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Gerhard Richter, Individualism, and Belonging in West Germany

Gerhard Richter, Individualism, and Belonging in West Germany

Luke Smythe

TAYLOR FRANCIS LTD
2024
nidottu
This book reevaluates the art of Gerhard Richter (b. 1932) in relation to his efforts to achieve belonging in the face of West Germany’s increasing individualism between the 1960s and the 1990s.Richter fled East Germany in 1961 to escape the constraints of socialist collectivism. His varied and extensive output in the West attests to his greater freedom under capitalism, but also to his struggles with belonging in a highly individualised society, a problem he was far from alone in facing. The dynamic of increasing individualism has been closely examined by sociologists, but has yet to be employed as a framework for understanding broader trends in recent German art history. Rather than critique this development from a socialist perspective or experiment with new communal structures like a number of his colleagues, Richter sought and found security in traditional modes of bourgeois collectivity, like the family, religion, painting and the democratic capitalist state.The book will be of interest to scholars working in art history as well as German history, culture and politics.
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Gerhard on Music

Gerhard on Music

Roberto Gerhard; Meirion Bowen

Routledge
2020
nidottu
This title was first published in 2000: Catalan-born composer Roberto Gerhard (1896-1970) left significant legacies - both musical and documentary. Exiled in Cambridge with the onset of the Spanish Civil War, he gradually achieved wide recognition by performers and conductors, in both Britain and America, as a composer whose music was essential to the modern repertoire. In this work, Meirion Bowen collects many of the composer's articles, reviews, lectures and broadcasts to demonstrate the full extent and continuity of Gerhard's artistic and creative thinking. The writings have been arranged thematically to emphasize the evolution of Gerhard's musical interests. His attachment to Spanish and Catalonian traditions broadened into a fascination with folk music of all kinds. His studies with Schoenberg in the mid 1920s gave him the key to his own creative individuality; thereafter, his imaginative vitality led him eventually to experiment with electronic and concrete music and he continued breaking new ground, even in his final years.
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Gerhard on Music

Gerhard on Music

Roberto Gerhard; Meirion Bowen

Routledge
2019
sidottu
This title was first published in 2000: Catalan-born composer Roberto Gerhard (1896-1970) left significant legacies - both musical and documentary. Exiled in Cambridge with the onset of the Spanish Civil War, he gradually achieved wide recognition by performers and conductors, in both Britain and America, as a composer whose music was essential to the modern repertoire. In this work, the author collects many of the composer's articles, reviews, lectures and broadcasts to demonstrate the full extent and continuity of Gerhard's artistic and creative thinking. The writings have been arranged thematically to emphasize the evolution of Gerhard's musical interests. His attachment to Spanish and Catalonian traditions broadened into a fascination with folk music of all kinds. His studies with Schoenberg in the mid 1920s gave him the key to his own creative individuality; thereafter, his imaginative vitality led him eventually to experiment with electronic and concrete music and he continued breaking new ground, even in his final years.
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Gerhard Richter and the Technological Condition of Painting

Gerhard Richter and the Technological Condition of Painting

Aline Guillermet

EDINBURGH UNIVERSITY PRESS
2024
sidottu
Aline Guillermet uncovers Gerhard Richter's appropriation of science and technology from 1960 to the present and shows how this has shaped the artist's well-documented engagement with the canon of Western painting. Through a study of Richter's portraits, history paintings, landscapes and ornamental abstractions, Guillermet reveals the artist's role in affirming the technological condition of painting in the second half of the twentieth century: a historical situation in which the medium and its conventions have become shaped, and to some extent transformed, by technological innovations.
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Gerhard Richter

Gerhard Richter

Sheena Wagstaff; Benjamin H. D. Buchloh

Metropolitan Museum of Art
2020
sidottu
A lavishly illustrated monograph that spans the entire career of Gerhard Richter, one of the most celebrated contemporary artists "Spans the contemporary German artist's six-decade career. . . . [A] stirring exhibition in [its] own right."—New York Times"[A] weighty catalogue... illuminat[es] some less-visited corners of Richter's oeuvre."—New York Review of Books Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–Second World War Germany, in both broad and very personal terms. This handsomely designed book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist’s technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist’s enduring interest in photographic imagery; Briony Fer looks at Richter’s family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist’s engagement with landscape as a site of memory; André Rottmann considers the impact of randomization and chance on Richter’s abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter’s rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Met Breuer, New York (March 4–July 5, 2020)Museum of Contemporary Art, Los Angeles (August 14, 2020–January 19, 2021)
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Gerhard Richter – Early Work, 1951–1972

Gerhard Richter – Early Work, 1951–1972

. Mehring

Getty Publications
2011
sidottu
This title takes an illuminating look at the unique work and artistic vision of Gerhard Richter. Born in Dresden in 1932, Gerhard Richter was first educated under the prevailing doctrine of Socialist Realism, but retrained after emigrating to West Germany, thus uniquely embodying the division of Germany during the Cold War. This volume brings together new studies of his early career by an international group of scholars. The authors approach the context from a variety of angles including the social and political histories of a divided Germany, the conflicted development of Soviet Socialist Realism in East Germany, a Cold War visuality integrating pre- and post- resettlement works, the archival dimension of the artist's output in relation to "Richter's Atlas", and the artist's involvement in the representation of his work in archives, exhibitions, and catalogues.
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Gerhard Lenski's Sociological Theories

Gerhard Lenski's Sociological Theories

Bernice McNair Barnett

Paradigm
2024
sidottu
Bringing together some of sociology's most distinguished scholars, Gerhard Lenski's Sociological Theories: Assessments, Extensions, New Directions critically assesses the influential social theories and monumental intellectual contributions of Gerhard Lenski in and beyond the discipline of sociology. For more than six decades, Lenski has been one of the most prominent and significant theorists of religion, social stratification, and ecological-evolutionary sociology. This is the first book to provide a systematic evaluation of Lenski's career and body of work, the ways in which his theories have been applied and extended in multiple disciplines, and his most recent work in the study of social change, inequality, and human evolution. Whether the focus is on religious, economic, racial, gender, or other social groups over the past 10,000 to 12,000 years, Gerhard Lenski and the distinguished scholars in this book have produced theories and research of great insight.
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Gerhard von Rad and the Study of Wisdom Literature

Gerhard von Rad and the Study of Wisdom Literature

Bernd U Schipper

SBL Press
2022
pokkari
Gerhard von Rad's study of biblical wisdom literature in Weisheit in Israel (1970) is widely regarded as one of the most significant studies in the field of ancient Israelite wisdom literature. More than fifty years later, contributors to Gerhard von Rad and the Study of Wisdom Literature reevaluate von Rad's most significant contributions and engage new methods and directions to wisdom studies today. This collection of essays is essential reading not only for specialists in wisdom studies but also for scholars and advanced students of the Hebrew Bible in general.
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Gerhard von Rad and the Study of Wisdom Literature

Gerhard von Rad and the Study of Wisdom Literature

Society of Biblical Literature
2022
sidottu
Gerhard von Rad's study of biblical wisdom literature in Weisheit in Israel (1970) is widely regarded as one of the most significant studies in the field of ancient Israelite wisdom literature. More than fifty years later, contributors to Gerhard von Rad and the Study of Wisdom Literature reevaluate von Rad's most significant contributions and engage new methods and directions to wisdom studies today. This collection of essays is essential reading not only for specialists in wisdom studies but also for scholars and advanced students of the Hebrew Bible in general.
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Gerhard Richter: 100 Abstract Pictures

Gerhard Richter: 100 Abstract Pictures

Gerhard Richter

David Zwirner
2023
sidottu
With a career spanning more than sixty years, the renowned painter Gerhard Richter is one of the greatest artists of the twentieth and twenty-first centuries. This book celebrates the artist’s continued dedication to experimentation and innovation.The Abstract Pictures were created when Richter, a few years ago, poured colored enamel paints onto a glass plate and allowed them to flow into one another in order to take shapes. He then captured these ephemeral moments with his camera and selected 100 of these “pictures” for inclusion in the book alongside equally abstract texts formed by randomly generated letter combinations.An artwork of its own, this intimate volume inspires both close looking and a beautiful interpretation of abstraction.
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Gerhard Richter: New York 2023

Gerhard Richter: New York 2023

David Zwirner

David Zwirner
2023
sidottu
This highly anticipated catalogue, accompanying Gerhard Richter’s first exhibition with David Zwirner, presents Richter’s last paintings along with his recent explorations in drawing, printing, and sculpture. ---------- “[His last paintings] can feel almost like exquisite texts to be read. . . . Their freshness and spontaneity feels like a new beginning.” — Roberta Smith, The New York Times ----------- Known for his abstract and realist paintings, Gerhard Richter has pursued a diverse and influential practice characterized by a decades-long commitment to the medium and its formal and conceptual possibilities. This remarkable book celebrates the breadth of Richter’s newest bodies of work and archives a historical moment in the artist’s career. Full-color plates and installation views showcase a selection of the artist’s final works on canvas—made just before he announced his retirement from oil painting in 2017—alongside an expansive suite of new drawings made with ink, graphite, and colored pencil on paper, a remarkable series of chromatic inkjet prints titled mood, and a stunning glass sculpture that debuted at the exhibition in New York. A newly commissioned essay by Dieter Schwarz, one of the foremost experts on Richter’s oeuvre, illustrates the artist’s path toward his newest bodies of work, revealing the creative process behind his iconic practice.
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