauer gesagt auf seinen Ausf hrungen in La Poesia di Dante. Zun chst folgt ein berblick ber Croces Kritik an den unterschiedlichen Interpretationsweisen, mit denen an die Commedia herangegangen wird. Darin soll auch gekl rt werden, warum Croce es f r n tig erachtet, mit den bis dato entwickelten Deutungen aufzur umen. Im Anschluss daran erfolgt die Betrachtung seiner eigenen Ausf hrungen ber die G ttliche Kom die, die hier kritisch analysiert werden sollen. Das anschlie ende Fazit soll als kurze Zusammenfassung der erlangten Kenntnisse dienen.
Originally published in English in 1950 this is one of the most revealing works by one of Italy’s foremost philosophers of the 20th century, who was also a courageous and effective opponent of Fascism. Following the Allied landing at Salerno, Croce was called upon by kings, princes, generals and politicians and asked to decide question of vital importance to Italy. This book records the notes Croce made on political matters in 1943 and 1944 and includes some of the many documents Croce possessed which referred to the attempt in Naples (noted in the Autumn of 1943) to form a Corps of Italian volunteers.
Originally published in English in 1950 this is one of the most revealing works by one of Italy’s foremost philosophers of the 20th century, who was also a courageous and effective opponent of Fascism. Following the Allied landing at Salerno, Croce was called upon by kings, princes, generals and politicians and asked to decide question of vital importance to Italy. This book records the notes Croce made on political matters in 1943 and 1944 and includes some of the many documents Croce possessed which referred to the attempt in Naples (noted in the Autumn of 1943) to form a Corps of Italian volunteers.
One of Croce’s most famous books, originally published in 1934, this volume covers the history of Europe from the end of the Napoleonic Wars until the end of the First World War. Based on a series of lectures delivered in 1931 the book discusses, among other things, religious freedoms, the concept of liberty, liberalism and nationalism and the rise of the German state.
Originally published in 1949, Croce’s essays on political, philosophic and aesthetic subjects, selected from both his earlier and later writings possess a remarkable underlying unity. The political essays which form a major part of this volume display a criticism, either direct or implied of the mass creeds and movements that subordinate the individual to history. They combine a passionate belief in liberty with critical and historical judgment.
One of Croce’s most famous books, originally published in 1934, this volume covers the history of Europe from the end of the Napoleonic Wars until the end of the First World War. Based on a series of lectures delivered in 1931 the book discusses, among other things, religious freedoms, the concept of liberty, liberalism and nationalism and the rise of the German state.
Originally published in 1949, Croce’s essays on political, philosophic and aesthetic subjects, selected from both his earlier and later writings possess a remarkable underlying unity. The political essays which form a major part of this volume display a criticism, either direct or implied of the mass creeds and movements that subordinate the individual to history. They combine a passionate belief in liberty with critical and historical judgment.
Originally published in 1922 and partly from periodicals this book provides a methodological introduction to the reading of Dante’s The Divine Comedy, with the aim of removing the confusion surrounding much Dantean literature and helping the reader to focus attention on the essential qualities of Dante’s work.
