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Gabriele Zerbi, Gerontocomia: On the Care of the Aged, and Maximianus, Elegies on Old Age and Love, Memoirs, American Philosophical Society (Vol. 182)

Gabriele Zerbi, Gerontocomia: On the Care of the Aged, and Maximianus, Elegies on Old Age and Love, Memoirs, American Philosophical Society (Vol. 182)

Gabriele Zerbi; Maximianus

American Philosophical Society Press
1988
sidottu
Gabriele Zerbi (1445-1505), born in Verona of an old patrician family, was a remarkable medical man & anatomists of his time. He probably studied at the University at Padua, where he began to teach medicine in 1467, having obtained the doctorate at the age of 22. He then taught medicine & logic at the University of Bologna, lived & worked in Rome, & finally returned to Padua. Maximianus the Etruscan, as he calls himself, lived in Rome in the age of Justinian, the 6th century. Only a few biographical facts about him can be gleaned from his 6 poems. Chapters: Introduction to Zerbi & His Works; text of The "Gerontocomia" On the Care of the Aged; Intro. to Maximianus's Elegies on Old Age & Love; & The Elegies. Bibliography.
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Gabriele Münter

Gabriele Münter

Mariët Westermann

GUGGENHEIM MUSEUM PUBLICATIONS,U.S.
2026
sidottu
A new look at a vanguard modernist artist who reimagined the still life, landscape and portrait genres This landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter's painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the "new woman" and explore questions of gender identity. With over 70 full-color plates, plus a rich selection of Münter's photographs and later works, this publication not only traces Münter's pioneering and understudied practice but also challenges accepted historical narratives that have tended to sideline women artists. Reproductions of archival material appear alongside choice selections of the artist's sketches, prints and reverse glass paintings. Thematic texts by renowned scholars explore identity, place, belonging and the embodied experience of modernist women artists during this period. Gabriele Münter (1877–1962) was at the forefront of the German avant-garde in the early 20th century and exhibited extensively at galleries and salons throughout Europe during her lifetime. Along with her artistic colleague and one-time partner, Vasily Kandinsky, Münter was a founder of the influential Expressionist group of artists, Der Blaue Reiter.
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Gabriele D'Annunzio and World Literature

Gabriele D'Annunzio and World Literature

EDINBURGH UNIVERSITY PRESS
2023
sidottu
Examines Gabriele D'Annunzio to re-evaluate cultural exchange and the political dimensions of global decadence and modernism First book to examine Gabriele D'Annunzio's work from a global perspective and within World Literature paradigms Transnational and cross-disciplinary focus: unveils D'Annunzio's investment in multilingualism, including dialect and translingual writing, as well as the influence of issues of mobility and migration, colonialism and politics on the global reception of his works Introduces a polycentric view of D'Annunzio by bringing together chapters written by scholars from 12 countries (Italy, France, Belgium, Austria, Spain, UK, US, Canada, Russia, Egypt, Argentina, Japan), whose work in many cases appears in English for the first time Unveils the crucial role of D'Annunzio's translators as cultural mediators and examines translations and adaptations as politically charged practices Redefines D'Annunzio scholarship through a transnational lens, while also making a crucial contribution to studies of global decadence by demonstrating the role of Italian decadence in international networks of literary and artistic exchange Gabriele D'Annunzio was an internationally renowned artist and one of the most prominent public figures in Italy in the late nineteenth and early twentieth centuries. His novels and poetry stirred the enthusiasm of James Joyce and Henry James in the English-speaking world and his repute stretched far beyond in France, Austria-Hungary, Russia, Japan and South America, D'Annunzio became a pivotal node in the broad networks of decadent exchange. This volume offers an overview of the global dynamics of D'Annunzio's work, from his engagement with multilingualism and translingual writing to the international circulation and reception of his production. Featuring chapters by international scholars, it re-evaluates D'Annunzio with a critical eye and a transnational scope and offers a global assessment of the place that Dannunzian decadence holds in the constitution of a conflicted movement one that is profoundly cosmopolitan and yet also problematically nationalistic.
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Gabriele D'Annunzio and World Literature

Gabriele D'Annunzio and World Literature

EDINBURGH UNIVERSITY PRESS
2025
nidottu
Gabriele D'Annunzio was an internationally renowned artist and one of the most prominent public figures in Italy in the late nineteenth and early twentieth centuries. His novels and poetry stirred the enthusiasm of James Joyce and Henry James in the English-speaking world and his repute stretched far beyond in France, Austria-Hungary, Russia, Japan and South America, D'Annunzio became a pivotal node in the broad networks of decadent exchange. This volume offers an overview of the global dynamics of D'Annunzio's work, from his engagement with multilingualism and translingual writing to the international circulation and reception of his production. Featuring chapters by international scholars, it re-evaluates D'Annunzio with a critical eye and a transnational scope and offers a global assessment of the place that Dannunzian decadence holds in the constitution of a conflicted movement one that is profoundly cosmopolitan and yet also problematically nationalistic.
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Gabriele: Ein Roman in drei Theilen

Gabriele: Ein Roman in drei Theilen

Johanna Schopenhauer

Createspace Independent Publishing Platform
2013
nidottu
Johanna Schopenhauer: Gabriele. Ein Roman in drei Teilen Edition Holzinger. Taschenbuch Berliner Ausgabe, 2015, 4. Auflage Vollst ndiger, durchgesehener Neusatz mit einer Biographie der Autorin bearbeitet und eingerichtet von Michael Holzinger Erstdruck: Leipzig (F. A. Brockhaus) 1821 Textgrundlage sind die Ausgaben: Johanna Schopenhauer: Gabriele. Ein Roman. Theil 1-3, Band 1, Leipzig: F. A. Brockhaus, 1821. Johanna Schopenhauer: Gabriele. Ein Roman. Theil 1-3, Band 2, Leipzig: F. A. Brockhaus, 1821. Johanna Schopenhauer: Gabriele. Ein Roman. Theil 1-3, Band 3, Leipzig: F. A. Brockhaus, 1821. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Umschlaggestaltung unter Verwendung des Bildes: Caroline Bardua, Johanna Schopenhauer mit ihrer Tochter Adele (Ausschnitt), 1806 Gesetzt aus Minion Pro, 10 pt.
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Gabriele d'Annunzio e gli Eroi di San Pelagio: (per il 150° anniversario della nascita ed il 75° della morte del Poeta)

Gabriele d'Annunzio e gli Eroi di San Pelagio: (per il 150° anniversario della nascita ed il 75° della morte del Poeta)

Carlo Piola Caselli

Createspace Independent Publishing Platform
2015
nidottu
Il libro documenta dettagliatamente, anche attraverso le relazioni conservate dall'Ufficio Storico dello Stato Maggiore dell'Aeronautica, le azioni dei valorosi piloti che orbitavano intorno a Gabriele d'Annunzio, appartenuti all'87a Squadriglia, di stanza prima a Ghedi e poi a San Pelagio, vicino a Padova, in concomitanza con il gruppo dei bombardieri "Caproni". Un campo, nel cui castello che lo delimita vi ora il "Museo dell'Aria e dello Spazio", diretto da Ricciarda Avesani, rimasto nell'immaginario collettivo poich da esso partita, dopo varie titubanze degli organi superiori e misteriosi sabotaggi, la formazione di "S.V.A.", capeggiata dal poeta, che il 9 agosto 1918 riuscita ad andare su Vienna a gettarvi dei volantini tricolore, ed a tornarne, superando le impervie catene montuose ed aprendo la via ad altri ardimentosi voli di ricognizione oltre confine, nel Triveneto, in Tirolo, in Carinzia, in Slovenia ed altrove.
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Gabriele D'Annunzio, Collection novels

Gabriele D'Annunzio, Collection novels

Createspace Independent Publishing Platform
2017
nidottu
General Gabriele D'Annunzio, (1863 -1938), was an Italian writer, poet, journalist, playwright and soldier during World War I. He occupied a prominent place in Italian literature from 1889 to 1910 and later political life from 1914 to 1924. He was often referred to under the epithets Il Vate ("the Poet") or Il Profeta ("the Prophet").D'Annunzio was associated with the Decadent movement in his literary works, which interplayed closely with French Symbolism and British Aestheticism. Such works represented a turn against the naturalism of the preceding romantics and was both sensuous and mystical. He came under the influence of Friedrich Nietzsche which would find outlets in his literary and later political contributions. His affairs with several women, including Eleonora Duse and Luisa Casati, received public attention.In this book: The Triumph of DeathThe IntruderThe Child of Pleasure
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