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1000 tulosta hakusanalla Chekhov Mikhail

Chekhov's Plays

Chekhov's Plays

Richard Gilman

Yale University Press
1997
pokkari
The Cherry Orchard, The Seagull, Uncle Vanya, Three Sisters, and other plays of Anton Chekhov have been acclaimed by audiences and readers since they first began appearing in the late nineteenth century. In this eloquent and insightful book, an eminent critic explores the reasons behind the enduring power of Chekhov's works.Richard Gilman examines each of Chekhov's full-length plays, showing how they relate to each other, to Chekhov's short stories, and to his life. He also places the plays in the context of Russian and European drama and the larger culture of the period. Gilman interweaves biographical narrative with textual commentary and with a discussion of stagecraft and dramaturgy—Chekhov's techniques for influencing viewers, the scenic framing of the action, and issues of genre and temporal structuring. Although previous critics of Chekhov have tended to view him as an essentially social dramatist or as an observer of the smaller aspects of existence, Gilman asserts that Chekhov was far more of an innovative playwright, a revolutionary, than has been seen. His book—the most complete, acute, and elegant study of this master playwright ever written—will appeal to all those who care about Chekhov, theater, and the life of the mind.
Chekhov Plays

Chekhov Plays

Anton Chekhov

Methuen Drama
1988
nidottu
This volume includes The Seagull, a about the battle for power between a mother and her son which ends in tragedy; Uncle Vanya tells of two obsessive love affairs that lead nowhere, and a flirtation that brings disaster; Three Sisters in which three siblings wrestle with their futures and The Cherry Orchard where the old must inevitably give way to the new. Haunting and elusive, these four great late masterpieces have found in Michael Frayn a translator who perfectly captures their delicate balance of the tragic and the absurd. The volume also contains four of Chekhov's early short 'vaudevilles' as well as a substantial introduction by Michael Frayn."The critical clamour for a Complete Chekhov in Michael Frayn's translation has borne fruit" (Sunday Times)
Chekhov & His Russia Ils 267

Chekhov & His Russia Ils 267

W.H. Bruford

Routledge
1998
sidottu
This is Volume I of eight in a series on the Sociology of the Soviet Union. Originally published in 1948, the aim from the outset was to throw light both on Chekhov and on Russia, by trying to see Russia through Chekhov's eyes and to see Chekhov as the product of a particular age and country.
Chekhov & His Russia Ils 267

Chekhov & His Russia Ils 267

W.H. Bruford

Routledge
2013
nidottu
This is Volume I of eight in a series on the Sociology of the Soviet Union. Originally published in 1948, the aim from the outset was to throw light both on Chekhov and on Russia, by trying to see Russia through Chekhov's eyes and to see Chekhov as the product of a particular age and country.
Anton Chekhov: The Major Plays

Anton Chekhov: The Major Plays

Chekhov Anton

Signet Classics
2006
nidottu
Anton ChekhovThe Major Plays Ivanov * The Sea Gull * Uncle Vanya * The Three Sisters * The Cherry Orchard Let the things that happen onstage be just as complex and yet just as simple as they are in life, Chekhov once declared. For instance, people are having a meal, just having a meal, but at the same time, their happiness is being created, or their lives are being smashed up. So it is that his plays express life through subtle construction, everyday dialogue, and an electrically charged atmosphere in which even the most casual words and actions assume great importance in his characters lives. This principle sets his plays apart from the rest, steering them clear of melodrama, and draws the audience into the lives of Chekhov s colorful characters. Because of his adherence to realism, the playwright has been called an incomparable artist of life. * What makes his work great is that it can be felt and understood not only by any Russian but by anybody in the world. *Leo Tolstoy With a Foreword by Robert Brusteinand an Afterword by Rosamund Bartlett"
Chekhov on Writing

Chekhov on Writing

Anton Chekhov

DOVER PUBLICATIONS INC.
2025
nidottu
Considered a pioneer of the short story genre and a trailblazer in modern fiction, Anton Chekhov (1860-1904) started writing at age 20. By 27, he had shifted from traditional storytelling methods to examining the experiences of everyday individuals in mundane circumstances. His evocative portrayals of Russian life and the complexities of human existence resonate with deep emotional sincerity. Chekhov published hundreds of short stories, earning acclaim from a diverse audience, including contemporaries like Leo Tolstoy. Chekhov shared insights into the writing process, offered guidance to aspiring writers, and mentored his brother, Alexander. This anthology showcases Chekhov's wisdom through quotations from his letters, conversations, notebooks, and works, providing essential lessons in emotional depth and authentic representation of human experiences – an excellent compendium for students, journalists, and writers of every genre.
Chekhov and the Vaudeville

Chekhov and the Vaudeville

Vera Gottlieb

Cambridge University Press
2010
pokkari
This book examines the strangely neglected area of Chekhov's one-act plays and the evolution of his comedy techniques. These short pieces, written between 1885 and 1903, reveal many of the comic and distancing effects which are to be found in the major plays. Still frequently performed, they tell us as much about Chekhov's philosophy as his use of theatre, and justify his view of himself as a writer of comedies. Vera Gottlieb describes the playwright's approach to theatre in the light of contemporary Russian traditions: a succinct résumé of French comedy and vaudeville on the Russian stage provides the background for an interesting assessment of the degree of innovation in Chekhov's one-act plays. Russian sources have been used extensively, while an appendix includes new translations of two little-known theatre sketches by Chekhov. This 1982 book is a vital addition to criticism of Chekhov and the Russian stage.
Chekhov in Performance 095298

Chekhov in Performance 095298

Styan J. L.

Cambridge University Press
1978
pokkari
For a full understanding of any text, careful consideration must be given to its life in performance. In this rewarding study of four of Chekhov's major plays - Uncle Vanya, The Seagull, The Cherry Orchard and Three Sisters - J. L. Styan demonstrates the development of Chekhov's skills as a dramatist and discusses stage action, portrayal of character, differing twentieth-century productions and the audience reactions they evoked.
Chekhov on the British Stage

Chekhov on the British Stage

Cambridge University Press
1993
sidottu
This is the first book to consider the whole subject of Chekhov's impact on the British stage. Recently Chekhov's plays have come to occupy a place in the British classical repertoire second only to Shakespeare. The British, American and Russian authors of these essays examine this phenomenon both historically and synchronically. First they discuss why Chekhov's plays were so slow to find an audience in Britain, what the early productions were really like, and how Bernard Shaw, Peggy Ashcroft, the Moscow Art Theatre and politics influenced the British style of Chekhov. They then address the often controversial issues of directing, acting, designing and translating Chekhov in Britain today. The volume concludes with a selective chronology of British productions of Chekhov's plays and will be of interest to students and scholars of the theatre, as well as theatre-goers, theatre-practitioners and Russianists.
Chekhov: The Cherry Orchard

Chekhov: The Cherry Orchard

James N. Loehlin

Cambridge University Press
2006
pokkari
Chekhov's masterpiece, about a Russian family losing its ancestral home, combines a lament for a vanishing past with a hopeful dream of the future. In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.
Chekhov: The Cherry Orchard

Chekhov: The Cherry Orchard

James N. Loehlin

Cambridge University Press
2006
sidottu
Chekhov's masterpiece, about a Russian family losing its ancestral home, combines a lament for a vanishing past with a hopeful dream of the future. In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.
Chekhov in Yalta

Chekhov in Yalta

John Driver; Jeffrey Haddow

Samuel French, Inc
2010
pokkari
Comedy / 7m, 4f / 1 Set Confined in is villa at Yalta by illness in April of 1900, Chekhov receives a delightful visit by the Moscow Art Theatre. They have embarked on a provincial tour with the express purpose of persuading Chekhov to give them his latest play. Noteworthy characters include Stanislavski, Valdmir Nemirovich Danchenko, Gorky, Ivan Bunin and actress Olga Knipper who Chekhov, a confirmed bachelor, contemplates marrying even as he acknowledges his advancing consumption. The play is criss crossed with amorous triangles, battles of ego, high spirits and melancholic languor reminiscent of Chekhov's work. Winner of several prestigious awards including a Los Angeles Drama Critics Award for Distinguished Playwrighting and an American Theatre Critics Citation. "A truly Chekhovian comedy filled with wit, style, and passion." - L.A. Star News
Chekhov's Major Plays

Chekhov's Major Plays

Karl Kramer

University Press of America
1996
nidottu
This book includes translations of Chekhov's five major plays, Ivanov, The Seagull, Uncle Vanya, The Three Sisters, (translated by Karl Kramer) and The Cherry Orchard (translated by Karl Kramer and Margaret Booker). The translations strive for accuracy and performability on the stage. The introduction treats two idiosyncratic features of Chekhov's text: the ways he employs the stage direction, "through tears," and his extensive use of ellipses for a variety of purposes. The notes and commentary seek to elucidate various references whose meaning may not be readily apparent to an English-speaking reader today. The explanatory and interpretative materials also provide a wealth of information on variants of specific lines; they give information on a number of issues where the early productions of the plays, under Konstantin Stanislavsky's direction, underwent rather perverse interpretation of Chekhov's material. Finally, the notes offer insights into particular implications of various lines in the plays.
Chekhov for the Stage

Chekhov for the Stage

Chekhov Anton Pavlovich

NORTHWESTERN UNIVERSITY PRESS
1992
sidottu
Milton Ehre began translating Chekhov's plays to provide professional theatres with performance texts that capture the feel and rhythms of spoken, rather than written language. This volume presents the first publication of revised versions of these translations.
Chekhov for the Stage

Chekhov for the Stage

Northwestern University Press
1992
nidottu
Milton Ehre began translating Chekhov's plays to provide professional theatres with performance texts that capture the feel and rhythms of spoken, rather than written language. This volume presents the first publication of revised versions of these translations.
Chekhov and Russian Religious Culture

Chekhov and Russian Religious Culture

Julie W. Sherbinin

Northwestern University Press
1997
sidottu
A study of the Virgin Mary and the ""saintly harlots"" - Mary of Egypt and Mary Magdalene - as a cultural paradigm encoded in Chekhov's prose. The author establishes the authority of the Marian paradigm in 19th-century Russian culture with an overview of salient religious and literary texts, then offers critical readings of more than 15 Chekhov stories, including key works such as ""Peasants"", ""Peasant Women"", and ""My Life"". De Sherbinin argues that Chekhov inverts and displaces the Christian meanings of Marian texts in order to reveal a vast array of problematized relationships to the canonized figures. This semiotic reading of Chekhov explores questions of female identity as it probes the mindset of Russian Orthodox popular culture.
Chekhov and the Poetics of Memory

Chekhov and the Poetics of Memory

Daria A. Kirjanov

Peter Lang Publishing Inc
2000
sidottu
Memory is one of the most pervasive and complex motifs in Anton Chekhov's prose. This book clearly demonstrates that memory is not only a dominant theme, but, more significantly, a structuring principle that shapes the poetic, temporal, and spatial composition of several of Chekhov's stories from 1887 to 1904, including some of his best known works, such as The Bishop, The Lady with a Lapdog, The House with a Mezzanine, and The Black Monk . Chekhov and the Poetics of Memory examines various modes of memory - nostalgic, regenerative, commemorative - and traces their expression in the language of the journey, prayer, and artistic inspiration, shedding light on the centrality of the themes of spiritual growth and moral action in Chekhov's work. In considering the larger theoretical and cultural context of memory, this study breaks new ground in showing the impact on Chekhov's work of the Eastern Orthodox religious tradition, as well as Henri Bergson and other modernist notions of time and memory.
Chekhov's Doctors

Chekhov's Doctors

Robert Coles

Kent State University Press
2003
nidottu
In his brief but distinguished life, Anton Chekhov was a doctor, a documentary essayist, an admired dramatist, and a humanitarian. He remains a nineteenth-century Russian literary giant whose prose continues to offer moral insight and to resonate with readers across the world. Chekhov experienced no conflict between art and science or art and medicine. He believed that knowledge of one complemented the other. Chekhov brought medical knowledge and sensitivity to his creative writinghe had an intimate knowledge of the world of medicine and the skills of doctoring, and he utilized this information in his approach to his characters. His sensibility as a medical insider gave special poignancy to his physician characters. The doctors in his engaging tales demonstrate a wide spectrum of behavior, personality, and character. At their best, they demonstrate courage, altruism, and tenderness, qualities that lie at the heart of good medical practice. At their worst, they display insensitivity and incompetency. The stories in Chekhov's Doctors are powerful portraits of doctors in their everyday lives, struggling with their own personal problems as well as trying to serve their patients. The fifth volume in the acclaimed Literature and Medicine Series, Chekhov's Doctors will serve as a rich text for professional health care educators as well as for general readers.