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978 tulosta hakusanalla Geetha Waters

Understanding Human Ecology

Understanding Human Ecology

Geetha Devi T. V.

Routledge India
2019
nidottu
This book examines the domain of human agency–environment interaction from a multidimensional point of view. It explores the human–environment interface by analysing its ethical, political and epistemic aspects – the value aspects that humans attribute to their environment, the relations of power in which the actions and their consequences are implicated and the meaning of human actions in relation to the environment. The volume delineates the character of this domain and works out a theoretical framework for the field of human ecology.This book will be a must-read for students, scholars and researchers of environmental studies, human ecology, development studies, environmental history, literature, politics and sociology. It will also be useful to practitioners, government bodies, environmentalists, policy makers and NGOs.
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Locating Gender in Modernism

Locating Gender in Modernism

Geetha Ramanathan

Routledge
2012
sidottu
This book visits modernism within a comparative, gendered, and third-world framework, questioning current scholarly categorisations of modernism and reframing our conception of what constitutes modernist aesthetics. It describes the construction of modernist studies and argues that despite a range of interventions which suggest that philosophical and material articulations with the third world shaped modernism, an emphasis on modernist "universals" persists. Ramanathan argues that women and third-world authors have reshaped received notions of the modern and revised orthodox ideas on the modern aesthetic. Authors such as Bessie Head, Josiane Racine, T.Obinkaram Echewa, Raja Rao, Gabriel Garcia Marquez, Sembene Ousmane, Salman Rushdie, Ana Castillo, Attia Hossain, Bapsi Sidhwa, and Sahar Khalifeh, are visited in their specific cultural contexts and use some form of realism, a mode that western modernism relegates to the nineteenth century. A comparative methodology and extensive research on intersecting topics such as post-coloniality and the articulation between gender and modernist aesthetics facilitates readings of the modern in twentieth century literature that fall outside standards of western modernism. Considering the relationship between aesthetics and ideology, Ramanathan lays out a critical apparatus to enhance our understanding of the modern, thus suggesting that form is not universal, but that the history of forms, like the history of colonialism and of women, indicates very specific modalities of the modern.
Vertaile hintoja
Understanding Human Ecology

Understanding Human Ecology

Geetha Devi T. V.

Routledge India
2019
sidottu
This book examines the domain of human agency–environment interaction from a multidimensional point of view. It explores the human–environment interface by analysing its ethical, political and epistemic aspects – the value aspects that humans attribute to their environment, the relations of power in which the actions and their consequences are implicated and the meaning of human actions in relation to the environment. The volume delineates the character of this domain and works out a theoretical framework for the field of human ecology.This book will be a must-read for students, scholars and researchers of environmental studies, human ecology, development studies, environmental history, literature, politics and sociology. It will also be useful to practitioners, government bodies, environmentalists, policy makers and NGOs.
Vertaile hintoja
Locating Gender in Modernism

Locating Gender in Modernism

Geetha Ramanathan

Routledge
2016
nidottu
This book visits modernism within a comparative, gendered, and third-world framework, questioning current scholarly categorisations of modernism and reframing our conception of what constitutes modernist aesthetics. It describes the construction of modernist studies and argues that despite a range of interventions which suggest that philosophical and material articulations with the third world shaped modernism, an emphasis on modernist "universals" persists. Ramanathan argues that women and third-world authors have reshaped received notions of the modern and revised orthodox ideas on the modern aesthetic. Authors such as Bessie Head, Josiane Racine, T.Obinkaram Echewa, Raja Rao, Gabriel Garcia Marquez, Sembene Ousmane, Salman Rushdie, Ana Castillo, Attia Hossain, Bapsi Sidhwa, and Sahar Khalifeh, are visited in their specific cultural contexts and use some form of realism, a mode that western modernism relegates to the nineteenth century. A comparative methodology and extensive research on intersecting topics such as post-coloniality and the articulation between gender and modernist aesthetics facilitates readings of the modern in twentieth century literature that fall outside standards of western modernism. Considering the relationship between aesthetics and ideology, Ramanathan lays out a critical apparatus to enhance our understanding of the modern, thus suggesting that form is not universal, but that the history of forms, like the history of colonialism and of women, indicates very specific modalities of the modern.
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Kathleen Collins

Kathleen Collins

Geetha Ramanathan

Edinburgh University Press
2020
sidottu
A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
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Kathleen Collins

Kathleen Collins

Geetha Ramanathan

Edinburgh University Press
2020
nidottu
A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
Vertaile hintoja
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