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Politische Geschichte und die Medien

Politische Geschichte und die Medien

David Souza Fernandes

Verlag Unser Wissen
2024
pokkari
Wir werden die Regierung des ehemaligen venezolanischen Pr sidenten Hugo Ch vez (1999 - 2013) analysieren. Als Quelle dient uns die Zeitschrift Veja und die Darstellungen, die sie in ihren Ausgaben von 1999 bis 2013 ber die Regierung Ch vez ver ffentlichte. Wir werden versuchen, nicht nur die Regierung und die politische Figur von Ch vez zu verstehen, sondern auch, wie die Medien eine Regierung analysieren, interpretieren und darstellen. Welche Umst nde haben in der Vergangenheit dazu gef hrt, dass die Regierung Ch vez einen derartigen Einfluss auf die brasilianische und weltweite politische Szene aus bt und die Meinungen spaltet? Studien ber das "Politische" und seine Wiederbelebung in der Geschichtsschreibung, Debatten und Diskussionen auf dem Gebiet der "Repr sentationen" und Analysen der Medien werden unsere Forschung theoretisch und methodisch unterst tzen. Wir werden Studien zum Konzept der "Repr sentation" analysieren. Wir geben einen kurzen berblick ber die Geschichte der Medien und dar ber, wie die Medien, in unserem Fall die Zeitschrift Veja, ihre Informationen ber eine Regierung und den "Politiker" darstellen, indem sie ein symbolisches Feld konstruieren, in dem Repr sentationen Bedeutungen erzeugen. Auf diese Weise verstehen wir, wie die Medien "repr sentieren" und eine Position schaffen, die f r eine Regierung tendenziell g nstig oder ung nstig ist.
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Political history and the media

Political history and the media

David Souza Fernandes

Our Knowledge Publishing
2024
pokkari
We will analyse the government of former Venezuelan president Hugo Ch vez (1999 - 2013). Our source will be Veja magazine and the representations it produced about the Ch vez government in its editions from 1999 to 2013. We will seek to understand not only Ch vez's government and political figure, but also how the media analyses, interprets and represents a government. What circumstances in the past caused his government to have such a repercussion on the Brazilian and world political scene, dividing opinion. Studies on 'the political' and its revival in historiography, debates and discussions on the field of 'Representations' and analyses of the media will provide theoretical and methodological support for our research. We will analyse studies on the concept of 'Representation'. We will give a brief history of the media and how the media, in our case Veja magazine, outlines its information about a government and the 'politician', constructing a symbolic field in which representations produce meanings. In this way, we understand how the media 'represents' and creates a position that tends to be favourable or unfavourable to a government.
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Storia politica e media

Storia politica e media

David Souza Fernandes

Edizioni Sapienza
2024
pokkari
Analizzeremo il governo dell'ex presidente venezuelano Hugo Ch vez (1999-2013). La nostra fonte sar la rivista Veja e le rappresentazioni che ha prodotto sul governo Ch vez nelle sue edizioni dal 1999 al 2013. Cercheremo di capire non solo il governo e la figura politica di Ch vez, ma anche come i media analizzano, interpretano e rappresentano un governo. Quali circostanze del passato hanno fatto s che il suo governo avesse una tale ripercussione sulla scena politica brasiliana e mondiale, dividendo l'opinione pubblica. Gli studi sul "politico" e la sua ripresa nella storiografia, i dibattiti e le discussioni sul campo delle "rappresentazioni" e le analisi dei media forniranno un supporto teorico e metodologico alla nostra ricerca. Analizzeremo gli studi sul concetto di "Rappresentazione". Faremo una breve storia dei media e di come i media, nel nostro caso la rivista Veja, delineano le informazioni su un governo e sul "politico", costruendo un campo simbolico in cui le rappresentazioni producono significati. In questo modo, capiamo come i media "rappresentano" e creano una posizione tendenzialmente favorevole o sfavorevole a un governo.
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Adverse Genres in Fernando Pessoa

Adverse Genres in Fernando Pessoa

K. David Jackson

Oxford University Press Inc
2010
sidottu
This book is an introduction to and interpretation of the world of Fernando Pessoa (1888-1935), one of the most fascinating and complex figures in European literary modernism and the avant-garde. Raised in South Africa and writing much of his literary work in English, Pessoa nevertheless almost never left the city of Lisbon after returning in 1905. Pessoa is known for abolishing the authorial self and for dividing his writings among a large number of other personalities - the heteronyms - who wrote through him, each in a completely different style. The theory of 'adverse genres' introduced in this book aids understanding of his paradoxical and contradictory use of genres. Through the invented 'coterie of authors,' Pessoa explored mixed writing by changing the relationship between form and content, authorship and text. Adverse Genres describes how Pessoa selected genres from the European tradition (Ricardo Reis' 'Horatian' odes, Álvaro de Campos' worship of Whitman, Alberto Caeiro's pastoral and metaphysical, Bernardo Soares' philosophical diary), into which he put a different and incongruent content taken from modernist, contemporary themes. By creating anomalies between form and content, or authors and texts, Pessoa gives new life and definition to traditional historical genres for a modernist age. In doing so, he enhances the normal expressive potential of each genre by incorporating uncharacteristic content and questioning authorship. Pessoa uses this procedure in his 1907 short story, 'A Very Original Dinner' in the 'Cancioneiro' or collected poems written under the name Fernando Pessoa; in his love letters to Ophélia Queirós; in his 1922 story 'The Adventure of the Anarchist Banker;' in his collection of quatrains derived from Portuguese popular verse; and, finally, in his problematic non-existence as 'the man who never was,' in Jorge de Sena's expression, who exchanged a normal life for an entirely literary world of the imagination. This book addresses Pessoa's desire to be an entire literature, a new literary history, as it were, full of diverse authors and styles, as if they were characters or roles in a dramatic theater of the self in literary modernism.
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Filosofía y cine: De Friedrich Nietzsche a David Lynch

Filosofía y cine: De Friedrich Nietzsche a David Lynch

Carlos Fernando Alvarado Duque

Teseo
2018
nidottu
Las relaciones entre filosof a y cine se han estrechado a lo largo de los a os. Esto no quiere decir que no estuviesen en ciernes desde los inicios del s ptimo arte. De alg n modo, los conceptos, herramientas propias del filosofar, y las im genes en movimiento, materia prima del cine, siempre se entrecruzan de diversas maneras como si, de modo natural, se reclamaran. Este libro ausculta una de las muchas ramificaciones de esa aparente vinculaci n connatural. Su itinerario permite pasar de la filosof a al cine al revelar que muchas de las ideas de un grupo de los m s influyentes fil sofos contempor neos pueden ser ilustradas al interior de los filmes de un pu ado de los m s destacados directores del cine moderno. De esa manera, se presenta un di logo entre fil sofos y directores. Cada cap tulo explora varias de las ideas centrales a la obra del pensador de turno y, en calidad de contrapunto, ilustra c mo tienen lugar en las im genes del cineasta que oficia de interlocutor. El resultado, sin duda, revela que la fuerza textual sobrepasa el universo del libro para instalarse en la pantalla. Podr n encontrarse as reflexiones sobre conceptos, como fuerza, Rostro, cuerpo, t cnica, arte, entre otros, ilustrados en im genes propias de lo que puede denominarse cine de autor. Como resultado de este di logo los fil sofos devienen artistas, los cineastas pensadores. Este tr nsito de la filosof a al cine tiene como protagonistas a: Friedrich Nietzsche y Alain Resnais, Martin Heidegger e Ingmar Bergman, Emmanuel Levinas y Jim Sheridan, Richard Rorty y Oliver Stone, Gianni Vattimo y David Lynch.
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Forensic Psychiatry, Race and Culture

Forensic Psychiatry, Race and Culture

Suman Fernando; David Ndegwa; Melba Wilson

Routledge
1998
nidottu
Forensic psychiatry is the discipline which distinguishes the 'mad' from the 'bad', but are its values inherently racist? Why are individuals from non-Western backgrounds over-represented statistically in those diagnosed with schizophrenia and other serious illnesses? The authors argue that the values on which psychiatry is based are firmly rooted in ethnocentric Western culture, with profound implications for individual diagnosis and systems of care. Through detailed exploration of the history of psychiatry, current clinical issues and present public policy, this powerful book traces the growth of a system in which non-conformity to the prevailing cultural norms risks alienation and diagnosis of mental disorder.
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Diseño y aplicación de control robusto difuso a un Quadrotor

Diseño y aplicación de control robusto difuso a un Quadrotor

Fernando Torres; Abdelhamid Rabhi; David Lara

Editorial Academica Espanola
2018
pokkari
En este trabajo de investigaci n, se propone el dise o y aplicaci n de algoritmos de control, basados en una t cnica conocida como multimodelos (representaci n Takagi-Sugeno), con el prop sito de estabilizar un Quadrotor. Despu s de presentar el modelo no lineal del veh culo, realizamos un modelo difuso Takagi-Sugeno (multimodelo) para el Quadrotor, posteriormente se realiza una s ntesis de controladores difusos T-S. El controlador T-S es dise ado considerando que las variables de pertenencia son medibles y las condiciones de estabilidad est n dadas en t rminos de inecuaciones matriciales lineales (LMI). Presentamos las simulaciones y pruebas en tiempo real usando una plataforma experimental, donde el algoritmo de control por retroalimentaci n de estado difuso es desarrollado en un microcontrolador para estabilizar el veh culo.
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Soft Matter Transformations In Culinary Processes

Soft Matter Transformations In Culinary Processes

Fernando Sapina-navarro; Pere Castells; Davide Cassi

World Scientific Publishing Co Pte Ltd
2026
sidottu
Food is like a complex building. The materials are chemical molecules, with all their interrelationships and reactions, giving their chemical properties. The architecture is the micro- and macroscopic structure that gives us their physical properties.The complexity of each food gives rise to different possible points of view in analyzing it.This book chooses the cooking point of view. Cooking is the art of transforming raw materials into accomplished dishes. Therefore, the book aims to systematically analyse culinary processes, i.e. the transformations of food produced by kitchen procedures (cooking, stirring, kneading, etc.) from a physical and a chemical point of view, presenting applications in cooking, from basic and common dishes up to the creations of the world's greatest chefs.
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