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1000 tulosta hakusanalla Brian Irwin

Australia's Naval Shipbuilding Enterprise

Australia's Naval Shipbuilding Enterprise

John Birkler; John F. Schank; Mark V. Arena; Edward G. Keating; Joel B. Predd; James Black; Irina Danescu; Dan Jenkins; James G. Kallimani; Gordon T. Lee; Roger Lough; Robert Murphy; David Nicholls; Deborah Peetz; Brian Perkinson; Jerry M. Sollinger; Shane Tierney; Obaid Younossi

RAND
2015
pokkari
To prepare for its next Defence White Paper, Australia is examining an enterprise-level naval shipbuilding plan. To support this effort, RAND researchers explore the feasibility of Australia sustaining a domestic naval shipbuilding industry compared with buying ships from foreign shipbuilders. The authors outline the complex consequences and trade-offs of both options.
Suffer Little Children: Standard Edition

Suffer Little Children: Standard Edition

Bryan Irving

Lulu Press Inc
2014
nidottu
An Adventure for the Haunts and Horrors RPG What dreadful curse haunts the dreams of the children of Enfield such that they fear the embrace of sleep? What foul thing moves them to terror? Unable to find any physical cause turns to the alienists at the Sanatorium for help, yet even they are baffled by the strange malady that sweeps through the town bringing night terrors and fearful dreams to the young. In "Suffer Little Children" the players must unlock these secrets and defeat a foul enemy with the aid of unlikely allies and beset with terrible dreams and visions of their own. This edition is in black and white, for a full color version, see the Delux edition, also available here on Lulu.
Brain Stimulation

Brain Stimulation

Irving Reti

John Wiley Sons Inc
2015
sidottu
Brain stimulation technologies are both tools to probe brain function and to provide therapeutic options for patients with neuropsychiatric disease where pharmacological options are not viable. Although the field has been in existence for over seventy years, research interest in brain stimulation has been on the rise particularly in the last two decades. Brain Stimulation: Methodologies and Interventions is an introduction to the field of brain stimulation technology and its applications. The book explores how brainstimulating technologies work in the context of brain pathways that mediate normal and abnormal brain function. Chapters cover neuroanatomy and activity dependent changes in neuronal function triggered by brain stimulation, as well as applications of brain stimulation technologies themselves, including noninvasive procedures that rely on convulsive or seizure therapeutics, and non-convulsive therapies such as magnetic and electrical brain stimulation. Authored by an international group of leaders in the field, Brain Stimulation is a valuable resource for both neuroscience researchers and clinicians.
Neuroscience, Robotics and Virtual Reality: Internalised vs Externalised Mind/Brain
This is the first volume in the Cognitive Computation Trends book series, summarising our understanding on the neural correlate of memory, perception-representation, action, language, emotion and consciousness and their mutual interactions. Integrating research in the field of the Neuroscience, Robotics and Virtual Reality, this book is an original and attainable resource that has not been developed in any other writing. In 5 chapters, the author considers that representations are based on allegorical traces and are consciously and/or unconsciously embrained, and that the creation of robots is the expression of the mind. Whole-body virtual motion is thought of as the archetypal expression of virtual reality. Therefore, visual reality is analysed in a context of visuo-vestibular and somesthetic conflict while mixed and augmented reality are scrutinised in a context of visuo-vestibular and somesthetic interaction. This monograph is an indispensablehandbook for students and investigators engaged in history of science, philosophy, psychology, neuroscience, engineering and those interested in there interconnections. The ambition of the book is to give students and investigators ideas on which they can build their future research in this new blooming area.
Stabilizing Great-Power Rivalries

Stabilizing Great-Power Rivalries

Michael J Mazarr; Samuel Charap; Abigail Casey; Irina a Chindea; Christian Curriden; Alyssa Demus; Bryan Frederick; Arthur Chan; John P Godges; Eugene Han; Timothy R Heath; Logan Ma; Elina Treyger; Teddy Ulin; Ali Wyne

RAND
2021
nidottu
The international system appears headed for a renewed era of intense competition among major powers. The authors sought to identify the factors that keep such rivalries stable and those that lead to conflictual outcomes. Leveraging theory and historical case studies, the authors created a framework for assessing the stability of a strategic rivalry, then applied it to the current U.S.-Russia and U.S.-China competitions.
Brian

Brian

Sadie Beckenridge

Archway Publishing
2021
pokkari
Brian: the Son, is the third book to Morgan: The family. Brian is the voice of forgotten memories. He is the middle child who is ignored, blending into the background of the family. No one could fathom the abuse he suffered as the only male child of Morgan. As he grows older, he finds himself pulled into drugs and alcohol, knowing full well the dangers of these habits, having seen first-hand his own father's destruction. Brian struggles with the reality of his own dark secrets dwelling within. Is he as bad as the lurking demons whispering lies in his ears? Has he become like the man he has hated most of his life? As he looks in the mirror, he questions who he is, why was he born, and how long he can carry the burdens of the unspoken truths?
Brian

Brian

Jeremy Cooper

Fitzcarraldo Editions
2023
nidottu
Perennially on the outside, Brian has led a solitary life; he works at Camden Council, lunches every day at Il Castelletto café and then returns to his small flat on Kentish Town Road. It is an existence carefully crafted to avoid disturbance and yet Brian yearns for more. A visit one day to the BFI brings film into his life, and Brian introduces a new element to his routine: nightly visits to the cinema on London’s South Bank. Through the works of Yasujiro Ozu, Federico Fellini, Agnes Varda, Yilmaz Güney and others, Brian gains access to a rich cultural landscape outside his own experience, but also achieves his first real moments of belonging, accepted by a curious bunch of amateur film buffs, the small informal group of BFI regulars. A tender meditation on friendship and the importance of community, Brian is also a tangential work of film criticism, one that is not removed from its subject matter, but rather explores with great feeling how art gives meaning to and enriches our lives.
Brian Lumley's Mythos Omnibus I

Brian Lumley's Mythos Omnibus I

Brian Lumley

HARPERCOLLINS PUBLISHERS
1997
nidottu
This omnibus edition includes "The Burrowers Beneath", "The Transition of Titus Crow" and "The Clock of Dreams". Titus Crow and Henri de Marigny are the crusaders in the cause of universal sanity against the evil, brooding forces of the Cthulhu Mythos and defy the demons of unknown space.
THE LIVES OF BRIAN

THE LIVES OF BRIAN

BRIAN JOHNSON

HARPERCOLLINS PUBLISHERS INC
2022
nidottu
One of SPIN'S Best Music Memoirs of 2022 Brian Johnson's memoir from growing up in a small town to starting his own band to ultimately replacing Bon Scott, the lead singer of one of the world biggest rock acts, AC/DC. They would record their first album together, the iconic Back in Black, which would become the biggest selling rock album of all time.Brian Johnson was born to a steelworker and WWII veteran father and an Italian mother, growing up in New Castle Upon Tyne, England, a working-class town. He was musically inclined and sang with the church choir. By the early '70s he performed with the glam rock band Geordie, and they had a couple hits, but it was tough going. So tough that by 1976, they disbanded and Brian turned to a blue-collar life.Then 1980 changed everything. Bon Scott, the lead singer and lyricist of the Australian rock band AC/DC died at 33. The band auditioned singers, among them Johnson, whom Scott himself had seen perform and raved about. Within days, Johnson was in a studio with the band, working with founding members Angus and Malcolm Young, Cliff Williams, and Phil Rudd, along with producer Mutt Lange.When the album, Back in Black, was released in July--a mere three months after Johnson had joined the band--it exploded, going on to sell 50 million copies worldwide, and triggering a years-long worldwide tour. It has been declared "the biggest selling hard rock album ever made" and "the best-selling heavy-metal album in history."The band toured the world for a full year to support the album, changing the face of rock music--and Brian Johnson's life--forever.
Brian Jones: The Making of the Rolling Stones

Brian Jones: The Making of the Rolling Stones

Paul Trynka

Penguin Publishing Group
2015
nidottu
"Should be unfailingly interesting to any Stones fan."--Larry Rhoter, New York Times The Rolling Stones' rise to fame is one of rock 'n' roll's epic stories. Yet one crucial part of that story has never been fully told: the role of Brian Jones, the visionary who founded the band and meticulously controlled their early sound, only to be dethroned by Mick Jagger and Keith Richards. Tormented by paranoia and drug problems, Jones drowned at the age of twenty-seven. Drawing on new information and interviews with Richards, Andrew Oldham, and Marianne Faithfull, among dozens of others, Brian Jones lays bare the Rolling Stones' full story, in all its glory and squalor.
Brian Eno's Ambient 1: Music for Airports

Brian Eno's Ambient 1: Music for Airports

Lysaker John T.

Oxford University Press Inc
2018
sidottu
Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that continually shifts registers in the knowledge that no single approach can grasp the work as a whole. Exploring each of the album's four tracks and their unique sonic arrangements, Brian Eno's Ambient 1: Music for Airports argues that the album must be approached from at least three angles: as an ambient contribution to lived environments that draws upon cybernetics and the experiments of Erik Satie, as an exploration of what John Cage has termed the "activity of sounds," and as a work of conceptual art that asks us to think freshly about artistic creativity, listening, and the broad ecology of interactions that not only make art possible, but the full range of human meaning. If one listens in this way, Music for Airports becomes a sonic image that blurs the nature-culture distinction and rescues the most interesting concerns of avant-garde music from the social isolation of concert halls and performance spaces.
Brian Eno's Ambient 1: Music for Airports

Brian Eno's Ambient 1: Music for Airports

Lysaker John T.

Oxford University Press Inc
2018
nidottu
Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that continually shifts registers in the knowledge that no single approach can grasp the work as a whole. Exploring each of the album's four tracks and their unique sonic arrangements, Brian Eno's Ambient 1: Music for Airports argues that the album must be approached from at least three angles: as an ambient contribution to lived environments that draws upon cybernetics and the experiments of Erik Satie, as an exploration of what John Cage has termed the "activity of sounds," and as a work of conceptual art that asks us to think freshly about artistic creativity, listening, and the broad ecology of interactions that not only make art possible, but the full range of human meaning. If one listens in this way, Music for Airports becomes a sonic image that blurs the nature-culture distinction and rescues the most interesting concerns of avant-garde music from the social isolation of concert halls and performance spaces.