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Colette

Colette

Julia Kristeva

Columbia University Press
2026
pokkari
This intellectual biography of Colette—the final volume of Julia Kristeva's trilogy on "female genius"—is a major breakthrough in understanding one of the great creative minds of the twentieth century. Colette (1873-1954) was a prolific novelist who celebrated sexual pleasure and invented a language for it at a time when women writers were inhibited about dealing with the topic. Female sexuality in a male-dominated world and the joys and pains of love served as her main themes, and her novels—Cheri, La Chatte, and Gigi, among them—blurred the boundaries between fact and fiction long before autobiographical novels became commonplace. She married three times, had male and female lovers, and for a time supported herself as a mime, dancing semi-nude in music halls throughout France. When she died, she received the first state funeral the French Republic had ever given a woman. Colette's writing was inspired by entertainers, courtesans, an aristocratic Parisian lesbian subculture, and fin de siècle gay aesthetes. She admired those who lived on the sexual edge and was accused of moral corruption in intellectual matters—she published in pro-Vichy, anti-Semitic journals during the Occupation, even as she fought to keep her Jewish third husband from deportation. Kristeva deftly examines Colette's controversial life and work and considers two of her most important influences, Honoré de Balzac and Marcel Proust. Paying particular attention to the language the French writer used to "say the unsayable and name the unnameable," Kristeva offers an elegant and sophisticated critique of Colette's psychological conflicts, particularly her sexual relationships and how these conflicts are both recorded in and resolved through the act of writing. Appealing to Freudian and Lacanian concepts such as the Oedipus complex, perversion, the symbolic, and melancholy, Kristeva opens Colette's oeuvre to psychoanalytic interpretation. The impression that remains is of a woman intent on experiencing the world's pleasures—its jouissance.
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Colette, Beauvoir, and Duras: Age and Women Writers

Colette, Beauvoir, and Duras: Age and Women Writers

University Press of Florida
1999
nidottu
"A sophisticated and well-informed work of literary criticism . . . . Represents the new scholarship on women and aging at its best."--Nancy K. Miller, Distinguished Professor of English at Lehman College and the Graduate Center, City University of New YorkIn a pioneering study of the three best-known French women writers of the 20th century, Bethany Ladimer examines the ways in which the aging process shaped their creativity and their lives. Simone de Beauvoir, Colette, and Marguerite Duras all lived long lives and were prolific writers until the end. Bethany Ladimer's developmental approach to their creativity takes into account literary analysis but also discusses their work and lives from the standpoint of history and the social sciences, a three-way conjunction that considers age, gender, and a culture that depends on the ideas of sexual difference for its national identity. She incorporates the work of Betty Friedan, Carolyn Heilbrun, and Margaret Gulette, among others, into her study. Asking how a French woman's heritage affects the way she writes when she has gone beyond the age when women are usually considered sexually desirable, Ladimer examines the problems and resolutions that face aging women in France. The light she sheds on the question illuminates the relationship between femininity and aging in all Western societies.Bethany Ladimer is professor of French language and literature at Middlebury College, Middlebury, Vermont, and the author of articles on 20th-century French writers in Yale French Studies, Critical Quarterly, Feminist Studies, and Romance Quarterly.
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Colette Baudoche

Colette Baudoche

Maurice Barres

Createspace Independent Publishing Platform
2016
nidottu
Excerpt from Colette Baudoche: Histoire d'une Jeune Fille de Metz As a child Barres saw the Prussian invasion of France, and also the endless processions of those who, in 1871 and 1872, left Alsace - Lorraine rather than come under the yoke of their traditional enemy. These sad scenes left a deep and indelible impression on his mind, and explain to a certain extent his attitude towards Germany throughout his life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Colette and Maine Coon Kittens

Colette and Maine Coon Kittens

Christian Faith
2022
pokkari
Three Maine coon kittens were a gift to Colette from her grandfather, who had been caring for the orphaned cats until they were old enough to feed themselves.But the work and responsibilities involved in the care of the kittens left Colette wondering if she was up to the task. The kittens thrived under the care of Colette and her younger brothers. The grown cats returned to the wild. Colette matured with the responsibilities and tasks she had accomplished. She was proud that in her small way, she had helped nature save a precious species, coon cats.
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