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Fausto Volume I

Fausto Volume I

Johann Wolfgang Von Goethe

Createspace Independent Publishing Platform
2015
nidottu
"Fausto Volume I" from Johann Wolfgang von Goethe. Escritor alem o e pensador que tamb m fez incurs es pelo campo da ci ncia (1749-1832).
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Fausto Volume II

Fausto Volume II

Johann Wolfgang Von Goethe

Createspace Independent Publishing Platform
2015
nidottu
"Fausto Volume II" from Johann Wolfgang von Goethe. Escritor alem o e pensador que tamb m fez incurs es pelo campo da ci ncia (1749-1832).
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Fausto & Felice Niccolini. Houses and Monuments of Pompeii

Fausto & Felice Niccolini. Houses and Monuments of Pompeii

Sebastian Schütze; Valentin Kockel

Taschen GmbH
2016
sidottu
When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash. The Niccolinis’ goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei (“The Houses and Monuments of Pompeii”), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii’s private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In total, the plates illustrated more than 1,000 items, each extensively specified and located for the first time, making the publication a major reference in Pompeii research. In addition, “animated” representations visualized daily life in Pompeii’s workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths. This meticulous facsimile revives the Niccolinis’ extraordinary achievement with all color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art—and by the haunting plaster casts made of victims of the eruption—on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.
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Fausto - Goethe

Fausto - Goethe

Goethe

Garnier Editora
2023
nidottu
Deve-se a Goethe a gl ria insigne de encarnar os anseios de uma universaliza o dos valores liter rios reconhecendo o esp rito supranacional das maiores cria es liter rias patrim nio de toda a humanidade. Sua obra est eivada de trechos e inten es rom nticas e expressionistas como claramente comprova o Fausto que funde elementos rom nticos como a figura de Gretchen e expressionista como as bruxas e a Walpurgisnacht.No final do poema, mais uma vez a reden o cat lica est presente na contempla o da Virgem Maria, a Mater Gloriosa. Esta intercede pela alma de Fausto, que escapa s m os de Mefist feles. Fausto e Gretchen est o unidos novamente no C u.Fruto do imagin rio alem o, o mito de Fausto surge em diversas narrativas; a vers o de Wolfgang von Goethe , sem d vida, uma das mais c lebres.A lenda foi inspirada em Johann Georg Faust (1480 - 1540), um mago e astr logo do Renascimento alem o que chegou a ser apontado como alquimista.
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Fausto Melotti

Fausto Melotti

SILVANA
2025
sidottu
A bond of thin yet strong threads unites the two minds, that of the writer Italo Calvino (1923–1985) and that of the sculptor Fausto Melotti (1901–1986), similar in intent and manifestation. What they have in common is certainly lightness, speed, exactitude, visibility, multiplicity and coherence, words chosen by Calvino to define the topics and key concepts of the lectures that he planned to deliver at Harvard. Words that could, in fact, also define and encapsulate Melotti’s work. Both artists were gifted, in a formidable way, with the ability to experience the space of the ineffable with such familiarity as to render it, with the acrobatic ability of a tightrope walker, domestic and intelligible. Texts by: Michelina Eremita, Letizia Modena, Riccardo Castellana, Giovanni Marzari, Ilaria Muoio. Text in English and Italian.
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