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Gilles Deleuze

Gilles Deleuze

John Marks

Pluto Press
1998
pokkari
Gilles Deleuze is widely regarded as one of the major post-war proponents of Nietzschean thought in continental philosophy. Over a period of forty years, he presented what amounts to a philosophy of vitalism and multiplicity, bringing together concepts from thinkers as diverse as Nietzsche and Hume. In the first comprehensive English-language introduction to Deleuze, John Marks offers a lucid reading of a complex, abstract and often perplexing body of work. Marks examines Deleuze’s philosophical writings – as well as the political and aesthetic preoccupation which underpinned his thinking – and provides a rigourous and illuminating reading of Deleuze’s early studies of Hume, Nietzsche, Kant, Bergson and Spinoza, his collaborations with Felix Guattari, and the development of a distinctively ‘Deleuzian’ conceptual framework. Marks focuses on the philosophical friendship that developed between Deleuze and Foucault and considers the full range of Deleuze’s fascinating writings on literature, art and cinema. This is a clear and concise guide to the work of one of the twentieth century’s most influential thinkers.
Gilles Deleuze's Logic of Sense

Gilles Deleuze's Logic of Sense

James Williams

Edinburgh University Press
2008
sidottu
This book offers the first critical study of The Logic of Sense, Gilles Deleuze's most important work on language and ethics, as well as the main source for his vital philosophy of the event. Deleuze's philosophy has always promised a revolution in ethical theories and in our understanding of the relation between language, thought and action. This book develops a critical reading of Deleuze's work in order to convey the potential and risks of his new approaches to questions of how to live an intense life in response to the excitement and danger of events. This interpretation covers all aspects of Deleuze's book, including engagements with phenomenology, with analytic philosophy of language, with stoicism, with literary theory and with psychoanalysis. Its aim is to open new debates and develop current ones around Deleuze's work in philosophy, politics, literature, linguistics and sociology.
Gilles Deleuze's Logic of Sense

Gilles Deleuze's Logic of Sense

James Williams

Edinburgh University Press
2008
nidottu
This book offers the first critical study of The Logic of Sense, Gilles Deleuze's most important work on language and ethics, as well as the main source for his vital philosophy of the event. Deleuze's philosophy has always promised a revolution in ethical theories and in our understanding of the relation between language, thought and action. This book develops a critical reading of Deleuze's work in order to convey the potential and risks of his new approaches to questions of how to live an intense life in response to the excitement and danger of events. This interpretation covers all aspects of Deleuze's book, including engagements with phenomenology, with analytic philosophy of language, with stoicism, with literary theory and with psychoanalysis. Its aim is to open new debates and develop current ones around Deleuze's work in philosophy, politics, literature, linguistics and sociology.
Gilles Deleuze's Philosophy of Time

Gilles Deleuze's Philosophy of Time

James Williams

Edinburgh University Press
2011
sidottu
Throughout his career, Deleuze developed a series of original philosophies of time and applied them successfully to many different fields. Now James Williams presents Deleuze's philosophy of time as the central concept that connects his philosophy as a whole. Through this conceptual approach, the book covers all the main periods of Deleuze's philosophy: the early studies of Hume, Nietzsche, Kant, Bergson and Spinoza, the two great philosophical works, Difference and Repetition and Logic of Sense, the Capitalism and Schizophrenia works with Guattari, and the late influential studies of literature, film and painting. The result is an important reading of Deleuze and the first full interpretation of his philosophy of time.
Gilles Deleuze's Philosophy of Time

Gilles Deleuze's Philosophy of Time

James Williams

Edinburgh University Press
2011
nidottu
Throughout his career, Deleuze developed a series of original philosophies of time and applied them successfully to many different fields. Now James Williams presents Deleuze's philosophy of time as the central concept that connects his philosophy as a whole. Through this conceptual approach, the book covers all the main periods of Deleuze's philosophy: the early studies of Hume, Nietzsche, Kant, Bergson and Spinoza, the two great philosophical works, Difference and Repetition and Logic of Sense, the Capitalism and Schizophrenia works with Guattari, and the late influential studies of literature, film and painting. The result is an important reading of Deleuze and the first full interpretation of his philosophy of time.
Gilles Deleuze's Difference and Repetition

Gilles Deleuze's Difference and Repetition

James Williams

Edinburgh University Press
2013
sidottu
This is a revised, expanded and fully up-to-date critical introduction to Deleuze's most important work of philosophy. This is the first critical introduction to Difference and Repetition (first published in 1968): Gilles Deleuze's most important work of philosophy and one of the most significant texts of contemporary philosophy. By critically analysing of Deleuze's methods, principles and arguments, James Williams helps readers to engage with the revolutionary core of Deleuze's philosophy and take up positions for or against its most innovative and controversial ideas. The book will also help to extend Deleuze's work to philosophers working in the analytic tradition. New for this edition: significant new material on intensity, Deleuze and science and questions of action after Difference and Repetition, all of which feed into current debates about how Deleuzian philosophy relates to politics and ethics; guides students through the key debates and oppositions by engaging with latest interpretations of Deleuze by Levi Bryant, Anna Sauvagnargues, Daniel W. Smith, Henry Somers-Hall and Miguel de Beistegui; and, a final critical section introduces and gives brief descriptions of new works on Deleuze, contrasting the Williams reading with others.
Gilles Deleuze's Difference and Repetition

Gilles Deleuze's Difference and Repetition

James Williams

Edinburgh University Press
2013
nidottu
This is a revised, expanded and fully up-to-date critical introduction to Deleuze's most important work of philosophy. This is the first critical introduction to "Difference and Repetition" (first published in 1968): Gilles Deleuze's most important work of philosophy and one of the most significant texts of contemporary philosophy. By critically analysing of Deleuze's methods, principles and arguments, James Williams helps readers to engage with the revolutionary core of Deleuze's philosophy and take up positions for or against its most innovative and controversial ideas. The book will also help to extend Deleuze's work to philosophers working in the analytic tradition. New for this edition: significant new material on intensity, Deleuze and science and questions of action after Difference and Repetition, all of which feed into current debates about how Deleuzian philosophy relates to politics and ethics; guides students through the key debates and oppositions by engaging with latest interpretations of Deleuze by Levi Bryant, Anna Sauvagnargues, Daniel W. Smith, Henry Somers-Hall and Miguel de Beistegui; and, a final critical section introduces and gives brief descriptions of new works on Deleuze, contrasting the Williams reading with others.
Gilles Deleuze's ABCs

Gilles Deleuze's ABCs

Charles J. Stivale

Johns Hopkins University Press
2008
sidottu
Friendship, in its nature, purpose, and effects, has been an important concern of philosophy since antiquity. It was of particular significance in the life of Gilles Deleuze, one of the most original and influential philosophers of the late twentieth century. Taking L'Abecedaire de Gilles Deleuze-an eight-hour video interview that was intended to be aired only after Deleuze's death-as a key source, Charles J. Stivale examines the role of friendship as it appears in Deleuze's work and life. Stivale develops a zigzag methodology practiced by Deleuze himself to explore several concepts as they relate to friendship and to discern how friendship shifts, slips, and creates movement between Deleuze and specific friends. The first section of this study discusses the elements of creativity, pedagogy, and literature that appear implicitly and explicitly in his work. The second section focuses on Deleuze's friendships with Michel Foucault, Jacques Derrida, Claire Parnet, and Felix Guattari and reveals his conception of friendship as an ultimately impersonal form of intensity that goes beyond personal relationships. Stivale's analysis offers an intimate view into the thought of one of the greatest thinkers of our time.
Gilles Deleuze

Gilles Deleuze

Paola Marrati

Johns Hopkins University Press
2008
sidottu
In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson's thought and Andre Bazin's film theory? What does it tell us about perceiving a world in images-indeed about our relation to the world? These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life.
Gilles Deleuze

Gilles Deleuze

Michael Hardt

University of Minnesota Press
1993
nidottu
The key to understanding Deleuze's complete body of work."A coherent and systematic reading of a philosopher who has consistently courted the incoherent and systematic. What we must avoid are encounters with those who cultivate sad passions (the men of ressentiment in the Nietzschean formulation); and we must increase our power to compose new relationships with compatible bodies with whom we share a common notion. Hardt's exceptional book is one such joyful encounter." -Times Literary Supplement"An excellent book. The project of Gilles Deleuze is to situate Deleuze squarely in the camp of those who seek to deepen and transform our philsophical understanding and political situation. Hardt seems to me to be directly on target." -Substance"Both for its object and its method of study, here is a work that will mark the future of the field of Deleuzian studies." -Eric Alliez, Critique"Hardt's reading of Deleuze is complex and precise. He follows the intricacies of the argument and of the shifting positions with considerable skill, thus providing us with a study not only of the Deleuzian way of doing philosophy, but of Deleuzian reading-of the selectivity of its targets, of its agonistic approach to philosophy, through indirect attack on one main opponent. Reading Hardt reading Deleuze reading, we can understand, for instance, why Deleuze's exposition usually takes the form not of a dialectic but of a correlation, of a system of differences." -Radical Philosophy"How can we forget the dialectic? How an we affirm a constitutive ontology? Through its efforts to respond to these questions, Gilles Deleuze's philosophical apprenticeship presents the Bildungsroman of any contemporary philosophy that wants to break away from the destiny of modernity. Michael Hardt unravels the guiding thread of this philosophy of the future." -Antonio Negri"Hardt's interpretations are exceptionally well-grounded in the history of philosophical discourse, a discourse he exercises with discipline and rare insight. As the only major work on Deleuze in English, this book will undoubtedly set the standard for any future study of one of France's most important thinkers-and it is a very high standard, indeed." -Peggy Kamuf
Gilles Deleuze and the Fabulation of Philosophy

Gilles Deleuze and the Fabulation of Philosophy

Gregory Flaxman

University of Minnesota Press
2011
nidottu
Although much has been written about Deleuze’s engagement with the arts, Gilles Deleuze and the Fabulation of Philosophy concerns the art of his philosophy. Gregory Flaxman suggests that Deleuze’s notorious rejection of representation gives rise to a singular task-to create new concepts and invent new means of philosophical expression. Tracing this task throughout Deleuze’s vast oeuvre, Flaxman argues that Deleuze’s ambition to think and write “otherwise” constitutes the fabulation of philosophy itself.For Flaxman, Deleuze’s philosophy is organized around the notion of the friend (philos). This book dramatizes the practice of friendship in Deleuze’s intimate affairs with philosophers-including Plato, Aristotle, Spinoza, Kant, and Foucault-and close encounters with a range of writers, including Homer, More, Kafka, Woolf, and Borges. Flaxman traces Deleuze’s relationship with Nietzsche, the friend from whom he learned to write “in his own name,” to explain how apprenticeship becomes the initial condition of Deleuze’s philosophical method. Detailing the transformation of Nietzsche’s genealogy into “geophilosophy,” Flaxman goes on to show how Deleuze’s philosophy of the earth precipitates his return to ancient Greece and induces his resolution to overturn Platonism. In this spirit, the book demonstrates Deleuze’s evocation of the “powers of the false” by examining how, in his battle against representation, he makes fiction the basis for a minor philosophy. This first volume draws to a close with a timely elaboration of Deleuze’s avowed, if enigmatic, “style as politics” in an age when capitalism and communication challenge the claims of philosophy as never before.A stunning and original contribution, Flaxman’s book restores the question of aesthetics to Deleuze’s thinking and writing. Gilles Deleuze and the Fabulation of Philosophy not only revitalizes our sense of the philosopher but revises the sense of his philosophy, provoking critical problems and novel possibilities with which readers will wrestle for years to come.
Gilles Deleuze's Time Machine

Gilles Deleuze's Time Machine

David Rodowick

Duke University Press
1997
sidottu
Although Gilles Deleuze is one of France’s most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze’s work on film and images. Placing Deleuze’s two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze’s theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze’s writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze’s other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
Gilles Deleuze's Time Machine

Gilles Deleuze's Time Machine

David Rodowick

Duke University Press
1997
pokkari
Although Gilles Deleuze is one of France’s most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze’s work on film and images. Placing Deleuze’s two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze’s theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze’s writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze’s other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
Gilles Deleuze: Image and Text

Gilles Deleuze: Image and Text

Continuum International Publishing Group Ltd.
2009
sidottu
This is an important collection of essays examining the intersections between Deleuzian philosophy and the arts. "Gilles Deleuze: Image and Text" focuses on the intersection between Deleuzian philosophy and the arts. Deleuze combined exceptionally rigorous insight into important Western philosophers with an extraordinary sensitivity to literature, music, painting and film. He was intensely interested in the medium of thought, which is by no means limited to philosophy alone: it also takes place in science, mathematics, literature, painting and cinema, to name just some of the genres of thought to which Deleuze most often refers. His own thinking emerged almost as often in conversation with artists and literary writers as in engagement with other philosophers, and his philosophy cannot be fully grasped without an understanding of his engagement with the arts. This significant and timely collection of essays from an international team of leading Deleuze scholars brings together interpretations and commentaries from Deleuzian perspectives on subjects such as literature, painting, music and film. The book represents diverse modes of engagement with Deleuze's philosophical concepts and problems and demonstrates the central role the arts play in any understanding of his philosophical ideas.
Gilles Deleuze: Image and Text

Gilles Deleuze: Image and Text

Continuum International Publishing Group Ltd.
2009
nidottu
This is an important collection of essays examining the intersections between Deleuzian philosophy and the arts. "Gilles Deleuze: Image and Text" focuses on the intersection between Deleuzian philosophy and the arts. Deleuze combined exceptionally rigorous insight into important Western philosophers with an extraordinary sensitivity to literature, music, painting and film. He was intensely interested in the medium of thought, which is by no means limited to philosophy alone: it also takes place in science, mathematics, literature, painting and cinema, to name just some of the genres of thought to which Deleuze most often refers. His own thinking emerged almost as often in conversation with artists and literary writers as in engagement with other philosophers, and his philosophy cannot be fully grasped without an understanding of his engagement with the arts. This significant and timely collection of essays from an international team of leading Deleuze scholars brings together interpretations and commentaries from Deleuzian perspectives on subjects such as literature, painting, music and film. The book represents diverse modes of engagement with Deleuze's philosophical concepts and problems and demonstrates the central role the arts play in any understanding of his philosophical ideas.
Gilles & Boissier

Gilles & Boissier

Dorothée Boissier; Patrick Gilles

Rizzoli International Publications
2021
sidottu
In 2004, Patrick Gilles and Dorothee Boissier partners both at work and in life founded their Paris-based interior design studio and furniture line, Gilles & Boissier. The maturity of their style, their simple yet sophisticated aesthetic, and the cinematographic compositions of their interiors allowed the brand to quickly ascend and gain reputation. Front-page designers in the world of interiors, they create projects for private clients and luxury brands all over the world. A unique celebration of their approach to contemporary design, this debut monograph centres on the duo s love of art, and how this shared passion has inspired their interiors. The designers present the inspirations behind their must renowned projects: the much-lauded Baccarat Hotel in New York is an ode to sensual, maximalist style; a palatial private residence on Italy s Lake Como emerges as a study of classical beauty; while a traditional French vacation home in Biarritz comes alive amidst lively pieces by Wolfang Tillmans, among others. Part interior design monograph, part art book, this new volume will appeal to anyone with an interest in visual arts and stylish French interiors.
Gilles Deleuze and the Theater of Philosophy
This collection, first published in 1994, contains thirteen critical essays by established scholars from the fields of philosophy, literary criticism, feminist theory, politics, and sociology, and a new essay by Deleuze himself. That the contributors are from a variety of fields indicates the extent to which Deleuze’s work can and will impact theory far beyond the discipline of philosophy.
Gilles Deleuze and the Theater of Philosophy
This collection, first published in 1994, contains thirteen critical essays by established scholars from the fields of philosophy, literary criticism, feminist theory, politics, and sociology, and a new essay by Deleuze himself. That the contributors are from a variety of fields indicates the extent to which Deleuze’s work can and will impact theory far beyond the discipline of philosophy.
Gilles Deleuze: Affirmation in Philosophy

Gilles Deleuze: Affirmation in Philosophy

J. Conway

Palgrave Macmillan
2010
nidottu
Why does knowledge of philosophy presuppose knowledge of reality? What are the characters in Deleuze's theatre and philosophy? How are his famous metaphysical distinctions secondary to the concept of philosophy as practice and politics? These questions are answered through careful analysis and application of Deleuzian principles.