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1000 tulosta hakusanalla Gillian Houghton
Internationally acclaimed clinical nutritionist Dr. Gillian McKeith introduces readers to the many health benefits of eating living foods, especially "raw" enzyme-rich living foods. These unprocessed, whole superfoods, sprouts, grains, seeds, sea vegetables, algae and others, are packed with vital nutrients our bodies depend on to carry out various physiological functions. The Living Food Program outlined in this book makes it easy to avoid the processed and overly cooked foods that contribute to poor health.
Gillian Laub: Family Matters
Aperture
2021
sidottu
Gillian Laub’s photographs of her family from the past twenty years, now collected in one volume, explore the ways society’s biggest questions are revealed in our most intimate relationships. Family Matters zeroes in on the artist’s family as an example of the way Donald Trump’s knack for sowing discord and division has impacted communities, individuals, and households across the country. As Laub explains, “I began to unpack my relationship to my relatives—which turned out to be much more indicative of my relationship to the outside world than I had ever thought, and the key to exploring questions I had about the effects of wealth, vanity, childhood, aging, fragility, political conflict, religious traditions, and mortality.” These issues became tangible in 2016, when Laub and her parents found themselves on opposing sides of the most divisive presidential election in recent US history; and further exacerbated in the lead-up to the 2020 election, in the wake of a global pandemic and protests in support of Black Lives Matter. Family Matters reveals Laub’s willingness to confront ideas of privilege and unity, and to expose the fault lines and vulnerabilities of her relatives and herself. Ultimately, Family Matters celebrates the resiliency and power of family—including the family we choose—in the face of divisive rhetoric. In doing so, it holds up a highly personalized mirror to the social and political divides in the United States today.
Internationally acclaimed clinical nutritionist Dr. Gillian McKeith introduces readers to the many health benefits of eating living foods, especially "raw" enzyme-rich living foods. These unprocessed, whole superfoods, sprouts, grains, seeds, sea vegetables, algae and others, are packed with vital nutrients our bodies depend on to carry out various physiological functions. The Living Food Program outlined in this book makes it easy to avoid the processed and overly cooked foods that contribute to poor health.
When the aliens began attacking every night, the Council reunited nations and became the defender of humanity. But there are some who say the Council is just as much of a problem as the aliens.For example, a young woman who's learned the hard way that anyone who gets in the way of the Council disappears forever. Or a girl who's fleeing an accident she'd be blamed for, who makes a discovery the Council would kill her for.Then there's Gillian Roth--feared by everyone who knows she exists.Gillian has a lot of secrets. Secrets about the Council, secrets about herself, secrets about her family. Sometimes it's nearly impossible to keep all of these secrets at the same time. When some of the secrets end up endangering the people she loves, she and her family have to run for their lives. In the process, they become entangled in the biggest secret in the world, a secret that changes everything.Gillian isn't going to be happy when she finds out what it is.GILLIAN'S EYE is a semi-dystopian novel set in an alternate present where things have gone even less well than they have here. It contains lesbians, psi abilities, politics, mad science, angry activism, unpleasant deaths, love, motherhood, televangelists, and nine-foot-tall insectoid aliens. And secrets.
Abandoned as a child by her alcoholic parents, Gillian Grant was raised by her grandmother in a beach house in California. As an adult, in tribute to Gram's memory, Gillian wishes to restore the house to its former splendor. But she can't do it alone, and hires Dusty Bradshaw to help her. Gillian and Dusty have nothing in common, except the restoration of the house. Gillian suffers from anorexia and is in denial. While she has a strong faith in God, Dusty is an unbeliever. Add to the complicated mess Gillian's confusing feelings for her childhood friend Josh and the sudden, unwanted appearance of Gillian's mother Betsy, who claims the house is hers. And she intends to sell it. Gillian always dreamed of her wedding in her grandmother's garden overlooking the Pacific. Will there be a wedding? Who will capture Gillian's heart-her stable, longtime friend Josh-or Dusty, a new Christian, who has kept secrets from her? And who holds the deed to the house?
The singular paintings of British artist Gillian Carnegie (b.1971) have been exhibited and discussed extensively for nearly two decades but this is the first substantial publication on her work.Carnegie’s work is explicitly analytical, systematic yet oblique in its reexamination of traditional painting genres such as still life, landscape, portraits, and the nude – all of them 'genres without a subject', as they have sometimes been called. Yet she makes clear that her impulse to resuscitate these categories is not simply an exercise in formalism, historicism, academic reverence, postmodern pastiche, or nostalgia. And far from being without a subject, far from having no story to tell, Carnegie’s paintings insistently suggest that there is a subject, that there is a story, but that the painting exists not to communicate it but to conceal it, to hold it incommunicado. In contemporary painting Gillian Carnegie's work stands apart, quietly, calmly and insistently uncanny, with an emotional tenor unlike anything else in art today.
Gillian Wearing
Ridinghouse
2012
nidottu
This monograph provides an overview of the work of Gillian Wearing, one of the UK’s most significant Conceptual artists, from the iconic Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say (1992–93) – a series of photographic portraits of people holding up signs with written personal confessions or thoughts – to her 2010 video Bully, in which the roles of victims and perpetrators, actors and directors, are blurred. Also included are new photographic works, two portraits from her ongoing series of iconic photographers, and still lifes of flowers that are inspired by the rich symbolism of seventeenth-century Dutch painting. The publication accompanied a major international survey of the artist’s work at Whitechapel Gallery, London; K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf; and Pinakothek der Moderne, Munich, in 2012–13. It features 100 full-colour illustrations and never-before-published archival material, accompanied by new texts by the exhibition’s curators Daniel F. Herrmann, Doris Krystof and Bernhart Schwenk.
The spark, from a damaged brain, ignited a passionate entry into a world of words, Gillian Firth's first novel 'Gillian Mk2' made an impact. Nicky Rogers, editor 'Mobilise Magazine': 'book that moves you so much . . . will be in your thoughts for the rest of your life' Her first book is 'a triumph' the language is expressive and emotional, and it transcends normal boundaries, akin to a rollercoaster. One moment the reader laughs tears, she rolls a cigarette that 'looks like a Havana and a tampon crossed' in the hospital, it also resembles a joint. Then you cry in pain, the disbelief and the frustration, as the strong young woman becomes a victim of circumstances. But read on . . . she will have a giggle around the corner. 'Typically Gillian' a continuation of this journey, requested by followers, she lives alone with help. Her disability is an issue but Gillian carries on, tackling routines of normality, the brave determination is inspirational, her parents and brother are irreplaceable, the harrowing but hilarious recounts of Gillian's exploits are memorable. Gillian brings reality to life and is adamant that she is 'not special' but she is and readers are right 'everyone' should read these books.
Suddenly, in 1994, the author stopped taking life for granted. When her existence filled with sunshine, parties and good times came to an end. A near-fatal car crash left her comatose for six weeks; Gillian doesn't know what happened on that night and never will. Gillian MK2 chronicles her feisty determination to regain independence in a society where she was invisible. We followed her trek for the first four years.From hospitals, doctors, fall, nurses onto more hospitals, specialists, falls, attitudes, patients Gillian Firth is lucky, clearly her family adores her, she lives to tell the tale and does so with blunt honesty. She knew nothing and only remembered she smoked because Pathetic bought her cigarettes, into the hospital ironically, her mum went mad.A Traumatic Brain Injury (TBI) is serious, life-changing, but you laugh out loud, then cry and laugh again, as we listen to Gillian speaking. Watch how she improves, cringe, or agree with her observations, feel the anger and frustration, and be embarrassed by comments and reactions. This author will be remembered for her flippant, but serious, heart-rending yet hilarious, kick in the teeth, that's what it is.Funny, factual, and inspirational my eyes are open.
Gillian Harvey Book 10
Boldwood Books Ltd
2026
sidottu
Gillian Harvey Book 10
Boldwood Books Ltd
2026
pokkari
Makes the case for the rediscovery of British philosopher Gillian Rose’s unique but neglected voice Kate Schick explains the core themes of Gillian Rose's work. She engages with the work of Benjamin, Honig, Zizek and Butler and locates Rose's ideas within central debates in contemporary social theory: trauma and memory, exclusion and difference, tragedy and messianic utopia. She shows how Rose’s speculative perspective brings a different gaze to bear on debates, avoiding well-worn liberal, critical theoretic and post-structural positions. Gillian Rose draws on idiosyncratic readings of thinkers such as Hegel, Adorno and Kierkegaard to underpin her philosophy, refusing to privilege the particular over the universal. While of the left, she is sharply critical of much left-wing thought, insisting that it shirks the work of coming to know and taking political risk in the hope that we might find a ‘good enough justice’.
Gillian White
Scheidegger und Spiess AG, Verlag
2017
sidottu
Gillian White, born 1939 in Orpington, Kent, has gained wide recognition for her work of monumental steel sculptures, the majority of them located in public spaces in Switzerland. White was educated first as a dancer at the Elmhurst School for Dance 1949-55 and later as a visual artist at the St Martin School of Arts (1956-60) and the Central School of Arts and Crafts (1959) in London, and at summer courses with Oskar Kokoschka in Salzburg and at the Ecole Nationale des Beaux Arts in Paris. She has been living and working in Switzerland since 1972. Her oeuvre consist mainly of large-size sculptures in steel, but also of smaller works in various materials, murals and mosaics. Although White's contribution to contemporary sculpture is strong and highly individual, this rich oeuvre has hardly been documented so far. "Gillian White. Dance in Steel" fills this gap and presents her work in a large number of images, mostly in colour. The focus is on her monumental sculptures in public spaces and the art-in-architecture works, but her paintings and the small sculptures, playful and precisely composed, are shown as well. Essays by expert authors and personal texts by writers and artist friends of White complement the images.